All posts by Dr McKinlay

Doctorate in Creative and Media Education. Head of Creative Technology Faculty, Hautlieu School, Jersey.

Filters

Author:
Category:

CSP 8: The i

In the exam, newspapers will feature in Section 3. Section 3 expects students to produce long answer questions about all four key theoretical areas of this course:

  1. Media Language
  2. Media Representation
  3. Media Audiences
  4. Media Institutions

If you haven’t seen this video (which was posted for CSP 7 TeenVogue, then watch it now, as there is a clear link between news, new media technologies, societies, politics, economics and individual lives.

Task 1: New Technology and the News

Technology is central to any Media Studies course, and is of relevance in terms of news, newsgathering, production, distribution and consumption, as well as playing a significant role in terms of democracy, knowledge, access and truth. As a starter exercise to understand this relationship in terms of news production, create a table and see how many different technologies you can put in each box, to show which what technologies are used in each stage of the production process.

Technology and Newspapers
Production Distribution Consumption
pen / pencil / paper
word processor / printer
telephone
camera
microphone
license
computer
trees
DTP data processors
sources of information
(large scale) printing press
lorries / vans / cars
stacks / shelves / display cases / boxes
social media platforms
company / organisation / individual to deliver product
storage
billboards
paper boys/girls
target audience
paper (the ability to read? & understand?)
a digital device (ipad/phone, computer
reading glasses / eyes / braille / audio provision (headphones)
WiFi
target audience

Media Institutions

So the link between new media technologies, corporate ownership and the media is . . . ‘Manufacturing Consent?’

Some such as theorist, academic and intellectual Noam Chomsky, that the media is a mechanism that is deliberately used by the rich and the powerful (the elite) as a way of ‘Manufacturing Consent’

If you want to a good documentary film that explores the way “uniformed electorate make irrational decisions” Chomsky, watch the film Get Me Roger Stone . . .

Task 2: reading and thinking

“The link between media ownership of news organisations and news coverage is not easy to determine” which is briefly discussed and summarised in The Sociology of News Production by Michael Schudson.

Read this hand out and extract 3-4 short pithy quotes (that you could use in your exam answer) that helps to show your understanding and knowledge ie make sense to you. For example . . . .

  • the suggestion that the news media ‘reinforces’ a political situation (Murdock, 1982), or the idea that
  • different stances different news organisations or types of organisations take toward different audiences in the marketplace‘ (Curran et al, 1980), or
  • the proposition that “major media conglomerates control more and more of the world’s media. Where media are not controlled by organisations, they are generally voices of the state.”
  • the propaganda model that the media ‘serve to mobilize support for the special interests that dominate the state and private activity‘ (Chomsky, 1988)

So how does this process of ‘manipulation’ or ‘persuasion’ work?

  • Structures of ownership
  • The role of advertising
  • Links with ‘The Establishment’
  • Diversionary tactics – ‘flack’
  • Uniting against a ‘common enemy’

In another approach, we can suggest that the media are ‘agenda setting’, look at this powerpoint to understand what this could mean in terms of The iAGENDA SETTING

AGENDA SETTING

FRAMING

MYTH MAKING

CONDITIONS OF CONSUMPTION

In summary, we need to be able to read the signs . . .

In other words, the media are biased!

In terms of setting an agenda and mapping a clear political bias watch the video below where anchors at Sinclair-owned local news stations parrot a script pushing Trump talking points and “the troubling trend of irresponsible, one sided news stories plaguing our country.”

So can we trust the media?

How can the Media act in the ‘Public Sphere’ in the ‘Public Interest’?

“a public space between the private domain and the state in which public opionion was formed and ‘popular’ supervision of government was established” (p. 82: 1996)

Task 3: Note taking

Look at the following extracts and note 5-10 bullet points that shows your understanding of ‘the public sphere‘ and the media as watchdog. Focus on what these terms mean and how did they emerge and develop. For example, in the extract: Mass Media and Democracy by James Curran there is a focus on Jurgen Habermas and his concept of the ‘Public Sphere‘, basically arguing that the developments in education and the mass media allowed for a greater access to information particularly with regard to government, authority and the exercise of control. Similarly, Denis McQuail aruges for a media that specifically works in the public interest and not in a purely commercial interest.

Mass-Media-and-Democracy-James-Curran-focus-on-Habermas-1-column

This links to the main proposition that we faced earlier in the academic year which was: in what ways are the culture industries different from other industries? Which was put forward in this extract from this opening chapter Culture Communication & Political Economy by Golding and Murdock from  Mass Media and Society by James Curran and Michael Gurevitch,

A good starting point is to read this summary of James Curran and Jean Seaton’s work found on  page 121 of the AQA Media Studies text book (Hendry & Stevenson), that highlights their 1997 book: Power without Responsibility (James Curran and Jean Seaton) .

“shows how different ways of financing and organising cultural production have traceable consequences for the range of discourses and representations in the public domain” (p.11: 1996)

but . . . we need to be careful of astroturfing …

And our own ‘Political Bias’

Task 4: Complete the Political Compass Survey to give you an understanding of left / right . . . authoritarian / libertarian . . .

If news media (and other media forms?) exhibit bias, how can we identify and critically understand it? A good starting point may be to identify our own social-economic-political bias, so take this survey from ‘The Political Compass’ (link to test).

Post up the image of your results from the Political Compass and make some brief notes that show your understanding of left / right politics and authoritarian / libertarian forms of social control.

About the Political Compass

In the introduction, we explained the inadequacies of the traditional left-right line.

single left-right axis

If we recognise that this is essentially an economic line it’s fine, as far as it goes. We can show, for example, Stalin, Mao Zedong and Pol Pot, with their commitment to a totally controlled economy, on the hard left. Socialists like Mahatma Gandhi and Robert Mugabe would occupy a less extreme leftist position. Margaret Thatcher would be well over to the right, but further right still would be someone like that ultimate free marketeer, General Pinochet.

That deals with economics, but the social dimension is also important in politics. That’s the one that the mere left-right scale doesn’t adequately address. So we’ve added one, ranging in positions from extreme authoritarian to extreme libertarian.

cartesian plane with horizontal left-right axis and vertical authoritarian-libertarian axis

Both an economic dimension and a social dimension are important factors for a proper political analysis. By adding the social dimension you can show that Stalin was an authoritarian leftist (ie the state is more important than the individual) and that Gandhi, believing in the supreme value of each individual, is a liberal leftist. While the former involves state-imposed arbitrary collectivism in the extreme top left, on the extreme bottom left is voluntary collectivism at regional level, with no state involved. Hundreds of such anarchist communities existed in Spain during the civil war period

You can also put Pinochet, who was prepared to sanction mass killing for the sake of the free market, on the far right as well as in a hardcore authoritarian position. On the non-socialist side you can distinguish someone like Milton Friedman, who is anti-state for fiscal rather than social reasons, from Hitler, who wanted to make the state stronger, even if he wiped out half of humanity in the process.

The chart also makes clear that, despite popular perceptions, the opposite of fascism is not communism but anarchism (ie liberal socialism), and that the opposite of communism ( ie an entirely state-planned economy) is neo-liberalism (ie extreme deregulated economy)

chart with Stalin, Gandhi, Friedman, Thathcher, Hitler

The usual understanding of anarchism as a left wing ideology does not take into account the neo-liberal “anarchism” championed by the likes of Ayn Rand, Milton Friedman and America’s Libertarian Party, which couples social Darwinian right-wing economics with liberal positions on most social issues. Often their libertarian impulses stop short of opposition to strong law and order positions, and are more economic in substance (ie no taxes) so they are not as extremely libertarian as they are extremely right wing. On the other hand, the classical libertarian collectivism of anarcho-syndicalism ( libertarian socialism) belongs in the bottom left hand corner.

In our home page we demolished the myth that authoritarianism is necessarily “right wing”, with the examples of Robert Mugabe, Pol Pot and Stalin. Similarly Hitler, on an economic scale, was not an extreme right-winger. His economic policies were broadly Keynesian, and to the left of some of today’s Labour parties. If you could get Hitler and Stalin to sit down together and avoid economics, the two diehard authoritarians would find plenty of common ground.

A Word about Neo-cons and Neo-libs

U.S. neo-conservatives, with their commitment to high military spending and the global assertion of national values, tend to be more authoritarian than hard right. By contrast, neo-liberals, opposed to such moral leadership and, more especially, the ensuing demands on the tax payer, belong to a further right but less authoritarian region. Paradoxically, the “free market”, in neo-con parlance, also allows for the large-scale subsidy of the military-industrial complex, a considerable degree of corporate welfare, and protectionism when deemed in the national interest. These are viewed by neo-libs as impediments to the unfettered market forces that they champion.

Task 5: Apply the theory to the CSP

Now you have a better understanding of left / right; authoritarian/libertarian forms of government and control, let’s apply the CSP / The i.

Use some of the questions from the survey that you have just taken from The Political Compass and link them to specific examples to the CSP (below).

Set out your approach ie your questions and the examples in a table.

Once you have produced enough data, see if you can plot the compass position of The (based only on the 3 pages of our CSP.

As an alternative or more refined approach, take the whole test from the perspective of The i.

https://yougov.co.uk/topics/politics/articles-reports/2017/03/07/how-left-or-right-wing-are-uks-newspapers

Summing up this CSP

Overall, in this section students are aiming to develop enough knowledge to show understanding of most of the following:

  • patterns of ownership and control, including conglomerate mergers, vertical / horizontal integration and diversification
  • the impact of economic factors, including commercial and not-for-profit aims and intentions
  • the processes of production, distribution and circulation
  • the role played by key organisations, groups and individuals in a global context
  • how media organisations maintain, varieties of audiences nationally and globally
  • recent technological change in terms of production, distribution and circulation
  • patterns of consumption and response in terms of new media technologies
  • the impact of ‘new’ digital technologies on media regulation, including the role of individual producers
  • the regulatory framework of contemporary media in the UK

Task 6: Define these key terms

Now that we have developed an overall understanding, it is time to define and make notes on some key terms that you will need to know for your exam.

  • News Values
  • Gatekeepers
  • Regulation / Deregulation
  • Free market vs Monopolies & Mergers
  • Media concentration / Conglomerates / Globalisation (in terms of media ownership)
  • Vertical Integration & Horizontal Integration
  • Neo-liberalism and the Alt-Right
  • Surveillance / Privacy / Security / GDPR
  • The Leveson Enquiry
  • The Cairncross Review (read these questions under consideration: Caincross_call_for_evidence_govuk)

As a final point for this CSP make sure you facts and figures are in place . . .  

Task 7: Find 10 Facts about The i

Build up evidence (ie KNOWLEDGE), for example, find some information about:

  • History,
  • Format,
  • Editors,
  • Political stance,
  • Target Audience,
  • Cost,
  • Circulation,
  • Profit
  • etc

Note that the previous owners of The i – Johnston Press were up for sale and were bought out by JPI Media, read this article and that this ownership has recently changed through the acquisition and merger by the Daily Mail group https://www.bbc.co.uk/news/business-50598506 and https://www.theguardian.com/media/2019/nov/29/daily-mail-owner-buys-the-i-newspaper

Or for a brief look at contemporary ownership and control read this BBC article that asks why Billionaires want to own the news?

Assessment

ASSESSMENT: Go to the Planner page/tab and choose either the 7571 Question Paper from 23rd May 2018 and answer question 8. Plan your answer, share your responses and collaborate with others to produce a complete and full answer. Look at the feedback assessment sheet below for starting points and areas that you could / should cover in your answer.

You will also need to specifically refer to Curran and Seaton, so please look at the references to Curran and Seaton in the feedback sheet (and presented below) and look to match these ideas with your own reading of the two texts provided below. The aim is to build up your own knowledge and understanding of Curran and Seaton as this should be central to your answer.

  • ‘the United Kingdom regards press freedom as an absolute freedom.’ The government leaves it to the market forces to decide which press products survive’ (1992: 53).
  • In the case of the press, with certain limited exceptions, no legal restriction is placed on the right to buy or launch a newspaper. (This ensures, in liberal theory, that the press is free, diverse and representative (Curran and Seaton 2003: 346-7).
  • In this view of freedom of expression, it is the interests of the press, not of its readers nor of the subjects of its coverage, which are fundamental. (‘Free enterprise is a pre-requisite of a free press’)
  • Based on the assumption that democracy is best served by the free exchange of ideas, for which freedom of expression is vital. (‘the best test of truth is the power of the thought to get itself accepted in the competition of the market’)

CSP 7: Vogue

What is the CSP?

The actual CSP for this unit is to be found by you on any three of the following Vogue platforms:

In other words, to explore the MEDIA FORM that we recognise as: online, social and participatory media, students should look at the sites listed above in detail (specifically including the home page of the website and the ‘Lifestyle’ section) along with other relevant examples, illustrations, sections etc TO PROVIDE EVIDENCE for your essays.

Find out as much you can about this product and post your findings on a new blog post. Start by THINKING. What aspects of NEW MEDIA interest you? What aspects of Teen Vogue help you to explore and understand NEW MEDIA. Make sure you develop your initial ideas with some EVIDENCE, post up your findings to use as revision notes. Find evidence about individual stories as well as about the organisation who produces these products. OVERALL, you are trying show KNOWLEDGE OF THIS CSP and UNDERSTANDING OF NEW MEDIA

Starting points:

  • Ownership (INSTITUTION)
  • Conglomeration, vertical and/or horizontal integration
  • Cross-media titles / products (= INSTITUTION)
  • Income / Expenditure (= INSTITUTION)
  • Advertising, marketing, product placement etc – in terms of revenue and type of products featured in Vogue (INSTITUTION & AUDIENCE)
  • Primary target audience (= AUDIENCE)
  • Uses and Gratifications (= AUDIENCE)
  • Messages sent (encoded/decoded) ie the values, attitudes and opinions of this CSP (or ideology / political & social bias) (= REPRESENTATION)
  • Use of new technology / relationship to old technology (= LANGUAGE)
  • Layout, language, style, design, words, images, symbols, connectivity (=LANGUAGE)

Use the 3 recommended sites for this CSP and identify SPECIFIC STORIES,to EXTRACT SPECIFIC DETAIL to use as SPECIFIC EVIDENCE.

TASK 2: Select 2-3 stories from any of the links provided above and use these to provide a close textual analysis reading of Teen Vogue. As a starting point analyse your chosen examples (stories, tweets, posts etc) in terms of 1) political, social, cultural and economic contexts; 2) Media Language; & 3) Media Representations. Some starting points can be found below:

Political, social and cultural and economic contexts

Teen Vogue is culturally significant in its marrying of the political with fashion and lifestyle to target a young female audience more traditionally seen as interested in more superficial issues. Its explicit feminist stance and reporting on the Trump presidency has made it a relatively radical voice in the context of mainstream US media. The social and economic contexts can be addressed in terms of how the product has been received and how it has succeeded when other magazines (online) are struggling to maintain audiences.

Media Language

How are the codes and conventions of a website used in the product? How are these conventions used to influence meaning? The website could be analysed in terms of:

  • The language of composition and layout: images, positioning, layout, typography, language and mode of address.
  • The genre conventions of websites will be studied and the genre approach should also include reference to the content of lifestyle websites.
  • The application of a semiotic approach will aid the analysis of the way in which the website creates an ideology about the world it is constructing – often to do with age, beauty and social and political issues.
  • Narrative in the context of online material can refer to the way that the images and the selection of stories construct a narrative about the world.

Media Representations

The choice of this online product provides a wide range of representational issues. These include the representation of the target audience of young women in the United States but also globally. The focus on representation will build on work done in the analysis of visual images and can also be used to explore target audiences and ideological readings:

  • Representation of particular groups (age, gender, race), construction of a young female identity.
  • Rise, Resist. Raise your Voice’ is the slogan for the website.
  • Who is constructing the representation and to what purpose?
  • The focus on politics, social issues and technology (in addition to fashion and celebrity) suggests a new representation of young women.
  • Analysis of the construction and function of stereotypes
  • Representation and news valueshow do the stories selected construct a particular representation of the world and particular groups and places in it?

Defining and conceptualising New Technology

Technology is central to any Media Studies course, and is of relevance in terms of the production, distribution and consumption of news and news-gathering, as well as playing a significant role in terms of democracy, knowledge, access and truth. As a starter exercise to understand this relationship in terms of news production, create a table and see how many different technologies you can put in each box, to show which what technologies are used in each stage of the production process.

TASK 3: Define ‘New Media’ against ‘Old Media’. Use some of the key language highlighted in this post (see the separate sections on Language, Representation, Audience, Institution below). And/or follow this link

Key Words associated with New Media

share activecreative host
story
re-connect personalise stream
experience store scale immerse
interface live adapt binge
conversation re-perform circulate endless

Table to contrast ‘New’ vs ‘Old’ Media: Do you agree?


NEW MEDIA

OLD MEDIA
Active involvement
Passive involvement
Two-way conversation One-way conversation
Open system Closed system
Transparent Opaque
One-on-one marketing Mass marketing
About Me About Them
Brand and User-generated Content Professional content
Authentic content Polished content
FREE platform Paid platform
Metric: Engagement Metric: Reach/ frequency
Actors: Users / Influencers Actors/ Celebrities
Community decision-making Economic decision-making
Unstructured communication Controlled communication
Real time creation Pre-produced/ scheduled
Bottom-up strategy Top-down strategy
Informal language Formal language

TASK 4: Take 5 pairs of key terms from the table above and illustrate what they mean in terms of New Media, with a particular and VERY SPECIFIC textual reference from one of the Teen Vogue sites set by the board.

Now write some notes that answer the following questions:

Who really benefits from a digitally networked society? Big business or individuals? Refer to ‘loop theory’ and the ‘Dunbar number’

Q: How does big business benefit? What commodity do they trade in? Answer: predictive human behaviour. Write out an answer in your own words.

Shoshana Zuboff (very recent and very important theorist to quote . . .)

interests have shifted from using automated machine processes to know about your behaviour to using machine processes to shape your behavior according to their interests

Zuboff 2019, p. 338

So who is in control? The customer or the technologies? Are the technologies responding to our behaviour? Or is your behavior determined by the technology?

Read the extracts below, note the assertion that ‘social media users are dangerously unaware of the vulnerabilities that follow their innocent but voluminous personal disclosures’, that new technologies are now developing sophisticated tools to develop a relationship with potential customers based on ‘micro-behavioral targeting’, which looks to ‘change people’s behaviour through carefully crafted messaging’.

The Age of Surveillance Capitalism, Zuboff, 2019 p.272-273
The Age of Surveillance Capitalism, Zuboff, 2019 p.276-277

Task 5: Make a table that sets out the positive and negative consequences of using social media for audiences

Media Industries

Teen Vogue is a commercial media product but could also be seen as fulfilling a public service through its political reporting and social campaigns. The website also demonstrates the way that publishing institutions (in this case Conde Nast) have developed their reach through new technology and convergence – particularly relevant to this target audience.
• Teen Vogue’s web and social media sites show how institutions respond to changes in consumption.
• The use of digital platforms to expand the output and reach of the products demonstrates how institutions have responded to the impact of new technology

Media Audiences

The close study product provides an example of a clearly targeted, primary audience through demographics of gender and age which should encourage the study of issues of identity. Related to this would be a discussion of the changing relationship between producers and audiences in the context of participatory media.
• Definitions of mass and minority or specialised audiences.
• Debates around the idea of targeting specialised audiences (by age, gender, lifestyle etc.) and how successful that targeting is.
Differing interpretations by different groups – those belonging to and outside the primary audience. (Stuart Hall – reception theory)
• Opportunities for audience interactivity and creativity.

ASSESSMENT / EXAM QUESTIONS

TASK 6: Look at Question 9 on this past paper and then look at the guidance provided in this mark scheme . Read it through. Think about it and then write a 10 bullet point essay plan. Make sure each bullet points links to the next. Top and tail your plan with your main argument and conclusion (usually the same or similar)

ASSESSMENT: Go to the Planner page/tab and answer question 9 on the AS media Paper 1. Plan your answer, share your responses and collaborate with others to produce a complete and full answer. Look at the feedback assessment sheet below for starting points and areas that you could / should cover in your answer. Good luck!

CSP 6: LETTER TO THE FREE – COMMON

Selection Criteria

Common is an Oscar and Grammy award winning hip/hop rap artist who wrote Letter to the Free as a soundtrack to The 13th – a documentary by Ava DuVernay named after the American 13th amendment (the abolition of slavery). His output is highly politicised, existing in the context of a variety of social and cultural movements aimed at raising awareness of racism and its effects in US society (e.g.: Black Lives Matter). The product can also be considered in an economic context through the consideration of if and how music videos make money (through, for example, advertising on YouTube).

Music Video – Letter to the Free is a product which possesses cultural and social significance. It will invite comparison with other music videos allowing for an analysis of the contexts in which they are produced and consumed.

If this CSP appears in the exam it will be in Section B: Industries and Audiences

What needs to be studied? Key Questions and Issues

This product relates to the theoretical framework by providing a focus for the study of:

Media Industries

The media of music video provides a useful case study to consider:

  • how musicians and the wider industry have responded to rapid technological changestreaming, piracy, video hosting sites – finding ways to make money from previously free services.
  • the significance of patterns of ownership and control, including conglomerate ownershipvertical integration and diversification
  • the way new media products are distributed on youtube and across the internet by Vevo, a video hosting service.
  • How artists are marketed and developed: Common is a Def Jam recording artist. Def Jam is a label associated with urban and hip hop music, starting as an independent in the 1980s it is now owned by the conglomerate UMG (which also owns Vevo)
  • As the soundtrack to the Netflix documentary The 13th the video is an example of cross media promotion and marketing.

TASK 1: Create a new post that looks at:

  1. the artists involved (background, history, other work)
  2. the actual music video (style, genre, narrative, characters, theme, message, ideology etc)
  3. the institutions involved in this production (think again about majors vs indies, the role of conglomerates, vertical and horizontal integration, cross-media ownership, synergy, marketing & distribution, methods and modes of production and of course revenue).
  4. the audience who are targeted (the role of politics, identity and culture in terms of producing product for ‘the culture industries’). Remember to think about audience theory – particularly, the theory of preferred reading.

Points you could include:

  • processes of production, distribution and circulation by organisations, groups and individuals in a global context
  • the relationship of recent technological change and media production, distribution and circulation
  • the impact of ‘new’ digital technologies on media regulation, including the role of individual producers.
  • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification
  • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products
  • how media organisations maintain, varieties of audiences nationally and globally
  • the interrelationship between media technologies and patterns of consumption and response

Key terms

  • Gatekeepers
  • Regulation / Deregulation
  • Free market vs Monopolies & Mergers
  • Media concentration / Conglomerates / Globalisation (in terms of media ownership)
  • Vertical Integration & Horizontal Integration
  • Surveillance / Privacy / Security

TASK 2: How many of these key words can you relate to the other CSP’s in Section B (ie TV & Film)? Do you need to look at your notes or adjust them in light of what you now know?


Media Audiences

The study of audiences for this video will use the analysis of media language and representation to consider how the video addresses an audience. As both rap and political protest song, the video can be studied as addressing a range of audiences beyond the youth market.

  • How media producers target, attract, reach, address and potentially construct audiences
  • How media industries target audiences through the content and appeal of media products and through the ways in which they are marketed, distributed and circulated: widely distributed on video hosting sites aimed at a youth audience but also consumed by the audience for political documentary.
  • How audiences interpret the media, including how they may interpret the same media in different ways (Hall Theory of Preferred Reading)
  • Cultivation Theory
  • Uses and Gratifications Theory

Common LYRICS

TASK 3: Complete another exam question – go to planner and Media Sams Paper 1, Question 7: Explain how the social, political and cultural contexts of media influence how audiences may interpret the same media in different ways. Use Common’s Letter to the Free to support your answer. Use the feedback document below to help your answer the question.

A possible structure to your essay could be:

  • show your knowledge of the institutional details of the text ie specifics facts, figures, names, dates etc about the text. At this point show your knowledge of the music industry and use key terms (see above)
  • Next, show how audiences may (theoretically) interpret media texts ie audience theory.
  • Follow this up with specific ideas that suggest how certain audiences may interpret this particular text (ie apply the theory to this CSP)
  • Finally, make some summative conclusions based on your knowledge and understanding that show the importance of culture in terms of engaging with issues of power and control. For this you could reference Gramsci & his concept of ‘hegemony’ and/or Habermas and his concept of ‘the public sphere’

Hegemony

Habermas ‘the public sphere’

CSP 5: HIDDEN FIGURES

Overview

If this CSP appears in the exam, it will be in SECTION B and (as with our Television case study) will focus on INSTITUTIONS.  As such, students are not required to watch the film for the assessment. However, I recommend that you all watch the film over the weekend.

What do I need to study? Key Questions and Issues:

  • Hidden Figures is a co-production between independent production companies and a major Hollywood conglomerate through its film subdivision Fox 2000
  • Case study of industry context would include Fox as a conglomerate with an exploration of the role of low budget film making in its wider strategy.
  • With a budget of $25m Hidden Figures is a low to medium budget Hollywood film, an industry category which has recently been recognised for its profit potential.
  • Distribution techniques – focus on traditional distribution and exhibition linked to targeted audience.
  • Students do not need to watch the film but will need to be familiar with the production context and distribution materials to support advertising and marketing including the official website, trailers, posters, social media presence (twitter, facebook etc). A useful overview of the campaign can be found at:
    https://christhilk.com/2016/12/29/movie-marketing-madness-hidden-figures/
  • The concept of “risk-taking” in terms of subject matter which might not be tackled by big budget productions.
  • Ideas and debates about ownership and control, for example the idea of conglomerates using vertical and horizontal integration to ensure global market dominance.

TASK 1: Produce a post that provides institutional details of this film. Think about the relative size of the film – was it a big budget blockbuster, or was it a medium sized budget film? What do you think was the appeal of this film to Fox studios? What was the appeal of this film to audiences? Do you think this film was a success?

Use as much factual detail as possible: names of production companies, release dates, box office success, critical success etc Use this link to get some information about the marketing campaign:
https://christhilk.com/2016/12/29/movie-marketing-madness-hidden-figures/

ASSESSMENT: as with out CSP on TV, we will again complete an exam question in class, as such, make sure you spend some time planning your response. The question is from the AS 2018 exam (23rd May), on page 13 and is question 7. Note again that this is worth 15 marks and only allows you 1 & 1/2 sides to respond. You can find the markscheme / feedback sheet below with some helping advice & starting points underneath the teacher / student comments box.

BBC Bitesize Quick Quiz: link here

Social, economic and cultural contexts

Hidden Figures is a Hollywood low to medium budget film which combines serious (potentially controversial) themes about race in the US with a familiar, accessible film style. 

Hidden Figures deals with US history and the idea of the contribution of particular groups being ‘hidden from history’ (apparent in the marketing of the film). The subject matter of the film also links to contemporary concerns and debates about race in the US. The film is also targeted at an audience often ignored by Hollywood due to age, gender and race and thus can be explored in terms of the social and cultural context in which it was produced. As a low to medium budget film, it will be interesting to consider this film in its economic context, especially in comparison to big-budget Hollywood films.

Key words:

  • Media concentration / Conglomerates
  • Globalisation (in terms of media ownership)
  • Vertical Integration & Horizontal Integration
  • Gatekeepers
  • Regulation / Deregulation
  • Free market vs Monopolies & Mergers
  • Neo-liberalism
  • Surveillance / Privacy / Security / GDPR

For a broader look at MEDIA INSTITUIONS look at this post from my blog: http://mymediacreative.com/blog/2019/04/27/institutions/ you can use much of these conceptual ideas when thinking about CSP 4 TELEVISION & CSP 6 MUSIC (VIDEO).

CSP 3: THE BOSS LIFE

For our next CSP (number 3 of 9) we are looking at the area of ADVERTISING AND MARKETING, in the exam, you may well be asked to respond to this set text in terms of MEDIA LANGUAGE AND/OR REPRESENTATION. This CSP will appear in Section A of your exam paper.

So first of all here is the CSP that we are looking at:

TASK 1: TECHNIQUES OF PERSUASION

As this is looking at advertising the first task is to think about (and make some notes on) the way in which advertising persuades a specifically targeted audience to consume its product. In terms of the expectations from the exam board:

Students should be able to demonstrate knowledge and understanding of the persuasive techniques used in the advert and issues surrounding brand values, brand message, brand personality and brand positioning should inform the analysis.

So please watch this advert a couple of times, discuss with your friends and be prepared to feedback your answers to the whole class, think specifically about the following questions:

  1. Think about how Maybelline created an advert for this product. What elements are used to make this advert?  What media techniques are used in this advert?
  2. What is the brand message and what values does this hold for a modern audience? What makes this advert different?

Have a look at some of the following articles to help your understanding (and note-taking)

https://www.glamour.com/story/manny-gutierrez-maybelline-campaign

https://yourstory.com/2017/01/manny-gutierrez/

Maybelline Recruits Manny Gutierrez as Its First Male Beauty Star

You should also read page 15 of this Media Magazine ed 63 and you could try reading small sections of this academic paper called: Persuasive Techniques used in Marketing and Advertising, a thesis by Elizaveta Baryshnikova

Finally think about how you are going to feedback your ideas and share your notes.

Oh and also . . . don’t forget about how different audiences may interpret the same message in different ways . . . (remember? Stuart Hall and the Theory of Preferred Reading?)

The Language of Moving Image

It is possible to look at the Language of moving image from 2 perspectives 1) TECHNICAL CODES & 2) NARRATIVE. So firstly, make up a table that looks like the one below and in small groups fill in as much information as you can – you will need to watch the clip several times to do this. Upload the completed (shared) table to your blog. You may find this page useful: http://mymediacreative.com/blog/2019/04/20/language-of-moving-image-2/

Technical CodeDenotation (ie what is it – simply describe what you see / hear)Connotation (ie what does it signify)
Setting
Clothing
NVC
Dialogue
Sound Effect
Music
Camera shot size
Camera movement
Editing

Next apply the following 3 narrative theories to the maybeline advert:

  • Todorov’s Theory of Narrative Equilibrium
  • Levi-Straus Theory of Binary Opposition
  • Propp’s Theory of Narrative Characters Types

Again use a table to show your understanding. You may find this page useful: http://mymediacreative.com/blog/2019/04/22/narrative/

TheoristWhat does it mean (in your own words)How does it apply to the advert (in your own words)
Equilibrium
Binary Opposition
Character Types

THE EXAM

  • Look at the exam papers on the planner page.
  • Look at the section A.
  • Section A is focused on LANGUAGE AND REPRESENTATION
  • Section A looks at 3 CSP’s / Media forms:

advertising and marketing
magazines
video games

  • That means we have finished this section!
  • Therefore can you answer the questions from this section (if they were based on this year’s CSP’s? Mens Health, Tomb Raider, Maybelline)

PREPARATION FOR THE EXAM

If this CSP comes up in the exam you can expect your question to be based around discussion of the Maybelline advert mainly on representation of gender, age, ethnicity and lifestyle with opportunities for direct comparison with other advertising CSPs.

  • The way the media through re-presentation constructs versions of reality
  • How and why stereotypes can be used positively and negatively
  • The processes which lead media producers to make choices about how to represent social groups
  • How audience responses to interpretations of media representations reflect social, cultural and historical attitudes
  • The effect of social and cultural contexts on representations
  • Theories of representation including Hall
  • Theories of identity including Gauntlett

Therefore make sure you are confident in this area and to test your knowledge can you present a comparison between this CSP and one other CSP that we have looked at so far. Again think about how you wish to organise your ideas and feedback your presentation.

Make sure you analysis is focused on MEDIA LANGUAGE  and REPRESENTATION. Try to make some insightful points rather than stating the obvious, for example, discuss the use of semiotics, the notion of preferred reading and the concept of self-identity in Modernity (Giddens) see below.

MEDIA MINI MOCK SECTION A

I suggest you look at this post of mine about Media Language to make sure that you understand what it means ie it is much more than spoke or written communication and is specific to each media form.


TASK 2: THEORIES OF REPRESENTATION

Read this extract from a book called Modernity and Self Identity: Self and Society in the Late Modern Age, written by Anthony Giddens.

here is an edited version:

“The reflexive project of the self, which consists of the sustaining of consistent, yet continuously revised, biographical narratives, takes place in the context of multiple choice as filtered through abstract systems. In modern social life, the notion of lifestyle takes on a particular significance. The more tradition loses it hold, and the more daily life is reconstituted . . . the more individuals are forced to negotiate lifestyle choices among a diversity of options. Of course there are standardising influences . . . Yet because of the ‘openess’ of social life today, the pluralisation of contexts of action and the diversity of ‘authorities’, lifestyle choice is increasingly important in the constitution of self-identity and daily activity.”

Can you translate some of his ideas? For example, what is reflexivity? If you need more help you can read this post from my own blog: Representation, Identity & Self

Non-Binary, Intersex, CIS and . . .

Ayesha Tan Jones is a non-binary artist and musician who goes by the stage name ‘YaYaBones’

Once you have thought about this, think about the concept of a ‘non binary identity’. Follow this link to find out more. What does this mean to you? How do you feel about it? What about the concept of CIS? Or Intersex?

Do these concepts help you to understand the idea behind the Maybelline marketing campaign?

Again discuss this with your group of friends, make notes and be prepared to feedback to the rest of the class.

So how is the traditional male representation adjusting to this new world from the perspective of Advertising & Marketing?


approaches to representation

PREPARATION FOR THE EXAM

I suggest you look at this post of mine about Media Language to make sure that you understand what it means ie it is much more than spoke or written communication and is specific to each media form.

Make sure you analysis is focused on MEDIA LANGUAGE  and REPRESENTATION. Try to make some insightful points rather than stating the obvious, for example, discuss the use of semiotics, the notion of preferred reading and the concept of self-identity in Modernity (Giddens – see below).

  • The way the media through re-presentation constructs versions of reality
  • How and why stereotypes can be used positively and negatively
  • The processes which lead media producers to make choices about how to represent social groups
  • How audience responses to interpretations of media representations reflect social, cultural and historical attitudes
  • The effect of social and cultural contexts on representations
  • Theories of representation including Hall
  • Theories of identity including Gauntlett

Therefore make sure you are confident in this area and to test your knowledge can you present a comparison between this CSP and one other CSP that we have looked at so far. Again think about how you wish to organise your ideas and feedback your presentation. Or as part of your revision you could complete this mini mock?

MEDIA MINI MOCK SECTION A

If this topic comes up in the exam you can expect your question to be based around discussion of the Maybelline advert mainly on representation of gender, age, ethnicity and lifestyle with opportunities for direct comparison with other advertising CSPs.


REPRESENTATION, REFLEXIVITY AND MODERNITY

Read this extract from a book called Modernity and Self Identity: Self and Society in the Late Modern Age, written by Anthony Giddens.

here is an edited version:

The reflexive project of the self, which consists of the sustaining of consistent, yet continuously revised, biographical narratives, takes place in the context of multiple choice as filtered through abstract systems. In modern social life, the notion of lifestyle takes on a particular significance. The more tradition loses it hold, and the more daily life is reconstituted . . . the more individuals are forced to negotiate lifestyle choices among a diversity of options. Of course there are standardising influences . . . Yet because of the ‘openess’ of social life today, the pluralisation of contexts of action and the diversity of ‘authorities’, lifestyle choice is increasingly important in the constitution of self-identity and daily activity.”

Can you translate some of his ideas? For example, what is reflexivity? If you need more help you can read this post from my own blog: Representation, Identity & Self

Non-Binary, Intersex, CIS and . . .

Once you have thought about this, think about the concept of a ‘non binary identity’. Follow this link to find out more. What does this mean to you? How do you feel about it? What about the concept of CIS? Or Intersex? Do these concepts help you to understand the idea behind the Maybelline marketing campaign?Again discuss this with your group of friends, make notes and be prepared to feedback to the rest of the class.

Ayesha Tan Jones is a non-binary artist and musician who goes by the stage name ‘YaYaBones’

So how is the traditional male representation adjusting to this new world from the perspective of Advertising & Marketing?

CSP 2 MENS HEALTH

The second CSP that we will look at will also fit into key theoretical frameworks of SEMIOTICS, PRINT LANGUAGE & REPRESENTATION. As before, have a look at the products, front cover, contents page and article, and discuss in a small group as to whether you consider these to be RADICAL or REACTIONARY REPRESENTATIONS OF MASCULINITY, AGE, PHYSICAL AND MENTAL HEALTH AND . . .

This is an in-depth CSP and needs to be studied with reference to all four elements of the Theoretical Framework (Language, Representation, Industries, Audience) and all relevant contexts.

Print: Magazine. The magazine should be studied in depth – the front pages and extracts from the Jan/Feb 2017 edition must be studied are shown the pages following this information.

You will also need to study the magazine in relation to Media Industries and Media Audiences. This means looking beyond the specific edition to consider issues of ownership, production, funding, technologies and regulation (Media Industries) and targeting, marketing, sales and readership, audience interpretation, fulfilment, uses and gratifications ideas and theories (Media Audiences).

Media Language

The magazine front cover and specified content should be analysed in terms of the composition of the images, positioning, layout, typography, language and mode of address etc. this will then provide detailed evidence for application of the other theoretical frameworks

Semiotics: how images signify cultural meanings

Narrative and Genre

The genre conventions of the magazine cover will need to be studied. While narrative may be more familiar to students as an approach to apply to moving image forms, it can also be very
productively applied to print media as a way of examining audience targeting, positioning and interpretation.
• Consider the way the front cover creates a narrative about character and lifestyle in order to
attract an audience
• The way in which the cover stories create enigma and anticipation for the reader – to be fulfilled by reading on.
Narratology (Structuralism) including including Todorov, Lévi-Strauss

The cover and specified content can be analysed in the context of genre in terms of conventions of layout and composition – which will overlap with analysis of visual language – but also as part
of the genre of men’s health and lifestyle magazines.

Genre study would include an analysis of the conventions of magazine front covers – a study which would overlap with visual analysis and audience positioning. Students should extend their genre approach by analysing the conventions of content of the
magazine.

Genre theory including Neale

Media Representations

Clearly the key areas of representation suggested by the magazine are to do with gender, primarily masculinity but also how this affects the representation of women. For example:

  • The emphasis on male beauty and grooming challenges some conventions of traditional stereotypes of masculinity.
  • The types of images selected refer to concepts of hyper-masculinity and gender as performance
  • Men as object of a homosexual and heterosexual gaze
  • Theories of representation including Hall
  • Feminist theories including bell hooks and Van Zoonen
  • Theories of gender performativity including Butler

Media Industries

The main focus for industry for this close study product is Hearst publishing, the multinational conglomerate which publishes Men’s Health and a range of other fashion and lifestyle magazines.

This will provide a case study of a commercial media institution where the primary – though not sole – focus is print.

• Case study of Hearst as a conglomerate.

• Developments in new technology mean that many of their brands are now online as well as in print – including the Men’s Health website.

• Institutional strategies for keeping print popular and relevant in the contexts of developing technology and competition from other brands.

• Cultural industries including Hesmondhalgh.

Media Audiences

As ever the theoretical framework of audience intersects with the study of visual codes and genre crucial to analysing mode of address and techniques of persuasion with the front cover functioning

as a form of advertising.

• The mode of address can be analysed through the visual and written codes

• Study of target audiences in terms of demographics and psychographics for magazines – publishing companies provide a great deal of data online in relation to their audience research for specific publications.

• The way in which different audience interpretations over time reflect social, cultural and historical contexts.

• Reception theory including Hall

Social and cultural contexts

Men’s Health magazine represents a notable social and cultural shift in expectations of contemporary masculinity (a shift which could be usefully compared with the advert for Score Hair cream). The study of Men’s Health can be linked to social and cultural contexts through reference to body image and changes in what society deems acceptable and unacceptable representations.

Task 1: The Tomb Raider games cover and the Men’s Health magazine are both print products. But they are different media forms. As such, using the Language of Print terms (see last post on Tomb Raider), make a Venn Diagram that clearly shows the similarities and differences between these two different print media forms.

Task 2: Define the following key words on a new blog post.

• Positive and negative stereotypes
• Counter-types
• Misrepresentation
• Selective representation
• Dominant ideology
• Constructed reality
• Hegemony
• Audience positioning

You should also consider some ideas on identity proposed by David Gauntlett, see his site Theory.org for more information, where he talks about: ‘Theories of identity [associated with representation]’ which from me would be the ideas around, people having a route to self-expression, and therefore a stronger sense of self and participation in the world, through making & exchanging . . .

• Fluidity of identity
• Constructed identity
• Negotiated identity
• Collective identity

Task 3: Write up a 750 word formal essay (ie beginning, main body and conclusion) that compares the representation of gender in both Mens Health and Tomb raider (draw on all of the pages and not just the front cover). Use key language and specifically show your knowledge of: 1. SEMIOTICS, 2. PRINT LANGUAGE, 3. REPRESENTATION & 4. AUDIENCE THEORY. This question is based on question 2 in your AS exam.

The question is marked out of 20. Click on the mark scheme below to see how it is assessed and look at some of the essay support documents

Post this on your blog by 9:00 on Wednesday 30th October.

GUIDANCE: Compare the specific choices that have been made in the representation of gender in the two products. In your answer, you must consider:

  • how gender is represented through processes of selection and combination
  • the reasons for the choices made in the representation of gender
  • the similarities and differences in the representations of gender
  • how far these representations are influenced by historical, social and political contexts of media.

Think about the following before and after you have completed your essay.

  • Go back to your notes on the key words, phrases and ideas; reflect, expand, develop and extend your thinking and your definitions. Look at notes from other students to help you develop your thinking.
  • Look at the CSP’s in more detail, try to uncover something more than the obvious or the predictable.
  • Try to structure your essay so that one point links to the next and helps to build up an overall argument rather than a series of individual points. Use a range of connecting / link words (see work document uploaded to the Men’s Health post)
  • Use more subject specific terminology – ie key media studies words.
  • Draw upon all key theoretical areas: semiotics, media language, representation, audience theory.
  • Show evidence or wider reading – my blog, the articles and videos posted etc as well as your own individual research.
  • Make sure your essay has an introduction and a conclusion.
  • Look to identify contradictions, confusions and difficulties – this kind of essay is not straightforward or easy, so engage and try to resolve the complications.
  • Make sure your essay is long enough to really convey your argument and that you use formal language throughout.

Audience Theories

A key theoretical debate is the extent to which the media influence our ideas and opinions. In the first instance, RECEPTION THEORY (developed by George Gerbner based around research on TV viewing) suggests that exposure to reinforced messages will influence our ideas, attitudes and beliefs.

On the other hand Stuart Hall suggests that messages are actually ENCODED AND DECODED.

Stuart Hall went on to suggest that audience actually decode and interpret messages in different ways. He calls this the THEORY OF PREFERRED READING and puts forward the argument that audiences either accept the dominant reading of a text (A DOMINANT READING) or they reject the dominant reading of a text (AN OPPOSITIONAL READING), or they take up a reading somewhere in between (A NEGOTIATED READING).

CSP 1: tomb raider

A key Theoretical Framework for this media course is REPRESENTATION.

We can link this theory to the first 3 CSP’s (Mens Health, Tomb Raider game cover and Boss Life. Close Study Products are the media texts that you will be examined on in your exam. There are 9 in total.

CSP 1 TOMB RAIDER

The study focuses on:

Semiotics and the Langauge of Print

One way to look analyse this image is to think about The Language of Print & The use of Semiotics. So Task 1: apply as many key terms from SEMIOTICS AND PRINT LANGUAGE to the front.

  • Photograph
  • caption
  • Illustration
  • Logo
  • Crop
  • Depth of field
  • Perspective
  • Shutter speed
  • Colour
  • contrast
  • Texture
  • Setting
  • NVC
  • Font type
  • Font size
  • Serif / sans serif
  • Colour
  • Italic/bold
  • Underline
  • Title banner
  • Heading
  • Subheading
  • Leading line
  • Tag-line
  • By line
  • Structuring / sequencing
  • Institutional information
  • Adverts
  • Rule of 1/3rds
  • Blank/white space
  • Size
  • Position
  • Orphans/Widows
  • Gutters/borders
  • Juxtaposition
  • Hard lines
  • Graphic feature
  • Watermark
  • Drop cap
  • Columns
  • Paragraphs
  • Plugs / Ears
  • Page numbers
  • Date issue no.
  • Colour blocks
  • gradient

Key language:

Semiotics

  • Sign
  • Code
  • Convention
  • Dominant Signifier,
  • Anchorage

Ferdinand de Saussure:

  • Signifier,
  • Signified,

C S Pierce:

  • Icon,
  • Index,
  • Symbol

Roland Barthes:

  • Signifcation,
  • Denotation,
  • Connotation
  • Myth

You will also need to understand these key terms:

  • Ideology,
  • radical
  • reactionary
  • Paradigm,
  • Syntagm,

Representation

Another theoretical approach is to analyse the front cover (and the game) in terms of representation. In other words, what connotations, meanings and ideas are presented here? One way to approach this is to think about the Dominant ideas or ideologies in societies and think about whether this game reinforces or challenges these dominant ideas. In other words, is this a radical or reactionary text?

Task 2: In a pair or small group discuss your own ideas with regard to above and feedback to the class as a 2 minute digital presentation. Your ideas must be supported by EVIDENCE AND KEY LANGUAGE. Upload your presentation to your blog.

POINT

What are you trying to say?

EVIDENCE

Key language (above)

the front and back cover

the article below

the videos below

CONCLUSION

Reflect on your point – are you totally convinced by your evidence? Is it possible to find and present a counter-argument?

Does it lead to another idea or point?

Do all of your points add up to a ‘meta’ / overall argument?

Read this first to help you get some ideas: https://www.bigfishgames.com/blog/tomb-raider-body-image-lara-crofts-changing-look/ copied below link

Audience Theories

A key theoretical debate is the extent to which the media influence our ideas and opinions. In the first instance, RECEPTION THEORY (developed by George Gerbner based around research on TV viewing) suggests that exposure to reinforced messages will influence our ideas, attitudes and beliefs.

On the other hand Stuart Hall suggests that messages are actually ENCODED AND DECODED.

Stuart Hall went on to suggest that audience actually decode and interpret messages in different ways. He calls this the THEORY OF PREFERRED READING and puts forward the argument that audiences either accept the dominant reading of a text (A DOMINANT READING) or they reject the dominant reading of a text (AN OPPOSITIONAL READING), or they take up a reading somewhere in between (A NEGOTIATED READING).

Task 3: Go back to your statement of intent and write up – in continuous prose – your ideas around ‘representation’ and ‘audience theory’ in reference to your NEA (specifically your games magazine front cover)

  • the dominant ideological representations in your product (ie radical / reactionary) and
  • the way in which your audience could theoretically engage with your product (ie apply audience theory to your product)

Remember you can use this information when you revisit and revise your statement of intent.

audience theory

Basic audience theory is looking to investigate the relationship between ENCODING (the way that a message is CONSTRUCTED and DELIVERED) and DECODING (the way in which a message is RECEIVED and/or DECONSTRUCTED).

ENCODING . . . . . DECODING

follow this link for wiki info on Encode / Decode model (Stuart Hall)

Audience Theory and your NEA

When companies develop a new product they often construct a prototype or pilot around an ideal consumer. So for TASK 5: go back to your post that has your initial sketch and your initial ideas written up and describe the ideal consumer for your product. To help you could watch the video below which looks at the audience theory that suggests media products satisfy the USES AND GRATIFICATIONS OF THEIR TARGET CONSUMERS, in that sense, what are the uses and gratifications of your product/target audience, as ideally these should be matched.

A few slides from a presentation that we looked at earlier in the year. The full ppt can be found downloaded below

Young and Rubicam’s Psychographic Descriptors

NEA Deadline

Please note your first interim deadline for your NEA / Coursework is by 3:20, Friday 11th October.

For this deadline you will need to have both your Front Cover and your statement of intent uploaded to your blog.

Style model / models must be uploaded to the same post that has your front cover and statement of intent. So that I can see how you have developed your ideas. Remember that your production must follow institutional conventions ie it must look like a convincing, professional product.