Photo Shoot 3- Helmut Newton.

For my photoshoot I would like to look more at female empowerment and the future of women’s rights and how they are being portrayed in more positive way as times continue. This photoshoot will show a more positive light on women and how times have evolved to empower them instead of restrict them to certain values and opinions. This photoshoot will be created to show woman who are capable and headstrong with knowledge and intelligence.

For this photoshoot, I will take pictures in a house which is an out of school photoshoot to display women with power and almost being over-dramatic about their posing and expressions. Another interesting component of this photoshoot, is that these women will be young adults of the age of 18, instead of a women ages e.g. 30, who has lived a life to develop into who she is. Due to these girls’ age, it creates a meaning that it does not depend on age, when a girl can be powerful and self-confident. I would like to focus on posing and how, the way you come across, demonstrates your power and confidence.

Helmut Newton References.

My images are being produced In response to Helmut Newton’s work, however, my images will display similar signifiers in his work such as the topics of dominance, confidence and power. Although Newton’s work is controversial for being either critical of women or empowering women, I would like to explore different aspects of his work, as some of his images are seen to be empowering, and some more disparaging. The conflict of emotions towards his work argue whether his images are empowering the woman as his work surrounds themes such as power and control, instead of submission and manipulation. In my photoshoot, I am going to be interpreting Helmut Newton’s work surrounding themes of dominance control and power, but my work will be highlighting the difference in empowerment and objectification. I will do this by having a similar style of photographs, but have my models be glamorous and celebrated not glamourous and subordinate.

Here are some examples of images I would like to include in my photoshoot outside of school in response to his work.

These photos are perfect representations of images I would like to produce in my own photoshoot. I want my models to look elegant and posed in similar situations to this. I am choosing this style of photos out of his different genres as I feel these images display the classy and glamorous yet voyeuristic style of images where the women are dressed up. I want my models to pose in a confident manner to show they are self-aware and strong, contrasting with stereotypical portrayals of women.

My Photoshoot:

I would like my 3/4 models to initially be dressed in long black dresses with red lipstick and long straight hair. This is to demonstrate the stereotypical powerful woman during this time period. However, I would also like to experiment with different outfits and hairstyle and makeup in order to replicate different images and create an impression of fashion photography in response to Helmut Newton’s work. I would like to initially start with black dresses as many of his photos feature this type of outfit. However, I am attempting to provide similar extravagant clothing. Here are some outfit ideas I would like to include in my photographs. Pieces such as long dresses, black trousers, blazers, heels, tights and coats, all with darker tones I think will really boost my images to look more similar to his work.

Posing Ideas.

These poses give me ideas on how to show power, confidence and beauty. These are a wide range of things I would like to focus on in order to relate to the idealised view of a woman and how they are portrayed, vs how they really are. I really want to convey a message about how women are portrayed and how the line between glamour and class and objectification and humility is able to be hidden easily in the fashion world.

Photoshoot-My Favourite Images:

I chose to put these photographs into black and white in order to relate closer to Helmut Newton’s work. I feel like these fashion magazine inspired photographs are a good modern day representation of his work. I had 3 modes in different but similar outfits of long dark dresses and sunglasses. I feel like this was one of my more successful photoshoots which demonstrate an array of images relating to my chosen photographer’s work. The location of my photoshoot I feel played a key part in my photoshoot as the background included staircases, curtains, doors and fireplaces. I chose to include these features in order to create a grand and impressive backdrops for my shoot.

I feel these images are my best out of the 100 photographs I took. These images relate to Helmut Newton’s work as it demonstrates high contrast images with bold lighting. I feel this lighting incorporated with a black and white filter has heightened the quality and the sense of mystery and allure to my work. I also believe that these images revolve round a strong and powerful feminine energy of strength, which elevates the clothing promoted in a magazine as an audience will feel empowered and encouraged through self-assured and confident models. An impression of elegance, aggression, sass and glamour is a message I was attempting to share in my photoshoot as it opposes traditional depictions of female models in the fashion photography industry. I also wanted my models hair, makeup, accessories and outfits to be high fashion, quality and portray an expensive aesthetic. This is in order to give the impression that these are top fashion designer clothing which would be displayed in magazines such as Vogue, Cosmopolitan, Elle and GQ.

Top 5 Images In Colour:

These 5 Images are in colour as I think although having images in black and white are strong and detailed, the outfits and backgrounds create a striking effect on my images which I may also use in my final booklet. However, Helmut Newton’s images are predominantly displaying women in bold, high contrast lighting in striking outfits. I feel the coloured photos take away the ‘difference’ and ‘distinct’ effect and message for the viewer.

EDITING ANALYSIS.

Whilst editing my images, I have paid attention to Helmut Newton’s style of editing and made a multitude of different editing styles shades and colours. However, In the end I found a high contrast black and white is the perfect setting for these images. Whilst finding the correct filters and shades I also experimented with shades such as ‘cool shadows and warm highlights’, ‘flat and green‘, ‘red lift matte’ and ‘vintage instant’ out of the Adobe Lightroom filter presents of filters. I also focused on increasing the texture, whites, blacks and shadows in my black and white images to create a high contrast between black and white. But my coloured images I focused o lowering the highlight and blacks and increasing the contrast.

Comparisons.

I attempted to recreate some of Helmut Newton’s images by reinterpreting his model’s poses and body language. Such as legs crossed over, lying down on the floor and peering out into a keyhole. However, I like how my images differ to his images by the furniture and background setting being slightly different and more modern. The outfits are also more up-to-date and fashionable in the modern day world and could be potentially used in a modern day magazine, as opposed to a old-fashioned photoshoot from the 1960’s-70’s. To improve on this photoshoot, I would have liked to have done more outside images as many of Helmut Newton’s fashion images are recorded outside. I would also have liked to go to more inside locations with different styles and genres of rooms and interior design. I feel this variety of locations would add more interest and value to my shoot. I would also like to have experimented with more outfits instead of my models wearing the same outfits in virtually all photos. This would have created more of a fashion magazine vibe with all 3 models in different makeup, hair and outfits for different shots. I would have liked to have had better lighting inside. I could’ve done this by providing a ring light or a light source which would be move into different angles and perspectives for my images to have been of a higher quality. However, overall I believe this photo-shoot was successful as I have achieved images in inspiration to Helmut Newton with a fashion magazine style interpretation.

Essay Draft

Literary sources: Go to this blog post here: Theory: Literary Sources and copy relevant key texts relating to the subject of your essay and list in alphabetical order in your bibliography. In addition, find your own key texts in relation to artists selected for in-depth analysis in your essay and list these too. These texts could be interviews with the artist, or reviews/ critique’s written by others. See useful online sites/ sources here .

  • Research and identify 3-5 literary sources from a variety of media such as books, journal/magazines, internet, Youtube/video that relates to your personal study and artists references .
  • Begin to read essay, texts and interviews with your chosen artists as well as commentary from critics, historians and others.
  • It’s important that you show evidence of reading and draw upon different pints of view – not only your own.
  • Take notes when you’re reading…key words, concepts, passages, page number to be used for in-text referencing etc.


Essay Question

  • Think of a hypothesis and list possible essay questions
  • Below is a list of possible essay questions that may help you to formulate your own.

possible-essay-questions-to-investigate

Some examples of Personal Study essays from previous students:

Essay Plan
Make a plan that lists what you are going to write about in each paragraph – essay structure

  • Essay question:

How have concepts of childhood, loss and memory been explored in the photo books of Yury Toropstov and Laia Abril?

In what wat is identity and autobiography expressed in the work of Chino Otsuka and Tom Hunter?

In what way does Justine Kurland and Michelle Sank explore youth and femininity through their work?

To what extend is autobiography explored in the work of Jim Goldberg and Jo Spence?

  • Opening quote
  • Introduction (250-500 words): What is your area study? Which artists will you be analysing and why? How will you be responding to their work and essay question?
  • Pg 1 (500 words): Historical/ theoretical context within art, photography and visual culture relevant to your area of study. Make links to art movements/ isms and some of the methods employed by critics and historian. 
  • Pg 2 (500 words): Analyse first artist/photographer in relation to your essay question. Present and evaluate your own images and responses.
  • Pg 3 (500 words): Analyse second artist/photographer in relation to your essay question. Present and evaluate your own images and responses.
  • Conclusion (250-500 words): Draw parallels, explore differences/ similarities between artists/photographers and that of your own work that you have produced
  • Bibliography: List all relevant sources used –

Wells L. (1998). ‘The Photographic Gaze’ in Photography: A Critical Introduction. London: Routledge.

Kelly, A. (1998). ‘Self Image: Personal is Political’ in Photography: A Critical Introduction. London: Routledge.

Jansen, C. (2017). Girl on Girl: Art and Photography in the Age of the Female Gaze. London: Laurence King Publishing

Goldberg, J. (5 `May 2005) A Completely True Work of Fiction: Jim Goldberg’s Raised By Wolves. Magnum Photos: (https://www.magnumphotos.com/arts-culture/art/jim-goldberg-raised-by-wolves/). [Accessed Date Accessed]

Goldberg, J. (2 June 2021). Fingerprint: Tracing the Roots of Jim Goldberg’s Raised by Wolves. Magnum Photos: (https://www.magnumphotos.com/theory-and-practice/fingerprint-tracing-roots-jim-goldbergs-raised-by-wolves/) [Accessed Date Accessed]

https://www.theguardian.com/artanddesign/2023/oct/01/jim-goldberg-magnum-photographer-coming-and-going-book-raised-by-wolves-interview

Bull, S. (2009), ‘Phototherapy: The Family Album and Beyond‘ in Photography. London: Routledge.

Kuhn, A. ‘Remembrance: The Child I Never Was’ in Wells, L. (ed) (2003) The Photography Reader. London: Routledge

Martin, R and Spence, J. (2002) ‘Photo-Therapy: Psychic Realism as a healing art’ in Well, L. The Photography Reader. London: Routledge.

Jo Spence Memorial Library. London: Birkbeck: University of London.

Dennett, T. (2008): Jo Spence’s camera therapy: personal therapeutic photography as a response to adversity European Journal of Psychotherapy & Counselling (Volume 11, 2009 – Issue 1: Phototheraphy and Therapeutic Photography)

Heath, C. (2017). Work, Politics, Survival, British Journal of Photography

Weiser, J. (2005) Remembering Jo Spence: A Brief Personal and Professional Memoir… PhotoTherapy Centre

Jansen, C. (2020) Is Photography An Effective Form of Therapy? Elephant

Dennett, T. (2013). ‘Jo Spence’s Family Album’ in Family Politics, Issue 20. Brighton: Photoworks

Essay writing: Here is a link to another blog post which will provide you with guideline about how to structure each paragraph in your essay.

Essay introduction (draft)

To what extend is autobiography explored in the work of Jim Goldberg and Jo Spence?

My area of study is into identity, mainly focusing on how you can present yourself differently to everyone and looking into the anxieties of a teenage girl, especially in my life. I will be analysing Jim Goldberg and Jo spence in this essay, I am looking into them as they also do a lot on identity. Jim Goldberg mainly as a child, and jo spence into womanhood, I also like their creative aspects to their photography that I hope to also use. I will be responding to their work by making some similar photos which I will later use as a comparison, i will the respond to this essay question by first giving my introduction on them both, then having a paragraph each to how autobiography is especially explored in both their work, then maybe having paragraphs on similarities and differences and finish with a conclusion. Autobiography, as a theme in contemporary art, allows artists to reflect on and question the intersection of personal experience with broader social, political, and cultural contexts. In the work of photographers Jim Goldberg and Jo Spence, autobiography is explored not merely as a form of self-reflection but as a tool for social critique and identity construction. While both artists engage deeply with their personal lives, their approaches diverge significantly in terms of methodology, subject matter, and intent. Goldberg’s work blends documentary photography with personal narrative, using text to reveal the intimate relationships between himself and his subjects, thus embedding his autobiography within a larger social commentary on class, power, and marginalization. On the other hand, Jo Spence’s autobiographical exploration is overt and personal, often focusing on her own body and health, particularly through her struggle with breast cancer. Spence uses photography as a means of self-representation and self-exploration, engaging in a performative act of reclaiming her identity in the face of illness and societal expectations. This essay will examine how Goldberg and Spence each explore autobiography in their work, considering the ways in which they both navigate the personal and the political, and how their approaches contribute to a broader conversation about the role of the self in art.

Essay Paragraph 1 (draft)

essay introduction

To what extent have Anna Gaskell and Duane Michals explored narrative in their work. 

“Trying to combine fiction, fact and my own personal mishmash of life into something new is how I make my work. . .. I try to insert a degree of mystery that ensures that the dots may not connect in the same way every time.”—Anna Gaskell, in NMWA’s See for Yourself card  

Both Anna Gaskell and Duane Michal’s explore storytelling and narrative through the medium of photography. I intend to compare, analyse and explore the differing ways they both accomplish coherent and clear narrative through aesthetically interesting images and sequences in hopes to better understand the art of storytelling. and what makes a narrative recognizable in a selection of images. 
I have chosen Anna Gaskell as a primary focus because of her alternative and dynamic photography focusing on retelling darker and more uncomfortable side of childhood children’s stories, for example her re-telling of Alice in Wonderland. Her images are disturbing and beautiful on their own but combined tell chilling interpretations of recognizable childhood favorites. 
The reasoning behind My interest in Duane Michals is similar as his work relies on a sequence of many images, that appear inconspicuous but when put together create a sense of alienation and disequilibrium. He uses the philosophy that audiences will ‘see what they want to see’ (reference source) and believes that literal appearances are unimportant in comparison to the portrayal of the narrative he is trying to convey. This is important for me to understand to create a well-established re telling re-interpretation of Jersey urban legends that is disturbing, beautiful and clear in its intentions. 

Gregory Crewdson, Twilight, 1998

To better understand these concepts I will be first explore when people first began using photography as an expression of the self rather than a scientific means of recording a moment in time. This leads me to tableaux photography – a style of photography where people are posed in a constructed environment in order to convey a pictorial narrative through a single image, in contrast to photojournalism and documentary photography that make use of series of images in telling stories. Tableaux Photography often refers to fables, fairy tales, myths and real-life events as inspiration for recreation, and in this aspect Anna Gaskell draws strongly from the original tableaux photography in her own more modern interpretation. However, tableaux photography depends greatly on the interpretation of the viewer and is often very ambiguous and open-ended recreations of subjective themes. this concept aligns seamlessly with Duane Michal’s focus on ambiguity.