Analysing Performance: Remy Gaillard

In this performance, Gaillard dresses up as a member of the French National Volleyball team. As soon as the French team line up for the national anthem, Gaillard sneaks his way form the crowd, into the French line up. This performacne is an extremely hilarious and satirical video in which Gaillard attempts to make mockery of the intense, serious nature of the situation. The contrast between the focus of the players and Gaillard michevous, exagarated personality is very conflicting and interesting to compare. For example, during the national anthem, the French Teamm remain silent, whereas their ‘newest member’ Gaillard sings loudly and passionately.

In this performance much of the comedy arises from the atmosphere of confusion and absurdity created by Gaillard. He establishes a sense of complete chaos in which many players either seem unaware or simply perplexed by his sudden appearance. What is very interesting concerning the performance is the amount of time it took for Gaillard to be noticed and removed from the court. This in turn drew me to consider the idea of how people in society react to subversion. It was clear that when Gaillard went to shake the hands of his oppenant, that some people seemed surprised by this new players appearance who had not appeared earlier on, however they did seem to openly challenge this. This is an idea which I find fascinating about performace/performacne photography, the fact that an artist/performer is about to get away with acting subversly directly unchallenged, simply because people do not know how to respond to such an unusual form of behaviour.

The subtely of this performance I believe works very well. Gaillard’s objective is not to draw attention to himself as such, but instead it is to try to blend into a situation that he does not fit into. This means therefore that Gaillard is conducting his performacne from an ‘outsider’ perspective. An element of comedy that irises from the fact Gaillard has thrusted himself into a ridiculous and in many cases inappropriate situation. It is exciting to watch and there is a constant anticipation for Gallard to be caught out. This idea relates very effectively to the idea of chance, because the crowds reaction is completely uncertain and the length of the performances depends directly on factors outside of Gaillards control.

This performance has inspired me to explore the concept of an ‘outsider’ in performacne. By acting subversly in situations that you have no connections to, makes the performance even more exciting and on edge, because their is no way of interpreting how strangers will react. Also there is something more risky about it, due to the facto hat acting subservy in public is prehaps uncomfortable and more difficult than it would be to act subservy in front of people you know well. Such a performacne enables the performer to view the situation objectively. I felt that this was the case during our trip to St Malo, because we had no prior experience of then place, and we were  complete outsiders, forced to react and adapt (change) to the various situations that we were presented with.

Finals

As part of experimenting with the photographs I took in St. Malo to get a final outcome I narrowed down the photographs to my favourite ones I then chose two different photographs and a video. At first I was going to use the video however, I then took screen   shoots on Premier of 4 different moments which I thought would represent what the video was showing in stills. I think this looked appealing to the eye and showed the performance however you couldn’t see the audiences reactions as well as in the video which is a part of performance photography. I choose the second photograph because I liked the way it looks and the performance, however you can see two people from my group taking photographs of the performance. Finally, I choose the third photograph because I think It’s a different and more challenging performance but the photograph also doesn’t incorporate any audience reactions.  Over all my favourite out of the three is the screen shoots of the video however I’m going to try and incorporate the audience into my final.

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Tom Pope

Revolution
Revolution

I found this image on Tom Pope’s website and it was captioned ” 12 revolutions 12 estimated minutes 12 liters of gloss black paint” it interested me because I think it has a deeper meaning to it. This photograph was taken during a performance which seems to have been pre planned due to it being in an enclosed space which doesn’t look pubic. I think the photograph shows Tom using up liters of black paint by painting a circle over and over again for 12 minutes. Tom likes the use of repetition in his work and audience participation even if it’s just observation which we can see in this photograph. The fact that Tom’s back is facing the camera and the performance isn’t being done in an area which is appealing to the eye re- enforces the idea that Tom’s work is about the performance rather than the photo itself. After thinking about why Tom chose to paint a circle it occurred to me that clocks have 12 numbers on them which would fit in with his pattern of 12. The definition of revolution is ” a forcible up throw of a government or social order in favor of a new system”.  However when I googled the 12 revolutions nothing came up. In my interpenetration of the photograph circles usually represent a continuous cycle usually in the 12 hours a day reinforced by the repetition of going over the circle again and again and revolution being a key to breaking this cycle.