Throughout the past year of studying photography I enjoyed many areas of the subject from landscapes to studio portraits to looking outside the box for different elements that would fit the criteria of what defines Femininity as well and Masculinity.

I feel that my personal style and areas that I have enjoyed the most have improved my own work and my own explorations of photography. I found new ways to express my idea and I have found things that I would rather stay away from if I dont think it relates to the image i’m trying to create, I believe my personal project will explore idea that I find most interesting and what I think works best.

I explored historical areas such as the origins of photography, origins of romantism and early discoveries of still life. I also explored the works of Ansel Adams and his invention of “The Zone System” in the 1930s as well as New Topgraphics and the impact throughout the 1950s of the aftermath of The Great Depression and rural areas of America. These historical aftermath was captured by photograohs like Robert Adams and Lewis Baltz, the term “New Topographics” being coined by William Jenkins in 1975.

Using my own personal camera/lenses as well as accessing the school cameras (DSLR Canon E0S with a 18-55 IS lens) I also increased my knowledge of camera skills and techniques when manipulating a photograph and what to do when the daylight/ weather doesnt work in your favour. Softwares I have used in the course have been Adobe Photoshop as well as Adobe Lightroom Classic especially.

Below I have added a selection of photographs ranging in the different subjects below, different locations and different editing adjustments to show the range which I explored whilst being creative.

Studio/Lighting Techniques

Themes/ Ideas from photographers that I liked:

For my studio and lighting techniques I enjoyed being creative with positioning my subejct in different poses and positing the lighting to how I wanted it to appear. Lightining is very important when making photographs have a certain feel/ atmosphere. The lighting techniques we looked at were Chiarascuro, Rembrandt and Butterfly lighting. I believe I will use and experiement with these techniques in my personal project and will use the studio as a background as it could look like a interesting varied selection and look clean when producing different outcomes out of the same image and its a clean background which is easier to manipulate and adjust rather than a colourful and varied background with different complex textures tat may not look right when adding other colourful elements.

Cindy Sherman Inspired Manipulated Photoshoots

Themes/ Ideas from photographers that I liked:

Cindy Sherman’s work is cold and can be left to interepretation and usually her subjects have certain facial expressions and are positioned to appear vulnerable and objectify as the image focuses on the subject being the main element.

In this photoshoot I like the fact that the photoshoot can be manipulated and adjusted to how I want. I would like to use certain elements of Cindy Sherman’s work such as subverting narrative and playing around with the feminine atomsphere of 1950s household duties and playing into the typical stereotype.

Femininity & Masculinity

Themes/ Ideas from photographers that I liked:

In terms of the feminity and masulinity topic I liked the fact it was left to interpretation and that I was different to what we had experimented with prior to doing the project fem and masc.

It gave me time to play around with ideas and as well as prior to doing the project we had experiemented with the studio lighting so that also played a part as in where to shine the lighting in what spots so that the textures and certain areas to be brightened more than others despite the feminity and masculinity not reallyu being focused on facial structures but more on skin on other parts of the body thaty appeared more on either sides of the project.

Coastal & Natural Landscapes

Themes/ Ideas from photographers that I liked:

The project explores the landscapes which also impacted aby the storm that happened last year, showcasing the stark contrasts between natural beauty and environmental degradation. Through these images, I aim to highlight the balance between human development and the natural world, raising awareness of the ongoing changes in our ecosystems.

Capturing these moments in the different shoots, they allowed me to reflect on the consequences ofv human actions, they foster a sense of urgency to advocate for more sustainable practices. Each photograph urges viewers to recognize and confront the realities of the Anthropocene despite some photos looking like theirs nothing different/ odd about them considering environmental impacts.

In this project I enjoyed planning different locations for shoots and experimenting with how I wanted the photographs to appear in my head. Despite the photographs inspiration from Anthropocenic photographs buildings massive structures and large masses of mountains hills I tried to recreate a similar effect and take inspiration from oher artists/ photographers. I tried to vary certain images through adjusting them to black and white and some in colour but adjusting them so that the textures pop more.

St Malo Street Photography

The street photography project/ photoshoot taken in St Malo gives the audience a glimpse into the city from a candid and unfiltered perspective. Through the project I took photographs thaty included candid shots of the locals and tourists, markets and the seaside moments, the photographs above as well as the overall photoshoot captures everyday life and the unique of the character of St Malo.

I see myself incorporating elements I learned in this shoot as well as experiencing as I think it could work well in terms of how to structure and how candid photography looks good in terms of shooting individuals as it is very spontanieous

The street photography photoshoot allowed me to connect with people in a different way, capturing conversation and many different expressions. I was also inspired as each click of the shutter felt like a way to document a living narrative. The process of exploring the streets, discovering hidden areas and engaging with the community made the shoot memorable, turning the art of it into an experience that celebrated both the place and its people.

The objective for this photoshoot is: Capture the unfiltered reality of people’s lives and spaces by observing and photographing moments through windows, reflections, and street environments. Emphasize candid shots that reveal the quiet beauty, humor, or melancholy of everyday scenes.

Therefore my plan for this photoshoot is to doument reality and to use street photogroahy and public spaces with differnt types of people as my motive for this. I think the idea that differnt people are oding differnt thing and going in seperate direction with diffent expressions on their face makes it interesting. I want the photographs to feel candid, introspective, and observant, aiming to make viewers feel as though they are glimpsing a hidden narrative or private moment.

Locations that I may explore are:

Urban Street Corners and Cafés– Street corners, cafés, and storefronts that offer a natural setting where people are often preoccupied, providing chances to capture moments of introspection or interaction.

Residential Areas with Large Windows- Capturing private lives as visible through windows, blending elements of public and private space.

Public Transport Stops- Photographing people waiting or lost in thought, using bus or tram windows as frames, which add layers and reflections to the image.

Reflections on Buildings and Vehicles- Glass-walled buildings, car windows, and reflective surfaces on the street can add a sense of depth and allow for more complex compositions by combining elements in the foreground and background.

I may use my previous blogpost for inspiration that lists photographers that do similar work inspired by John Szarkowski’s theory of Windows.

Mirrors and Windows Photoshoot:

Inspired by Artists Henri Cartier-Bretton, Ansel Adams and Robert Frank, I have created a small photoshoot into the response of Mirrors and windows. Capturing both elements I aimed to envision my own concepts of the 2 In my own mini-project I will title: ‘People In Places’. Through this I will aimed to capture people I find in areas I choose to travel too. With locations being well known Jersey places, these will be recognisable to those that find interest in my work.

Project –

For my project, I captured the area of L’Etaq, Battery Moltke and Corbiere. Here I aimed to capture the naturalistic landscapes and people of the areas, As well as reflect my self as someone who is connected to these locations through family residing there or passions/hobbys.

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I created a zine with my photos I had taken at the harbour. I started by transferring my images from Lightroom onto InDesign. I made sure to pair images that had some correlation to ensure the images made sense with each other. I edited all the images in black and white and I really liked how it turned out because it creates a dramatic look. The title of my zine is “Life at the Harbour”. I chose this title because all my images are at the harbour and it shows what the people that work at the harbour see everyday all day during their job.

These are the images that are in my zine. Some pages on my zine are 1 image and take up the entirety of the page, I did this because some of the images didn’t match others and therefore I figured they would look better on their own. I like the page of the workers at the harbour and the images of what they do for work. I think these images are really interesting because not many people know what goes on at the harbour, and these images show what the workers do.

I enjoyed creating my zine because I liked experimenting with the different photos and seeing which photos went well together. If I were to create another zine at the harbour, I would take more up close pictures. This is because most of my images from the harbour are from a distance and think it would be more enticing to the viewers if there were more close ups of the boats and the harbour.

Szarkowski’s notion of photographs as “mirrors” suggests using photography to express introspection and subjective experience. This shoot uses mirrors as both literal and figurative devices for introspection, inviting viewers to consider the model’s inner world. We’ll blend realism with subtle digital manipulation to heighten the introspective feel, where the model’s reflection may appear differently than the outward image, symbolizing inner conflict, dreams, or hidden dimensions. In of my interpretation sand my mirrors inspired photoshoot I think I might focus on: Setup and composition, photographers to draw inspiration from, what kind of sample shots and why this approach works for a mirrors inspired photoshoot.

In terms of Set up and composition:

Having Mirrors as Frames and Windows so: Multiple Mirrors- The use of small and large mirrors positioned at different angles around the model. Some can be handheld, while others may be on stands or attached to the walls.

Framing Shots- Capture the model’s face and body parts framed within different mirrors. Mirrors create fragmented views of the model, giving a layered perspective that feels both intimate and distant.

Another idea could be Positioning the Model so through using poses where the model interacts with mirrors, such as reaching out, gazing into her own reflection, or resting her head or hands on the mirror. These poses enhance a contemplative atmosphere. As well as positioning the model so that her reflection tells a different “story” than her direct pose. E.g she might appear calm in real life but distressed or thoughtful in the mirror reflection, this can be created through subtle manipulations.

One more way can be through positioning the model to only reveal half of her face or body in the mirror’s reflection, creating a sense of duality or hidden identity.

A last option can be through the use of Manipulation Techniques:

Manipulating the images slightly in post-production to create fragmented, blurred, or subtly warped reflections, making the mirror’s view feel surreal and otherworldly.

Overlaying different facial expressions into the reflection, creating a multi dimensional narrative of the model’s internal state. This specific technique captures multiple “selves” or feelings within one frame.

Using a muted or vintage color palette to create a sense of timelessness, or heightening contrasts for a much bolder look that can draw viewers into the mirrored image.

The photographers that I could use for inspiration are listed in my previous winodws and mirrors blogpost but some other examples of photographers could be: Vivian Maier, Francesca Woodman, Duane Michals as well as Renee Magritte’s Surrealism (Painter).

Still Life

Still life is an arrangement of objects, typically including fruit and flowers and objects contrasting with these in texture, such as bowls and glassware. I found this project enjoyable to work with as I was able to take photographers images, from past and present, and produce my own photos inspired by them. I could photograph things that represented me, or intrigued me, making the project feel more personal.

My images:

Environmental Portraits

An environmental portrait is a portrait taken in the subject’s usual environment, for example, in their home or place of work. These types of photographs can reveal things about the person photographed, such as where they feel the happiest or most content. Since it’s in their natural environment rather than in a studio where photographs can be forced, the photos can almost tell a story of the subject as they’re being captured in their own, personal element. This was an interesting project as it was an opportunity to explore photography in another way. I had to take photographs of strangers, in their place of work, their natural environment, rather than in a studio. I like that for this photoshoot, my photographs could represent the strangers life, and the only thing that I controlled was taking the image itself.

My images:

Femininity Vs Masculinity

Femininity and masculinity are binary opposite, meaning they are a pair or related terms which mean the opposite to one another. Femininity and Masculinity can be described as the qualities or attributes of women or Men. The typical stereotypes of women tend to be kind, loving, helpful, nurturing, emotional and others related. For men, it’s being strong, powerful, scary, violent, assertive and others. I really enjoyed this project as I found it to be very inspiring. I knew my photoshoots had to be around ‘femininity vs masculinity’, however this was just a topic rather than a set photoshoot, so, I was able to take photograph of what inspired me and stood out to me, making m feel more motivated and involved. Which led to me producing a set of images which I am proud of.

My images:

Landscapes

A landscape is defined as all the visible features of an area of land, often considered in terms of their aesthetic appeal. The term Landscape originates from the Dutch word landschap which originally meant ‘region, tract of land’ but then took on an artistic meaning of ‘a picture depicting scenery on land’ in the early 1500s. This landscape project was an interesting topic to learn about especially the history of it. However I found the practical side, taking the photos, to be not as inspiring as other projects.

My images:

Street Photography

I enjoyed this project and focusing on Henri Cartier-Bresson as I find this style of photography appealing. When taking my own photographs I found it interesting and found that the photographs I was taking went really well.

Landscapes -Urban & Natural

Landscapes was one of my favourite topics we did in photography because I really enjoy taking photos of Vistas (views) of the land as I find it visually appealing to look at. There are also lots of creative paths as you could go down and take photos of such as, urban landscapes which could link to Urbanisation and the Topographics, or natural landscapes which could go down the route of Romanticism and the Sublime.

The New Topographics

The new topographics was also a topic I enjoyed. I think it was because I enjoyed photographing things which wouldn’t commonly be photographed, as well as the urban and industrial elements of it which I find interesting. Below are some of my favourite photos from the photoshoots I did.

Anthropocene

Anthropocene was a great topic we did in photography as it helped me see the impact humans are having on the planet including the small things which usually go unnoticed. Below are my favourite photos I took.

RECORDING > Based on the theme of ‘OBSERVE, SEEK, CHALLENGE’ – and with relevance to your Personal Study – produce 3 images that are documenting reality – ‘windows of the world’ and another 3 images that are staging reality – ‘mirrors of the world’.

PLANNING > Produce a blog post where you plan and sketch out a few ideas in relation to the photo-assignment. You may use some of the images or artists references we looked at earlier in the week as inspiration and put together a mood-board, that will act as inspiration for your shoot.

In the next lesson tomorrow (Wednesday) you will be given a camera to make initial responses. Be creative and use this opportunity to experiment with ideas or approaches to image-making that you might want to extend further in your Personal Study. The expectation is that you make a set of images during the lesson using the school environment (inside or outside) creatively. The photographic studio is also available where you can explore different ideas using different lighting techniques…Rembrandt lighting…Butterfly lighting…Chiaroscuro…reflected light…coloured gels etc.

Mood Board

Mind Map

Windows

Doug Aitken

Doug Aitken is an American multidisciplinary artist. Aitken’s body of work ranges from photography, print media, sculpture, and architectural interventions, to narrative films, sound, single and multi-channel video works, installations, and live performance. He was born in 1968 in Redondo Beach, California. Aitken takes documentary images of all different landscapes, but not only does he do that, he also edits them and uses photoshop, to create a square like shape of 4 different landscape images.

Window- The images Doug Aitken takes are window photographs, because they are documentary images, of the exterior world. This gives these images a sense of realism and objectiveness, because they are truthful images of external views of the world. He takes images of all different landscapes, such as mountains, forests, ocean, dessert, rocky areas etc. All these images present the world in its truest form, as it is not staged, or fiction, but instead candid shots.

My Recreation- To recreate Doug Aitken’s images, I am going to take images of all different landscapes, such as the beach, woods, sand dunes, fields, etc. My landscape images are going to be slightly different to his, as I am more limited then he was, because we do not have places, such as desserts and mountains in Jersey. However, I am also going to edit my images in the same way as Aitken, so that they look like his work and relate to his work. I want to edit my work how he did, because I think it is unique and aesthetically pleasing and that is why I have chosen him for my window photographer inspiration.

I also want to recreate images like this with all the same colour scheme, but I also want6 to create images that have 4 different colours, so I can put my own spin on his work.

Mirrors

Justine Kurland- Girl Pictures

Justine Kurland is an American Fine Art Photographer, who was born 1969 in New York. She is a female photographer, who explores the life and activities of other young girls. Kurland first gained public notice with her work in the group show Another Girl, Another Planet (1999), at New York’s Van Doren Waxter gallery. The show included her large c-print staged tableaux pictures of neo-romantic landscapes inhabited by young adolescent girls, half-sprites, half juvenile delinquents. This was her first exhibition of a photographic interest that lasted from 1997, when she began taking pictures of her mentor Laurie Simmons’s babysitter and her friends, to 2002. Altogether, Kurland published 69 pictures of girls in a series called “Girl Pictures.” The staged photos take place in urban and wilderness settings, with girls depicted as though to imply they are runaways, hopeful and independent.

Mirror- The images that Justine Kurland take look like candid images of girls having fun, but in reality these images are tableaux images, because they are staged images, which she has manipulated and had young girls pose for. These images also have a very personal element for her, because she was once a young girl and this is her way of expressing her childhood memories, through photography. These images are internal of her memories, thoughts and feelings. Not only are these images personal to her, but they resonate with all other young teenage girls, including myself, because I relate to these images, and these ‘activities’ that they are doing in these images, because these are activities I have also done, or still do in my teenage years.

My Recreation- I want to remake these images, because I relate to them, because these images are targeted at teenage girls, like myself. These images will also be a mirror for me, because I am going to take images of my friends doing activities that we would usually do. I will also make these tableaux images, even though they may look like candid images, because I am going to stage the image and have my friends pose in which way I think is best. I am going to make tableaux images, that look like candid shots, because that is what Justine Kurland did. I am also going to try and recreate some of the images that Justine Kurland made in ‘Girl Pictures,’ so that I can later compare them and edit them in a way that looks like Justine Kurland’s images.

Some Activity Ideas:

• Bonfire at beach/ forrest
• Bubbles in a field
• Around a lake
• Eating snacks/ takeaway in car
• Star gazing
• Camping
• Large open field
• Football/ games on beach
• Sand dunes
• swimming in sea/ lake
• Public bathroom
• Climbing trees
• Long road in countryside
• Cliff path

Images I want to recreate:

I want to recreate these images, because these are images that I would be able to recreate in Jersey at this time of year. I also want to recreate these images, because these images relate to me, because these are things that I would do, or have done with my friends, so I feel like I can really reflect myself onto the recreation of these images.

I also want to do my own twist on my images, because I want to take photos of activities I do, which aren’t displayed in ‘Girl Pictures,’ like indoor activities, because I want these images to be a reflection of me and my girlhood.

REVIEW

In the first year of photography, I learned many important lessons and now in my second and last year of photography I can tell you that, I’m still learning different and important aspects of photography.

Can you even define photography?

Many may bluntly say that photography is taking pictures from a camera or a type of art however I would like to argue that photography is much more than that. From all the projects that I have done, I can strongly state that photography is a complex art. I learned that, not all photographs can be edited or taken the same way, they all have their own type of ‘impurities’. There is many angles we need to consider when producing a photograph, photography isn’t something that is easily learnt, you have to know how to use a camera, how to change settings in the camera in regard of the surroundings and most importantly, knowing when to capture the perfect moment, a decisive moment.

I have learnt that photography can be a form of preserving a memory as it encapsulates moments in time and I’ve realised this by studying many artist in the 20th century, artist like Ansel Adams, Claud Cahun, Cindy Sherman and so much more talented artist’s. This preservation of memories enabled me to understand the development and contribution towards photography. Photography has also enabled me to express my views, what inspires me and most importantly what I love most. Producing photographs has allowed me to discover my style and format. I’ve also learned that, photography documents the social, cultural, present and historical issues. It brings awareness. After studying about an artist called Jason Jackson who preached about BLM, it brought me insight about what racism actually was and it’s impact.

Photography act’s as a watchdog, a term created by David Hesmondhalgh which is where the media is checked to ensure it’s accurate and fair

Proof that photography is a watch dog is by evidence I have gathered after studying a variety of artist that explored different topics. This allowed me to be aware of certain topics I wasn’t as aware of. One topic that I explored in photography that effected me the most was identity. It brought me awareness of how identity can be shown in many different ways and everyone has different type’s of perspectives in terms of identity. Nan Goldin was an incredible artist that completely changed my perspective towards identity, she redefined photography by recording the promiscuous lives of her unique friends and herself.

Overall photography taught me numerous things. It taught me how to become an artist, it taught me things I had no clue about, it taught me that, different is better, and lastly it taught me to view world differently than others.

REFLECT

Masculinity and Femininity:

Masculinity is often referred to the behaviours, roles traditionally linked with being a male and qualities, which are many times emphasised traits like strength, independence and assertiveness. Femininity is seen as something that has roles and qualities which are typically linked to being female, highlighted as nurturing, sensitive and empathy. The concepts or terms are both culturally and socially constructed which basically means they can vary across different time periods and societies within a community.

Someone who I studied and challenged femininity and masculinity was called Claud Cahun. She was a French photographer and an artist that showed her surreal self and was famously know for her self-portraits. She also explored identity and gender fluidity. Her provoking imagery challenged many traditional norms which made her a key individual in feminist art.

I learnt that, she was very evolved in her time period and her advanced thinking made her different to everyone. This challenged people, it made people have a different perspective of what identity actually was and even opened peoples eyes to gender fluidity. The project that I produced in response to her work, taught to me think outside of the box. It challenged me in many ways. It challenged me with defining what masculinity and femininity actually was and especially how I was going to express it without being stereotypical. It allowed me to be creative and open within my work.

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inspiration:

Evaluation:

My images had clear inspiration by Cahun’s work. I really liked my final outcomes and how I was able to mimic her techniques and ideas into my own perspectives, however if I was to repeat this study and response, I would try to be more accurate in colouring and editing.

Romanticism:

Romanticism was a literary and artistic movement from the late 18th to mid-19th century which sympathised emotion, nature and individualism. It evaluated imagination and often protested against traditional norms, the sublime and celebrating feelings.

An artist that I looked into that investigated romanticism was the talented artist called Robert Adams. He was known for his black and white landscapes of the American west where he compared the themes of human impact and nature. One of his project I looked into was ‘The New West’. He showed industrialised towns and often challenged these towns by capturing these towns with the background of the images being nature. He often put towns at the front and the nature in the back to comment on the effects that industrialisation was creating. The effect that he had when he put nature as the background was ground braking. Him doing this implied that we were forgetting about nature and worrying more about the human species and its ever growing population. His work brought me awareness and anger. It made me realise how much we have selfishly ruined and defrosted many fields to sustain our never-ending population. With this realisation, I was able to show this within my images. I was able to make urbanisation as something that was dark and bad in my images and make the nature/rural part of my image lighter, just like he did.

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inspiration:

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This topic was one of my favourite topics I got to explore. I really liked how awareness was brought to me via images and how eye opening it was. I enjoyed producing images that brought awareness and with these images, I could use them as a way to shout at the human population about the mass urbanisation but not literally. I did it through my images. However, if I was to repeat this again, using my final images, I would take images of towns instead a place that wasn’t as highly populated. This would’ve brought even more awareness about the mass population and the message Roberts wanted to imply.

Identity:

Identity mentions the qualities, beliefs and characteristics that make a person or a group distinct So, identity is about how each individual person perceives themselves and how they are seen by others. Identity is often influenced by experiences and social contexts.

A artist that I really liked learning about her work was an artist called Clare Rae. She is an Australian photographer who is famously known for her intimate portraits which explore themes of femininity and identity. Her work combined fine art and documentary styles where she would use light and composition to create evocative narratives. Her work was unique. She expressed her frustration towards objection in women, directly or indirectly. Positioning herself in awkward poses, enabled her to show that and communicate things that she could say or didn’t want to say directly. I learned that a body is a very powerful message. Without using words or implication, you can use your body to show how you feel or perceive something and I find that powerful. I also learned that we can use our surroundings to produce and image and when you combine those two things, a body and a surrounding, you get a striking message.

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inspiration:

Evaluation: I really liked my outcomes that were inspired by Rae’s work. I think that I powerfully showed my inspiration and awkwardness in my images, just like Clare. The poses in awkward settings, enabled me to be creative and inspiring. However, if I was to repeat this topic and response. I would do Self-portraits instead of taking images of others because Clare did that, to indicate an important and persuasive message.

STORY: 

If I were to describe my photo zine in three words they would be: Reflection, Calm and Exploration.

NARRATIVE: 

In this visual narrative, the readers/ audience gain more than a view, they get a window into the spirit of St. Helier’s and its harbour.

My zine is designed to capture and celebrate the unique essence of St. Helier Harbour through a carefully crafted narrative. This structure emphasizes the journey through the harbour’s different textures and the varied sights, framed through the experiences of a person walking along the waterfront.

In terms of narrative, the imagery invites viewers to imagine walking beside you along the harbour. Using close-up shots to introduce small details, like weathered rope textures, rusted anchors, and chipped paint on boat hulls. These visuals are intimate and set the tone for the journey.

As the zine progresses, it introduces various elements that make St. Helier Harbour unique: Capturing boats from different angles highlights the diversity of the vessels from classic fishing boats to sleek yachts, giving a feel for the harbour’s role as a commercial space.

As well as that it gives a glimpse into the life of fisheries and their workers, using candid shots, adding a human element to the harbour’s mechanical and industrial tones. The zine also showcases bustling market spaces and shoreline scenes to add vibrancy and contrast to the industrial focus of boats and machinery.

(Typology) In my zine, I used creative, maritime-themed fonts that provoke the essence of the sea and marine life. As well as that I experimented with typewriter fonts and larger typefaces to introduce sections and captions.

I kept captions short, using poetic language to evoke the image’s essence inside my zine but also with my title page.

Below, I have curated a selection of 10-16 final images for a mood board gallery page. I tried to blend the current images and experiment with juxtaposition by placing shots of the fishing vessels and boat rigging against scenes of calm water and sky, giving a sense of both the harbour’s working and tranquil sides.

I also used a repeat of the image as a background and coloured it so that it differentiates effectively and shadows to evoke the changing times of day/ temperature of the image depending on location, which adds an emotional rhythm to the gallery.