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Jersey Maritime History

What was the involvement of Jersey mariners in the Canadian cod-fisheries and the Transatlantic carrying trade?

Fishermen in the Channel Islands had set up profitable trade routes between Canada, Europe and America by the 1750s. They established bases on the Gaspé Coast where they could salt and prepare the cod-fish. It was during the 15th century that Jersey mariners reached Canada. Jersey fishermen were among the 10,000 European fisherman by the 1580s to make the transatlantic voyage to these areas every year to fish for cod.

Which ports did Jersey ships sail to and trade with?

There was an established trade route during the Roman period between Alet, in St Servan, and Hengistbury Head in Dorset.

Although these boats certainly called in to Jersey as well, Guernsey was the favoured stop off point, because of St Peter Port’s natural deep water. Furthermore, the Roman cargo boat which was raised from this harbour at St Peter provides information on the type of boat which would have travelled on this route.

What type of goods did Jersey merchants exchange for cod-fish?

Jersey cod merchants exchanged cargoes of wine, brandy, dried fruit, citrus fruit, oil, skins, furs, coffee, sugar, salt, and tobacco for cod-fish. Most of the cod was sold to Mediterranean ports, because of the large demand of fish in those countries. These cargoes were brought back from these ports, and often taken straight to an English or Northern European port, then returning home to Jersey with a third cargo, though some would come straight back to Jersey.

To what extent, has the island of Jersey benefitted from its constitutional relationship with Britain and the legacies of colonialism based on a slave plantation economy during the first Industrial Revolution (1760-1840)?

Jersey benefitted from the constitutional relationship it had with Britain and the legacies of colonialism based on a slave plantation economy during the first Industrial Revolution, especially during the peak of the cod trade. Fishing vessels for the Jersey fleet had moved from being built in the outposts of Canada to Jersey, along with the large scale commercial shipyard starting operation in 1815. By the 1850s, Jersey had 300-400 ships with a tonnage of over 40,000. It is estimated that by the 1860s, the Channel Islands and Jersey-built wooden fishing fleets made up about 6% of the total tonnage of wooden fishing fleets built in the British Isles. This significant growth of the economy could have also been correlated to the population increase doubling from 28,600 in 1821 to 57,020 in 1851.

Anthropocene Final Images

These are the photos from my Anthropocene project that I chose as my best photos:

Comparing and Contrasting

George Marazaki: ‘A Cure for Anthropocene’

My photographs relating to the Anthropocene:

Evaluation and Critique

For this photoshoot, I chose this location and took photos with inspiration from George Marazakis’ series called ‘A Cure for Anthropocene’. I decided to focus on man-made structures that are surrounded by nature that is predominant to the landscape or overgrown, for example, the radio tower at the top of the rocky cliff, the lighthouse atop the rocks out at sea, and the damaged, abandoned rock quarry surrounded by bushes, all showing the juxtaposition between nature and infrastructure.

I feel like my planning for this photoshoot helped me understand the overall composition and deadpan approach in Marazaki’s photographs, and I was able to take inspiration from those. In my photos, the natural light differed from each spot, which I paid attention to and adjusted my settings accordingly for the different locations. However, In my contact sheets, I noticed that some of my photos were underexposed, and I corrected them when editing by increasing the exposure or applying a mask on the darkest areas and increasing the exposure or brightness.

Anthropocene & Artist Research

What Is The Anthropocene?

Anthropocene is sometimes used to describe the period of time where human activity had a substantial impact on Earths climate and environment. The Anthropocene began in the 1950s. The word combines the Greek words “anthropo” which means “human”, and “-cene”, which is the standard suffix for “epoch” in geological time. The term was coined and made popular by biologist Eugene Stormer and chemist Paul Crutzen in 2000.

Edward Burtynsky
George Marazakis
Alessandro Zanoni
James Balog

Scientists have agreed that the acceleration of global warming and climate change is mostly through human activity, rather than natural processes. Four of the main causes of the Anthropocene is agriculture, urbanisation, deforestation and pollution.

These human actions cause changes in water cycle, imbalances and destructions of marine and terrestrial ecosystems, an increase of extreme meteorological phenomena, and the acidification of the oceans or disappearance of forests. Some examples of photographers which have focused their photography on the Anthropocene are; Edward Burtynsky, George Marazakis, Alessandro Zanoni, James Balog, etc.


Edward Burtynsky

Edward Burtynsky is a Canadian photographer, who is best known for his global industrial landscapes which represent over 40 years of his dedication to shining a light on the detrimental impact of the human industry on the planet. He was born February 22, 1955 of Ukrainian heritage in St. Catharine’s, Ontario. Furthermore, Burtynsky received his BAA in Photography/Media Studies from Toronto Metropolitan University in 1982, as well as receiving both an Alumni Achievement Award in 2004 and an Honorary Doctorate in 2007.

Edward Burtynsky was a director for the documentary released in 2018 called; ‘Anthropocene: The Human Epoch’, which takes a look at six continents and twenty different countries to capture the catastrophic effects that humans have had on Earth’s climate and environment over the last century. Burtynsky states; “I have come to think of my preoccupation with the Anthropocene — the indelible marks left by humankind on the geological face of our planet — as a conceptual extension of my first and most fundamental interests as a photographer. I have always been concerned to show how we affect the Earth in a big way. To this end, I seek out and photograph large-scale systems that leave lasting marks.” which shows his focus when photographing these types of landscapes related to the Anthropocene.


George Marazakis

George Marazakis is a Greek photographer who considers and approaches the Anthropocene as a concept and title for a series, dealing with human activity having dominating effects on the climate and environment. Marazakis was born in 1976 in Creta Island, Greece. He studied Mechanical Engineering and works for the Municipal of Heraklion.

George Marazakis’ series called ‘A Cure for Anthropocene’ considers how humanity’s impact on Earth’s geology is so critical that the current Geological epoch which began 11,650 years ago, Holocene, is being proposed to be replaced by a new one called Anthropocene. Marazakis states; “If we assume that humans, and by extension, human civilization is a product of nature, considering the way that appeared, as small growing changes in topography, an external observer could describe it as an autoimmune disease attacking its own body. However, what would be considered as a disease is our very existence and the cure, the ecological movement, does not aim at the salvation of the planet but at the salvation of human existence on the planet.” which shows his concern for the Anthropocene.

This is a digital landscape photograph by George Marazakis, from his series “A Cure for Anthropocene”. The composition features a factory emitting clouds of smoke far in the background as the focal point, surrounded by barren fields and mountains behind it. The road acts as leading lines which start in the foreground, stretches past the midground, and draws the viewers eyes towards the background’s industrial buildings. I believe this photo does not follow the rule of thirds, because the horizon is more centred in the image, and the focal point does not fall on any of the rule of third lines. The lighting appears to be natural daylight on a cloudy, overcast day.

No aspects of the photo are overexposed or underexposed, and the contrast appears to be not too strong. The depth of field is sharp so I believe the aperture is f/11, as the background and midground is clear and not blurry. The shutter speed appears to be 1/125, and the image is not grainy, so I believe the ISO is around 100-200. Furthermore, the context of this image aims to shed light on the Anthropocene, and the pollution released from these industrial buildings, caused by humans.

New Topographics Photoshoot

Contact Sheets


AEB/HDR merge – I set my cameras settings to Auto Exposure Bracketing to take this photo, and merged them together in Lightroom to make a HDR photo.

Panorama – I experimented with making two panoramas out of six landscape photos by merging them in Lightroom, I decided that I preferred the second panorama, which will be the one I am going to edit.


Edits

Edit 1

In black and white:

Before and After

Edit 2

In colour:

In black and white:

mask on rocks:

Before and After

Edit 3

In colour:

In black and white:

I chose to edit this photo because it features three different buildings with distinct architectural styles.

Before and After

Edit 4

Before and After

Edit 5

In colour:

In black and white:

Transform used to align image with grid:

B&W edits:

Edit 6

I am presenting this photo split up and cropped into two photos, because it offers two unique perspectives and a different shape of the same structure.

Before and After

Edit 7 & 8

Before and After

Romanticism Landscape Photos

Contact Sheets

Photoshoot for Romanticism/Sublime, inspired by Ansel Adams

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Experimentation with Auto Exposure Bracketing:

Three photos I took at different exposures

HDR Merge:

Merged photo edited


Ansel Adams Best Photos/Edits

Edits

Edit 1

HDR Merge

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Edit 2

HDR Merge

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Edit 3

HDR Merge

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Edit 4

HDR Merge

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Edit 5

HDR Merge

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Auto Exposure Bracketing

Auto Exposure Bracketing (AEB) is useful for capturing scenes with a high amount of contrast. When AEB is selected, the camera automatically takes three or more auto-bracketed shots each at a different exposure. Many digital cameras have an AEB option.

The most common method of using Auto Exposure Bracketing is to adjust the exposure to what appears best for the photo, and it will take three or more photos either side of the exposure you think is best, one slightly darker and one slightly lighter. Once combining the photos taken with different exposures, it creates a HDR photo, which is rich in detail in the parts of a photo that would be underexposed or overexposed by using the single exposure instead.

Below are examples of photos taken with Auto Exposure Bracketing (AEB) and merged to become High Dynamic Range (HDR) photos, allowing the details from every bracketed exposure shot to be seen:

Example with one of my landscape photos:

Three photos at different exposures

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Merged HDR photo:

Research – Ansel Adams

Ansel Adams was an American landscape photographer and environmentalist born 20th February, 1902 and died 22nd April, 1984. He is mostly known known for his photography capturing black and white landscape images. Adams favoured sharp focus in photographs and advocated for photographers to use the full tonal range in their photographs by helping found ‘Group f/64’. He also developed the ‘Zone System’ with Fred Archer, which is a technique of determining optimal film exposure and development.

The camera equipment Ansel Adams used to take his most well known photos were with 8×10 and 4×5 view cameras. He also used other types of equipment such as 35mm and medium format roll film through less common formats (Polaroid type 55 and 7×17 panoramic cameras).

During Adams early childhood, he experienced the 1906 San Francisco earthquake, in which the aftershock led to him breaking and scarring his nose, with it remaining crooked for the rest of his life. He was interested in playing the piano at age 12 and taught himself to play and read music. Once visiting Yosemite National Park in 1916 with his family, his father gave him his first camera during the stay. Adams enjoyed the beauty of nature since he was a young age, and he would explore landscapes such as beaches and sea cliffs.

Zone System

Developed by Ansel Adams and Fred Archer, the Zone System is a photographic method of determining optimal film exposure and development. This system assigns numbers beginning from 0 and ending at 10 to different values of brightness. These brightness values typically include 0 representing pure black, 5 (V) representing middle grey, and 10 (X) representing pure white.

Visualisation

A principle of the Zone System is Visualisation, which is when a photographer manages to capture an evocative and eye-capturing photograph which involves the consideration by the photographer of where the camera is placed, which lens is used, and possibly the movement of the camera.

Romanticism / Sublime

What is Romanticism?

Romanticism is an artistic and intellectual movement which is characterised by its emphasis on emotion and individualism as well as glorifying nature and the past, preferring the medieval over classical. Romanticism began in Europe near the end of the 18th century in approximately 1770, during a time of war with the French Revolution, which fuelled it. The romantic movement was primarily a reaction against the scientific rationalisation of nature and a revolt against the restrained emotional nature and the overwhelming changes in society introduced by industrialisation. For most of the Western world, its peak was approximately 1800 to 1850.

The Raft of the Medusa by Théodore Géricault, 1819

A main characteristic of romanticism is the deepened appreciation towards nature. There is a range of romantic landscapes which portray and praise nature for its ferociousness and lack of mercy, or it being beautiful and serene.


What is the Sublime?

Caspar David Friedrich, 1818

Sublime is described by Edmund Burke as an artistic effect that is “the strongest passion”, and in all cases terror and fear is the ruling principle. Furthermore, the sublime is associated with evoking the feeling of the strongest emotion that the mind is capable of experiencing, usually surrounding nature, which inspires great awe and terror knowing you are smaller and insignificant in comparison and at the mercy of nature.

JMW Turner, 1842
JMW Turner, 1819