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Walker Evans and Daren Harvey-Regan

Walker Evans

About him

Walker Evans was an American photographer as well as a photojournalist born in 1903 in St. Louis, Missouri. Walker grew up with a carefree childhood and developed interest in the works of the American writer, Mark Twain, and artists intrigued by traveling into the unknown. He studied French literature and Paris before discovering the works of the French photographer, Eugene Atget and became interested in photography. Evans wrote for numerous various magazines and worked for the Farm Security Administration to document the effect of the Great Depression on rural America. Evans instructed photography at Yale University and died in 1975 at the age of 72. Today, he is considered to be one of America’s most significant photographers.

His most famous piece

His iconic portrait of Allie Mae Burroughs – a farmer’s wife, and mother of four – whose unforgettable eyes seem to stare right through us 

Walker Evans

Other pieces of his

Why did he take photos like this?

Walker Evans took these photos because he wanted to document American society and culture, and especially the plight of the Great Depression. The camera was for him the best means to capture and represent the spirit of a people and a place. Evans considered very important the photography of common people and their everyday dealing, especially in cases of poverty and hardship. In showing the social and economic inequalities in America, Evans hoped to express, through his artwork, the existence of and plight of those who were all but ignored and excluded from society..

Daren Harvey-Regan

About him

Daren Harvey-Regan, the British photographer, was born in 1972. His work is recognized for a blend of fashion and beauty photography with fine art and portraiture. A graphic designer by trade, Harvey-Regan switched to photography for a full-time occupation. Magazines including Vogue, Vanity Fair, and Harper’s Bazaar have carried his photographic work, while clients include Givenchy, YSL, and Dior. Meanwhile, his fine-art photographic works have been exhibited internationally in galleries located in New York, Paris, and London. Harvey-Regan often tries to blur the line between reality and fantasy in his work, ushering surreal and dreamlike imagery. He considers photography as a way to study emotion and the human condition.

His work

Why did he take photos like this?

Daren Harvey-Regan’s photographic style is influenced by his interest in emotions and the human body. He works to capture unique and dreamlike images that embody human experiences. His works often straddle that divide between reality and fantasy by incorporating surreal elements and exaggerating the natural form to forge an almost other-worldly feel. With his graphic design background, he feels his photographic style has some roots in graphic design and art. He enjoys playing around with composition, color, and lighting within his images to evoke a sense of mood or effect.

How do Darren Harvey-Regan and Walker Evans compare?

Both Walker Evans and Daren Harvey-Regan are very skilled photographers, but both have a strongly different approach and style of working. Walker Evans was a documentary photographer with a specialty in the vivid recording of American life in the Great Depression. He photographed ordinary people and places, often in black and white, with a focus on realism and social commentary. On the other hand, Daren Harvey-Regan is a professional fine art photographer who specializes in fashion and portrait photography. His images have an otherworldly feel, with most of them showcasing elaborate utilization of color, distortion, and surrealism. Rather than documenting reality, Harvey-Regan’s photographs are about revealing the human condition and emotion. While their subject matter and approaches differ significantly, both Harvey-Regan and Evans share a common passion for photography and the desire to attempt to document the world they observe around them on their own terms.

How do Darren Harvey-Regan and Walker Evans Contrast?

Daren Harvey-Regan and Walker Evans are different in a number of ways:

1. Period: Walker Evans was a mid-20th-century photographer working during the Great Depression, while Darren Harvey-Regan is a contemporary photographer producing work primarily in the 21st century.

2. Subject matter: Walker Evans primarily worked on documentary photography and recorded the life and culture of America during the Great Depression and the post-World War II era. Harvey-Regan’s photography, however, is fashion- and portrait-oriented and aims to evoke feelings and a mood of otherness.

3. Style: Walker Evans’ style was realistic, using black and white photography to capture everyday people and landscapes and then used social commentary. Harvey-Regan’s style was however dramatic with the use of color, lighting, and a touch of surrealism in order to create ethereal, dream-like images.

4. Techniques: Evans’ and Harvey-Regan’s techniques are also vastly different. Evans used traditional photography techniques of the era such as black and white film, while Harvey-Regan uses digital image manipulation and lighting effects in order to highlight ethereal qualities in his subject.

Overall, Harvey-Regan and Evans are both renowned photographers, but their style, subject, and techniques all differ significantly, highlighting their individual approaches to the genre.

Camera handling skills and camera simulator

Exposure- refers to the amount of light that reaches the cameras image and sensor. Exposure is determined off ISO and Shutter speed.

Aperture- is the opening in the lens that controls the amount of light entering the camera, it is represented by an f-number.

Shutter speed– refers to the length of the time that the cameras shutter remains open when capturing a photo.it controls the amount of light that reaches the cameras image sensor.

ISO- refers to the sensitivity of the cameras image sensor to light. A higher ISO setting makes the sensor mire sensitive to light, allowing to capture photos in light condition.

Exposure meter- is a tool that helps you determine the correct exposure settings for your photos, it measures the amount of light in the scene and provides feedback on whether the image will be overexposed.

White balance- is a setting that helps you adjust the colour temperature of your photos

Auto focus- is a feature that automatically adjusts the focus of the lens to ensure that the subject in your photo appears sharp and clear.

Manuel focus- is a feature that allows you to manually adjust the focus of the lens. it gives you more control over the focus point.

Formalism

What is formalism?

formalism is an approach to art that focuses on the formal elements, like colour, shape, and composition. It emphasises the aesthetic qualities of artwork.

The seven basic elements to Photography

Line

In photography, the basic element of a line refers to the visible lines or edges within an image. lines can be straight or curved, horizontal or vertical, and they can create a sense of movement or lead the viewers eye through the photo.

lines in photography can have many affects on the viewer’s emotion. In this photo the mix of diagonal lines creating two triangles is giving a dangerous, dynamism and tension.

On the other hand in this photo there are vertical lines can evoke a sense of strength or height. and in this photo it clearly shows both.

Shape

in photography shape refers to the visual form or outline of objects within an image. It can be geometric, organic, or abstract.

because this photo has more geometric shapes, it creates a sense of stability and order. they are also a little more abstract geometric shapes which can evoke a sense of mystery and curiosity to the viewer.

Form

The basic element of forms refers to the three-dimensional appearance of object captured in a photo. It adds depth, volume, and texture to the image, making it more lifelike and tangible. Form can be conveyed through light and shadow, perspective, and the arrangement of objects in the frame. It helps create a sense of realism and presence.

form can have a profound impact on people, it adds depth and dimension, making the image more engaging and immersive. This image creates a tactical experience as peoples may feel drawn to the textures and shadows detail captured.

Texture

Texture refers to the visual and tactile quality of surfaces captured in an image. it adds depth and dimension, allowing viewers to perceive the texture of different objects or subjects, texture can range from smooth and soft to rough and gritty, and it can greatly enhance the overall visual impact of a photograph. By highlighting the texture, photographers can create a more immersive and engaging experience for the viewer.

Texture really can effect viewers emotions, as in this picture there is rough and bumpy texture from all the lines in the wood that one would almost be able to feel, a rough texture like this photo can create a sense of ruggedness or intensity.

Colour

Colours are a vital role in photography. They can covey different moods and emotions.

The warm bright colours in this photo like the red and yellow can evoke feelings of energy and happiness, and even though there are cooler colours they are bright and give a feeling of calmness but peaceful and happy.

Size

Size refers to the relative proportions and scale of objects within a composition. size in photography is relative and can be an illusion.

it creates a sense of depth, and can convey a certain mood. for example in this photo there is man angled to look small compared to the massive lighthouse behind him as well as the railings. it gives an effect of intimacy or vulnerability while the large objects evoke commanding attention.

Depth

Depth refers to the perception of distance and three-dimensional in an image. It adds a sense of space and can a photo feel more immersive. Techniques like using a wide aperture to create shallow depth of field or including foreground, middle ground, and background elements can enhance the sense of depth in a photograph.

depth in photography can make viewers feel like they are part of a scene, creating a sense of immersion and realism. it can also add visual interest and make the image more dynamic, drawing the viewers eye into the different layers of the composition. By creating a sense of depth, photography can evoke emotions such as wonder, curiosity, and a feeling of being transported to another pace, which i think this photo fits well.

Still life Gallery And Evaluation

This is my still life final photo that I picked because i liked it the most, my task was to show nostalgia and different symbolises from objects I had in the classroom, I took this same photo a few times and tried editing it differently with cooler colours but after that I decided that for these objects the warmer colours and more texture gave the right effect that I was going for.

Overall this topic was not my favorite as i dont find taking photos of objects that exciting but as my first photoshoot i did quite like the photos i took and edited.

Edited Still Life Images

This image I took for still life, this is completely unedited on adobe light room. The only way it looks like how it does is from lighting I controlled in the studio

This was the finished product I do still believe there is work and more editing to make it perfect.

How I edited .

I firstly cropped the sides of the photo because you could see some of the side from the infinity light and I didn’t want  that.

Then I warmed the temperature of the picture to +35 to give it the warmer yellow and orange colouring to go with the aesthetic.

After that I added a tint of +30 to darken it but still have it that warm tone but make sure everything was tinted with that.

I lowered the exposure to -140 as I thought  making it darker would look better because I got inspiration off over still life photos and when it was darker it not only matched the aesthetic but just matched the emotion drawn out of it and the story.
 
When it came to change shadows, highlights, blacks and whites, I mainly got rid of the whites and highlights not completely because I didn’t just want a black photo but just so the shadows and darker nit really stood out to deepen the story.

For texture I put it on +100 I love being able to see all the detail in every scratch and bump on all the objects I think it shows an antique, worn look.

I took more of these photos with the same objects because I still think there is room for improvement with my last edited one I thought with this one I might try and do thing differently to see if I prefer.

when editing this one I went for the opposite and did cooler tones to see a different story I could tell with the same objects.

firstly I changed the temp -67 as it gives a cooler blue colour and makes it look colder which already starts the affect i am going for.

I didn’t change the tint because it would add to much of a bright unnatural colour when I wanted a natural cold look to tell a story of death and continue an empty lonely vibe when a bright green would not do that.

i lowered the exposure so it is less bright and continues that darker lighting, because it continues the affect

As you can see I put the highlights up to 100 as i really wanted you to be able to see where the light in shining from adding the effect of the shadows behind the objects but making the shadows bigger and darker by putting the shadows to 46 as it makes them look larger then the object and adds to the emotion and depth of the image that I was going for. It also links me back into nostalgia in a way if you are looking at it like the shadows is an older version looking down on the childhood that made them who they are yet they left it behind.

The whites and blacks are similar because I didn’t want the photo to genuinely be too light or dark and be overtaken by a completely different look.

Still life Photoshoot

In this photoshoot it was a collection of home objects brought in or from school with different lightings and experiments to tell a story

These photos told a story of a war time on Juno beach.

These photos were taken from objects at school with a different colouring and symbolism.

i took these photos by placing them in the middle of the infinity light, then turned all the main lights off but kept the still standing light on and made it a warmer colouring to go with the aesthetic of the antique objects.

For the camera I put the around f/16 which is high because I don’t need to blur the background as it is plain already. A low shutter speed because the objects are still, it doesn’t need a high shutter speed.

these are my selected photos as I thought they were the best out of the ones I took and were ready to be edited.