Man Ray-Paragraph 3

Man Ray was one of the most earliest surrealist photographers, he was born in 1890 in Philadelphia, Pennsylvania as a Jewish immigrant from Russia. Much like Cahun he also changed his name from Emmanuel Radnitzky to Man Ray. In 1912 this family changed their last name in order to fit into American society. The famous quote from surrealist Francis Picabia ‘only useless things are indispensable’ links to how both photographers changed their names. Names are pointless, they are simply a way of others identifying you through association of your face with your name. In the world of surrealism, a name is essential to who you are, names tell stories about your heritage and they put you a bracket. This emphasis of ‘useless’ items being ‘indispensable’ is seen throughout Man Ray’s collection of Rayographs. These were known as camera-less photographs, he placed objects such as thumbtacks and coils of wire on a sheet of photosensitized paper and exposed it to light. These images were the binary opposites of the trends in photography at the time. Movements like pictorialism involved no manipulation, believing that adaptations and uniqueness would be a disruption to the artistic integrity of the medium. 

Untitled Rayograph- Man Ray, 1922. 

This image is part of his 1922 ‘Spiral Series’, composed of a spiral object and other shapes, from cubes to glass goblets. They mimicked dream-like landscapes, inspired by Giorgio De Chirico, the intent was to create a nonsensical concept, so that it was up to the readers imagination to take meaning from it or not. It was the whole idea that photography didn’t need to be literal, it could be metaphorical and creative. The coils of wire represent the lengths of your unconscious mind and how there is endless visions and emotions, some we don’t know about yet and ones we will never know about. The possibilities are endless in the unconscious which also can be translated into the world of photography, there aren’t patterns or trends to follow, you make your work your own. In the background there are clouds, giving the impression of different levels of space and slow movement. “You can never step in the same river twice” is the famous saying from philosopher Heraclitus. A river is constantly moving, as soon as you step into a river it will have changed within milliseconds, like surrealism, there is no consistency, artists are all different, there are no two photos the same. It is a fluid concept. Similarly, clouds are constantly changing shape, yet in this image the cloud is frozen in time. 

Photo-shoot 3: Final Images

This image (along with the 2 below), is meant to represent a liberation from the tight restriction of female gender stereotypes. Here, makeup and feminine products are seen to be destroyed, broken and smashed, showing a rebellion against the norm, and presenting examples of freeing individual expression, and breaking stereotypical gender roles in order to express ones self freely.
This image is a more overt example of the issues and problems caused by adhering to gender expression that doesn’t fit the needs and desires of the individual. Here, the subject is distressed by their need to adhere to the beauty standards of society, and therefore can be seen crying while applying makeup.
Here, I have made use of monotone in order to emphasize the contrast of te colours and shapes of the jewelry and hands. I kept a single colour in order to draw attention to the jewelry on the hand, and overall I feel like this image is the strongest from the photo-shoot, with it having a double meaning of identity liberation, and also feeling trapped and restrained by society’s standards and judgement.

The above images focus on the struggles and issues with trying to navigate gender identity in a society that doesn’t accept you. I have used both positive and negative examples, with some images reflecting the breaking, smashing and ruining of items that represent female beauty standards, therefore allowing the individual to be liberated from the pressures and strains of beauty standards. Alternatively, I have also made reference to more negative consequences of beauty standards, with one of the images depicting a female subject applying lipstick while crying, representing the affects of the pressure on women to adhere to society’s standards of beauty. The final image depicts male hands covered in jewelry, and although this can be used to represent the liberation of gender identity and expression (with the subject able to express their like of jewelry regardless of their gender), the way in which the jewelry is placed can also represent a chain/ties, used to restrict the hands.

Overall, I feel like this photo-shoot has been a success. I have developed one of my favorite images from the project (black and white hands), and will be using these images in my final book, as I feel like they successfully represent the struggles and triumphs of adhering to (and rebelling against) beauty standards and stereotypes.

Photobook specification

3 Words: Generations, Legacy, Family

Sentence: A book about the relationship between myself and my grandfather, inspired by the physical resemblance between myself and my Grandfather

Paragraph: Throughout my life, Whenever my family have looked at personal family photographs of my Grandfather as a young man, My family have constantly remarked upon the strong resemblance between myself and my grandfather and this is the inspiration behind this photo book, exploring my grandfathers young life and recreating original images myself whilst depicting this resemblance.

Book Design

I would like to produce a hardback saddle stitch bound book on semi gloss paper. Ideally I would like my book to be a square, roughly 30x30cm with a portrait orientation of images set as squares in the centre of the page with a white border. I would like to incorporate written text by my grandfather and myself and include these alongside the photographs and photographed objects throughout my project. I would have an image of my grandfather on the front cover and the same image replicated by myself on the rear cover of the book. I would like a simple title which I am still considering in terms of what to name the book. I would incorporate a full bleed image on the middle page of a landscape and I will either have one half of the book as photographs of my grandfather, and the other half will consist of images of myself recreating the photographs myself.

COMPLETE ALL CW FOR MOCK EXAM

DEADLINE: MOCK EXAM!
Mon-WED 10-12 Feb Class 13C & 13E
WED-FRI 12-14 Feb Class 13B

Interim deadline: Essay Draft MON 3 FEB

DEADLINE for Final Prints WED 5 FEB

INTERIM DEADLINE: FRI 7 FEB
DRAFT PHOTOBOOK LAYOUT

IN PREPARATION FOR MOCK EXAM MAKE SURE THE FOLLOWING IS READY BY THE END OF NEXT WEEK:

  1. A draft layout of your photobook before your Mock Exam day (that time is used to fine tune design with teacher)
  2. Complete and proof read essay by Mon 10 FEB so it is ready to be incorporated into book design. 
  3. Select final prints (5-6) from book project and put into into shared PRINTING folder here M:\Departments\Photography\Students\Image Transfer\A2 PRINTING.
    DEADLINE for submission: WED 5 FEB
  4. Make sure you monitor and track your progress by Fri 31 Jan using planner and tracking sheet below and publish on blog.

PLANNER – Download and save in your folder. Make sure you monitor and track your progress. 2 weeks remaining – including MOCK EXAM!

AT THE END OF YOUR FINAL MOCK EXAM DAY – ALL COURSEWORK MUST BE COMPLETE:

Structure your 3 day mock exam as follows:

Day 1: Complete essay, incl illustrations, referencing and bibliography + publish on blog (essay also needs to be added and presented at the end of your photobook)

Day 2: Complete photobook + blogpost showing design process and final evaluation. Use a combination of print screens + annotation

Day 3: Mount final prints + blogpost showing presentation of your final outcomes + evaluation. Finish and publish any missing blog posts as per planner and tracking sheet.

ESSAY
Include essay in the back of your book. Layout in text columns and make sure to include illustrations of your own images and that of artists, as well as a bibliography. Also publish essay as a separate blogpost

PHOTOBOOK
Final book design checked and signed off by teacher. make sure you have a made a blog post that charts your design decisions, including prints screens of final layout and write an evaluation.

BLURB – ORDER BOOK
Upload book design to BLURB, log onto your account on their website, pay and order the book.

Consider spending a few extra pounds on choosing better paper, such as Premium Lustre in check-out, change colour on end paper or choose different cloth/ linen

BLOGPOST
All blog posts in relation to the above must be published, including any other posts missing from previous work modules since the beginning of A2 academic year ie. Bunker, portraits and objects work, including zines which must be printed and bound ready for assessment and exhibition.

FINAL PRINTS
Select your final prints from book project and make a blog post showing ideas about how to present them.

Extra prints
Save each image in your name as a high-res image (4000 pixels) into shared PRINTING folder here M:\Departments\Photography\Students\Image Transfer\PRINTING

MOUNTING
Complete all mounting of final prints from photobook and all other previous CW projects.

FOLDER
Make sure each print is labelled with your name and candidate number and put in a BLACK folder together with all your other CW produced at AS.

See previous student, Stanley Lucas as a guide on blogposts that needs to be done and published before you the end of your Mock Exam

https://hautlieucreative.co.uk/photo19al/author/slucas08