Inspiration : Psycho-Geography : An Uncertain Walk

Psycho-geography is a hybrid of photography and  geography that emphasizes playfulness and “drifting” around urban environments. It has links to the Situationist International.

Psychogeography was defined in 1955 by Guy Debord as “the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.”

Another definition is “a whole toy box full of playful, inventive strategies for exploring cities… just about anything that takes pedestrians off their predictable paths and jolts them into a new awareness of the urban landscape

The originator of what became known as unitary urbanism, psychogeography, and the dérive was Ivan Chtcheglov, in his highly influential 1953 essay “Formulaire pour un urbanisme nouveau” (“Formulary for a New Urbanism”).

It has roots in Dadaism and Surrealism.

The idea of urban wandering relates to the older concept of the flâneur, theorized by Charles Baudelaire…and is similar to STREET PHOTOGRAPHY

PETAPIXEL definition of PsychoGeography CLICK HERE

Q :How do you respond to this idea?

A : go on a walk and photograph what you see

Q:  Where do I walk?

A: either somewhere you know really well…or somewhere you do not know at all

 

 What to photograph and how

  • Abstract visions…alternative, “wrong” photographs
  • Formalism…line, shape, pattern, tone, colour etc
  • Romanticism in the town / countryside…atmospherics
  • The people : 3 x types of portrait (observatinal , formal, environmental)
  • The objects | Ephemera (litter and debris)
  • Make use of your senses : see , hear ,taste, smell, touch
  • Old vs New vs Development
  • Good vs bad…subjective approach
  • Form vs function
  • Gentrification vs dereliction
  • Juxtaposition | contrasts | diversity
  • Unconventional beauty
  • Signage and facades
  • Typography and graphics
  • Movement / clutter
  • Aerial Imagery / Satellite / Surveillance
  • Angles | Viewpoints

SOME EXAMPLES TO LOOK AT…

The Boyle Family : The ground we walk on

Image result for boyle family

http://www.boylefamily.co.uk/boyle/about/index.html

Mishka Henner : Aerial Imagery in the digital age

https://mishkahenner.com

Luke Fowler: Two-Frame Film | Juxtapostions

Image result for luke fowler two frame films

http://www.photopedagogy.com/two-frame-films.html

Stephen Gill :  “in-camera photograms”

Image result for stephen gill photography

Superflux : explore over-surveillance and the prospect of intrusion in our everyday lives…has the concept of psycho-geographies evolved into something dystopian-like and Orwellian (1984- “Big brother”)…governments, town planners and the authorities design how we live, where we live and essentially control popluations of towns and cities.

Marcus Desieno creates de-humanised landscape photography by hacking surveillance camera networks…but avoids privacy problems normally associated with urban and residential areas…

AS Photography Exam Arrangements and Expectations

Your Externally Set Assignment (ESA / Component 2) exam time is 10 hours.

Exam Dates

  • Wed 24th April Groups 12A (ICT Media) and 12B (Photography 1)
  • Thurs 25th April Groups 12C (ICT Media) and 12E (Photography 1)
  • Thurs 2nd May Groups 12A (ICT Media) and 12B (Photography 1)
  • Friday 3rd May 12C  (ICT Media) and 12E (Photography 1)

Exam Times (5 hours per day)

  • 9-10.15am Session 1
  • BREAK
  • 10.15 – 11.15am Session 2
  • COMFORT BREAK
  • 11.20-12.20pm Session 3
  • BREAK
  • 12.35-1.35pm Session 4
  • LUNCH
  • 2.20-3.20pm Session 5

What you do in the exam

Day 1= Edit and finalise final images for “Journeys and Pathways”

  • decide on your series, sets, sequences of images
  • add files to the print folder in the M : Drive (must be high res 4000 pixels on the long edge)
  • all images added to the blog should be low resolution (1000 pixels on the long edge)

Day 2=Frame, mount, present and display final prints

  • complete any unfinished blog posts
  • check your work against the marking criteria
  • ensure you have used photo-lingo throughout you annotations, analysis, evaluation and critique of final outcomes

Exam Rules

  • No talking / communication with others
  • No use of mobile devices / social media

Weekly Schedule

Week 1 Mon Feb 4th = Mindmaps, moodboards, research / case studies plan and carry out Photoshoot 1

Week 2 Mon Feb 11th = Edit and experiment with images from Photoshoot 1

Feb Half Term = take more photos!

Week 3 Mon Feb 25th = edit and experiment with initial images / responses

Week 4 Mon March 4th = move onto idea 2  / refine initial idea / plan photo-shoot 2

Week 5 Mon March 11th = edit and experiment with images from second photo-shoot

Week 6 Mon March 18th = review and refine progress…change plan if necessary

Week 7 Mon March 25th= develop and plan ideas for final photo-shoot

Week 8 Mon April 1st = explore display and presentation ideas, complete all available blog posts and drafts

Easter

Week 9 Mon 23rd April = Exam Week 1

Week 10 Mon 30th April = Exam Week 2

Always ensure you have enough evidence of…

  1. moodboards
  2. mindmaps
  3. case studies (artist references-show your knowledge and understanding)
  4. photo-shoot action plans / specifications (what, why, how, who, when , where)
  5. photo-shoots + contact sheets (annotated)
  6. appropriate image selection and editing techniques (lots of experiments!)
  7. presentation of final ideas and personal responses
  8. analysis and evaluation of process….justify your final images
  9. compare and contrast your outcomes to a key photographer
  10. critique / review / reflection of your work

Picture

Always explore, describe and explain :

  • who (is in the photo / took the photo)
  • what (is the photo about?)
  • why (has the image been made / displayed / connected to other images or text)
  • where (was the photo taken)
  • how was the photo taken (technical attributes)
  • when (was the photo taken)

LINKS to high scoring A GRADE exemplar EXAM PROJECTS 

CHARLIE CRAIG YEAR 13

TOM WEBSTER YEAR 13

STANLEY LUCAS YEAR 13

NICK GALLERY YEAR 13

ORLA WORTHINGTON YEAR 13