The next shoots I want to focus on are further experimenting within emotions in surrealism, Because of this my shoots need to have abstract and unique qualities to them. Because my shoots can become complicated and difficult to achieve I decided it would be effective if i did a structural plan of inspiration for my next three shoots, and artists inspiration so I know what I want conceptually my photos to connote. I have a list of ideas for shoots, but I want to further narrow down to five shoots that would successfully link into my book, and a clear collective plan and date for the next three. All these shoots might seem like too many, However as my book is not a linear story narrative but a concept of emotions and surrealist effects, the more different and abstract my images are, create a more interesting effect and I Believe will make the book itself more effective overall
- One of the sea landscape, next to the reservoir.
- Night traces of light tomorrow – town on location
- Mirrors multiplied and with a fire -outside on location
- Water shoot in the sea – beach on location
- Body texture – studio
- Covered in paint and leggings, body form. -studio, house
- Collages and dysmorphia of faces, and landscapes
- A nigh shoot of buildings an the woods, to show a eerie effect Emotional speech things I have which show emotion
- Landscape beach shoot, in order to show a direct emotion, love or anger.
- exploding flowers and beautiful things
After further discussion about my work having to fit into a more exclusive narrative, I decided to focus on the four following shoots which have a closer connection. I belive water has the power to control our lives. We are dependent upon it to live, however it still has the ability to kill us within minutes. It is beautiful and fluid in shape. To my mind this is a perfect example of an essence of nature showing beauty and pain all at once. Water also has the ability to show a removal of personal identity and to be used as a mask of emotions, this being shown through being under water, or however, a water landscape has the power to evoke memories based off emotions and connect that human body and person to the environment which they are surrounded. Because of this the following shoots I will be doing are, under water in the sea, being covered in paint and water thrown onto them, a landscape shoot with slow shutter speed to capture the movement of water, and lastly a reservoir shoot. I have more ideas which I could develop such as a bath shoot, and showing ht human texture miming the movement of water. because of this change the discarded ideas of fire, will still be exclaimed here although this will not be happening anymore:I belive this shoot will definitely be the hardest in order to achieve, it will be difficult to make the appearance of a dangerous fire without the fire itself being out of hand, additionally, I do want to capture images that involve people and in some type of way how to make the fire look as if it is surrounding themselves and part of them, possibly a surrealism reflection of their perusal identity in order to form a sublime emotion. in-between terry and awesome
I am know going to expand on the concept idea for each shoot and where and how I will take the following images. Not too many artists specialise in photoshoot that connote the effect of the sublime, so sometimes it is hard to find direct observations fo what I would want to show within my work.
the concept for this shoot: When researching about the sublime, many concepts that from the emotion are based on the surrounding that the person is confined to. I belive combining the eeriness of the woodlands, with the effect of water being a huge combining factor of the pain and stress for the sublime. my overall aim for this shoot is to use it to combine .My previous underwater shoot to more of a natural element and combine landscape photography with it.
landscape, beach shoot
I really want to capture a softness to the water yet the rocks being hard, creating that conflicting of pain and beauty into a literally interpretation of the image itself. I think this narrative stature is successful reflected in these images and would create a normality to the surreal images that will be surrounded by in my book. I will need long exposure , tripod and the time I have taken this. I could further expand this shoot to more woodlands and suburban wood’s and damp scapes of land. I think this would too add more more mystery to the project and throughout the narrative to the book allow the more portraiture elements to be split up.
netting and covered in fabrics, extended tights.
This image Is mostly inspired by the lighting, but my intention with the shoot itself will be the focus on the way I could direct any change that the persons beauty and emotions by hiding their identity usually texture sheets, and tights. However I do not know how much this shoot could possible have a direct link to that of water. Because of this I feel like I need to find elements that would link more characterisation of this shoot. To do so I could do this shoot on a beach or in the fore front of a water scape.
covered in paint and water thrown at them shoot;I think for the shoot cover in paint it would also be interesting to experiment with throwing the paint on so you can see both the experience and emotion of the paint going on, and then once the person is covered this is a motor for an emotional barrier, and shows the emotion of beautiful and pain with the surprising aspect of the paint itself. I belive instead of paint I will use water, and I will experiment with how weather can be thrown over the top of someone or dropped from someones hand, I will use an array of different techniques in order to describe what the best method of pain and pleasure is conveyed. I think with this shoot i can use water as an object presented in many different circumstances. This shoot will also be very inspired by the artist viola.
- Body texture – studio texture in order to mimic the movement of water. Also this could be done in such a manner to use a hand holding water and it falling off or covering elements of the human body.