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News or Propaganda? Everyone is a Journalist so what can be trusted?

“The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.” – Malcom X

The rise of technology has greatly advanced the way news is spread. 50 years ago, people had far less options than today concerning where to receive news information. In 1960 for example, the majority of people simply had a choice of a few newspapers, a radio station,  and if lucky, a television set. The role of being a journalist and a member of the public could be separated easily. Nowadays however, people have greater options, exposure and access to the media. The power of social media means that literally anyone with smartphone, tablet, or laptop can report on what they choose, and so defining journalist is almost impossible.

Technology has given people more power than ever before, but are we using this to empower ourselves?

My personal opinion is that a proper journalist must be a trustworthy individual, someone who puts their own interests aside to report fairly, with well justified facts and information. All information is to some degree partial, and everything does to some extent display bias. As long as an clear attempt at reporting fairly and honestly is made, then I would argue a news article is credible.

The Sun’s headline in the aftermath of the Hillsborough disaster of 1989 made extreme accusations about Liverpool supporters. These reports were proven to be falsifications and lies. The Sun settled for a sensationalist headline instead of reporting on the truth.

One of the most powerful means of swaying public opinion in the last 100 years is the use of propaganda. Such a means is an act of public deception, designed to champion a particular cause or demonize another, ranging from the campaigns of Joseph Goebbels in the 1930s and 1940s to gain mass support for Adolf Hitler’s Nazi Government, to daily influxes of political propaganda videos designed to scare individuals into joining and supporting small often nationalist organisations.

Nazi Propaganda campaigns were designed to gain support for Adolf Hitler and his Government

Far-right extremist group, Britain First, edited and put out a propaganda recruitment film, claiming with no substantiating evidence that Islam ‘will take over the Europe by 2050’, as a result of  ‘Islamic Immigration’ into Europe at a rate of 90% (untrue), along with high birth-rates of 8.1 (also untrue). The video is clearly designed to scare ill-informed people to join a violent, racist organisation that does nothing but build further ignorance and intolerance against Islamic people, the overwhelming majority of whom are moderate individuals, putting them in the same category as extremists, who make up less than 1% of the worldwide Muslim population. The leader, Paul Golding, is an ex-member of the notorious British National Party (BNP), who has been convicted of harassment, and arrested numerous times for inciting violence and hate. Golding is a hypocrite, denouncing extremism whilst at the same time a member of an extremist organisation in its own right. The video takes the issue of Islamic Extremist completely out of context using falsification to create fear and incite hate.

Examples like this severely taint the credibility of modern journalism, and are dangerous as they scare ordinary people who don’t know any better.

It is not just small scale extremists who abuse this right of information. Mainstream  popular organisations can in some cases be equally as guilty of spreading propaganda and falsification.

For example, the Daily Mail, a politicallyaligned organisation, were seen to vilify the actions of newly elected Labour Leader Jeremy Cobryn for refusing to sing the national anthem at a recent memorial service for British Armed Force Vetrans. An article full of statements such as ‘Veterans today turned on Jeremy Corbyn and called him ‘bigoted and small minded’ after his refusal to sing the national anthem’ and uncomplimentary statements such as ‘Mr Corbyn, who was dressed in non-matching jacket and trousers and had failed to properly button his shirt’, implied that he is a disgraceful, cold-hearted individual who does not respect the service veterans gave to his country. In actual fact, Corbyn’s refusal to sing was based on his anti-monarchist views, and he in fact stated his support for the armed forces, “The heroism of the Royal Air Force in the Battle of Britain is something to which we all owe an enormous debt of gratitude”.

http://www.dailymail.co.uk/

Is this man being demonised for his actions, or for his political views?

Regardless of whether you view Corbyn and right or wrong for what he did, it cannot however be denied that the Daily Mail used this event, and took it out of context to shame a rival of the Conversation Party, as unpatriotic.  Is this journalism? or an untrustworthy and biased view of events?  I would argue to the extent that this is an abuse of influence and power.

Journalists, and therefore Photojournalists have an moral duty not to deceive or exaggerate. An opinion is acceptable as long as the actual reporting does not reflect this. It is important that people don’t just settle with what they read, watch or view, instead people must interrogate every piece of information given to them to make up their own minds.

It must be true ….

Documentary photography

Documentary photography usually refers to a popular form of photography used to chronicle both significant and relevant to history and historical events and everyday life. It is typically covered in professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit.

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Opinions on documentary photography are very controversial as they can be perceived differently by all. Most people have a view of it as inhumane to capture images of scenes and events when they could be helping. therefore photographers get negative backlash from images.

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http://niemanreports.org/wp-content/uploads/pod-assets/Image/Nieman%20Reports/Images%20by%20Issue/Fall%202001/28p056.jpg

For example in Mongolia 1996  Captured street children in Ulan Bator, Mongolia’s capital, are hosed down before being put into a youth detention center. in the link above shows an image  of a tiny child cowers against a cold wall, awaiting his violent shower. Cropping within the viewfinder helps to show how small and frail the boy is in relation to his environment. He is the main subject. But to the side, in a watery light, another boy looks into the lens, judging me or you and seeming to ask if we have the right or the guts to stare. He is ghostly, making his presence all the more ethereal.

three-year-old-drowned-syrian-boy

There is a refugee crisis in Europe, a young child was washed up on the beach after trying to reach Europe from north Africa. The image is being shown all around the world, however some people have a negative view on the picture as the photographer is obviously just stood watching the event and just taking pictures and offering no help.

syrian-migrant-boy-turkey

This is the link to the image as pictures are not uploading to the blog – https://www.google.com/search?q=boy+washed+up+on+beach&safe=strict&es_sm=122&biw=1280&bih=855&source=lnms&tbm=isch&sa=X&ved=0CAkQ_AUoA2oVChMIooHI07HdxwIVTAnbCh0QsAIt

EVALUATION

Over the past time of working with the project Chance, Challenge and Change i think that it has been interesting to find out different ways of seeing how photographs to be taken, as before starting this project i would of never said that a video could be classed as a photography, but seeing as each frame/second of the video is a photo, i think that it can be classed as photography. I think that when learning about the idea of performance photography it is interesting to see how artists like Tom Pope chooses to take his images, using the idea of change, challenge and change but also with theories such as Psychogeography, and i think this makes you think about it when you are taking photographs. When going through this project i found it quite hard to relate to it and to become interested in it, as i think that some of the performance videos/photos are a bit boring and pointless. However i can see how some people would find it fun and enjoyable to play with different aspects of performance when making photography. I think that if i was to do this project again i would try and be more engaged in taking photographs and try make more of an effort to see what aspects of performance photography i would like. 

Performance Photography: Self Evaluation

Overall, I don’t think that I have produced enough work which is why I am going to carry on working on this project for a while over summer. I just don’t think that I have done enough of my own work other than the day trip to St Malo, a few experimentation’s inspired by other photographers and one of my own shoots. This week I am going to carry on working on my Invisibility Cloak project to try and produce some more good work as I like the idea behind it and think that there is plenty of room for a lot more development. I want to develop this over the summer as well as get started on some research and planning [and shoots] for the next term of documentary photography which I think will be very interesting. I’m not sure how well I will do on this but I will obviously try my best and get to work over the summer period.

I don’t yet have a favourite final outcome from my individual shoot of Invisibility Cloak as I have quite a few and I still want to create more during summer. I have decided on some final outcomes but I don’t actually prefer any over the other as I think they are all basically on the same level and get my message across. I do however like the stranger ones as it makes the spectator think and wonder what is actually going on in the photograph. Below are four of the images taken from my Invisibility Cloak shoot.

Over the summer I will be working on a new location at the beach and I think I want to develop some experiments on John Baldessari with beach shots, having a load of people on the beach but everyone of them being anonymous with the different coloured dots in front of their faces as well as it being in black and white.

Group Analysis 10.07.15

On Friday 10th July Tom and Gareth came into school and for most of the day we created and presented our ideas and final outcomes to them. We got ourselves into groups and I went with Robyn, Tania, Sophie and Jamie. We were happy to go up and present first during the second hour of the day, which we think went quite well and it wasn’t as bad as we had thought it would be. Our presentation was in two halves, one being the artists and the concept of performance photography and the other being our experimentation and final outcomes. We were able to exhibit a variety of our work and it was very interesting to see them next to one another and be able to compare and contrast the different perspectives we each got on the St. Malo day.

Experimentation-and-Finals research-photog-presentation

When we received our feedback forms we got a lot of positive response and we did fairly well even though we didn’t add everything that we have actually done. This was fun to do and interesting to find out what other people thought of our work as a group. We got a lot of good feedback saying that our ideas and work was well developed which was good for us to see as well as being able to see what we can improve on and change. I did think that maybe this way of testing could have been more effective in the way it was done as we have each done our own individual work and not completely worked together for the entire thing, especially when it came to doing the research. I liked this task and thought that everyone worked really well and all the presentations were well laid out and presented.

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slides from group project
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slides from group project

Project Evaluation

At first when I was introduced to this project I found it hard to understand the concept and the meaning behind Tom Pope’s work as there was no explanation and most of his videos were in silent of him doing a repetitive performance. However after the day at the Societe where Tom explained what he was trying to achieve,I got a better understanding of the idea of pushing boundries and his videos made more sense to me. I found this project interesting because it was something I hadn’t given much thought to or questioned before. I like that through photography you can uncover different topics and we were able to ‘dig’ into the past and the history of Jersey through the archive. I think it was  challenging to think outside the box and think of ideas which would challenge society but at the same time be legal however the more the more you think about it the easier it becomes. In France I was able to do most of the ideas that I had planned to do and I was pleased with the outcomes, to improve my project I think I needed to think of more ideas where we could engage with the public a bit more and take more photographs.

Chace Change Challenge

Evaluation Day – Tom Pope

Link to our presentation: France (Jemma Hosegood, Molly Carver and Sian Cumming)

On Friday 10th July, we had the whole morning with Tom Pope and Gareth from the Societe Jersiasie to come and review our final pieces. I was in a group of six and we had to make two presentations on what we had learned from this topic by presenting our final images/videos with research to back them up and evaluate what we thought of them. Our presentations lacked research therefore, I want to back up my ideas with there I got them from. The criteria we had to include in our presentations were as followed:

  • A wide range of ideas is explored with exciting and imaginative developments;
  • evidence of purposeful ideas, independence, perseverance and enthusiasm
  • Researches a diverse range of others’ work, conveying ideas and meaning;
  • a critical vocabulary is used to express an understanding of the more complex issues involved.
  • A diverse range of experiments;
  • extending and refining studies
  • risks sometimes taken
  • use a range of visual language skills
  • consistent command skills/technique
  • Selection of final material is clear and consistent
  • skillful outcomes that show a consistent level of knowledge, skill and understanding;
  • Work that has personal identity
  • final pieces well constructed
  • perceptive connections linking own work to sources

As a group our feedback were quite positive from everyone, but we did lack research which was our downfall.

The original perspective for the trip was to focus on getting audience reaction by doing something that was n’t socially acceptable/would be looked down upon but in a way that we weren’t actually being illegal. Also, videos that would capture positive feedback such as my flower giving. The flower idea came from a Facebook video that I watched, where this guy handed out gifts randomly to strangers as an act of kindness. I thought this idea was perfect to do in France but instead of gifts, I thought handing our a bunch of flowers would be a nice gesture. This was my favourite idea and best final as I did exactly what I wanted to do, which was get audience involvement in my videos. My other videos were much more spontaneous as we walked around inside the walls of St Malo and saw objects such as the cardboard boxes and the round-a-bout.

FRANCE

Wednesday 17th June 2015

Everyone who did photography in our school went to St. Malo for the day with Tom pope (Photographer), Gareth (Archivist at  Societe Jersiaise) and our 3 photography teachers. The aim of the trip was pretty self-guided with regards to what photographs and videos we took. We were all inspired by Tom Pope’s work of performance photography and decided that we all wanted to come up with ideas that was similar to Tom’s by doing some bizarre things in front of public to try and see what type of reactions we would get. I previously came up with some ideas that I could do such as powder paint throwing which I decided not to do in the end and passing out roses to strangers. On the boat to France me and my friends came up with a list of things to do in St. Malo which we could perform, such as acting out scenes from films, freeze frames in shops, slow motion, meditating in the middle of streets, pretending to throw heavy balls to each other and many other ideas. As a whole, the day really inspired me to carry on with these ideas in Jersey and present some videos for my finals. I took more videos than I did photos which is defiantly new to me but I did enjoy.

My first video was of Tom Pope’s idea of trying to stack cardboard boxes in the tallest tower that someone could make. The reaction was not all positive as we had a few members of the public looking at us in disgust and saying this, and then the bin man drove over one of our bags and took the cardboard away.  I found this idea good as it was simply but got a lot of public interaction which was the aim. Here is the video:

My idea is of handing out a rose to members of the public to see what they thought of it. Some of the people said no because they thought I was selling them but it was difficult to translate why I was giving them out as I can’t speak a lot of french.

upload

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Reaction

The idea of slow motion in a supermarket was also to get people to look and be intrigued as to what we were doing, however, people were  avoiding the aisle we were in so that they avoided hassle. But it was still good for experiment.

We went on the round-a-bout in the children’s playground to video movement/something different and fun.

Tom pope’s idea was for someone to stack cardboard boxes as high as they can in 30 seconds.

Lastly, we went to a little park in St Malo and pretended that our inflatable volley ball was a really heavy weight and played throw and catch with it, really exaggerating it. This really got the audiences attention which isn’t fully shown in pictures and videos.

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My Manifesto

For my final ideas I have decided to stick with the movement of Surrealism for this I want to create images with no boundaries. To me surrealism is the creation of a new world, a new form of reality that is why I chose to focus on it. I really like the idea of having no limitations within my work and being able to come up with the craziest ideas imaginable and see how well they work out for me and whether some of the weird ideas from the depths of my brain come across well in the photographs. I think that this applies a lot to challenge as it is something very different to anything that I have ever done before in this photography course, it is a new style of performance.  I find it challenging for the model in my images as a lot of the time the ideas in my head stay in my head and I simply direct them and position them without them really knowing whats going on or what is going to be produced, I do explain all my ideas and progress my ideas. It is also challenging in the editing process as I need to layer the images and find new ways to develop my creations in order to make them look good and to come across how i imagine them inside my head.
frtfrblogThrough my work I plan to communicate a wider message than just a non sense surrealist image, which is what I think a lot of surrealist work has, a concept behind it. For my shoots I am going to name my project Invisibility Cloak, I decided on this name because it makes me think the most and I feel like a spectator would see this title and wonder what it meant and would make them want to read on. I have already done one of the shoots for my project and one of the images that I made reminds me of the Harry Potter films and when Harry receives the cloak of invisibility. Here I got an idea of what the message behind my project was. I think that we live in a world where everyone judges you on your appearance, the first time you meet someone it doesn’t really matter how hard you try to impress them because they’ve already made a judgement on you based upon the clothes you wear, how you’ve done your hair, how your makeup looks etc. Now I imagined what if we lived in a world were you can’t see any of that? And instead of hiding behind our clothes to cover ourselves up we use them as a way to be known to the world for people to see that we are living. I thought this would be a good concept and although it is quite cheesy I like the message behind it and I think it will make for some good images at the end of it all.

I’m taking a chance with this project because I think that a lot of people might not get it and might just think its strange, which is the risk element of this project but I like it and I haven’t seen anything EXACTLY like this before so it will be a good chance for me to show my skills and try and create some really good work. I have looked through many surrealist photographers and in the end I found two that I really like as I think their work is different and imaginative. The first one, my absolute favourite, is a photographer named Christopher Mckenney who specializes in horror surrealist photography, to me this is very interesting and is a huge risk to take because for a lot of people it can be too much. For example, I showed my parents one of his images [man holding gun to head] and they did not like it at all. My mum didn’t really get it and wasn’t keen on it and my dad just hated it because he thought that it was going too far and too much for an image. I explained to them what I thought the image represented [see earlier post] and told them the whole concept behind it. The next photographer who I really like is Brian Oldham as his work is very unique and I think has a deeper message behind it. He sticks to surrealist photography and has work which won’t make people as uncomfortable and Mckenney’s might for some.

Work from Christopher Mckenney
'Spec'
Work from Brian Oldham

My Manifesto RULES:

I’m not really keen on having set rules for my shoots as I think that anything can happen and a lot of the time things that are unplanned and unprepared can turn out looking better than those that I have planned weeks in advance. If I had to give myself rules and limitations this is what they would be:
1. Keep track of time, don’t shoot when dark [creates more of a horror mood, which I do not want]
2. Allow models to have their own say and don’t restrict them to following the exact directions that I give to them
3. Remember to take a photo of the bare background before starting to shoot with model to make editing simple
4. bring all props and allow time for  preparation before shooting
5. don’t go crazy and make hard images to edit and change
6. stay in woods for first shoot and don’t mix locations [unless it looks good]
7. allow space for spectator to generate their own meaning behind the photographs, don’t make it obvious
8. no black and white images for this shoot [doesn’t allow for enough detail in photographs]
9. remember it’s PERFORMANCE photography so stick to telling some sort of story, performance doesn’t necessarily have to have a live public audience waiting, the spectator can see and image it for themselves when looking through images]
10. there are no limitations in surrealism or performance photography so keep strong ideas and allow them to be expanded

“So strong is the belief in life, in what is most fragile in life – real life, I mean – that in the end this belief is lost.” – Andre Breton [1924]

Final Outcome 1

jack

For this outcome I have created a triptych of a series of images involving my cousin Jack. The three images I have chosen are all very varied in their style, meaning and visual effect. The intention of this piece was to explore the three different aspects of what we have covered in this 6 week module being chance, challenge and change; the aspect of chance through the blurred out of focus image on the left, the theme of challenge through the center image through the subversive statement, and the theme of change on the right through the overemphasized change in mood. Visually I find that this tipritytch works well because the images help to convey a narrative. I am proud of this final outcome because it is evident of the different skills, techniques, concepts and ideas that i have studied in the last 6 weeks. It is a very subversive statement, thats mysterious nature forces the viewer to question its purpose and meaning.

Left Image

This image is blurred and out of focus. Originally I dismissed this image as weak and ineffective. However after some consideration I changed my mind and decided to include it as part of my final outcome. The image is completely accidental, and not a traditional photo in terms of view and composition. However such a style is effective to include in a story board of images because it establishes a balance between the other two images, normal (middle), emphasised (right), and in this one spontaneous. It also highlights the random nature a photography, and that you don’t have to compose an image perfectly to be meaningful and effective. From the basis of this image, I launched my idea of representing the piece as a symbol of ‘chance, change and challenge’

Middle Image

This image depicts the mid-section of Jack’s body. He is holding up a sign entitled ‘I am exercising my right to free speech’. This is meant as a subversive statement, that challenges the viewer to question if they themselves fully appreciate such an important right. This statement is effective because through the statement, Jack himself is quite literally using this right. I decided to include this in the triptych because of the use of symbolism involved. The statement is ambiguous because it does not directly convey any particular point, and different meanings can be interpreted from it. I included this photo in the centre of the triptych because it has a good balance between the calmness of the left image and the madness of the image on the right.

Right Image

For the final image of the triptych, I decided to include a completely over the top image of Jack making a dramatic facial expression. This image is directly linked to my work on surrealism because visually, it goes against what is considered normal and formal. There is a certain intensity about this image, which is not neccesarily serious, but definitely full of energy. Linking to the Dadist movement, I find something very farcical about this image. The compete lack of structure and form makes it very chaotic. This image is the most visually powerful of the three, and gives the overall outcome an explosion of life and attitude.