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CSP | Teen Vogue

magazine issue: 2003 – 2017

Still operates, now as an online magazine

In January 2017, the magazine’s website had 7.9 million US visitors compared to 2.9 million the previous January.

Representation

Teen Vogue is an American online publication, formerly in print, launched in January 2003, as a sister publication to Vogue targeted at teenagers. Like Vogue, it included stories about fashion and celebrities.

usually, teens are presented as uninterested in politics – teen vogue subverts this view – including many stories on politics including climate change, feminism, and gay rights.

Shows prominent young people in positions of power

Older people are often represented in a negative light – as failed politicians, racists, unsuccessful, e.t.c.

Suggested that older people aren’t doing enough, which links back to how the magazine is marketed towards young people

Teen vogue pages do not seem to focus on body shape, dating, dieting, e.t.c. Very few women are sexualised on the site.

Women are shown as important, powerful, successful

Tackles many issues which women face – doesn’t ignore them – tackles things like misogyny head on

Many articles talk about women rights, the need for feminism, and sexual harassment – Doesn’t glamorise these issues – shows them as things which need to be talked about.

Gender is represented in a diverse ‘non-binary’ sense, with pages showing multiple types of identities

Represent women who are more masculine/feminine

Represent women with different styles of hair – skin colour

Represents people with diverse gender identities

Represents women who behave in different ways – represents women with a diverse range of body types

Teen vogue primarily aimed at a young female audience

Representations of men are generally negative – toxic masculinity – misogyny – right-wing males are generally frowned upon – receive negative representation – Andrew Tate story

However, some younger – left-wing males do receive positive representation

CSP | Teen Vogue


Teen Vogue
Media Language
Media Representations
Media Industries
Media Audiences
Social
Political
Economic
Cultural
Paper 2

Teen Vogue is an American online publication, formerly in print, launched as a sister publication to Vogue, targeted at teenagers. Like Vogue, it included stories about fashion and celebrities.

Media Language

Media Representations

The preferred reading would accept Teen Vogue‘s celebration of celebrity culture and fashion, and agree with its political stance. This group would likely subscribe to the daily newsletter to stay “stylish and informed”.

The oppositional reading understands the encoded message but completely rejects the text, perhaps disagreeing with the political ideology.

Media Industries

Teen Vogue is owned by Condé Nast, which produces “some of the world’s most iconic brands” with the aim to “entertain, surprise and empower” in the largest markets around the globe.

James Curran and Jean Seaton argued these powerful conglomerates dominate cultural industries and reduce the amount of choice, creativity and diversity available to the audience. Since Condé Nast owns both Teen Vogue and Glamour, there are identical articles that appear in both articles. By contrast, other critics might argue that only large conglomerates have the financial and technical resources to produce quality content, whereas smaller-scaled creators may not have the means to achieve the same standard of output.

Media Audiences

Clay Shirky

Stuart Hall

Context

Social

https://www.teenvogue.com/story/nepo-baby-discourse-explained-feb

Political

https://www.teenvogue.com/story/tyre-nichols-police-officers-black

Economic

https://www.teenvogue.com/story/debt-ceiling-bernie-sanders

https://www.teenvogue.com/story/black-women-best-economy

Cultural

https://www.teenvogue.com/story/beyonces-renaissance-was-album-of-the-year-and-the-grammys-need-to-acknowledge-that

Teen Vogue

Background of Teen Vogue:

  • What: An American online publication, formerly in print, launched in January 2003 and includes stories about fashion, celebrities, health and well-being, identity, TV/Movies, politics and style. Its the sister publication to Vogue.
  • Who: Targeted at teenagers and owned by Conde Nast.
  • When: Launched in February 2003, last print was on November 2017.
  • Quote/Motto: “We educate, enlighten, and empower young people, arming them with all they need to lead stylish and informed lives.”

Statistical Data for Teen Vogue:

  • Total Footprint: 14M Followers (Social)
  • 45M Video Views (Video)
  • 12M Unique Users (Digital)
  • Audience Highlights: 2x more likely to reach fashion and beauty influential/industries.
  • 3.4x more likely to be women 18-24
  • $9.3B spent on fashion

Article 1: News

“Kim Kardashian Now Owns a Piece of Princess Diana’s Wardrobe” – By CHRISTIAN ALLAIRE – Jan 29th 2023

  • About: Kim Kardashian bought Princess Diana’s ‘The Attallah Cross’ at an auction in London on 29th 2023.
  • Theorists: 1) Paul Lazarsfeld (People form their ideas from opinions like influencers and those with a high reputation.) This links with article 1 as as people may be influenced by celebrities such as Kim Kardashian which may cause them to base their style of life around her.

Article 2: Politics

“Teens Are Being Sent to Louisiana’s Angola Prison and Held on Its Former Death Row” – By YASMIN CADER – Jan 20th 2023

  • About: Teens/children who are mostly black have not been convicted of a crime but adjudicated as “delinquent” are being moved to Louisiana’s Angola Prison with inhumane facilities in an adult brutal prison.
  • Theorists: 1) David Gauntlet (David Gauntlet expresses how every individual has their own way of representing themselves whether that is around people or by themselves through 4 different identities. Fluidity of identity, which is the ability to change how to see/view the world, yourself and actions can link to this article as it could change the political views and perception of the world to younger generations which may cause audiences to change their identity. 2) Clay Shirky (Argues that in order to change society and issues, mass communication tools should be placed in the hands of audiences for wide-scale change. This links to this article

Article 3:

TEEN VOGUE: CSP

Teen vogue Statistical facts:

Target Audience: 16-24 (Gen Z and Millennials)
Characteristics of Audience: Well Educated, likely to keep up with current news and events.
Interests of Audience: Celebrities and Beauty, Opinion leaders (two-step flow LAZARFELD)
Reach: 44.9 Million across the board; Digital – 5.4m; Social – 13.1M; Video – 24.4m
Target Points: Surveillance: Looking at a range of opinions.
Personal Relationships: LQBTQ+ contact and positivity.
Personal identity: Reflecting and preparing new generations of teens/young people for campus life.

Digital and Physical copies: Physical stopped being made in 2017 and Teen vogue went fully online for “cost cutting”

New Media and shaping the thoughts and behaviours of the new generation:

The Teen Vogue Summit: The summit is a section of Teen Vogue which is specifically designed to inspire, encourage and connect new generations of activists, creators and innovators. Giving them ideas, insights and tools to “change the world”. (Active involvement, Open system)
Helpful: Makes an open system for anyone to become a writer and anyone to voice their opinion, this allows more opinions, ideas and representation to get out there and shift the opinion or reader.
Critical: However this allows teen vogue to get more viewers and subscribers, bringing more revenue and more writers who are not getting paid.
Linked Theorists:
Habermas: Public sphere: Is the mass spread of communication.
Gerbner: Passive consumption warps your mind.
David Gauntlet: Constructed identity: Constructing identity involves life experiences, relationships and connections.

Roe vs Wade: The argument over the Roe Vs Wade abortion law.

BY ALEXIS MCGILL JOHNSON JANUARY 20, 2023
“Over a third of women in the U.S. — and more trans men and nonbinary people — no longer have access to abortion.”

David Gauntlet: Fluidity of identity: change because of how men and women are being perceived through the media.
Habermas: Media forged a consensus which shaped the direction of the state/country.

Kylie Jenner Officially Introduces Her Son And Reveals His Name

Two step flow: Mass media sways the opinions of readers and the public. Links with opinion leaders like Kylie Jenner giving an influence on people.

CSP – TEEN VOGUE

Teen Vogue Website
Facebook Page
Twitter Feed

“The young person’s guide to conquering (and saving) the world. Teen Vogue is the destination for the next generation of change-makers, arming young people with the information they need to shape the future.”

Teen Vogue Mission Statement
https://www.condenast.com/brands/teen-vogue/
  • Their focus takes a largely radical, feminist viewpoint which targets a young female audience
https://media-studies.com/teen-vogue-study-guide/
Teen Vogue – Spring 2002
  • Chaotic front cover, lots of anchorage to code for different topics within the magazine
  • Typical magazine style, similar to many in the early 2000’s
  • Signifier’s such as “New It Girl”, “The Sexy Boys of the WB”, “Who’s the Best Dressed?” suggests the content in the magazine lacks substance or major cultural importance. This is a contrast to their most recent print cover (almost 17 years later) which focuses on “Power, Activism and #BLACKGIRLMAGIC”, something much more constructive and useful to the young, impressionable audience
Teen Vogue – Dec 2019

Audience

Teen Vogue 2023 Media Kit

  • $221B – Spending Power
  • 1.8X – Fashion and Beauty Influentials
  • 70% – Female Demographic
  • 2 IN 3 – Gen Z or Millenials
  • 8.4M – Average Monthly Digital Uniques
  • 15.6M – Social Followers
  • 22.9M – Average Monthly Video Views

Industry

  • American company originally founded in 2003 through the means of print advertising.
  • It is a partnership company to VOGUE although this online publication is aimed at teenager
  • In 2015, Teen Vogue saw a decline in print sales so they started to move majority of content online. They also changed the course of their content (from articles focused on pop culture/celebrities to focus of politics and current affairs)
  • In 2017, Teen Vogue ceased print publishing

https://nypost.com/2016/11/07/teen-vogue-cuts-circulation-focuses-on-digital/

  • Teen Vogue is owned by Conde Nast (‘a global media company that produces some of the world’s leading print, digital, video and social brands’) They “celebrate the extraordinary. Creativity and imagination are the lifeblood of all that we do. We are a media company for the future, with a remarkable past.”
  • ‘Conde Nast’ owns companies such as Vanity Fair, GQ, The New Yorker, Vogue etc.

Language

Articles:

‘Black Immigrants in the United States Have Been Targeted by Trump’ by RUTH ETIESIT SAMUEL [2/11/2020]

‘Dissociative Identity Disorder on TikTok: Why More Teens Are Self-Diagnosing With DID Because of Social Media’ by LO STYX [27/01/2022]

‘Missouri State House’s Dress Code for Women Becomes Stricter’ by KELLY RISSMAN [17/01/2023]

Online, their is a wide scope of stories – from celebrity culture to important social issues/ points of discussion. There is hard news mixed with soft news. Appeals to many different audience objectives (some might be using the site to access superficial news whilst some are using it as a credited news source to learn about the world)

Ability to sign up with email to receive offers, newsletters to get stories first etc:

Local adverts that a personalised based on my web data, interests etc.

CSP Teen Vogue

https://www.teenvogue.com

This is an in-depth CSP and needs to be studied with reference to all four elements of the Theoretical Framework (Language, Representation, Industries, Audience) and all relevant contexts. Online, social and participatory: Fashion, lifestyle, political and campaigning website and social media sites. The different sites should be studied in detail including the home page of the website and the ‘Culture’ section.

What needs to be studied? Key Questions and Issues


This product relates to the theoretical framework by providing a focus for the study of:

Media Language
How are the codes and conventions of a website used in the product? How are these conventions used to influence meaning?
The website should be analysed in terms of:
the composition of the images, positioning, layout, typography, language and mode of address
The application of a semiotic approach will aid the analysis of the way in which the website creates a narrative about the world it is constructing – often to do with age, beauty and social and
political issues.
The genre conventions of websites will be studied and the genre approach should also include reference to the content of lifestyle websites.
Narrative in the context of online material can refer to the way that the images and the selection of stories construct a narrative about the world – one which is likely to be ideological.

Media Representations
The choice of this online product provides a wide range of representational issues. These include the representation of the target audience of young women in the United States but also globally.
The focus on representation will build on work done in the analysis of visual images and can also be used to explore target audiences and ideological readings
Representation of particular groups (age, gender, race), construction of a young female identity.
• Who is constructing the representation and to what purpose?
(Stuart Hall)
The focus on politics, social issues and technology (in addition to fashion and celebrity) suggests a new representation of young women.
• Analysis of the construction and function of stereotypes
• Representation and news values – how do the stories selected construct a particular representation of the world and particular groups and places in it?
(‘Rise, Resist. Raise your
Voice’ is the slogan for the website).

Media Industries
Teen Vogue is a commercial media product but could also be seen as fulfilling a public service through its political reporting and social campaigns. The website also demonstrates the way that publishing institutions (in this case Conde Nast) have developed their reach through new technology and convergence.
Teen Vogue’s web and social media sites show how institutions respond to changes in consumption
• The use of digital platforms to expand the output and reach of the products demonstrates how institutions have responded to the impact of new technology

Media Audiences
The close study product provides an example of a clearly targeted, primary audience through demographics of gender and age which should encourage the study of issues of identity. Related to this would be a discussion of the changing relationship between producers and audiences in
the context of participatory media. (Clay Shirky ‘End of audience’ theories).
Definitions of mass and minority or specialised audiences.
• Debates around the idea of targeting specialised audiences
(by age, gender, lifestyle etc.) and how successful that targeting is.
Differing interpretations by different groups – those belonging to and outside the primary
audience.
(Stuart Hall – reception theory)
Opportunities for audience interactivity and creativity.

Social, political, cultural and economic contexts
Teen Vogue is culturally significant in its marrying of the political with fashion and lifestyle to target a young female audience more traditionally seen as interested in more superficial issues. Its explicit feminist stance and reporting on the Trump presidency has made it a relatively radical voice in the context of mainstream US media. The social and economic contexts can be addressed in terms of how the product has been received and how it has succeeded when other
magazines (online) are struggling to maintain audiences.

Ownership

Published by Condé Nast (Owns Vogue, The New Yorker, Architectural Digest), & Advance Publications. Vogue also sells mid-high end clothes.

Target Audience

Obviously primarily teens, but although the brand name suggests a teenage audience, the typical Teen Vogue reader has evolved in recent years. The move to more political content has broadened the appeal and changed the genre – young women now expect more from their media. Teen vogue uses means specific to their audience such as popular opinion leaders (Two Step Flow) to engage their readers.

The CSP Teen Vogue, although it is clearly aimed at teens they do cater to a rather large demographic. Over the years their readers have broadened. quote from ABC News

“When Teen Vogue started out, Teen Vogue was an aspirational fashion magazine for fashion lovers. You know it was the little sister to Vogue. And over the years we’ve realized that our mission was really to become more focused on making this an inclusive community, that speaks to every kind of young person,” Elaine Welteroth, Teen Vogue’s 31-year-old editor-in-chief, told ABC News’ “Nightline.”

The digital magazine, now primarily online, is filling more of its page with stories that appeal to its socially conscious audiences on topics including: immigration, race, wellness and politics.

You can see that they cater to a large demographic through their articles: https://www.teenvogue.com/story/teens-angola-prison-louisiana – (formal article.) In a article I found in the Politics section of the website, formal language was used as was discussing what older viewers may find as a serious matter. The article from January 20th title reads: Teens Are Being Sent to Louisiana’s Angola Prison and Held on Its Former Death Row by Yasmin Cader. This Teen Vogue writer has written this article with formal language to convey the importance of the contents of the article. It is in this place of despair — this site of racial oppression, punishment, and brutality — that Louisiana is now detaining children, most of whom are Black. This quote from the article suggests the writer is using this language to produce an ideology of what shocking actions are taking place.

On the contrary, another article I have found an article in the style section titled 41 Best Valentine’s Day Gift Ideas That’ll Spoil Your BFF from January 9th by Shauna Beni and Bianca Nieves. This article includes language that a reader may decide to be informal. “#showertok, besties, goodies”

CSP: Teen Vogue

Teen Vogue is an American online publication, formerly in print, launched in January 2003, as a sister publication to Vogue, targeted at teenagers. Like Vogue, it included stories about fashion and celebrities.

What is Teen Vogue? – Teen Vogue is an American online publication, formerly in print, launched in January 2003, as a sister publication to Vogue, targeted at teenagers. Like Vogue, it included stories about fashion and celebrities but also includes features on politics, culture, identity etc.

Ownership: Condé Nast

Audience

  • Although the brand name suggests a teenage audience, the typical Teen Vogue reader has evolved in recent years. The move to more political content has broadened the appeal and changed the genreyoung women now expect more from their media.
  • The ‘Campus Life’ section in Lifestyle also suggests an older readership.
  •  Although, the audience is still interested in celebrity content and beauty – which Teen Vogue addresses by featuring the ‘opinion leaders’ (two-step flow *LAZARSFELD*) of social media.

Teen Vogue: political positioning

Teen Vogue generally takes a liberal, left-wing political stance and positions its readers to become active in their support:

  • Pro-feminist
  • Pro-gender fluidity and gender identity
  • Supports LGBT equality
  • Pro-multiculturalism
  • Supports Black Lives Matter
  • Pro-environment (accepting science on climate change)
  • Pro-choice (abortion)

Ideas and themes of new media can be represented through Teen Vogue through their political positionings and an interesting target audience of young people, specifically female teens mainly. They feature sections within their website such as ‘shopping’, ‘culture’ and ‘identity’.

Theorists to mention

Marshall McLuhan:

“The Medium is the Message” – a good theorist to quote in your exam.

“Societies have always been shaped more by the nature of the media by which men communicate than by the content of the communication” 

New media and the shaping the thoughts and behaviours of the new generation.

  • Means that the important thing about media is not the messages they carry but the way the medium itself affects human consciousness and society at large. In other words owning a TV that we watch is more significant that anything we watch on it.

Youth Gun Violence Activists Can’t Be Asked to Save the World

Beyond Thoughts and Prayers is a series marking 10 years since the Sandy Hook Elementary School shooting.

2 Step flow of communication

CSP – TEEN VOGUE

Teen Vogue is a spinoff of the magazine ‘Vogue’. It’s an American online publication targeted towards teenagers which include stories about fashion/celebrities/identity and politics.

Conde Nast, conglomerate that produces some of the world’s leading print, digital, video and social brands, owns Teen Vogue (GQ, Vanity Fair etc…) The company was created by Conde Montrose Nast who was an American publisher, entrepreneur and business magnate. The company uses horizontal integration.

Industries:

  • Teen Vogue is a commercial media product, but it may be seen as fulfilling a public service through it’s political reporting and social campaigns.
  • The use of a digitial platform expands the output and reach of their products – links to transformation of public sphere and how technology has enabled better access
  • They ceased print editions as a way to make more money
  • Utilising social media platforms- keeping up with technologies and targeting the younger generations – change in consumption

Representation:

  • Keeping up with popular culture to engage their target audience (TV, music, celebs, trends…)
  • Women are represented as independent and tackles issues that are relevant to women – feminist views and opinions
  • Rage of diverse information from around the globe – informative whilst also representing people from all backgrounds and ethnicities

Audience:

  • Engaging as it uses slang, and simplified vocabulary to make the information easier to understand. Bigger pictures.
  • People from all social groups/cilques are included within the information shared
  • $221B – Spending Power
  • 1.8X – Fashion and Beauty Influentials
  • 70% – Female Demographic
  • 2 IN 3 – Gen Z or Millenials
  • 8.4M – Average Monthly Digital Uniques
  • 15.6M – Social Followers
  • 22.9M – Average Monthly Video Views

Simplified notes:

  • Teen Vogue was established in 2003 as a spinoff of vogue led by vogue beauty director Amy Astley
  • Owned by Conde Nast – Editor in Chief: Versha Sharma
  • Primarily targeting teenagers – offers informative information with subjects such as culture/politics-identity and supplying pleasure gratifications such as shopping/beauty/fashion – helps to create a safe space for teenagers and also increase their target audience range
  • Single copy sales dropped by 50% in 2016 they then started publishing quarterly dropping from 10 issues a year to 4
  • In November 2017, they announced to cease print editions and continue as an online only- publication – became more accessible whilst also keeping up with modern times – joining social media platform too
  •  In January 2017 the magazines website had 7.9 million US visitors compared to 2.9 million the previous January
  • Teen Vogue had 8,341,000 unique visitors in May 2017 and 4,476,000 in 2018. 1.7% of their may 2018 audience was 17 or younger, 2.6% were 18-24
  • teen glossy with seriously good political coverage and legal analysis, an outlet for teenagers who—shockingly!—are able to think about fashion and current events simultaneously.” – Mark Joseph Stern

Resource: https://en.wikipedia.org/wiki/Teen_V

Possible Questions:

  1. Media products are shaped by the economic and political contexts in which they are created.

To what extent does an analysis of your online, social and participatory Close study products (The Voice and Teen Vogue) support this view?

Teen Vogue

Media Audiences

Primary audience is teen and young adults.

Teens would find small quantities of text, with large pictures, and simple headings, easy to understand.

Articles reflect teenage nature of many audiences. For example, Andrew Tate has made a big impact on young teens and has influenced them to act differently towards women. On the political post of Teen Vogue, they published ‘Andrew Tate and the “Manosphere” Show How Far Hating Women Can Get You’. This post talks about how Andrew Tate’s popularity is a sign of feminism under attack. There is also another post relevant to Andrew Tate where he is detained on Human Trafficking Charges.

These articles also give multiple references to TV shows about teen characters, e.g. Ginny and Georgia as it recently released a new season, which helps to engage teen audiences.

In some articles the use of slang and abbreviations indicate they are targeting young audiences as this is more engaging than formal words.

The references to other media texts are focused on female centred products, suggesting a mostly female audience, e.g. ‘original mean girls Amanda Seyfried is “very open” to joining “mean girl: The musical” movie.’ The caption says ‘please’ suggesting that as well as teenage audiences that its mainly female audiences in this online magazine.

These articles target women by rackling issues such as feminism, rights, sexual assault and oppression, such as the talk about Andrew Tate where he has been accused of misogyny, sexual assault and rape.

Although they target a lot of the female audience they also target trans or non binary audiences, suggesting that the gender of the target audience is not simple and is more diverse. For example, ‘FIFA banned players LGBTQ + solidarity symbols at the world cup’, however many European teams walked back to wear rainbow armbands during the global soccer competition on November 23, 2022. This allows the gender audience to be quite broad.

You can argue that teen vogue allows older audience to interact with their media as they have a Facebook page with over 5 million followers and many adults use Facebook rather than younger audiences. This illustrates how adult audiences may be drawn to a site which offers the more liberal and diverse and political content that many online and print magazines aimed at adults fail to offer.

In teen vogue there is a claim of diverse ethnic audience that is targeted by featuring articles about issues such as racism, oppression, culture, etc. For example, ‘myths about Muslim Women Debunked’ where it can influence a large amount of content about people from minority ethnic backgrounds, that would engage a similar audience who are often used to being under or mis represented in the media.

Another example is that these articles can offer informative and educational content about a variety of political issues and events such as ‘ the climate emergencies we’re not playing attention to.

To interact with their audience and to reach out to more people they post on a bunch of social media such as Instagram, Facebook, twitter, which helps to engage active audiences.

Media Representation

This magazine has the title Teen Vogue so it clearly is aimed at young audiences. The website shows quite stereotypical interests for teenagers so there is a lot of interest in popular culture, movie, singers, etc.

However, there is a challenge of representation towards young people as they talk a lot about politics, where they are being educated and curious about the world. For example, their is a post about “should your employer be able to stop you from getting a new job” where the site represent young people in positions power, as activists demanding social change. This can also present how people are being successful and achieving, having the potential to be powerful people.

Older adults can also be represented in a more negative light. For example as failed politicians, racists, unsuccessful, etc. In the website we can see a guy called George Santos who apparently lied about his real identity and that he was a fraud at age 19 all the way to his 30’s. This allows you audiences to portray themselves as more positive and older audiences as negative people.

There are many other online magazines that often show women in quite sexualised or domestic ways. The focus in those magazines is often on beauty and bodies. Teen vogue’s pages do not seem to focus on body shape, dating, dieting, etc. Very few women are sexualised on the site. Therefore, this suggests women as being less sexualised and more independent and non reliant on others. For example, Miley Cyrus who is back with the self love anthem of 2023 can be shown as important, powerful, successful, inspirational, etc.

Teen vogue doesn’t avoid important information to do with women such as misogyny or depression. They talk about women’s rights or things that are normal that happen to women, such as having a period, the need for feminism, or sexual harassment. Women are represented as having multiple issues to face. This allows the website o be realistic rather then idealised.

Bells hooks can be linked into the online magazine as they seem to be feminist and fighting against patriarchal oppression and encouraging a particular female audience to recognise the misogyny and the patriarch and to fight back against those issues. The site pays tribute to bell hooks after her death in 2021 whish shows that they tendered to agree with her ideas about how women and in particular black women, are typically represented. They called her the black feminist artist where she shaped a generation of black feminists.

David Gauntlet can be linked with teen vogue as gender is represented in a diverse “non binary” way, with pages showing multiple types of identity. They show a broad look on how female present themselves where it is hair, or different style, or type of gender they see themselves, or behaving in different ways, so there is quite a diverse rage of identities.

The site is primarily aimed at young women and men are often represented in less favourable ways. Men are often represented as being linked to violence, misogyny, the patriarchy like Andrew Tate. However you can argue that there are men who can be seen in a more positive way in general, this usually occurs to attract the younger audience.

The site represents LGBTQ+ people, including issues they face and struggles they have. In addition the representation of LGBTQ+ people are very positive and diverse.

Main mainstream media texts sometimes fail to embrace black hair, and it is often simply straightened or not featured at all. The website shows love and support to them and makes sure they are represented equally as everyone else.

The website draws attention to the post colonialism era and the impact it had and still is having on people from different ethnic backgrounds. The site clearly represents the issues of white privilege.

Media Industry

It is an American print magazine where a range of other international versions grew from that, however it has been declining rapidly over the years and brands started reducing the advertising as they were buying in print magazines, resulting in massive revenue drops. Teen vogue ceased being a print magazine and in 2017 they have become an online only site. This means they can still keep uploading on online until they reach their target audience, this is also useful as this reduces their overheads like printing and distribution costs.

The magazine is made by Conde Nast. They are a large and global conglomerate. They first begun as a spin off magazine to their existing vogue magazine. It was created to try to engage younger readers and push them towards the vogue brand which helped to increase profit.

Conde Nast is an even larger conglomerate as they are owned by advance publications. They are massive and global and have been around over 100 years. Teen vogue is just one of multiple print and online brands created by Conde Nast.

Conde Nast is diversified working within entertainment, technology, advertising, retail, restaurants, etc. This help[s to reduce risk by adding more opportunities for revenue. The current editor in Chief is Versha Sharma of Indian immigrants, she is a successful political writer, who could impact upon the content she wants in the magazine, as well as the way she wants articles to tackle certain issues.

Since becoming an online magazine, teen vogue have grown rapidly, more recent figures since filming, suggest online visitors are about 8 million a month.

The political ideologies of Teen vogue are evident in their articles which although are factual are mostly anti republican / Trump and pro Democratic.

Teen vogue has the image that they like to push boundaries where they are seen as more rebellious and controversial opinions and values, which makes it unique. For example, people who worked in sex work professions, articles about abortions, which could be shocking.

Social media is very popular for teen vogue and reflects the rising trend of converged online technologies. This is more engaging for a modern audience online. The use of social media is to push traffic to their website as this will help them to increase their advertising revenue.

Teen vogue also promote across a wide range of social media to both engage audiences and earn further revenue through monetisation. A lot of videos online, which helps them earn more money, they had a virtual online event during lockdown which helped to keep audiences visiting the site. To target more audiences they have snapchat as a lot of young audiences have the app, the posts usually offer interactive content such as polls and quizzes.

Sometimes companies have to self regulate in order to maintain their reputations. For example, in Teen vogue they had a homophobic and racist by previous editor in Chief Alexi McCammond, who was discovered to tweet homophobic and racist content on twitter. A lot of audiences were quite negative about this and Teen Vogue were forced to take action to maintain the reputation of their company.

Teen Vogue

STRUCTURE

Remember to focus on key issues around new media – privacy, knowledge, understanding, education, friendship, behaviour, thoughts, attitudes, beliefs, politics, economics, employment, war, conflict, food, the environment, space, science (essentially social change)

  1. Overview: New media always creates change (printing press, telegram etc)
  2. Q: so how has recent technology changed (society, individuals, organisations, ideas, beliefs etc etc)
  3. CSP 1 – show knowledge of CSP
  4. characteristics of new media (in reference to CSP 1)
  5. theoretical / conceptual analysis of new media (loop theory, network theory, Dunbar number, McLuhan, Krotoski)
  6. Critically thinking about new media (Baudrillard, McLuhan, Krotoski, B. F. Skinner, Zuboff, Lanier – are all essentially critical of new media technologies. But Gauntlett, Shirky, Jenkins are all very positive about new media technologies)
  7. CSP 2 – show knowledge
  8. Draw parallels and conclusions
  9. Suggest future pathways / developments

MEDIA LANGUAGE

The elements across the website are all arranged with a focus on beauty – the main dominant signifiers on the website’s homepage are often indexical signs of celebrities with anchorage around them detailing what the story is about. From this, we can see that there is a lot more choice available to us on the website because of how many different stories there are, and we are compelled to read each one base on the images shown on the front page. This links to the impact of new media in that we are given free will in the choices provided. However, Skinner states that “free will” is an illusion as behaviour is either a reaction/response to your environment or is random. I agree with Skinner on this viewpoint – one reason for this is the fact that, in the case of Teen Vogue, although we are given choice as to what article to read, the ultimate outcome will be us consuming articles and information constructed by their company. This leaves an impressionable audience vulnerable to biased propaganda, and manipulation, as depicted by Jaron Lanier when he argue companies are changing us as audiences through the content we passively consume.

MEDIA REPRESENTATION

The slogan for the website (‘Rise, Resist. Raise your Voice’) gives an impression that Teen Vogue promotes a representation of the world intertwined with freedom of speech and discussion. This sense of participation has been amplified in availability thanks to the concept of new media, and the fact that anyone can post ideas and words online for the whole world to view in mere seconds, in comparison to older times where broadcasting was only available to those in positions of power and influence, shows the fluidity of identities as depicted by Gauntlett and that a libertarian lifestyle is being prioritised.

Representation, Audience, Industry

In the story “Andrew Tate and the Manosphere Show How Far Hating Women Can Get You”, Teen Vogue presents a representation of typical masculinity as a negative idea and an evil force for the world. We can see this because the article is condemning Tate’s views and not being afraid to expose Tate’s indecency in light of recent allegations of human trafficking, for example “Tate is disgusting, yes — but of more concern is his popularity with young boys and young men”. The dominant reading here (as depicted by Stuart Hall) is likely to be one which aligns with Teen Vogue’s view on Andrew Tate and his views, due to the fact that 80% of Teen Vogue’s audience is female and young teens from the United States are targeted. Teen Vogue uses means specific to their audience such as popular opinion leaders to engage their readers, which links to the Two Step Flow audience theory as described by Paul Lazarfelt. The audience targeted here is likely to find the product more reactionary, which links to David Hesmondhalgh’s theory that the Media Industry is a “risky business” in that repetitive products are generated to sell and guarantee more revenue to large media companies.

Media Industries

Teen Vogue shifted from 10 prints a year to 4 prints a year, and has now transitioned to becoming entirely digital – based. This is a good example of how media Institutions are embracing new media and modern technologies into their business, and how new media is providing an easier means of circulation in comparison to old media (In January 2017, the magazine’s website had 7.9 million US visitors compared to 2.9 million the previous January according to Business of Fashion).