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Key terminology

Semiotics

  1. Sign: A gesture, action or thing that displays information or instruction
  2. Code: Letters, words, symbols or figures used to represent others
  3. Convention: A way that something is done
  4. Dominant Signifier: The main sign
  5. Anchorage: Words that go with images to give them a specific context

Ferdinand de Saussure:

  1. Signifier: The thing, item or code that we read
  2. Signified: The context behind the thing that is being represented
  3. Syntagm: Sequence; order in which they go and how one sign links to another
  4. Paradigm: Collection of similar signs; a group of things that are similar

C S Pierce:

  1. Icon: A sign that looks like its object
  2. Index: A sign that has a link to it’s subject
  3. Symbol: A sign that has a random link to it’s subject

Roland Barthes:

  1. Signification: The process of signifying by signs or symbols
  2. Denotation: A literal meaning of a word in contrast to the feelings or ideas behind it
  3. Connotation: A feeling that invokes for a person in addition to its literal meaning
  4. Myth: Something that is made up and widely false; a rumour
  5. Ideology: A system of ideas which forms the basis of economic or political theory and policy
  6. Radical: Challenges dominant ideas
  7. Reactionary: Confirms dominant ideas

People:

Ferdinand de Saussure: The father or semiotics. The founder of modern theoretical linguistics

C S Pierce: The founder of the idea that an account of signification, representation, reference and meaning. The earliest proponent of pragmatism.

Roland Barthes: The founder of the Semiotic theory broke down the process of reading signs and focused on their interpretation by different cultures or societies. He established structuralism and the new criticism.

Key terms – semiotics

Sign- stands in for something else

Code- used to construct meaning in media forms

Convention- the accepted way of doing something

Dominant signifier- the main thing that stands in for something else

Anchorage- words that go along with an image to give meaning of context

Saussure

Signifier- stands in for something else

Signified- thing or idea trying to be evoked

Pierce

Icon- physically resembles thing or idea

Index- direct relation to thing or idea

Symbol- no relation/ decided by society two things should be linked

Barthes

Signification- process of the construction of meaning from the signs

Denotation- first level analysis (what a reader can see on the page)

Connotation- meanings or associations we have with the image

Myth- naturalizes events turning history into nature

Ideology- a world view about how society should fuction

Radical- something you wouldn’t expect / out of the ordinary

Reactionary- what you would expect/ follows stereotypes

Paradigm- how we can create differentiation in meaning

Syntagm- an orderly combination of interacting signifiers which forms a meaningful whole

key language- 19 definitions

Semiotics:

Sign– something that could stand for something else, e.g words, drawings, photographs.

Code– Technical, written and symbolic tools used to construct or suggest meaning in media forms and products, e.g. camera.

Convention– Generally accepted ways of doing something.

Dominant Signifier– The main representative of something.

Anchorage – Words that go with an image to provide context.

Ferdinand De Saussure:

Signifier – Stands in for something else.

Signified -Idea being evoked by signifier.

C S Pierce:

Icon – A sign that looks like an object/person, e.g picture of a lamp.

Index – A sign that has a link to its object, e.g smoke and fire.

Symbol – A sign that has a more random link to its object, e.g colour, shape.

Roland Barthes:

Signification – Structural levels of signification, meaning or representation.

Denotation –  The most basic or literal meaning of a sign.

Connotation – The secondary, cultural meanings of signs; or “signifying signs,” signs that are used as signifiers for a secondary meaning. (what its associated with.)

Myth –  how words and images are systematically used to communicate cultural and political meanings, in texts such as advertisements, magazines, films, or TV programs.

Ideology – codes that reinforce or in agreement with structures of power.

Radical – Something that challenges dominant ideas.

Reactionary – Something that confirms dominant ideas.

Paradigm– a typical example or pattern of something. (collection of something)

Syntagm – an orderly combination of interacting signifiers which forms a meaningful whole. (sequence of signs)

SEMIOTICS – KEY LANGUAGE + NOTES

Semiotics

SignSomething that stands for something different.
CodeSystems of signs. Symbols that represent something.
ConventionWays of using media codes.
Dominant SignifierA signifier is the item that we ‘read’, such as a picture or sign. The dominant signifier is the most important signifier
Anchorage Words that accompany an image and give the meaning associated with the image. This gives the image a specific context.

Ferdinand de Saussure

Signifier The item, image or sign that we ‘read’ and take meaning from.
SignifiedThe meaning that we take and express from the signifier.

C S Pierce

Icon A sign that looks like its object.
Index A sign that has a link to its object
Symbol A sign that has an arbitrary or random link to its object (eg. colour)

Roland Barthes

Signification The representation of the meaning.
Denotation A description of what we can see in the image.
Connotation The meanings and associations we have with the image, the deeper meaning.
Myth How words and images are systematically used to communicate cultural and political meanings.
Ideology A body of ideas or set of beliefs that people have regarding different technologies.
Radical Something that goes against the stereotypical norm, something that you wouldn’t typically expect.
ReactionarySomething that stays in line with a stereotype. Something that you would expect.
ParadigmA collection of signs that are connected and relatable to each other.
Syntagm A collection of signs and how they are put together as one

Without anchorage, Roland Barthes suggests that media imagery is likely to produce polysemic connotations or multiple meanings. Anchorage constructs “a vice which holds the connoted meanings from proliferating” (Barthes 2007).

key language- natasha

Semiotics

  1. Sign– An object or thing that stands in for something else
  2. Code– Symbols that create meaning in something
  3. Convention– Ways of using code in media
  4. Dominant Signifier– The main representative
  5. Anchorage– Images that has words to create context

Ferdinand De Saussure- A Swiss linguist, philosopher and semiotician

  1. Signifier– An object that conveys meaning/stands for something
  2. Signified– The meaning expressed from the signifier/sign

C S Pierce- An American Philosopher

  1. Icon– A sign that looks like the object its representing
  2. Index– A sign where the link is caused by the object
  3. Symbol– A sign that has a rule to link to its object

Roland Barthes-

  1. Signification– Representation of the meaning
  2. Denotation– The literal meaning
  3. Connotation– The interpretation of a meaning
  4. Myth– Naturalises events, turning history into nature
  5. Ideology– Codes that reinforce structures of power
  6. Radical– Things you wouldn’t usually expect, counter typical
  7. Reactionary– Things you typically expect, stereotypical
  1. Paradigm– A typical example/pattern of something
  2. Syntagm– A set of linguistic forms that are in sequential relationship to one another

key language

CS Pierce

index – A sign with a link to its object

icon– a sign which looks like its object

symbol– a sign with a more random link to its object

Semiotics

sign– something that stands in for something else

code– symbolic tools that are used to create meaning

dominant signifier– the main representative

anchorage– words that have an image to give context

Ferdinand De Saussure

signified– an idea which is summoned by the signifier

signifier– something which stands in for something else

Roland Barthes

Myth– the most apparent quantity of signification which disfigures the meaning by validating arbitrary cultural assumptions in a similar way to the denotative sign.

Radical– something which challenges dominant ideas.

Reactionary– dominant ideas which are confirmed by something

ideology– the reinforcement of codes which are congruent with structures of power

denotation– literal or basic meaning of a sign

connotation– the secondary cultural meaning of signs or “signifying signs,” which are then used as the signifiers for a secondary meaning.

paradigm – A collection of similar signs.

syntagm – The sequence which words have been put in to.

csp 1 and 2: tomb raider and metroid

Overview

During your media course there will be a number of media texts that you are required to study, which COULD be in your final A2 exams. They are called CSP’s (Close Study Products). For more information from the board follow this link or open the linked document below.

Task 1

Make 3 powerpoint slides. One has Tomb Radier cover, the second has Metroid cover, the last has the back cover of Tomb Raider. Identify as many different elements in each cover as possible. In other words, what can you see? Label everything you can see eg main image, age rating, manufacturer name etc. Identify all of the visual elements that support the main image eg colour boxes, background colours, textures, shapes, hard lines, other random / arbritary elements. Save you ppt slide as a JPEG and upload to the blog.

Use the following categories: Exam Prep, Semiotics, Metroid, Tomb Raider,

CSP 1 TOMB RAIDER

CSP 2 METROID

Try researching around Metroid . . .

For example, this article is headed My childhood crush on Samus is probably why my ex looks like her seems to bring up some interesting ideas about our relationship between fictional representation and our factual lives.

Task 2

As part of your task above, apply the key semiotic terms (the 19 definitions you have previously completed). In other words, you should be able to break down all of the elements that have been used in each game cover as well as recognising what function or concept they are fulfilling.

For example, A is an iconic signifier because it resembles B. C is used as an indexical link towards D. E is a symbolic signifier and is used to . . .

Similarly, make sure you are clear as to whether the elements that are put together are radical or reactionary. In other words, what kind of representation is presented?

Language = Representation

Essentially what you are producing is a TEXTUAL ANALYSIS. That is you are analysing a media text. This means that you are identifying the individual specific elements (ie the Language of the products) towards what those elements mean when they are put together (ie the Representation of the product).

It may be useful to look at some (similar) work carried out by Feminist Fequency, for example this post (which includes the video below) about body language and The Male Gaze.

SEMIOTICS

What is Semiotics?

A tool that will help you analyse media products.

Task 1:

On your Header / Banner post provide 3 examples / illustrations of indexical, iconic and symbolic signs.

Which Theorists do you need to know for the exam?

  • C S Pierce
  • Ferdinand de Saussure
  • Roland Barthes

Key language:

Semiotics

  1. Sign
  2. Code
  3. Convention
  4. Dominant Signifier,
  5. Anchorage

Ferdinand de Saussure:

  1. Signifier,
  2. Signified,

C S Pierce:

  1. Icon,
  2. Index,
  3. Symbol

Roland Barthes:

  1. Signifcation,
  2. Denotation,
  3. Connotation
  4. Myth
  5. Ideology,
  6. radical
  7. reactionary
  1. Paradigm
  2. Syntagm

this link may help you to understand the distinction between syntagm and paradigm, but please do not worry about it! It is very confusing, highly specific and your understanding will develop over time.

Task 2:

You need to know all of these words for your exam as you will get tested on any number of them as a short answer question -usually question 1 in Media Paper 1. So please look them up and define them in a new post on your blog. THERE ARE 19 TERMS TO DEFINE.