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CSP 13&14: Newsbeat & War of the Worlds

Newsbeat

AUDIENCEtarget audience of BBC – 30 years old
target audience of newsbeat- 16-25 year olds
appeal to audience by – bringing in younger hosts, less formal, use of social media
focuses on current issues, to fulfil their purpose, but makes it more creative and exciting to appeal to audiences EG focus on political matters – ‘Rishi Sunak Speaks’ (25th Oct 2022) – but also pop culture events -‘Adidas drops Kanye’ (25th Oct 2022).
84% – 12-14 age
broadcasts last on average 15 minutes – more digestible for young audience
have a website, Instagram and twitter to broaden their audience

HALL
producers encoded meaning and values into their texts which was then decoded by the audience, but our reactions are shaped by our individual frameworks of knowledge
many factors which may influence one’s interpretation of the programme: age, ideology, upbringing, gender etc
preferred: producers hope to keep younger generation up to date about latest events
negotiated: some listeners will be interested in the more digestible stories but will turn to other sources for stories
oppositional: reject the encoded message and construct their own meanings, maybe the focus is irrelevant to their own situation
changes in in the contemporary media landscape

MCQUAIL AND BLUMLER
recognises the decision-making process of theory audience, highlighting how they seek specific uses and gratifications when consuming media
active consumption
young audiences will seek to inform themselves: on politics ‘Rishi Sunak Speaks’ (25th Oct 2022), events occuring around the world ‘Seoul’s Party Crush’ (31st Oct 2022)
young audiences will also seek entertainment: incorporation of popular culture ‘Adidas drops Kanye’ (25th Oct 2022)
this highlights how their audience actively seeks uses from media
INDUSTRYradio station on the BBC/ part of the BBC news
BBC is a PBS – funding through TV licenses (hypothecated tax)
according to OfCom –  PSBs are tasked with “delivering impartial and trusted news, UK-originated programmes and distinctive content”
There is an expectation that the BBC will be a reliable source of accurate reporting in the context of rising concerns about fake-news – they aim to inform, entertain, and educate
1.54B uk plays of radio, music, podcasts on BBC across 2021/22
newsbeat was launched in 1973

newsbeat is an example of a transnational media product
traditional broadcast times as well as being available to listen after broadcasting
regulated by OfCom

DISTRIBUTION:
Newsbeat programmes are transmitted live over digital audio broadcast (DAB) frequencies at 12:45 and 17:45 during most weekdays – can tune into entertainment gossip and sport headlines after the show by tuning into Radio 1, 1Xtra and the Asian Network

SEATON
investigates PBS
claims they “bringing public awareness the whole range of activity and expression developed in society” (Pilkington Report 1962)
BBC does this through broadcasting a range of topics which aim to educate and inform the masses

HABERMAS
new forms of media transformed the public sphere which enabled ordinary citizens to be more actively engaged in society and in critical political discussions
the BBC is government owned, paid for by TV licenses, accessible to the entire country, available to the poor, uneducated, lower class – “opening up new worlds to people” Cecil Lewis

War of the Worlds

AUDIENCEfamous for convincing some of its listeners that a Martian invasion was actually taking place due to the “breaking news” style of storytelling employed in the first half of the show
created mass hysteria within U.S. – The New York Times reported “a wave of mass hysteria seized thousands of radio listeners”
 provides a terrific introduction to the debate surrounding the media’s ability to influence the audience and shape our behaviour and beliefs
“dressing up in a sheet, jumping out of a bush and saying, ‘Boo!'” – Welles states at the end of the broadcast
 warned against using the original names of places – eg Princeton Observatory rather than Princeton University Observatory – This blurring of boundaries between fact and fiction could be one of the reasons why members of audience believed
produced on a background of war hysteria – tensions were rising within, fear of a foreign power and their weapons of mass destruction
audiences nowadays would not have reacted in such a way due to having a higher exposure to fake news

LAZARFELD


GERBNER
examines the lasting effects of media – Looking primarily at the relationship between violence on television and violence in society
long-term exposure to media causes individuals to adapt mainstream ideologies and to believe what they see is a reality
wotw audience were convinced that an alien invasion was occurring due to the media having a heavy focus on the intense atmosphere in Europe which had been threatening war for quite some time – people were anticipating an invasion and therefore believed one was actually occurring

HALL
suggests producers encode specific messages within media for consumers to decode – reaction depends on personal knowledge and understanding of self
preferred: gain entertainment from the broadcast and would understand its trivial but amusing nature
negotiated: understand that the broadcast is not a real depiction of what is occurring but may not feel appreciate its amusing aspects
oppositional: feel terrified by what is being broadcasted and believe that what is its depicting is a reality

COHEN
suggests moral panic occurs when a “condition, episode, person or group of persons emerges to become defined as a threat to societal values and interests.”
MToA presented a broadcast which threatened societal interests – sent listeners into moral panic
INDUSTRYfirst broadcast on 30th Oct 1938 over the CBS Radio Network – a trusted network
Orson Welles adaptation of H.G. Wells’ War of the Worlds on  Mercury Theatre on the Air radio broadcaster
produced during the golden age of radio – radio was the only form of domestic media
radio was a direct competition to newspapers – but example of institutions always searching for ways to attract audiences
the argument can go both ways: either people did believe Martians had invaded NJ, or newspapers exaggerated the damage the broadcast caused so to defend their market share
newspapers were drawing attention to the dangers this new media posed to the harmony of American society and calling for greater regulation of the industry
provides an interesting study of the
power and influence of radio as a form during its early days of broadcasting
radio was s regulated by the Federal Communications Commission and
it investigated the broadcast to see if it had broken any laws. In the 1930s there were concerns
over the power of radio to cause distress
ce hooper rating survey – 98% of listeners of the CBS were not tuned into mercury theatre on air, and the 2% did not believe it was news – indicating it was the news papers who exaggerated

https://www.npr.org/sections/thetwo-way/2013/10/30/241797346/75-years-ago-war-of-the-worlds-started-a-panic-or-did-it

HESMONDHALGH

Newsbeat CSP

Media Industries:

  • Newsbeat is produced by the BBC
  • Newsbeat was launched on 10 September 1973
  • Shows the traditional routine of a radio broadcast however it is available online afterwards
  • Newsbeat as a BBC News product with bulletins (summary of news) are broadcast on BBC Radio 1, BBC Radio 1 Xtra and BBC Asian Network
  • Newsbeat won Gold for Best News & Current Affairs Programme at the Radio Academy Awards on 13 May 2013.
  • The funding of BBC Radio through the license fee – Tax
  • The influence of new technology on media industries – Newsbeat as multi–platform media product. eg
  • Website
  • Twitter
  • Instagram
  • The regulation of the BBC via Ofcom and the governance of the BBC

Media Audiences:

  • The news is specifically tailored to a younger audience (teenagers- early 20s)
  • The BBC’s mission is outlined, the corporation has to provide “impartial, high-quality and distinctive output and services which inform, educate and entertain”.
  • Accessible to the target audience through their informal mode of address, interactive games, and audience participation
  • The BBC has been criticised for “political bias” as they seem to reinforce a more liberal ideology
  • The main fifteen-minute Newsbeat programmes are transmitted live over digital audio broadcast (DAB) frequencies at 12:45 and 17:45 during most weekdays.
  • Presenters talk simply and use shorter words in order for it to make it easier for younger audiences to understand.
  • 84% of their audience is age 12-15 meaning their actual audience is below their target audience

Possible exam questions:

To what extent is the BBC regulated?

Explain how the BBC attract and maintain audiences? You should refer to the CSP of Newsbeat.

Explain how the social, political and cultural contexts of media may influence how audiences may interpret the same media in different ways.

To what extent do media products target audiences by constructing an ideological view of the world?

Knowledge:

  • There was 9 million listeners in the first week of 2022 – shows how they reach a wide audience.
  • They target audiences from ages 15- 20s
  • Their actual audience is in their 30s
  • Plus, although the BBC is neutral, newsbeat covers things that might interest more left-leaning individuals, for instance, LGBT community, or more normalised modern day values.
  • The BBC is funded through tax.
  • The 21:00 bulletin was dropped in 2020 due to COVID- 19 pandemic
  • A satirist and broadcaster called Christopher Morris created a parody of the 1990s style of Newsbeat and called it “Radio 1 Newsbanger” Some of these parodies were actually broadcast on Radio 1, though most featured in the Radio 4 comedy series On the Hour 
  • Women over 21 got the vote in 1928, and the BBC created The Week in Parliament, to help women navigate their early understanding of the world of politics.

My arguement:

Newsbeat have used new technologies in order to keep up and become more accessible to a younger audience.

CSP- NEWSBEAT

https://media-studies.com/newsbeat-analysis/#demographic-profile

  • Newsbeat also exemplifies the challenges facing the BBC as a public service broadcaster that needs to appeal to a youth audience within a competitive media landscape.
  • a transitional media product which reflects changes in the contemporary media landscape
  • a traditional radio programme with regular, scheduled broadcast times, but it is also available online after broadcast
  • The broadcast itself and the use of digital platforms provides opportunities for audience interaction

MEDIA INDUSTRIES

  • Newsbeat as a BBC News product with bulletins are broadcast on BBC Radio 1, BBC Radio 1 Xtra and BBC Asian Network
  • The funding of BBC Radio through the license fee, concept of hypothecated tax
  • Issues around the role of a public service broadcaster within a competitive, contemporary media landscape
  • The distinctive nature of the programme connected to its public service remit
  • Arguments on the need for addressing a youth audience already catered for commercially
  • The influence of new technology on media industries – Newsbeat as multi–platform media product. eg
    • Website
    • Twitter
    • Instagram
  • The regulation of the BBC via Ofcom and the governance of the BBC

CSP – NEWSBEAT

Newsbeat

The BBC are the largest public service broadcasting cooperation in the UK, their ethos is to: “provide impartial, high-quality and distinctive output and services which inform, educate and entertain”

Newsbeat seems to be a multi-media product which can be accessed on the newsbeat website, this includes audio clips from newsbeat broadcasts on the radio, images and articles.

https://www.bbc.co.uk/programmes/b006wkry

  • Newsbeat follows quite a simple structure, using simple dialogue that is easy to grasp and understand for its younger demographic.
  • The news is framed through ‘sound-bites’ whilst a presenter steers the stories. The use of an informal tone, quick overviews, upbeat links, and audience participation.
  • BBC News Article (https://www.bbc.co.uk/news/newsbeat-36313107)
  • In 2016, Newsbeat moved from having its own separate app and website to being a part of the BBC News webpage. This was because research showed that those aged 16-25 were engaging with BBC News already.
  • Newsbeat is a radio programme produced by the BBC, it was created in 1973 (51 years after the BBC was founded)
  • It is broadcast on BBC Radio 1, BBC Asian Network and BBC 1 Extra.
  • Each broadcast is 15 minutes long and are transmitted at 12:45 and 17:45 each weekday. The broadcasts can also be listened to, on demand, through the BBC Sounds app or BBC website.
  • Rather than replacing the traditional BBC News interuptions each hour, Newsbeat provides a more interactive service orientated towards a teenage audience.
  • The Newsbeat web page is a part of the BBC website, rather than having a separate domain, it is intertwined with a wide range of content (This encourages a younger audience who would most likely view content online, on a mobile device.)

Newsbeat promises its younger listeners all the news they need to know from the UK and around the world

Regulation

  • Even though the BBC is closely monitored by the UK Government, Ofcom also regulates the BBC meaning that it has to follow The OFCOM Broadcasting Code “so that BBC viewers and listeners are appropriately protected”
  • Ofcom produces a annual report, commenting on how the BBC are complying with their regulations

Audience

Target Audience: Young people aged 15-29.

How do they try and attract this demographic?

  • Newsbeat reflects it’s relatively young audience through their radio presenter team being similar to the demographic
  • News is presented in ‘chunks’ – Explain complex news stories in a way that is easy to understand and access.
  • Lots of the news covered is revolved around celebrities, popular culture (providing entertainment)
  • Focus on issues regarding young people: listeners can feel themselves represented.
  • Interactive content: Active audiences (Lazarfeld – Two step flow)
  • Globalisation through creating versions of newsbeat in other parts of the world.

Statistics from YOU GOV (2018): https://docs.cdn.yougov.com/mv1fnnhj8v/YG-Archive-030318-BBCNewsbeat.pdf

https://downloads.bbc.co.uk/bbctrust/assets/files/pdf/about/how_we_govern/updated-framework-agreement-may-2022.pdf

Public Service Broadcasting

A state-related institution which broadcasts TV, radio etc… to provide information, advice, or entertainment to the public without trying to make a profit. Often has no adverts and uses tax from TV licenses to fund their organisation.  It ensures diversity in the media and plurality in news, and creates programming which reflects and examines wider society.

Broadcasting – targets mass audiences

Narrowcasting – targets smaller niche audiences

The BBC

  • Lord Reith’s founding principles still shape the BBC
  • Grace Goldie saw the potential in broadcasting and enhanced its influence through her journalism
  • BBC initially was rejected by many organisations out of fear of new technologies eg sports companies would refuse to let them broadcast their matches/events
  • The BBC became the center of everything

Royal Charter

  • sets out the BBC’s Object, Mission and Public Purposes
  • outlines the Corporation’s governance and regulatory arrangements, including the role and composition of the BBC Board
  • Our mission is “to act in the public interest, serving all audiences through the provision of impartial, high-quality and distinctive output and services which inform, educate and entertain”.

Ethos of the BBC:

  • “opening up new worlds to people” Cecil Lewis
  • looking at opening up (and sustaining) the Great Tradition of progressive Western academic thought
  • essentially to inform, educate and educate

Populism – political approach that strives to appeal to ordinary people who feel that their concerns are disregarded by established elite groups

Paternalism – the policy or practice on the part of people in authority of restricting the freedom and responsibilities of those subordinate to or otherwise dependent on them in their supposed interest

Habermas defines the public sphere as a virtual or imaginary community which does not necessarily exist in any identifiable space – The BBC changed the nature of modern communication by transforming time and space

transformation of the public sphere  created a new public engaged in critical political discussions – the BBC is government owned, paid for by TV licenses, accessible to the entire country, available to the poor, uneducated, lower class – “opening up new worlds to people” Cecil Lewis
Seatonthere has been a ‘deterioration between the state and broadcasting institutions’
early British broadcast reports show ‘there is a consensus that state regulation is the best guarantee of broadcasting independence and accountability’, therefore ‘only the state could license the BBC to be a ‘public corporation acting as a trustee for the national interest”

debate surrounding the independence of broadcasting – some argue ‘independence is functional and must be extended to guarantee accountable broadcasting’, others claim ‘ independence poses a serious threat to political institutions, whose control over broadcasting should be strengthened

‘broadcasters have come to see the state as their enemy… Yet broadcasting institutions ultimately depend on the state for their legitimation’
Curran
Livingstone
Chomsky
The Frankfurt Schoolfocus on the negative effects of populism in the culture industries
people should spend their time understanding themselves (paternalism)

Public Service Broadcasting (PBS)

Broadcasting – To a mass audience

Narrowcasting – To a niche audience

10 Key elements – Press
The storyline was properly structured and easy to follow.
Key plot points happened for reasons.
Connections could be formed with relatable characters.
Editing was done to a professional standard

The Royal Charter is the constitutional basis for the BBC. It sets out the BBC’s Object, Mission and Public Purposes. The Charter also outlines the Corporation’s governance and regulatory arrangements, including the role and composition of the BBC Board. The current Charter began on 1 January 2017 and ends on 31 December 2027. The Government will carry out a mid-term review of the Charter, focussing on governance and regulatory arrangements. This review is not a full Charter Review and so will not look at the BBC’s mission, purpose or the method by which it is funded. The Agreement between the Secretary of State for Culture, Media and Sport and the BBC sits alongside the Charter. It provides further detail on many of the topics outlined in the Charter including the BBC’s funding and its regulatory duties. The Agreement runs coterminous to the Charter but can be amended during the Charter period subject to the agreement of the Secretary of State and the BBC.

Lord Reith was a founding member of the BBC. His founding principles still define the BBC today.

Radio was now the ‘Centre of Everything’ (Habermas transformation of the public sphere).

The Frankfurt School was a German school of theory.

The BBC was the first of its kind and people could connect with others around the world.

Broadcasting was initially a public service, however its growth was funded by the licence fee, advertising and tax. The ‘public service’ became unfashionable in the 1980s

public service broadcasting

Broadcasting – For a mass audience

Narrowcasting – A niche target audience

10 key elements that make press a quality television:

  • Convincing acting
  • Character development
  • Editing that keeps flow of the production
  • Quality of sound
  • Good lighting
  • Keeps the audience wanting to know more
  • Unpredictable and unique
  • Camera angles
  • Able to form an emotional connection
  • Captivating story line

The Royal Charter is the constitutional basis for the BBC. It sets out the BBC’s Object, Mission and Public Purposes- began on 1 January 2017 and ends on 31 December 2027.

Ethos of BBC– to inform, entertain and educate

POPULISM– appeals to ‘the people’ (want)

PATERNALISM– what people should have- against or regardless of the will of a person

Links to Frankfurt school- Theodor Adorno, a part of the Frankfurt school, talks about the culture industry and the fact that we need to use our leisure/free time productively, meaning to develop ourselves rather than do what we want. Paternalism^populism

  • Habermas – Transformation of the Public Sphere– The idea that the media such as BBC transforms people’s (audience) lives in a way to help them make connections with people in the media, such as the royal family.
  • Jean Seaton – The concept of Public Service Broadcasting
  • James Curran – Power and Responsibility– using power and responsibility throughout media to ensure that the ethos is rightly represented.
  • Sonia Livingston – regulation of media organisations– regulation is important in the media to enable the ethos to work, if the media isn’t regulated then audiences will not be informed, entertained or educated
  • Noam Chomsky – manufacturing consent

Lord Reith– Did not know what broadcasting was until he developed the ethos= Founding principles still influence BBC today

  1. Lord Reith and early days of BBC 10:41 – 13:05
  2. The start of BBC Television 14:00 – 16:00 Grace Wyndham-Lewis changing nature of modern communication, essentially by transforming time and space.- Links to Habermas transformation of public sphere, helping audience to make connections
  3. The fear of new technology 16:00 – 16:30 what are the fears around new technologies?
  4. The centre of everything 18:40 – 19:58 – is that still the case now? ‘BBC is social cement’- 29 mil people watched Queen’s funeral

Transformation of the public sphere

-BBC acts as a social cement

-Allows connections within the media between different people such as audience and royals or audience ands politicians

-Allows connections with events such as the Queen’s funeral

-Forms a centre of a person’s life

Seaton

-“a flexible means of managing and developing an important utility which has been commercially successful and also served the public

public service broadcasting

Broadcasting

Broad- to a mass audience

Narrow- to a smaller audience/niche audience

Key elements of quality broadcasting:

Sound

Lighting

Camera

Storyline

Acting quality

Does it intrigue the audience?

Editing

Character

Props

Emotional conection

hidden message

BBC charter: a royal charter setting out the arrangements for the governance of the British Broadcasting Corporation. It sets out the BBC’s Object, Mission and Public Purposes. Also outlines the Corporation’s governance and regulatory arrangements, including the role and composition of the BBC Board.

The ethos of the BBC is to inform, entertain and educate.

Populism: No limits. what they want. Refers to a range of political stances that emphasize the idea of “the people” and often juxtapose this group against “the elite“. It is frequently associated with anti-establishment and anti-political sentiment.

Paternalism: Against what they want. an action that limits a person’s or group’s liberty and is intended to promote their own good. Paternalism can also imply that the behaviour is against or regardless of the will of a person, or also that the behaviour expresses an attitude of superiority.

  • Habermas – Transformation of the Public Sphere
  • Jean Seaton – The concept of Public Service Broadcasting
  • James Curran – Power and Responsibility
  • Sonia Livingston – regulation of media organisations
  • Noam Chomsky – manufacturing consent

Lord Reith- His founding principles is still the framework and ethos for the bbc.

The BBC is like social cement that connected us all together. We’re now less connected and more fragmented.

1922- First BBC radio station launched

1933- First woman announcer- Sheila Borrett

1944- D-day- Landings are broadcast on June 6th

The Frankfurt School– They said that we should use our leisure time productively. The task of the Frankfurt School was sociological analysis and interpretation of the areas of social-relation that Marx did not discuss in the 19th century – especially the base and superstructure aspects of a capitalist society. Theodor Adorno- rejected a classical interpretation of Marxism as an economic determinist theory.The transformation of the public sphere

Media transforms the public sphere:

new technologies

The BBC is like a ‘social element’ without having to communicate back.

the BBC allows audience to listen from their home, transforming their space

transforms time and space

links between individuals and famous people/news/upcoming events

connections towards major events like wars/football/royalty weddings, coronations, funerals

Seaton and the BBC

Broadcasting and the theory of public service

We consider such a potential power over public opinion and the life of the nation ought to remain with the state

“the collapse if the principle of psb has been the deterioration in the relationship between the state and broadcasting institutions”

“Broadcasting needs to find a new relationship to the state and a new form of commitment to public service, and indeed a new definition of public service that will work in the conditions of increased populations”

“The significance of broadcasting independence is also disputed.”- one side suggests that independence is functional and the other argues that this independence poses a serious threat to political institutions.

Possible questions:

  1. How is the BBC regulated/controlled?
  2. How does new technologies affect the radio station?

What to include in the essay:

  1. Haesmondhalgh- risky business
  2. Newsbeat is broadcasted in central London
  3. Newsbeat was created by Telefís Éireann
  4. Newsbeat was launched on 10 September 1973
  5. Smaller details: Target audience= 15-29 year olds. Broadcasting time= 12:45 and 17:45 in 15 minute stints
  6. Funded through TV licence fee.

I understand…

I want to argue that newsbeat reflects popularity from the other BBC channels.

Public Service Broadcasting

Broadcasting is to a mass audience.

Narrowcasting is to a niche audience.

What can constitute a quality broadcast?

  • Acting – good ways of conveying situations and what is happening.
  • Lighting – makes characters and the scenes nice to look at.
  • Storyline – Engages the audience and grips them to find out more.
  • Camerawork – Allows the audience to see wat is going on from many different angles and perspectives.
  • Editing – How well the story and program flows from one scene/shot to another.
  • Sound – How the soud gives a sense of realism and makes you feel like that situation in the program actually happened.
  • Props – Help to promote a sense of realism.
  • Characters – Relatable characters will give he audience role models to look to.

The BBC Charter is a royal charter setting out the arrangements for the governance of the British Broadcasting Corporation. An accompanying agreement recognises its editorial independence and sets out its public obligations in detail.

BBC Ethos – To inform, entertain and educate.

Populism – a political approach that strives to appeal to ordinary people who feel that their concerns are disregarded by established elite groups.

Paternalism – The policy or practice on the part of people in authority of restricting the freedom and responsibilities of those subordinate to or otherwise dependent on them in their supposed interest.

Lord Reath was a key leader of the BBC when it first came around in the 1920s, and he didn’t even know what broadcasting was. His founding principles are still the framework and ethos of the BBC today.

29 million people watched the queen’s funeral – BBC remains the central point of our mediated life – social cement

Transformation of public sphere – Habermas – BBC can link public and private spheres.

James Curran – Power and Responsibility – BBC has a lot of power and control – must use it for the greater good.

The Frankfurt School talk about culture industries and how we need to use our leisure time productively instead of using it for mainly recreational entertainment. This was suggested by Theodore Adorno.

Habermas – Transformation of the Public Sphere – BBC

  • The BBC allowed people from hundreds of miles away to experience other places in real time e.g Football Commentary
  • The BBC educate people on matters that they wouldn’t have otherwise been able to receive counsel for e.g “For Deaf Children” in 1955.

Jean Seaton – The Concept of Public Service Broadcasting

Broadcasting in Britain – monopoly or duopoly – always depended on an assumption of commitment to an undivided public good” – if you are going to be a part of a broadcast or help to bring one into fruition you would be expected to put the public’s interests, wellbeing and thought processes before anything else.

Public Service BoardCasting (PSB)

10 Key elements / standards of quality television

  1. The quality of the sound recording.
  2. The acting skills to make it seem real.
  3. The storyline, whether its predictable and easy to read or unpredictable and harder to read and the writing of the story.
  4. The style of clothes and makeup and the quality of props.
  5. The picture quality.
  6. Camera angles
  7. Themes

Definitions:

  • Broadcasting – Targets a large audience (mass media products)
  • Narrowcasting – Targets a small audience (niche audience)
  • Populism – The idea that media products follow what their audiences enjoy and love.
  • Paternalism – The idea that media products follow what is good for their audiences.
The BBC:
  • BBC was made in 1922, 51 years before Newsbeat.
  • The first director general of the BBC was Lord John Reith.
Ethos of the BBC:
  • Lord Reith developed the 3 components of the BBC: 1) Entertain 2) Educate 3) Inform.
  • Grace Wyndham-Goldie explains changing nature of modern communication, essentially by transforming time and space through technology.
  • British culture was centred around the BBC.
Theorists that can be linked to the BBC:
  • Habermas: The BBC correlates to the transformation of the public sphere as this is where there is sharing of knowledge and ideas, which the BBC expresses and informs the UK of international news as well as national news.
  • James Curran (talks about power and responsibility) says ‘Independence poses a serious threat to political institutions whose control over broadcasting should be strengthened’ – Pg 134 That the independence of the BBC is threatening political institutions such as the government.
  • Jean Seaton explains ‘Commercial broadcasting is based not on the sale of programmes to audiences but on the sale of audiences to advertisers’ – pg 126 – meaning broadcasting requires advertising revenue to maintain programming and they are designed to attract ‘economically affluent audiences’, meaning audiences who want to buy the product that are promoted.

CSP: Newsbeat

Facts and Figures:

  • Newsbeat is the BBC’s radio news programme broadcast on Radio 1, 1Xtra and Asian Network.
  • Newsbeat is edited by Danielle Dwyer.
  • More popular with older groups like millennials with 63% than Gen X with 42% and Baby Boomers with 34%.
  • The original release of Newsbeat was in 10th September 1973 to the present day.
  • Runs for 15 minutes and its country of origin is the United Kingdom.
  •  BBC Trust claims Radio 1 targets people who are aged 15-29. However, RAJAR suggests the average listener is actually 30.
  • Newsbeat is a multi media production which consist of radio, news and video as well as behind the scenes of the radio (The way the camera angles are presented and the videos are performed).
  • Transmitted live over digital audio broadcast most weekdays at 12:45 and 17:45.
  • Newsbeat is owned by the BBC.

Media Industries:

  • BBC is regulated by the government as audiences are unable to listen to the radio station and their news unless you have a TV license.
  • Newsbeat uses multi media products to advertise and present their website through social medias such as Instagram, Twitter and Facebook.

Media Audiences (Relating to Newsbeat):

  • Stuart Hall is represented through his reception theory as the producers appeal to their listeners through influencing their audiences opinion (Framing) through his 3 types of audiences. Dominant (Those who accept): Teenager and young people who listen or watch online, taking Newsbeats information and believing/accepting it. Negotiated (Those who argue): The audience which listens/reads but then disagrees with some things. Opposition (Those who reject): The audience which entirely REJECTS what newsbeat has to offer.
  • Newsbeat appeal to younger generations of 15 to 29 years of age through their story contexts and presentation. On the stories page of Newsbeat, their stories are based around tik tok, education and celebrities such as the rapper and singer known as Stormzy, and other stories which may interest young audiences.
  • Younger audiences have different consumption patterns to the older generations (younger gen through phones and older gen through TV)

Possible Exam Newsbeat Questions:

  1. Assess the extent in which institutions and audiences play a key role in a product you have studied. (Newsbeat) 20 marks
  2. How does Newsbeat attract their target audiences? (9 marks)