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HALL

Stuart Hall

Jamaican born, cultural/hegemonic theorist who moved to Britain before studying English at Oxford University. He worked at the Open University for a number of years, as a professor of sociology

“He looks at how producers use various signs to encode a programme’s meaning, according to their ideologies and resources, which is then decoded by the viewers, who have to interpret the message through their own framework of knowledge.”

The Theory of Preferred Reading

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He theorized that media texts contain a variety of messages that are encoded (made/inserted) by producers and then decoded (understood) by audiences. Therefore what we consume is a ‘re-presentation’ of the real world, changed by producers to fit the ideologies they want to distribute.

He also communicate the idea that there is often a level of ‘distortion’ from reality through the media. He defines this distortion as the “gap between what one might think of as the true meaning of an event (or an object) and how it is presented in the media.”

  • Double meaning of the word – Representation. It means ‘to present’ and re-presentation gives the idea that there was ‘something’ in the real world and through the media, this is given a new meaning (re-presented).
  • Those in power, the elite/hegemony, have the power to limit or widen representations in the media. For example, often in the media Black men are presented as criminals, troublemakers although there is no space given for any positive representations to be portrayed.
  • https://www.mediaed.org/transcripts/Stuart-Hall-Representation-and-the-Media-Transcript.pdf

Reception Theory

He puts forward the idea that media audiences are ACTIVE and decode media messaged based on their SUBJECTIVE IDENTITY, therefore evidencing his point that messages are open for interpretation:

Dominant Reading = How the producer wants the audience to view the product.

Negotiated Reading = A compromise between the dominant and oppositional readings.

Oppositional Reading = The audience rejects the dominant meaning and creates their own reading.

https://media-studies.com/reception-theory/

Stereotypes

  • A large part of his work looks at how the Media represents identity features through stereotypes (negatively or positively) such as: age, gender, race, ethnicity, geography, sexuality etc.
  • In a lecture from 1997, in which Hall talks about stereotyping, he said that “the image (stereotype) is producing not only identification” but also “producing knowledge”. This is “what we know about the world”, therefore “how we see it represented”

CSP 11&12: Men’s Health & Oh Comely!

Men’s Health – Jan/Feb 2017

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LANGUAGESEMIOTICS
Dominant signifier: Vin Diesel – ready made audience, attracts fans
reactionary/stereotypical representation of a man: dominant stance, muscles on show,
symbolic sign, blue and black font: colour associated with male gender, connotes to manliness, signifies topic of magazine genre
anchorage indexical signs, headlines about losing weight, going to the gym, dieting etc…: highlights conventional elements of what it is to be ‘manly’, also provides anchorage as to what is in the magazine, attracting implied audience
genre is lifestyle magazine (aimed at men’s lifestyle) – all paradigm of signs which connote to the idea of manliness/masculinity – fulfilling genre expectations according to Neale ( genre is structured around a repertoire of elements,  which attracts audience based on their predictable expectations)
indexical signs ‘burn’, ‘blast’, ‘demolish’, ‘slay’, ‘wage war’: semantic field of aggression/violence
symbolic sign, big bold font: signifies aggression and masculinity

NEALE
He argues genre is is a mechanism which attracts audience based on their predictable expectations
He suggests that each genre is structured around a repertoire of elements, which fulfil an audiences expectation of a film and creating enjoyment
MH is a lifestyle magazine directed at men
conventional elements of the genre include: working out tips (28-29), healthy recipes(32-33), tips on grooming (44), etc…
these elements attract the target audience – a male audience interested in improving their lifestyle
REPRESENTATIONThe School of Life present a video called ‘How to be a Man’ – this presents the ‘cool’ man, and the ‘warm’ man. whilst this is not an academic theory, it is still possible to apply these representations in Men’s health:
‘Meet the men traversing war-torn Israel by bike on an epic three day endurance’ – portrays cool man

GAUNTLETT
suggests that identity is not fixed – instead is fluid, constructed, negotiated and/or collective
MH different versions of masculinity are presented:
– front cover shows stereotypical alpha male
– page 6-7 shows stereotypical classy businessman
– page 130-131 shows active/athletic/adventurous man
– page 101 shows the unconventional older runner
by using multiple representations MH can appeal to multiple audiences at once

BUTLER
claims that gender is stylised by a series of repetitional acts
there are stereotypical acts which make you female – wearing makeup – and stereotypical acts which make you male – playing football – and by repeating these acts on a regular basis you can construct your gender identity
MH clearly presents a stereotypical masculine identity through the ideas it represents
– front cover depicts stereotypical muscley alpha male who
– pg 6 depicts stereotypical hardworking/punctual businessman
– pg 128 depicts stereotypical adventurous/risk-taker male
this allows the magazine to feel relatable for other stereotypical male readers

GILROY
claims that colonialism is still present in media today through lack of representation of ethnic minorities
whilst MH doesn’t directly marginalise these minorities, their lack of representation of them highlights a post-colonialist ideology as it implies that the ethnic majority are more worthy and significant
there are some representations of the black community etc – eg page 25
however most representations are focused primarily on the white community – eg page 2, 6, 18,
therefore creates a misrepresentation which does not embrace other ethnicities
AUDIENCELASSWELL
hypodermic needle theory/linear model of communication
passive consumption
receiver simply accepting a message being given to them, rather than engage with it
SENDER: Hearst communications/Mens Health
MESSAGE: providing men with the tools to improve and control over their physical, mental, and emotional lives
MEDIUM: print/online lifestyle magazine
RECIEVER: men wanting to improve their lives, women buying for husbands/boyfriends etc…
EFFECT: to buy the magazine and make money for Hearst

LAZERFELD
two step flow of communication
active consumption
media messages are  filtered through influential opinion leaders who interpret a message first and then relay it back to the mass audiences
Vin Diesel acts as the opinion leader, promoting the magazine and the ideas being portrayed – getting healthy, getting fit, improving life – to make people want to buy the magazine and make Hearst money. people are more likely to buy the magazine if someone they look up to promotes it

MCQUAIL AND BLUMLER
uses and gratifications
active selection
 recognises the decision making process the audience take, highlighting how they seeking specific uses and gratifications when consuming media
audience may want to EDUCATE themselves on how to get fitter/healthier/better their lives
audience may want to IDENTIFY with ideas presented top them or seek a new IDENTITY – a healthier identity
audience may want to be ENTERTAINED by the magazine through interviews etc
INDUSTRYstarted in 1986 by Mark Bricklin
largest men’s magazine brand – 35 editions in 59 countries, best selling men’s magazine on US newsstands
quarterly magazine
1988 began selling subscriptions
consumer magazine – general men’s lifestyle

won both  Editor’s Choice and Reader’s Choice for the 2016 Hot List

average circulation per issue: 89,811, 74% from paid subscriptions (dec 2021)
Men’s Health magazine had an average monthly reach of around 1.8 million individuals in the United Kingdom from April 2019 to March 2020
between Nov 2021 and Feb 2022: 9M print audience, 16.5M social media followers
average reader is male with a media age of 44.7 and an income of over $92,000

result of rise in digital media:  circulation high of 228,000 in 2008, dropped to 160,000 in 2016
adapted through introducing online version and social media – 4.5m twitter followers (oct 2022)

Women’s Health was founded in 2005 as a branch of Men’s Health
currently has a higher circulation than Men’s Health – 96,350, (dec 2021)

in 2018 – owned by global publishing conglomerate HEARST UK – bases in NYC, ownes newspapers, magazines, TV channels, Tv stations, owns 50% of the A&E Networks cable network group and 20% of the sports cable network group ESPN, both in partnership with The Walt Disney Company
Hearst UK brands reach 30% of UK men and 25% of UK women
They sell over 4m magazines a month and have 17m UK digital unique users
2016, revenue $10.8B
publishes over 20 magazine titles: Cosmo, Elle
Hearst describe the brand as a “lifestyle manual for modern men”

HESMONDHALGH
claims the ‘cultural industries are a risky business’ – audiences tastes are continuously adapting making predicting their needs very difficult
to avoid this risk he claims major cultural organisations create products for different industries in order to maximise chances of commercial success – evident with regards to Hearst as they own multiple companies in multiple sectors – of one fails, they will still have other assets
star formatting is another way of reducing risk as it attracts a ready made audience – evident through the use of Vin Diesel on the front cover and a 6 page article about him – fans of diesel will be urged to buy the magazine

CURRAN & SEATON
highlights how the media landscape has fallen under the control of a small amount of global media conglomerates and how this type of ownership creates a lack of diversity for audience consumption
MH health is owned by global media conglomerate Hearst who owns 20+ magazine titles
arguable to maximise profits
however creates lack of diversity for audience as all names are owned by the same company, representing the same ideas
CONTEXTimpact of digital media on magazine industry:
Print sales fell by 42% from 23.8m to 13.9m between 2010 and 2017. 
Back in 2000, sales were over 30m – signalling a 55% decline in just 17 years.
Advertising in consumer magazines has fallen from £512m in 2010 to £250m in 2017. 
Google and Facebook now dominate online advertising (they account for 65% of the UK digital ad market).
As a result of these changes, many magazines have closed.

In a digital world, print magazines have little appeal.
To what extent do you agree with this statement?
You should refer to the magazine Men’s Health

  • ownership of MH – hearst, owns 20+ mag labels
  • average reader of MH – male, 45, $92,000+
  • circulation and drop in circulation since digital world – dropped by 68,000 in 2016
  • drop in circulation in mag industry as a whole – sales fell by 42% between 2010 and 2017
  • how they combat the drop in demand for print – interactive website and social media, appeals to contemporary audiences
  • hesmondhalgh – Hearst as they own multiple companies in multiple sectors – of one fails, they will still have other assets, 20+ magazines and owns 50% of A&E Networks
  • —————————————————————————————————–
  • Neale – genre is used to attract and maintain audience – lifestyle mag working out tips (28-29), healthy recipes(32-33), tips on grooming (44) – fulfilling audiences expectations
  • links to Blumler’s uses and gratifications – people read the magazine to seek education and identity
  • —————————————————————————————————–
  • Gilroy postcolonialism – post colonial ideology is still present in modern representations – whilst does not marginalise ethnic minorities there is certainly a lack of them – creates mis represntation
  • links to halls reception theory -audience will decode messages people of ehtnic majority will have a dominant response where as those in the ehtnic minorty will have an oppositional response possible effecting readership and sales

Oh Comely – Issue 35

LANGAUGEfront cover:
indexical signs:
‘Comely’ – attractive but not in a de-humanising way
‘power…poise…hard-won…strong’ – unconventional way to represent women
dominant signifier:
close up – unconventional way to represent women, less of a focus on her body, humanising rather then dehumanising
androgynous/natural looking – rather than heavy makeup and glamourous clothing
gazing directly at the reader – sense of power

PG 52, 53
‘fierce campaign’…’an unstoppable force’…’a Sister of which we can be collectively proud’

NEALE
He argues genre is is a mechanism which attracts audience based on their predictable expectations
He suggests that each genre is structured around a repertoire of elements, which fulfil an audience’s expectation of a film and creating enjoyment
Oh! is a female lifestyle magazine aimed at women, however, is more unconventional; instead of portraying glamour, diet tips, fashion, makeup it focuses on the underrepresented aspects of female identity such as feminism, gender, body positivity, ethnic minorities
REPRESENTATIONHOOKS
intersectionality – draws attention to lack of female representation in media and more specifically representation of black women, this could create misrepresentations of the black community or other ethnic minorities, as if they are not worthy of note
Oh! does represent the black community on pg56 – Deanna Rodger a Jamaican-Scottish Brit is
indexical signs ‘fearless’ and ‘mentor’
portrayed as powerful – radical representation of women

ZOONEN
feminist theory – suggests the over sexualised presentation of female’s bodies in media is a core element of western patriarchal culture, this creates a misrepresentation of how women portray themselves as she argues it is the media where people get most ideas about gender
Oh! contradicts this theory as the front cover portrays a woman who is presented as more androgenous, wearing subtle, natural makeup, who lacks any element of sexualisation
she is also gazing directly as the camera, rather than the camera ‘gazing’ at her
she is portrayed as powerful and more than just her body – unconventional way to represent women

GAUNTLETT
identity – suggests identity is not fixed and instead is constructed, fluid, negotiated, collective, people make individual decisions about who they are, media heavily affects this
Oh! presents many different identities for people to construct, negotiate, collect, adapt: the female Somali activist, the Jamaican-Scottish poet, the plus size body positivity blogger, former refugee, the women in the tech industry,
AUDIENCEeditorial staff listen to suggestions posted online
“We have made a lot more of an effort with diversity in the magazine because we have quite a lot of readers in the aftermath of BLM demonstrations raising that with us,” says Sykes. “It’s so important to listen to the recommendations of your readers.”
 targeted affluent young women who wanted a “stylishly presented” alternative to the cheap aesthetic of mainstream magazines
average reader, age 27, female (98%),

HALL
reception theory – media producers encode specific messages in product in hopes of audience decoding the message
have the intention of the audience absorbing/accepting a specific idea
Oh! represents many different people of many different backgrounds and ethnicities
Preferred reading – females, the ethnic minorities who are not typically represented in media

MCQUAIL AND BLUMLER
uses and gratifications – recognises the decision making process of theory audience, highlighting how they seeking specific uses and gratifications when consuming media
audience may seek to EDUCATE themselves on the type of issues portrayed EG – body positivity (55), refugee crisis (56), female right exploitation (53) and how all of these issues are being battled
audience may seek to gain or explore personal identity EG – becoming more body confident (55), gender (101-105)
INDUSTRYwomen’s lifestyle magazine –  a “mindful magazine with a fresh perspective”
published by Iceberg press, independent publishing company – ‘Iceberg exists to do things differently’
make two magazines – The Simple Things and Oh Comely – and also sell many other magazines via Pics & Link (online news stand)
clever use of its digital resources – eclectic blog on The Simple Things website, newsletter, social media
Pics & Ink grew during lockdown by 500 per cent, with 150 magazines, covering everything from coffee to cycling, now on board
during lockdown there was a demand for niche magazines
 £5 in a few newsagents, independent retailers, cafes and museums
also a subscription service available – £14 for six months (3 issues)
the magazine was impacted by the pandemic and the final issue was published in September 2021

HESMONDHALGH
claims the ‘cultural industries are a risky business’ – audiences tastes are continuously adapting making predicting their needs very difficult
to avoid this risk he claims major cultural organisations create products for different industries in order to maximise chances of commercial success – evident with regards to Hearst as they own multiple companies in multiple sectors – if one fails, they will still have other assets
evident in Oh! as being owned by an independent company who does not own a large portion of media products meant that the magazine went out of business in 2019

CURRAN & SEATON
concerns how the media landscape has fallen under the control of a handful of global media conglomerates – creates a lack of diversity
contrastingly, Oh! is owned by an independent company which only creates one other magazine
meaning the magazine has the space to be as diverse as possible, as in its ideologies/representations etc wont blend in with other magazines
SOCIAL AND CULTURAL CONTEXTS a development in lifestyle and environmental movements of the early twenty first century which rebrand consumerism as an ethical movement. Its representation of femininity reflects an aspect of the feminist movement which celebrates authenticity and empowerment

Media products often challenge the social and cultural contexts in which they are created.
To what extent does an analysis of Oh Comely support this view?

  • Oh! challenges the social and cultural contexts which it is created in – it is unconventional in its productions process, genre, and representations
  • —————————————————————————————————–
  • Unconventional magazine in its production – independent company Iceberg Press, contrasting C&S’s belief that the media landscape has fallen under the control of a handful of global media conglomerates, creating a lack of diversity – IP only produce two magazines giving them the aptitude be as diverse and unique as possible
  • —————————————————————————————————–
  • unconventional of its genre – NEALE – female lifestyle magazine ‘mindful magazine with a fresh perspective, instead of presenting ideas about fashion, diets, unattainable beauty etc it focuses on feminism (53), politics (56), gender(101-105), body positivity (55)
  • links to MCQ&B – audience may seek to EDUCATE themselves on the type of issues portrayed or audience may seek to gain or explore personal identity
  • —————————————————————————————————–
  • unconventional in the way it represents female beauty – VAN ZOONEN – front cover portrays the dominant signifier – a woman -who is presented as more androgynous, wearing subtle, natural makeup, who lacks any element of sexualisation she is also gazing directly as the camera, rather than the camera ‘gazing’ at her, she is portrayed as powerful and more than just her body – challenges mainstream beauty ideals
  • unconventional in the way it represents ethnic minorities – HOOKS – Samali feminist activist (53), described as ‘fierce’ and an ‘unstoppable’ force’, represents a female member of the black community challenges social and cultural expectations of women as emotional and passive, instead she is portrayed as powerful
  • —————————————————————————————————–
  • links to to Hall – by creating representations of women that are closer to reality audiences can understand themselves more – eg pg101-5 – dominant reading – transgender people may feel empowered by this representation, negotiated reading – people comfortable in their biological gender cannot relate to their experience but can appreciate it

CSP – MENS HEALTH

Men’s Health

  • January/ February 2017 Edition

Front Cover

  • Use of hashtag to link to social media and perhaps trying to access a younger demographic
  • Reactionary, stereotypical text colouring through the different shades of blues and black. A typical symbolic (arbitrary) sign of masculinity
  • Semantic field of power and strength, connoting to something that needs to be destroyed. – “Lose, Demolish, Slay, Blast, Burn, Detox, Reboot”
  • Alliteration and plosives through ‘blast body’
  • Stereotypical representation of masculinity through the man as the dominant signifier on the front cover. He seems strong, physically fit and physically intimidating which mirror the masculine traits often portrayed in the media -‘what defines a man’
  • Alpha male – Muscles, standing pose, perhaps an enhanced/ edited image – “not a true window into the world”
  • ‘Gender as performance’ – Judith Butler (Gender is constructed through a repeated set of actions, sex is a biological factor)

Contents Page

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  • Links to online website ‘menshealth.co.uk’, perhaps encouraging readers to move online to view the magazine – Moving into the digital world of social media.
  • Reactionary representation of exercise, strength and fitness through links to articles within the magazine on the contents page. This is shown through image signifiers such as pictures of trainers, weights etc. Creating this unrealistic ideal that to be a ‘real’ man you must be physically at top performance. Although there is a radical representation through the inclusion of men of different ages and races.
  • Typical male characteristics displayed through linking to an article with a picture featuring spanners, lock and key, cogs etc. Perhaps, men are ‘meant’ to be good with construction etc.

Article (within magazine)

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  • Main image of ‘The Marathon Man’ running.
  • Inclusion of a quotation from him – Motivation and drive – “Your only limit is your self-belief”
  • Q+A style interview signposted through bold font for question and different for answers.
  • Iconic sign of a arrow, clearly marking that he is the topic of the conversation.

Recap

Command words

Describe – defining what you see / see specific elements / memory

Compare – the differences and similarities / compare and contrast

Evaluate – to judge or give your opinion / need evidence

Analyse – how it gives an effect and why it does this / pick out and elaborate / deeper and accurate meaning

knowledge – maintaining it in your memory of something

understanding – to explain what you know and how it does this

What do you know aboutWhat meaning or understandings do you have of their ideas? Put another way – how can you apply their ideas to your CSP’s?
Noam ChomskyChomsky’s theory is based on the idea that all languages hold similar structures and rules, also known as a universal grammar (the five filters). This theory states that all languages have formal universals and principles in common, with specific options and limits for variation in grammar and features between languages.Chomsky’s gives the impression of how the propaganda model highlights the insights into the inequality of wealth and power.
James CurranCurran explains the social and political change. Curran also suggests the conflict with the political views and wider business interests where a large scale of conglomerates own new tiles have invested interest in a range of other business activities all over the globe.Blinded by the light links in with Curran as Pakistan movies aren’t very common so therefore political views can be separated from the social view.
Jurgen HabermasHabermas’ definition of a public sphere is the first and founding trigger to classification attempts of the formation of public opinions and the legitimisation of state and democracy in post-war Western societies. The public sphere is seen as a domain of social life where public opinion can be formed. Mainly it is open to all citizens and constituted in every conversation in which individuals come together to form a public.The media is ceased to be an agency of empowerment and rationality, it manipulated mass opinion. The media isn’t always reliable so therefore seeking public opinion can create a group of individuals who aren’t afraid to go against political discussions.
SemioticsPierce
Roland Barthes
Representation
Audience
David Gauntlet Gauntlet constructed a timely critique of mass media consumption models and their effects on audience thinking. The power of media narratives. Gender is socially constructed. A huge diversity of identities is portrayed.
Collective identity
Constructive identity
Negotiated identity
Fluid identity
LasswellLasswell’s model was developed to study the media propaganda of countries and businesses at that time. Only rich people used to have communication mediums such as televisions and radios back them. It was made to show the mass media culture. Lasswell also brought the concept of Effective Communication Process.I understand that he is trying to show the mass media culture to get the world to get a good concept of how communication needs to be direct and listened whether you are a passive or active person.
LazarfeldThe two-step flow of communication model hypothesizes that ideas flow from mass media to opinion leaders, and from them to a wider population.  In the book The People’s Choice, after research into voters’ decision-making processes during the 1940 U.S. presidential election. The concept has been a subject of growing criticism, leading to a decline in the popularity and attraction of the original concept and almost to its total collapse.I understand that he trying to explain how the two step flow of communication is influencing the public to make certain and difficult decisions from their leaders.
Uses and gratificationThe Uses and Gratifications Theory is a Mass Communication theory that focuses on the needs, motives and gratifications of media users. The theory states that they play an active role in media consumption.
Audiences consume media texts to escape from their everyday lives. They choose entertaining texts that allow them to divert their attention from the real world
(1) Diversion: escape from routine or problems; emotional release; (2) Personal relationships: companionship; social utility; (3) Personal identity: self reference; reality exploration; value reinforces; and (4) Surveillance (forms of information seeking).
I understand that people use media to fulfil the user’s social needs.
The idea that media audiences are active rather than passive, meaning they do not only receive information, but also unconsciously attempt to make sense of the message in their own context.
Stuart HallIt is active.
The media does not mirror real world events but produces an edited version of the events depicted.
The media plays a vital role in shaping our views of the wider world.
Stereotypes are used by media producers to create instant characterisation. Stereotypes are mostly found where there are huge social inequalities. They exclude and demonise groups in a manner that both reflects and reinforces social hierarchies.
Hall provides a substantial challenge to his own ideas. His theory suggests that audiences can resist the effects of the media through the production of oppositional and negotiated readings.
I understand that stereotypes help perform as series of ideas towards the audience, manipulating them into believing that woman do stuff that men shouldn’t do whilst men do stuff that woman wouldn’t do. Stereotypes lead to moments of symbolic violence leading to groups of social power. This means that it usually links to negative features. They manipulate stereotypes to make the audience thin it is natural qualities.
George GerbnerHe thought that television viewing could radially change the way we perceive the real world.
Cultivation theory
Mainstreaming
It suggests that people who are regularly exposed to media for long periods of time are more likely to perceive the world’s social realities as they are presented by the media they consume, which in turn affects their attitudes and behaviours.
He also suggests that some people are less likely to be affected by television for example people who haven’t been affected by violence. Cultivate problematic attitudes and beliefs within mainstream society where they had not existed before.

REVISION

Command Words:

Describe – To show all your understanding and the attributes about a certain thing to another person. To show your knowledge (memory test)
Compare – To have multiple things and then to find the differences and similarities
Evaluate – Look at everything you have done / talked about in the past and sum it up with evidence, for example look at the positives and negatives
Analyse – To look at something and find out its attributes and to understand it.
Knowledge – Having facts or information
Understanding – Being able to twist and manufacture your facts and information to fit the situation when the circumstance arises

revision

Command Words

  • Describe – to say or write what someone or something is like
  • Compare – to find difference between two things
  • Evaluate – to come to a conclusion and give evidence
  • Analyse – to pick out key things and explain why
  • Knowledge – would be an outline of an idea or concept
  • Understanding – to be able to apply knowledge to different situations
What do you know aboutWhat does it mean to you? How do you understand it and put their ideas to CSPs?
Noam Chomsky The five filters are: (1) ownership; (2) advertising; (3) official sources; (4) flak; and (5) marginalizing dissent. The author discusses the applicability of Herman’s and Chomsky’s propaganda model today.
James Curran Curran and Seaton – power and media industries theory. Definition from OCR. A political economy approach to the media – arguing that patterns of ownership and control are the most significant factors in how the media operate.
Jean Seaton
Habermas
Lasswellpassive consumption model, (who says what, though what channel, to whom, with what effect) To apply it to the passive people to get money from advertisement to encourage people
Lazarfield filtered through influential opinion leaders who interpret a message.
He created the ‘Two Step Flow Model’
Step 1: The media feeds messages to ‘opinion leaders’
Step 2: Opinion leaders influence the ‘masses’ with these messages.
People actively seek out information. links to men’s health by using opinion leaders for example using the household name ‘vin diesel’ on the front cover page to entice his audience in as well as men’s health buyers.
Uses and gratificationsHe defines the different pleasures that media people get from the content they engage with:

1. Information / education
2. Empathy and identity
3. Social interaction
4. Entertainment
5. Escapism
Men’s health
Stuart Hall Hall’s work covers issues of hegemony and cultural studies
Hall became one of the main proponents of reception theory, and developed Hall’s Theory of encoding and decoding
George Gerbner Cultivation theory is a sociological and communications framework to examine the lasting effects of media, primarily television

Mainstreaming – the excessive consumption of media products that more will conform to the medias ideologies eg men’s health
In a similar vein, the cultivation framework has been applied to the study of body image effects on social media platforms, with research indicating that browsing through certain types of content relates to distorted views on the physical appearances of strangers.

media theory

LANGUAGE

SEMIOTICS
Sausser
SEMIOTICS
Barthes
The idea that texts communicate their meanings through a process of signification

The idea that signs can function at the level of denotation, which involves the ‘literal’ or common-sense meaning of the sign, and at the level of connotation, which involves the meanings associated with or suggested by the sign
SEMIOTICS
C. S. Pierce
SEMIOTICS
Baudrillard
in postmodern culture the boundaries between the ‘real’ world and the world of the media have collapsed and that it is no longer possible to distinguish between reality and simulation.

The idea that in a postmodern age of simulacra we are immersed in a world of images which no longer refer to anything ‘real’.

The idea that media images have come to seem more ‘real’ than the reality they supposedly represent (hyperreality)
SIMS
NARRATIVE
Todorov
Tripartite narrative structure
begining/middle/end
equilibrium/disruption/new equilibrium

The idea that all narratives share a basic structure that involves a movement from one state of equilibrium to another

The idea that these two states of equilibrium are separated by a period of imbalance or disequilibrium

The idea that the way in which narratives are resolved can have particular ideological significance
NO OFFENCE
THE KILLING
METROID
TOMB RAIDER
MENS
OH!
NARRATIVE
Freytag
NARRATIVE
Bathes
NARRATIVE
Chatman
NARRATIVE
Propp
NARRATIVE
Levi-Strauss
The idea that texts can best be understood through an examination of their underlying structure

The idea that meaning is dependent upon (and produced through) pairs of oppositions – binary opposition drives the narrative

The idea that the way in which these binary oppositions are resolved can have particular ideological significance
METROID
TOMB RAIDER
MENS
OH!
GENRE
Neale
genre as audience recognition

genre is a mechanism which attracts audience as it is structured around a repertoire of elements

genres change as society changes
NO OFFENCE
THE KILLING
METROID
TOMB RAIDER
MENS
OH!
GENRE
Schatz
most films fit into one of two genres:
Genres of Order – western, gangsta, sci-fi
Genres of Integration – musicals, comedy, romance

REPRESENTATION

IDENTITY
Gauntlett
The idea that the media provide us with ‘tools’ or resources that we use to construct our identities.

The idea that whilst in the past the media tended to convey singular, straightforward messages about ideal types of male and female identities, the media today offer us a more diverse range of stars, icons and characters from whom we may pick and mix different ideas

Fluid – identity which has the potential to change
Negotiated – the process of people coming to an agreement about their identity and other peoples identities
Constructed – identity that has been built upon experiences and influences
Collective- identity you gain from being part of a group

suggests gender is fluid and ever changing
SIMS
IDENTITY
Hall
The idea that representation is the production of    meaning through language, with language defined in its broadest sense as a system of signs

The idea that the relationship between concepts and signs is governed by codes

The idea that stereotyping, as a form of representation, reduces people to a few simple characteristics or traits

The idea that stereotyping tends to occur where there are inequalities of power, as subordinate or excluded groups are constructed as different or ‘other’ (e.g. through     ethnocentrism)

those to represent the media to us give their insight/view on the subject and therefore we learn more about them, than the subject

different representations cause different effects
NO OFFENCE
THE KILLING
TEEN VOGUE
THE VOICE
METROID
TOMB RAIDER
SIMS
MENS
OH!
FEMINIST
Mulvey
FEMINIST
Butler
The idea that identity is performatively constructed by the very ‘expressions’ that are said to be its results (it is manufactured through a set of acts).

the idea that there is no gender identity behind the expressions of gender.

The idea that performativity is not a singular act, but a repetition and a ritual

 Gender is a social construct
METROID
TOMB RAIDER
MENS
OH!
FEMINIST
van Zoonen

gender is constructed through discourse,   and that its meaning varies according to cultural and historical context.

The idea that the display of women’s bodies as objects to be looked at is a core element of western patriarchal culture.

the idea that in mainstream culture the visual and narrative codes that are used to construct the male body as spectacle differ from those used to objectify the female.
THE KILLING
METROID
TOMB RAIDER
SIMS
MENS
OH!
FEMINIST
hooks
The idea that feminism is a struggle to end sexist/patriarchal oppression and the ideology of domination.

The idea that feminism is a political commitment rather than a lifestyle choice. >The idea that race and class as well as sex determine the extent to which individuals are exploited, discrimination against or oppressed
THE KILLING
POST COLONIALISM
Gilroy
 The idea that colonial discourses continue to inform contemporary attitudes to race and ethnicity in the postcolonial era.

The idea that civilisationism constructs racial hierarchies and sets up binary oppositions based on notions of otherness.
SIMS
POST COLONIALISM
Lacan
POST COLONIALISM
Said

AUDIENCE

Lasswellhypodermic needle theory

passive consumption

Lasswells linear model of communication: sender, message, medium, reciever, effect

involves a receiver simply accepting a message being given to them, rather than engage with it

Propaganda Technique in the World War which highlighted the brew of ‘subtle poison, which industrious men injected into the veins of a staggering people until the smashing powers… knocked them into submission’
Lazerfeldtwo step flow of communication

active consumption

media messages are  filtered through influential opinion leaders who interpret a message and first and then relay them back to the mass audiences
McQuail, Blumler, Katzuses and gratifications

theory which recognises the decision making process of theory audience, highlighting how they seeking specific uses and gratifications when consuming media
hey go through processes of selection, interpretation and feedback
 processes

active selection

information / education
empathy and identity
social interaction
entertainment
explores/challenges how media messages are produced, circulated and consumed escapism
Hallexplores/challenges how media messages are produced, circulated and consumed

The idea that communication is a process involving encoding by producers and decoding by audiences.

The idea that there are three hypothetical positions from which messages and meanings may be decoded: the preferred reading, the negotiated reading or the oppositional reading.  

preferred reading is the producer’s intended message
negotiated is when the audience understand the message but adapt it to suit their own values
oppositional is where the audience disagrees with the preferred meaning

this is due to different audiences and different identities – different age, gender, sexuality, ethnicity, backgrounds etc…

 a message “must be perceived as meaningful discourse and meaningfully de-coded” before it has an “effect”, a “use”, or satisfies a “need”
NO OFFENCE
THE KILLING
TEEN VOGUE
THE VOICE
METROID
TOMB RAIDER
SIMS
MENS
OH!
Gerbnercultivation theory

passive consumption

The idea that exposure to repeated patterns of representation over long periods of time can shape. and influence the way in which people perceive the world around them (i.e. cultivating particular views and opinions)

the idea that cultivation reinforces mainstream values (dominant ideologies).

examines the lasting effects of media – Looking primarily at the relationship between violence on television and violence in society

world syndrome – the cognitive bias whereby television viewers exposed to violent content were more likely to see the world as more dangerous than it actually is

suggest that ‘television cultivates from infancy the very predispositions and preferences that used to be acquired from other primary sources‘ (Gerbner et al 1986)

 ‘television’s major cultural function is to stabilize social patterns and to cultivate resistance to change‘ (1978: 115)

mainstreaming – media consumption leads audiences to accept mainstream ideologies

contradicted by Gauntlett – believes people only divulge in media that they believe will contribute to finding their individual sense of self – more active audience
NO OFFENCE
THE KILLING
METROID
TOMB RAIDER
SIMS
JenkinsThe idea that fans are active participants in the construction and circulation of textual meanings. The idea that fans appropriate texts and read them in ways that are not fully authorised by the media producers (‘textual poaching’). The idea that fans construct their social and cultural identities through borrowing and inflecting mass culture images, and are part of a participatory culture that has a vital social dimensionMETROID
TOMB RAIDER
SIMS
ShirkyThe idea that the Internet and digital technologies have had a profound effect on the relations between media and individuals

The idea that the conceptualisation of audience members as passive consumers of mass media content is no longer tenable in the age of the Internet, as media consumers have a now become producers who ‘speak back to’ the media in various ways, as well as creating and sharing content with one another
TEEN VOGUE
THE VOICE
METROID
TOMB RAIDER
BanduraThe idea that the media can implant ideas in the mind of the audience directly.

‘modelled learning’ The idea that audiences acquire attitudes, emotional responses and new styles of conduct through modelling.

The idea that media representations of transgressive behaviour, such as violence or physical aggression, can lead audience members to imitate those forms of behaviour
SIMS

INDUSTRY

Chomsky-Manufacturing of consent
-5 filters of mass media
-very small amount of very powerful owners dictate the industry
Habermas
Curran & SeatonThe idea that the media is controlled by a small number of companies primarily driven by the logic of profit and power

The idea that media concentration generally limits or inhibits variety, creativity and quality

the idea that more socially diverse patterns of ownership help to create the conditions for more varied and adventurous media productions
Livingstone & LuntThe idea that there is an underlying struggle in recent UK regulation policy between the need to further the interests of citizens (by offering protection from harmful or offensive material), and the need to further the interests of consumers (by ensuring choice, value for money, and market competition)

The idea that the increasing power of global media corporations, together with the rise of convergent media technologies and transformations in the production, distribution and marketing of digital media, have placed traditional approaches to media regulation at risk
SIMS
HesmondhalghThe idea that cultural industry companies try to minimise risk and maximise audiences through vertical and horizontal integration, and by formatting their cultural products (e.g. through the use of stars, genres, and serials).

The idea that the largest companies or conglomerates now operate across a number of different cultural industries

idea that the radical potential of the internet has been contained to some extent by its partial incorporation into a large, profit-orientated set of cultural industries
THE KILLING
METROID
TOMB RAIDER
MENS
OH!

Csp recap

Command word

Command word

describe– describe is saying what you see and know

compare– finding differences and similarities between 2 things

evaluate– using the information given explain what is going on

analyse– look into something in detail in order to describe what is going on

Knowledge– knowing what it means

understanding– having a deeper understanding how something really works

what do i knowWhat do i understand what does it mean
Noam Chomsky5 filters of media
James Curran
semiotics
 
what do i know 
What do i understand what does it mean   
Noam Chomsky 5 filters of media  Chomsky’s theory can be applied to the rules and regulations of newspaper’s and how they tell us what they want us to hear controlling the masses through bias news  
James Curran   power and media industries theory.  arguing that patterns of ownership and control are the most significant factors in how the media operate
Theoretically media studies and cultural studies are a study conducted to observe the patterns of cultural change in society that is influenced by the media in which the media takes an important role in the new forms of culture construction
jurgan habermaus he wrote a book The Structural Transformation of the Public Sphere in 1962 where he explained his public sphere theory  Habermaas’s theory is that the world is increasingly being taken over by political and economic systems.  
 
the public sphere is the world of politics where strangers come together to engage in the free exchange of ideas, and is open to everyone, whereas the private sphere is a smaller, typically enclosed world that is only open to those who have permission to enter it 
 
The ideology of the public sphere theory is that the government’s laws and policies should be steered by the public sphere and that the only legitimate governments are those that listen to the public sphere. 
 semiotics  
 representation   
 post colonialism  
 narrative theories Narrative theory starts from the assumption that narrative is a basic human strategy for coming to terms with fundamental elements of our experience, such as time, process, and change, and it proceeds from this assumption to study the distinctive nature of narrative and its various structures  The idea that a story has two parts which are the important parts and the
Kernels (something that grows): Important part(s). The key parts of the film that make up the plot/narrative structure. If taken out the story or narrative would not work.
 genre  Thomas Schatz: Only 2 Genres Neale explains that Genre is a collection of structured repertoire of elements in which signify that a genre is a genre. For example a typically horror movie will have a dark forest, moody lighting, and dark colours. Neale also promotes the idea that genre is a process, that genres change as society and culture changes. As such, genres are historically specific and reflect / represent changing ideas, attitudes, values and beliefs of society at any particular moment in history. 
 key terms for industry business ownership Public Service
Media cross-ownership
 The three main media business models are monopoly, oligopoly, and monopolistic competition. The print, recorded music, and film industries are generally oligopolies; television is generally monopolistic competition; and live event ticketing is essentially a monopoly.
 Public Service Broadcasting Public broadcasting involves radio, television and other electronic media outlets whose primary mission is public service. In many countries of the world, funding comes from governments, especially via annual fees charged on receivers.

the ethos of the bbc is to inform entertain and educat
 Horizontal Integration = When a conglomerate acquires media companies of the same media type.
Vertical Integration = Ownerships that allow a media company to produce and distribute products.
delivering impartial and trusted news, UK-originated programmes and distinctive content.
 Lasswell well known for his Model of communication

hyperdermic needle theory

“hypodermic needle theory”? – also known as magic bullet theory. – implied that mass media had a direct, immediate and powerful impact on the audience.
 This model is also called a ‘linear model of communication’, ‘uni-directional process’ or ‘action model, because it describes a one-way process within communication. It is seen as one of the most influential communication models. The model consists of five components, that are used as an analysis tool for evaluating the entire communication process. The previous ‘W’ questions are the basis for these components. The answers to these questions provide insight into the communication between people.

describes an act of communication by defining who said it, what was said, in what channel it was said, to whom it was said, and with what effect it was said.
 Lazarsfeld founder of modern research surveys

two-step flow of mass communication

Paul Felix Lazarsfeld, popularly known as the founder of modern research surveys, made considerable contributions towards statistical survey analysis, panel methods, latent structure analysis and contextual analysis
 This theory suggests that the influence of mass communication on the public is not linear, but a two-step flow of communication process. Information from the mass media is first conveyed to opinion leaders who use their social networks to spread the information to the people affected by it.
 Uses and GratificationsMass Communication theory 

Created the early 1940s by Katz and Blumler (1974)
 Uses and gratifications theory asserts that people use media to gratify specific wants and needs.
The theory states that media consumers are passive consumers of mass communications; rather, they play an active role in media consumption.
 stuart hall  Stuart Hall was a Jamaican-born British sociologist, cultural theorist and political activist. He was born in Kingston in 1932 then came to the UK in the 1950s and was later dubbed the “godfather of multiculturalism” for his contributions to Sociology. representation is the ability to describe or imagine.

Representation is important because culture is always formed through meaning and language, in this case, language is a symbolic form or a form of representation.

 Stuart Hall argued that cultural identity is not only a matter a ‘being’ but of ‘becoming’, ‘belonging as much to the future as it does to the past’
 George Gerbner The George Gerbner Model of Communication is an extension of Lasswel’s communication model.

developed what he called “mean world syndrome,” the belief that the world is more violent and brutal than it really is.
 According to Gerbner’s research, the more time spent absorbing the world of television, the more likely people are to report perceptions of social reality that can be traced to televisions most common representations of life and society

suggests that people who are regularly exposed to media for long periods of time are more likely to perceive the world’s social realities as they are presented by the media they consume, which in turn affects their attitudes and behaviors
 David Gauntletts
This theory is sometimes referred to as the ‘pick & mix’ theory, as it allows audiences to pick which aspects of a text they want to construct their identity, whole leaving other bits well alone
 Gauntlett believes that while everyone is an individual, people tend to exist within larger groups who are similar to them. He thinks the media do not create identities, but just reflect them instead.
   
   

It helps identify how media texts are classified, organised and understood, essentially around SIMILARITIES and DIFFERENCE. Media texts hold similar patterns, codes and conventions that are both PREDICTABLE and EXPECTED, but are also INNOVATIVE (different) and UNEXPECTED.

Re-Cap

2023 January RAG

2022 RAG

Command Words:

Describe – Give an account of

Compare – Identify similarities and/ or differences

Evaluate – Judge from available evidence

Analyse – Separate information into components and identify their characteristics

Knowledge – having the ability to recall

Understanding – being able to recall knowledge then form opinions with evidence about it