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Regulation

Slave:

(especially in the past) A person who is the legal property of another and is forced to obey them.

Free:

Able to act or be done as one wishes; not under the control of another.

Authoritarian:

Favouring or enforcing strict obedience to authority at the expense of personal freedom.

Libertarians:

Seek to maximize autonomy and political freedom, and minimize the state’s violation of individual liberties; emphasizing free association, freedom of choice, individualism and voluntary association.

Hedonism:

Psychological or motivational hedonism claims that human behaviour is determined by desires to increase pleasure and to decrease pain.

Frankfurt school:

Pleasure gets commodified into popular culture and products which people buy to make them believe it will make them happier, however its only making the rich richer, and poor poorer.

Key questionFocusSpecifics
Why Regulate?Truth, protection of minors, political bias, privacy, ethics, morals, good behaviour, Slander, Defamation, reputation, Libel, monopolies Depp V Heard
Rooney V
Vardy,
Elon Musk
Who regulates what?-The government,
-specialist bodies,
-individuals,
-internal company regulation,
-social media influencers & celebs etc
OFCOM,
Kim Kardashian,
Twitter,
Elon Musk,
Facebook,
BBFC,
Independent Press Standards Organisation (IPSO),
How will regulation be put in place?-Blocking media
-Stopping things from getting released
-Sensitivity boundaries
-Word limits
-Firing or removing individuals with different opinions from companies
-Controversial words
Instagram admins,
Twitter admins, News companies, Government,
Film studios,
copywrite,
PEGI rating,
Website HTML secure,
E for explicit,
VEVO
What gets regulated?
Film
Advertising
Television
Music
Video Games
Internet
Books
Newspapers
Radio
The News
Magazines
Cartoons / animations
Marvel,
BBC,
Netflix,
China internet 1hr ban,
China firewall,
Netflix “cuties” banned,
Activision sexual assault within workplace

blinded by the light

Original Blinded By The Light (2019) movie poster in c8 condition for $30.00
  • From writer/director/producer Gurinder Chadha
  • medium to low budget production ($15m).
  • co-funded by New Line Cinema (an American production studio owned by Warner Brothers Pictures Group) and independent production companies including Levantine films, bend it films and ingenious media.
  • bend it networks: “The company has a track record of appealing to diverse global audiences around the world with award-winning films that are moving, inspiring and commercial. With over 20 years of filmmaking experience, Bend It Networks has the ability to develop original ideas to create bespoke Films, TV Series and Stage Plays, as well as working with top-level writers in the U.K. and U.S.
  • blinded by the light is a low budget film possibly having a large effect on production, distribution and circulation
  • Bruce Springsteen’s music’s serves the roll of marketing and financing for the film.
  • the film can be bought/rented online on Apple TV, google play, prime video, vudu, movies anywhere, Microsoft, fandango now, YouTube
  • Identification of how Blinded by the Light is characteristic of a low-mid budget release, considering production, distribution and circulation
  • The role of the use of Bruce Springsteen’s music in getting the film financed and in the marketing of the film
  • • The use of film festivals in finding distribution deals for films
  • • Use of traditional marketing and distribution techniques; trailers, posters, film festivals etc.
  • • Marketing techniques such as use of genre, nostalgia, identity, social consciousness
  • • Distribution techniques – reliance on new technology; VOD, streaming
  • • Regulation of the industry through BBFC (British Board of Film Classification).
  • • Regulation including Livingstone and Lunt
  • film festival stuff – “it has acquired Blinded By the Light after its big Sundance Film Festival bow”

David Hesmondhalgh

  • Went to the university of Leeds.
  • Wrote books like The Cultural IndustriesMedia and Society and Culture, Economy and Politics: The Case of New Labour. Which all focus on the idea of the working world and what people expect in certain businesses and popular culture. For example expecting really happy, jumpy and creative people in a media job, whereas that isn’t the truth.
  • Hesmondhalgh argues popularity results in a large amount of product production and selling to make a large monetary game.
  • This is implied in the quote “the distinctive organisational form of the cultural industries has considerable implications for the conditions under which symbolic creativity is carried out’
  • Furthermore, Hesmondhalgh displays in this quote “there must be serious concerns about the extent to which this business-driven, economic agenda is compatible with the quality of working life and of human well-being in the creative industries.” that it must be difficult to have both a working life and a good life and them being compatible with each other where you are enjoying work and therefore creating a more enjoyable and happier person when out of work.
  •  “cultural industries are risky” 
  •  “All business is risky, but the cultural industries constitute a particularly risky business” 
  • Funding
  • Blinded By The Light cost around $15m to make. Key points:
  • Bend It Films developed the film with support from Levantine Films and Ingenious Media.
  • Levantine Films is an independent production company that had a major success with Hidden Figures in 2016 which grossed $230m at the worldwide box office.
  • The Ingenious Group is an investment company that invests money in projects that have the potential to deliver future profits.

Production
Key points for making Blinded By The Light:

  • Adapted from a book called Greetings From Bury Park by Sarfraz Manzoor (a play on ‘Greetings From Asbury Park’ – a Bruce Springsteen album). The memoir outlined his experiences growing up in Luton in the 1980s and discovering the music of Springsteen.
  • Co-written and directed by Gurinder Chadha who had a smash hit in 2002 with her film Bend It Like Beckham (Bend It Like Beckham made over $100m at the worldwide box office).

DistributionBlinded By The Light was picked up by New Line Cinema at the 2019 Sundance Film Festival after a bidding war with various other major film distributors. The film had been well received by audiences at the film festival. 

  • The all-night auction following the world premiere at the Sundance Film Festival in January 2019 guaranteed the film a major global cinema release which many films never achieve.
  • Previously offered for sale at the 2018 Cannes Film Festival but did not attract a buyer at that point although UK distribution was secured by eOne Entertainment, a Canadian media company.
  • New Line Cinema are an American production studio owned by Warner Brothers Pictures Group.
  • The film was released in cinemas worldwide in August 2019. The DVD release followed in December 2019 distributed by Paramount Home Entertainment – a Viacom company.
  • Deal with Amazon Prime secured in early 2020 for streaming in the UK.

Reception and box office

  • Positive word-of-mouth marketing but poor box office figures – just $18.1m box office against a $15m budget which means the film almost certainly lost money when factoring in the global marketing campaign.
  • Rival studios argued that Warner Bros. should have begun with a limited release to build audience interest, and that the film’s August date was too close to that of Yesterday, a film with some surface similarities. [Source: Deadline Hollywood].

Promotion and marketing

Blinded By The Light was backed by a major international marketing campaign: 

  • Traditional marketing: trailer, film poster with review quotes etc.
  • Premieres – London, Luton and Asbury Park, New Jersey (attended by Bruce Springsteen).
  • Heavy social media presence – Facebook, Twitter, Instagram, YouTube.
  • Interviews with writer, director and stars across TV, radio, newspapers and magazines (see below).

key words

  • Cultural industries  – An economic field concerned with producing, reproducing, storing and distributing cultural goods/services. 
  • Production- The act of producing an output, goods or service which has value and contributes to the utility of people.
  • Distribution-  The methods by which media products are delivered to audiences, including the marketing campaign
  • Exhibition / Consumption-The sum of information and entertainment media taken in by an individual or group. It includes activities such as interacting with new media, reading books and magazines, watching television and film, and listening to radio.
  • Media concentration-
  • Conglomerates-a thing consisting of a number of different and distinct parts or items that are grouped together.
  • Globalization (in terms of media ownership)-The production, distribution, and consumption of media products on a global scale facilitating the exchange and diffusion of ideas cross-culturally.
  • Cultural imperialism-the imposition by one usually politically or economically dominant community of various aspects of its own culture onto another non-dominant community.
  • Vertical Integration- Vertical integration refers to the process of acquiring business operations within the same production vertical. A company that opts for vertical integration takes complete control over one or more stages in the production or distribution of a product. (distribution company buying a production company)
  • Horizontal Integration- Horizontal integration is a business strategy in which one company acquires or merges with another that operates at the same level in an industry. Horizontal integrations help companies grow in size and revenue, expand into new markets, diversify product offerings, and reduce competition. (Production company buying another production company)
  • Mergers-The voluntary fusion of two companies on broadly equal terms into one new legal entity
  • Monopolies- The exclusive possession or control of the supply of or trade in a commodity or service.
  • Gatekeepers- Gatekeeping is the process through which information is filtered for dissemination, whether for publication, broadcasting, the internet, or some other mode of communication
  • Regulation- The process by which a range of specific, often legally binding, tools are applied to media systems and institutions to achieve established policy goals such as pluralism, diversity, competition, and freedom.
  • Deregulation- The removal of regulations or restrictions, especially in a particular industry.
  • Free market- A system in which the prices for goods and services are self-regulated by buyers and sellers negotiating in an open market.
  • Commodification – The transformation of things such as into objects of trade or commodities. (charging people for things)
  • Convergence  – Transforms established industries, services, and work practices and enables entirely new forms of content to emerge.
  • Diversity – The condition of having many different elements.
  • Innovation –  The practical implementation of ideas that result in the introduction of new goods or services or improvement in offering goods or services.

media theorists

Barthes

Signifiers and signified. Denotation and connotations. Barthes five code symphony: hermeneutic code (enigmas)- construct moments of mystery, proairetic code (actions)- meaning is conveyed through action which provides explanation or excitement, semantic code (connotative elements) any element that produces a single connotative effect eg. lighting/ mise-en-scene. Media as a myth, naturalizes events.

Strauss

Binary oppositions of polarised themes eg. character, narrative, stylistic and genre-driven oppositions. Function of oppositions eg. create identifiable character types or clearly explain ideas.

Propp

8 stock characters; hero, villain, princess, donor, helper, dispatcher, false hero.

Todorov

Media narratives are created using moments of action (propositions). 3 act narrative of equilibrium, disruption and new equilibrium.

Neale

Genre repetition and difference. Sub-genres and hybrid genres. Levels of verisimilitude (extent product references to the real world,narrative similarities, character-driven motifs and audience targeting are important to repetition. Repertoire of elements and predictable expectations.

Hall

There isn’t a true representation of people or events in a text, but there are lots of ways these can be represented. Culture is defined as a space of interpretative struggle

Curran and Seaton

most films are made by conglomerates and that they care mostly about profit and power. This can be done through things such as vertical and horizontal integration, this can result in a lack of diversity and innovation. If we had more of a variety of media companies, we’d have more of a variety of better quality media texts.

Butler

Gender as performative it is created through a series of actions. Gender is not an attribution of male or female.

Katz & Gurevitch & Hass

Uses and gratifications- surveillance, identity, personal relationships and diversion

Livingstone and lunt

Regulation of films- the principle function of the independent bodies that regulate the UK’s media is to protect children and other vulnerable groups from the harmful affects of media content.

Chatman

Use of satellites to develop character, emotion, location, time

Lazarfeld

Two step flow of communication, active consumers, receive information from opinion leaders

Lasswell

Hypodermic needle theory- media propaganda performs three social functions: surveillance, correlation, transmission. Lasswell believed the media could impact what viewers believed about the information presented. Audience are passive consumers.

TV Essay Prep

Capital

Produced by Kudos Film Company in the United Kingdom and distributed by Fremantle. Aired on BBC One.

Essay Draft

Television producers often attempt to target national and global audiences through subject matter and distribution. David Hesmondhalgh states that operating in the media industry is a “risky business” and so many actions must be taken to avoid and mitigate this risk. One example of this can be seen in the production of Deutschland 83, which is a co-production between UFA, AMC Network and RTL television. This can minimise risk in that money is split between multiple companies. In addition, Deutschland is set in Germany, which means that having companies from different parts of the world (Germany, United Kingdom, United States in this case) can assist in the globalisation (spreading a media product to a global audience) meaning that a more diverse audience can be targeted and so more money can be made, minimizing the risk. These multiple companies also have lots of different contacts, making things such as distribution much easier. Deutschland was distributed through All 4, which has a mixed model structure as it is both stately and publicly owned. The “Genre” of Deutschland 83 is a Spy Thriller, as described by Steve Neale as a “corpus” or repertoire of elements which can have both predictable and innovative elements. Examples of predictable elements in Deutschland include when someone’s drink was poisoned and the agent’s finger was snapped.

Many theorists can be linked to Deutschland 83, such as Vladmir Propp. He talks about stock characters, such as the hero, princess and villain. Martin could be described as the hero, his girlfriend as the princess, and the West as the villain. The use of these traditional stock characters makes the product more reactionary and so reduces risk in that people are more likely to buy and enjoy the product. Another theorist that is relevant here is Tzetvan Todorov, who talks of stories having a beginning, middle and end. The “denouement” in the story is when Martin completes the mission by taking photographs of the important documents. Levi-Strauss talks about the use of “Binary Oppositions” in media products and these are relevant in Deutschland, as shown with the rivalries between East/West. Finally, Laura Mulvey described an idea she termed “The Male Gaze” and this relates to Deutschland in the sense that the main character, Martin, is male who carries out tasks which many may deem as having lots of violence. While this is occurring, the female character, his girlfriend, remains in the East, not taking part in any entertaining or enthralling activities and often being used as a source of male gratification.

Capital is a public service broadcasting program from the BBC, produced by Kudos Entertainment and distributed by Fremantle, that satisfies the BBC’s ethos being to inform, educate and entertain. Public Service Broadcasting refers to products that are broadcasted to the public for entertainment and exchange of information and not intended for profits to be made. This is contrasted by Curran and Seaton’s viewpoint, and they refer to the idea that “The media industry is controlled by a small amount of powerful companies who create media products for profit”. These powerful companies are often able to alleviate the level of regulation required on their products, as described by Livingstone and Lunt.

Key Points

David Hesmondhalgh – “Risky Business” – Deutschland co-production, RTL, AMC, UFA – different countries/companies – globalisation, diverse audience – more money

All 4 – distributed Deutschland – mixed model structure partially state/public owned.

Genre – Neale – Deutschland = Spy Thriller, corpus/repetoire of predictable and innovative elements, predictable – finger snap, poison drink, innovative = German, cold war.

Propp – stock characters

Levi-Strauss – Binary Oppositions – East/West

Todorov – Denouement, beginning middle end

Mulvey – Male Gaze

Lazarfelt – Two step flow – Capital – Ideas about London could be misinterpreted – lose money

Capital – BBC – Public service broadcasting – not for profit

BBC – educate, inform, entertain

Contrasts Curran and Seatan – Small number of powerful companies control the media

Powerful companies may be able to waive regulation – Livingstone and Lunt,

MEDIA THEORISTS

Tzvetan Todorov:

In this theory, Todorov mentioned that there are 5 stages that a character will go through; those are Equilibrium, Disruption, Recognition Repair the Damage and Equilibrium Again. There are a lot of works that has been implementing this narrative structure in the story.

https://streamable.com/p8nscz

Steve Neale:

Neale believes that films of a type (genre, like romance or horror) should include features that are similar, so the audience know it is a horror film or romance, but also include features that are different, to keep an audience interested. This is his theory of repetition and difference. Genre is something that is constantly changing.

https://streamable.com/ty089k

David Hesmondhalgh:

Most products are consumed when used and have to be bought again, but media products are bought once and continually used – they never wear out.

Cultural industries: Film, television, radio, music, books and press

Creative industries: Design, architecture and advertising.

https://streamable.com/ra40g6

Vladimir Propp:

Vladimir Propp was a folklorist researcher interested in the relationship between characters and narrative . Propp argued that stories are character driven and that plots develop from the decisions and actions of characters and how they function in a story.

Propps 8 different character types:

  • The Hero
  • The Helper
  • The Villain
  • The False Hero
  • The Donor
  • The Dispatcher
  • The Princess
  • The Princess’s Father

Stuart Hall:

Stuart Hall’s REPRESENTATION theory is that there is not a true representation of people or events in a text, but there are lots of ways these can be represented.

Culture is defined as a space of ​​interpretative struggle. He argued that the media not only reflects reality but also “produces” it while “reproducing” the dominant cultural order, in particular the order inherited from the Empire. The audience can interpret the piece of media in many ways, this can be based on things such as ethnicity and income etc.

https://streamable.com/vxv1zv

Judith Butler:

Judith questions the belief that certain gendered behaviours are natural, illustrating the ways that one’s learned performance of gendered behaviour (what we commonly associate with femininity and masculinity) is an act of sorts, a performance, one that is imposed upon us by normative heterosexuality.

Katz & Gurevitch & Hass:

Katz & Gurevitch & Hass talks about uses and gratification with there being 4 key ideas, the first being surveillance (seeking information, eg. facts based information) The next being personal identity, which are texts that reinforce your own values or beliefs the third one is personal relationships where the media creates a relationship with the audience. The final idea is diversion (eg. media that passes the time and escapism, browsing Facebook, or playing games.)

https://streamable.com/tqlvg9

Curran & Seaton:

Curran & Seaton talk about how media companies are structured and run, they talk about how most films are made by conglomerates and that they care mostly about profit and power. This can be done through things such as vertical and horizontal integration, this can result in a lack of diversity and innovation. They think that if companies are independent then there is more choice and diversity and creativity.

https://streamable.com/os9c2o

Livingstone & Lunt:

Livingstone and Lunt talk about the regulation of films. In the film industry the BBFC are the ones who regulate. They think that regulating media is hard to do. This can be due to people who are adults wanting freedom in what media they decide to consume. The internet also makes it hard to regulate. They also believe that companies that are powerful can avoid regulation.

https://streamable.com/v14gh7

Paul Lazarsfeld:

https://media-studies.com/two-step-flow/

ESSAY PREP

10 Key Terms (Semiotics):

  1. Production
  2. Distribution
  3. Exhibition / Consumption
  4. Globalisation
  5. Mergers
  6. Gatekeepers
  7. Regulation
  8. Diversity
  9. Vertical Integration
  10. Innovation

Witnesses:

Released on November 22, 2014, witnesses is police procedural television series which is a sub-genre of drama and crime. It is a French film, however the original network is based up around France 2, La Une (Belgium), Channel 4 and BBC Four. The series was distributed on Netflix, Amazon, France 2, BBC Four and Channel 4.

  • The Hero –
  • The Helper –
  • The Villain –
  • The False Hero –
  • The Donor –
  • The Dispatcher –
  • The Princess –
  • The Princess’s Father –

The Missing:

Season 2 was released on February 12, 2017, which is a Psychological drama and a Mystery thriller. The country of origin is the United Kingdom. And in the film it is based in the UK, France and Germany. The film was distributed by All3Media it can be consumed on BBC One or amazon.

  • The Hero –
  • The Helper –
  • The Villain –
  • The False Hero –
  • The Donor –
  • The Dispatcher –
  • The Princess –
  • The Princess’s Father –

Question:

To what extent do television producers attempt to target national and global audiences box
through subject matter and distribution?
Refer to both of your television Close Study Products to support your answer:


Capital and Deutschland 83
OR
Witnesses and The Missing
OR
No Offence and The Killing

Essay prep

  1. Cultural industries  – Distributing cultural goods and services on industrial and commercial terms.

  1. Production – Media production means the making of a motion picture, television show, video, commercial, Internet video, or other viewable programming provided to viewers via a movie theatre or transmitted through broadcast radio wave, cable, satellite, wireless, or Internet.

  1. Distribution –  Content distribution is the process of sharing, publishing, and promoting your content. It’s how you provide your content to your audience members for their consumption through various channels and media formats.

  1. Exhibition / Consumption – The Audience Consumption & Reception refers to the following; • Previous readings of the text (Trailers, Sequels) • Audience shared experience (how they personally relate to the text, narrative or character based on their own personal experiences) • Audience expectations and possibilities.

  1. Globalisation (in terms of media ownership) – Globalization has a great influence on the media and further its impact on us. The most visible effect of globalization is wide spread communication. The introduction of newspapers, magazine, internet and TV has immensely helped to spread information and has helped people to come together from all over the world.

In the UK, this series was broadcast on BBC Four from 25 November 2017.

Notes for essay

  1. Cultural industries  
  2. Production
  3. Distribution
  4. Exhibition / Consumption
  5. Media concentration
  6. Conglomerates
  7. Globalisation (in terms of media ownership)
  8. Cultural imperialism
  9. Vertical Integration
  10. Horizontal Integration
  11. Mergers
  12. Monopolies
  13. Gatekeepers – A PSB can gatekeep what information and news get’s filtered through. Meaning they decide what media get’s consumed meaning they are able to control public ideas. BBC for example get to decide what info passes through and they have control over info and decide what the public get to know.
  14. Regulation
  15. Deregulation
  16. Free market
  17. Commodification  
  18. Convergence  
  19. Diversity   
  20. Innovation  
  • No offence is on All 4 meaning it is provided publicly through PSB meaning it is easily accessed, freely, by the public.
  • It is an original made through the UK, made and produced in London and features female protagonists, it has something for everyone
  1. David Hesmondhalgh – Who are they?

is among a range of academics who critically analyse the relationship between media work and the media industry. In his seminal book, The Culture Industries (Sage, 2019) he suggest that:

the distinctive organisational form of the cultural industries has considerable implications for the conditions under which symbolic creativity is carried out’

The Culture Industries (Sage, 2019, p.99)

2. Curran and Seaton. – Who are they?

3. Livingstone & Lunt – Who are they?

key words

Key words:

  1. Cultural industries  
  2. Production
  3. Distribution
  4. Exhibition / Consumption
  5. Media concentration
  6. Conglomerates
  7. Globalisation (in terms of media ownership)
  8. Cultural imperialism
  9. Vertical Integration
  10. Horizontal Integration
  11. Mergers
  12. Monopolies
  13. Gatekeepers
  14. Regulation
  15. Deregulation
  16. Free market
  17. Commodification  
  18. Convergence  
  19. Diversity   
  20. Innovation

Cultural industries are different to other industries as they’re organised around money and other industries are creative industries where as the cultural industry is not.

3 different types of ownership.

  • Capitalist Media – Corporations – make money by selling ads
  • Public Service Media – State Controlled – make money by government paying.
  • Civil Society Media – Citizen Controlled

Television Notes

Public Service Broadcasting

Broadcasting intended for public benefit rather than to serve purely commercial interests. Funded by a licence fee and does not sell advertising time.

Educate, Inform, Entertain – BBC Ethos

BBC is easily accessible.

Capital – Not on BBC iPlayer but found on Amazon and needs to be paid for.

Curran and Seaton

Key Terms:

  1. Cultural industries –
  2. Production – the making of a motion picture, television show, video, commercial, Internet video, or other viewable programming provided to viewers.
  3. Distribution – methods, by any means, for the publication, transmission, dissemination, distribution and/or delivery of Marketing Media, to spread the product throughout the marketplace such that a large number of people can buy it.
  4. Exhibition / Consumption – content audience reads, views and/or listens to information and data related to your business and marketing.
  5. Media concentration –
  6. Conglomerates –
  7. Globalisation (in terms of media ownership) –
  8. Cultural imperialism –
  9. Vertical Integration –
  10. Horizontal Integration –
  11. Mergers –
  12. Monopolies –
  13. Gatekeepers –
  14. Regulation –
  15. Deregulation –
  16. Free market –
  17. Commodification –  
  18. Convergence –  
  19. Diversity –   
  20. Innovation –