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semiotics – Key language

Semiotics

  1. Sign – Something which can stand for something else.
  2. Code – Technical, written and symbolic tools used to construct or suggest meaning in media forms or products eg use of a camera, special effects, typography.
  3. Convention – The generally accepted way of doing something.
  4. Dominant Signifier – The main representative.
  5. Anchorage – words that go along with an image to give it meaning in a specific context eg taglines in adverts.

Ferdinand de Saussure:

  1. Signifier – What you call the object, word, image or action.
  2. Signified – the concept behind the object, word, image or action being represented.

C S Pierce:

  1. Icon – A sign which has characteristics in common with the thing that it signifies.
  2. Index – A sign that has a link with the thing that it signifies.
  3. Symbol – A sign which has a random link to the thing that it signifies.

Roland Barthes:

  1. Signification –  Structural levels of signification, meaning or representative.
  2. Denotation – Often refers to something literal – the first level of analysis.
  3. Connotation – Something suggested by a word or a thing – the second level of analysis.
  4. Myth – How words and images are systematically used to communicate cultural and political meanings
  5. Ideology – A set of ideas or beliefs that people have regarding different kinds of technologies.
  6. radical – Something that goes against and challenges dominant, typical ideas.
  7. reactionary – Something that goes with and agrees with dominant, typical ideas.
  1. Paradigm – A collection of signs that all have some sort of connection.
  2. Syntagm –  How signs and things are put together and fitted together.
Pose – subject positioning, stance or body languageFourth Wall Breaks: where the subject meets gaze with audience – can be confrontational, aggressive, invitational etc…
Off-Screen Gaze: upward can suggest spirituality; right-frame gaze can suggest adventure, optimism; left-frame gaze can suggest regret, nostalgia
Body Language: open, closed, passive, active, strong, weak
Subject positioning: positioning and angle of group shots illustrates the characters with more powerful/dominant role
Proxemics: if subjects are positioned closer together, often shows close relationship
Mise en Scene – props, costume, settingProp Symbolism: props are rarely accidental, use and placement often have symbolic connotations
Setting Symbolism (Pathetic Fallacy): settings and scenery are often symbolic of a characters emotions
Costume Symbolism: stereotypes can be constructed through costume, helping us discover characters narrative function
LightingHigh-Key: lack of shadow, producing a lighter more upbeat tone
Low-Key: emphasises shadow, producing a darker and serious tone
Chiaroscuro: high contrast lighting eg light beams penetrating pitch black conveying hopelessness or misery
Ambient: infers realism
Compositional Effects – distance, angle, positioning of subjectsLong Shot: implies subject is dominant of environment
Closeup: intensifies character emotions or suggests impending drama
Left Compositions: left of screen is generally reserved for characters whom the audience is to sympathise with
Right Compositions: right screen usually reserved for unfavourable characters
Open frame: suggests freedom
Closed frame: suggests entrapment
Tilt-up and High Eyeline: conveys power
Tilt-down and Low Eyeline: conveys vulnerability
Post-Production EffectsColour Control: often exaggerated for a specific connotative effect – red conveys anger; white conveys innocence; blue conveys sadness etc…
High saturation: increased colour levels creates a cheery tone
Desaturation: decreasing colour of an image creates a serious, sombre tone

key language

Sign – Stands in for something else.

Code – used to construct meaning in media forms

Convention– the accepted way of doing something.

Dominant signifierthe main thing that stands in for something else.

Anchoragewords that go along with an image to give meaning of context.

  1. Paradigm – A collection of signs that all have some sort of connection.
  2. Syntagm –  How signs and things are put together and fitted together.

Ferdinand De Saussure – Swiss linguist, semiotician and philosopher. Ferdinand de Saussure: Saussure believed in a concept, that can be described as “the study of signs and symbols and their use or interpretation.” One of the two founders of semiotics, introduced these terms as the two main planes, these terms being the ‘signifier’ and the ‘signified’.

  1. Signifier, stands in for something else
  2. Signified, thing or idea trying to be evoked

C S Pierce: Pierce believed that there were only 3 signs ever, Iconic, Indexical and symbolic. Furthermore this implies that everything is made up of these 3 signs.

  1. Icon, a sign that looks like its object (think of camerawork, sets, props, and Mise-En-Scene) (eg. a picture of a cat)
  2. Index, A sign that has a link to its object (Think of sounds, props) (campfire smoke, or the smoke coming from a campfire.)
  3. Symbol, a sign that has an arbitrary or random link to its object (think of colours, textures, shapes, sounds)

Roland Barthes: Barthes semiotician work focused on the signs in the news and how to read them, he would take apart scenes in the news to analyse them more easily and find out what the news is actually saying.

  1. Signification – The process of constructing meaning the from the sign itself.
  2. Denotation – The first level of analysis (what the person can see)
  3. Connotation – The meanings or associations we have with the image
  4. Myth – Information that is being told with assets which may differ the way you view it from reality of the information
  5. Ideology – To grasp the idea between relation and power
  6. radical – something that goes against people thoughts and ideas (eg. driving through a red light is normal)
  7. reactionary – something that everyone accepts (eg. like the fact that you should stop at a red light)
  8. Paradigm – A typical sign or ideal of something in a collection.
  9. Syntagm – Where objects have relations symbolic of each other in a sequence

Key Language:

  • Sign – a gesture or action used to convey information or an instruction.
  • CodeTools that use signs to create meaning.
  • ConventionMedia code that is accepted.
  • Dominant SignifierThe main thing.
  • AnchorageAn image posted with something else to provide context.
  • Signifier – Stands in for another thing.
  • Signified – The idea that has been created by the signifier.
  • Icon – Looks like the object its referring to
  • Index – Links to the object its referring to
  • Symbol – A sign that has a random meaning and doesn’t have context
  • Signification Levels of meaning, signification or representation
  • Denotation – The most basic or literal meaning of a item or sign
  • Connotation –  The other or secondary meaning for a sign
  • MythA changed or distorted meaning of signification.
  • Ideology – Pieces and signs that reinforce powerful structures.
  • Radical – Something that goes against and challenges dominant, typical ideas.
  • Reactionary – Something that goes with and agrees with dominant, typical ideas.
  • Paradigm – A collection of items relating to a thing
  • Syntagm How signs and things are put together and fitted together.

definitions

Semiotics

  1. Sign-something which can stand for something else
  2. Code– technical, written and symbolic tools which used to construct or suggest meaning in media forms.
  3. Convention– accepted ways of using media codes
  4. Dominant Signifier– the main representative.
  5. Anchorage-words with an image to provide context

Ferdinand de Saussure:

  1. Signifier-Any material thing that signifies something.
  2. Signified-The concept that a signifier refers to.

C S Pierce:

  1. Icon-physically resembles thing or idea
  2. Index-A sign that has a link to its object
  3. Symbol-Symbol, a sign that has an arbitrary or random link to its object

Roland Barthes:

  1. Signification-process of the construction of meaning from the signs
  2. Denotation-, first level analysis (what a reader can see on the page)
  3. Connotation-meanings or associations we have with the image
  4. Myth-naturalizes events turning history into nature
  5. Ideology-a world view about how society should function
  6. radical– something you wouldn’t expect / out of the ordinary
  7. reactionary-what you would expect/ follows stereotypes

paradign– a collection of similar signs

syntagm– the sequences in which signs work.

definitions

SEMIOTICS

sign- something which can stand for something else

code– written or symbolic tools used to suggest meaning in media forms.

convention- accepted ways of using media codes

dominant signifier- the main sign

anchorage- Words with an image to go along with the text which provides context

FERDINAND DE SAUSSURE

Signified-stands in for something else

signifier-thing or idea trying to be evoked

C S PIERCE

icon-a sign that looks like its object

index- a sign that has a link to its object

symbol-a sign that has a more random link to its object

ROLAND BARTHES

signification- structural levels of signification, meaning or representative

denotation-the most basic or literal meaning of a sign

connotation- signs that are used as signifiers for a secondary meaning

myth- naturalizes events, turning history into nature

ideology- codes that reinforce or are congruent with structures of power

radical- something that challenges dominant ideas

reactionary- something that confirms dominant ideas

Paradigm- a typical example or pattern of something; a pattern or model

Syntagm- a linguistic unit consisting of a set of linguistic forms (phonemes, words or phrases) that are in a sequential relationship to one another.

KEY Language

Semiotics
SignSomething which can stand for something else
CodeWritten or symbolic tools used to suggest meaning in media forms
ConventionAccepted ways of using media code
Dominant SignifierThe main representative
AnchorageWords with an image to provide context
Ferdinand de Saussure
SignifierStands in for something else
SignifiedIdea being evoked by signifier
C S Pierce
IconA sign that looks like its object
IndexA sign that has a link to its object
SymbolA sign that has a more random link to its object
Roland Barthes
SignificationStructural levels of signification, meaning or representation
DenotationThe most basic or literal meaning of a sign
ConnotationSigns that are used as signifiers for a secondary meaning
MythNaturalizes events, turning history into nature
IdeologyCodes that reinforce or are congruent with structures of power
RadicalSomething that challenges dominant ideas
ReactionarySomething that confirms dominant ideas
ParadigmA collection of similar signs
SyntagmThe sequence in which signs work

Semiotics

Key language:

Semiotics

  1. Sign – Stands in for something else
  2. Code – Symbolic tools used to create meaning
  3. Convention – Accepted ways of using media code
  4. Dominant Signifier – The main representative
  5. Anchorage – Words with an image to provide context

Ferdinand de Saussure:

  1. Signifier – Stands in for something else
  2. Signified – Idea being evoked by signifier

C S Pierce:

  1. Icon – A sign that looks like its object
  2. Index – A sign that has a link to its object
  3. Symbol – A sign that has a more random link to its object

Roland Barthes:

  1. Signification – Process of the construction of meaning from the signs

2. Denotation- First level analysis (what a reader can see on the page)

3. Connotation- Meanings or associations we have with the image

4. Myth- Naturalises events turning history into nature

5. Ideology- A world view about how society should function

6. Radical- Out of the ordinary or something you wouldn’t expect 

7. Reactionary- Follows stereotypes or something you expect 

8. Syntagm – Where signs occur in sequence or parallel and operate together to create meaning

9. Paradigm – A paradigmatic relationship is one where an individual sign may be replaced by another.

Media forms- natasha rawley

MEDIA FORMSCHARACTERISTICSEXAMPLE
1.Newspaper-Advertisements included
– Small writing
-On news about that day/previous day
The Guardian
2.Magazines-Specific to readers niche
-Layout and images much more aesthetically pleasing
-Not too lengthy
Prima
3.Television-Advertisements in between
-Larger niche audience
-Visual
The Great British Bake Off
4.Radio-Variety of media forms: Music, News and more
-Takes a lot to produce and present
-Audio
BBC Radio 1
5.Video Games-Single and Multi player use
-Visual use/entertainment
-Usually includes a plot or storyline in order complete game
Dragon’s Lair, Space Invaders
6.Music Video-Audio and Visual entertainment
-Most times has a storyline to go along with the song
-Can be solo or groups depending on the artist/director
Old Me- 5SOS, Can We Dance- The Vamps, Not Your Summer- The Academic
7.Films/Movies-Creates profit and expensive to create
-Takes a long time to put together
-Can be seen in many places: Cinemas, and online streaming services such as Netflix and Amazon Prime
Enola Holmes, Paddington, Mamma Mia
8.Marketing/Advertising-Commercial Reasons
-Have to pay to advertise: more expensive the more places it will get seen (Tv ad breaks, Billboards)
-Competitions
Shampoo, Children’s Toys, Smart Devices
9.Social Media-Interactive
-Great for communication
-Good for businesses and advertising purposes
Instagram, Facebook, Snapchat

key terminology

Key language:

Semiotics

  1. Sign – Something that can stand for something else.
  2. Code – A combination of semiotic systems.
  3. Convention – What signs are meaningfully organised into.
  4. Dominant Signifier – Main signifier that stands out.
  5. Anchorage – Describe how the combination of elements within a sign fit together and fix the meaning. 

Ferdinand de Saussure:

  1. Signifier – Any material thing that signifies something.
  2. Signified – The concept that a signifier refers to.
  3. Paradigm – Collection of similar signs.
  4. Syntagm – Order of in which signs go and how they link with each other.

C S Pierce:

  1. Icon – A sign that looks like its object.
  2. Index – A sign that has a link to its object.
  3. Symbol – A sign that has an arbitrary or random link to its object.

Roland Barthes:

  1. Signification – Structural levels of signification, meaning or representation.
  2. Denotation –  The most basic or literal meaning of a sign.
  3. Connotation – The secondary, cultural meanings of signs; or “signifying signs,” signs that are used as signifiers for a secondary meaning.
  4. Myth – The most obvious level of signification, but distorts meaning by validating arbitrary cultural assumptions in a way similar to the denotative sign.
  5. Ideology – codes that reinforce or are congruent with structures of power.
  6. Radical – Something that challenges dominant ideas.
  7. Reactionary – Something that confirms dominant ideas.

C.S. Peirce – Peirce’s seminal work in the field was anchored in pragmatism and logic. He defined a sign as “something which stands to somebody for something,” and one of his major contributions to semiotics was the categorization of signs into three main types: (1) an icon, which resembles its referent (such as a road sign for falling rocks); (2) an index, which is associated with its referent (as smoke is a sign of fire); and (3) a symbol, which is related to its referent only by convention (as with words or traffic signals). Peirce also demonstrated that a sign can never have a definite meaning, for the meaning must be continuously qualified.

Ferdinand De Saussure – Swiss linguist, semiotician and philosopher. His ideas laid a foundation for many significant developments in both linguistics and semiotics in the 20th century.

Roland Barthes – French literary theorist, essayist, philosopher, critic, and semiotician. Barthes’ ideas explored a diverse range of fields and he influenced the development of many schools of theory, including structuralism, semiotics, social theory, design theory, anthropology and post-structuralism.