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Ideology can be defined as a collection of values and beliefs. To what extent do media products target audiences by constructing an ideological view of the world?

You should refer to your newspaper Close Study Products, The i and The Daily Mail.

Noam Chomsky believes mass communication media and the government ‘are effective and powerful ideological institutions’ who rely on ‘propaganda’, ‘market forces’, and ‘self-censorship’ to indoctrinate their beliefs into their audiences. Both the Daily Mail and The I support this theory as they both project different ideological views of the world in order to reach a specific audience – The Daily Mail targets a rightist, conservative audience whereas The I targets a leftist, liberal audience.

The Daily Mail is a nationally daily tabloid newspaper launched in 1896 and is politically aligned with conservative values – the font of the newspaper title highlights this as it indexically implies this idea of archaic and dated, mirroring the perspective of the newspaper and supporting C.S. Peirce’s semiotic theory that indexical signs link to what they signify. The paper is owned by the global company DMGT, a long with many other papers, touching upon Curran and Seaton’s concerns with the media landscape falling under the control of just a handful of media conglomerates. They argue that through having direct control, proprietor owners have the power to censor news content that conflicts with their political view and instead highlight only what supports their ideology, allowing them to indoctrinate this belief into their mass audience, for example in the editorial section on page 18:  ‘the truth is that Boris Johnson is by a country mile the best person to lead the tory government and the country at this time’ – this represents conservative party as superior to other candidates, therefore promoting rightists values to their mass audiences. The editorial section of the paper reinforces the authoritarian nature of the paper as it provides only one opinion on the current events taking place, mirroring the authoritarian nature of the conservative party. further to this, their endorsement of the conservative party almost every year since 1945conveys to audiences a sense of loyalty to the party and its ideology, therefore persuading them to feel the same. By having such a disposition, audiences are forced to believe only the values being presented to them, due to just how indistinct they are, linking to Paul Lazarfeld’s Two Step Flow of Communication Theory which highlights how media messages are not always just directly ‘injected’ into an audience but also filtered through influential opinion leaders, the editors of the paper and their right-winged perspective, who interpret a message and first and then relay them back to the mass audiences. Overall, it is clear that this paper constructs an ideological view of the world, conservative, in order to engage audiences by highlighting ideas of nationalism and idolising the elite, therefore appealing to their rightists target audience.

The I is a national daily ‘quality tabloid’ launched in 2010 and is politically aligned with liberal values – the title of the paper portrays the indexical sign of the letter ‘i’ which appears modern and signifies the idea of seeing and discovering, mirroring the libertarian perspective of the newspaper and supporting C.S. Peirce’s semiotic theory that indexical signs link to what they signify. Like Daily Mail, the paper is owned by DMGT – who bought in `2019 for almost £50 million. This relates to Jurgen Habermas’ theory of communicative action whereby the public sphere has become  ‘dominated by an expanded state and organised economic interests’…’made up of private people gathered together as a public and articulating the needs of society with the state’ – as DMGT is a global conglomerate who owns many companies and operates in 40 countries across the world and therefore have the power to indoctrinate their ideology into their millions of audience members. However, despite the authoritarian nature of its ownership, The i projects a more libertarian view of the world by embracing all different types of perspectives on all different types of events – for example in the ‘Opinion Matrix’ section of the paper,  opinions and messages of all different types of readers ‘Tony Fitzjohn… Ian Birrel… John Burn-Murdoch…’ etc… are presented in order to give the common population a voice, therefore considering many kinds of ideology. The ‘Opinion Matrix’ section of the paper highlights how audience members can be seen as active, linking to Katz, Gurevitch, Haas’ uses and gratifications theory as they are actively selecting knowledge presented to them, interpreting it for themselves, and providing feedback to the paper itself. This highlights how the audience of The i seeks enjoyment, understanding self and the world, signifying that the paper’s aims of indoctrinating their liberal ideology have succeeded. Overall, it is clear that this paper constructs an ideological view of the world, liberalist, in order to engage audiences by highlighting their differing beliefs and perspectives and representing the common population therefore appealing to their leftist target audience.

regulation theory

Habermas – The Public Sphere

Public Sphere – the central arena for societal communication where different opinions are expressed, problems of general concern are discussed, and collective solutions are developed communicatively

The Printing Press developed by Johannes Gutenburg in 1440 expanded the public sphere due to its positive impact on the price of written materials and effectiveness at producing products quickly, enabling ideas to be spread faster and wider

The Peterloo Massacre in 1819 saw the death of fifteen people when cavalry charged into a crowd of around 60,000 people who had gathered to demand the reform of parliamentary representation. This outraged public opinion and therefore saw the emergence of the radical press in the UK and after calls for parliamentary inquiry where the Tory government supported the use of force. determined to stop further incidents, the government established a series of legislation, in one of the biggest clampdowns of radical behaviour in history: training prevention act, seditious meeting act, seizure of arms act, misdemeanours act, blasphemous and seditious libels act, newspaper and stamp duties act.

Jurgen Habermas, 1929

  • author of ‘Theory of Communicative Action’
  • a member of the Frankfurt School
  • argues that the ‘development of early modern capitalism brought into being an autonomous arena of public debate’ therefore the public sphere came to be ‘dominated by an expanded state and organised economic interests’
  • he defines the public sphere as a virtual or imaginary community which does not necessarily exist in any identifiable space. In its ideal form, the public sphere is “made up of private people gathered together as a public and articulating the needs of society with the state”
  • believed emergence of an independent, market-based press, created a new public engaged in critical political discussions

Chomsky – Propaganda Model

  • believes propaganda and systemic biases function in corporate mass media –  mass communication media and the government “are effective and powerful ideological institutions that carry out a system-supportive propaganda function, by reliance on market forces, internalized assumptions, and self-censorship, and without overt coercion”
  • The Propaganda model seeks to explain how populations are manipulated and how consent for economic, social, and political policies, both foreign and domestic, is “manufactured” in the public mind due to this propaganda
  • ‘The mass media serve as a system for communicating messages… to inculcate individuals with the values, beliefs, and codes of behaviour that will integrate them into the institutional structures’ and achieve this through ‘systematic propaganda’ – Chomsky and Herman 1988:1
  • Chomsky and Herman do not claim that the PM captures all factors which influence mass media coverage of news stories, and do not suggest they are particularly anti-democratic – however, they do tend to produce systematic bias in favour of powerful political and economic actors
structures of ownershipmass media firms are big corporations – often part of even bigger conglomerates
Thus, news goes through a process of ‘self-censorship’
 news that augers well for the company is encouraged while any news that could harm the image of the company is filtered out
the role of advertisingRevenue generated through advertisements is essential for media outlets to survive
revenue earned through advertisements is higher than the revenue earned by subscriptions and sales
links with establishmentmedia houses cannot afford to place correspondents all over the place
so instead they place correspondents and personal at locations where news stories are most likely to break out
Hence, they enter into a symbiotic relationship with various sources of information
the media does not run any story that might hurt the interests of their informants and runs stories without checking their credibility in some cases
diversionary tactics/FLAK When the media – journalists, whistleblowers, sources – stray away from the consensus, they get ‘flak’
 When the story is inconvenient, the powers can inflict complaints, lawsuits or any disciplinary legislative actions
Such complaints or actions can be raised by the government, companies, advertisers or other individuals
Flak can be damaging for any media outlet
uniting against ‘common enemy’to make the public accept authority, oftentimes artificial fears are created for the public
most significantly communists, terrorists, immigrants
a common enemy to fear, helps corral public opinion

CSP 9&10: THE DAILY MAIL AND THE I

THE DAILY MAILTHE I
– national daily tabloid newspaper
– launched in 1896
–  middle-market newspaper published in London
– horizontally integrated with metro newspaper and the i
– regulated by IPSO
– right-wing newspaper
– embraces the opportunities of digital technology
– 218 million visitors per month
– website is the most visited news website in the world
– one of the first British papers to popularize its coverage to appeal to a mass readership
–  print circulation has fallen below 900,000 for the first time in more than 100 years
– Yellow Journalism – sensationalistic or biased stories that newspapers present as objective truth
– national daily ‘quality tabloid’
– launched in 2010 as a sister paper to The Independent
– regulated by IPSO
– left-wing newspaper
– paper and its website bought by the Daily Mail and General Trust (DMGT) in 2019, for £49.6 million
 developed a strong national reputation over time
– average daily circulation of 145,411
– chose not to declare for either ‘leave’ or ‘remain’ during brexit, unlike other papers

KEY WORD/THEMEDEFINITIONDAILY MAILTHE I
Commodification Within a capitalist economic system, commodification is the transformation of things such as goods, services, ideas, nature, personal information, people or animals into objects of trade or commodities.PG22: ‘passed around on Whatsapp … file saying Boris is ‘no longer an electoral asset” – commodifying personal info to make moneysold do Daily Mail and General Trust in 2019
left a group or party favouring radical, reforming, or socialist views, focusing on humanityPGfrontcover – Front cover ‘Johnson future turning toxic for Tories’
right a group or party favouring conservative or reactionary views, focusing on business and economyPG18: ‘the truth is that Boris Johnson is by a country mile the best person to lead the tory government and the country at this time’

PG28 – ‘transport secretary’ tells airports ‘its YOUR job to sort out queues chaos’
libertarianismpromoting ideas of freedomPG18-22 – ‘the Opinions Matrix’ portrays views of many people ‘Tony Fitzjohn… Ian Birrel… John Burn-Murdoch…etc’
authoritarianism promoting the idea of strict centralised controluses the editorial to promote voice of editor and voice of editor only
regulation a rule or directive made and maintained by an authorityregulated by IPSOregulated by IPSO
counter-terrorism/militarymeasures designed to combat or prevent terrorism
PG18 – ‘Justified use of military against Russia’

PG25 – ‘UK sends in war crime experts’
PG17-‘ britian send long-range arms for the first time’
one party statetype of sovereign state in which only one political party has the right to form the government, usually based on the existing constitutionPG2: ‘no alternative candidate’
authoritythe power or right to give orders, make decisions, and enforce obedience/a person or organization having political or administrative power and controlPG18: ‘labour’s chances of winning an overall majority are vanishingly small’
democracy a system of government by the whole population or all the eligible members of a state, typically through elected representative
racial superioritybelief that a certain race is superior to all othersPG18 – “Boris is right and macron wrong. Saving Putins face is a mugs game
equality the state of being equal, especially in status, rights, or opportunitiesPG 23 – ‘proof that the poorest people get his worse by soaring inflation’ – makes people aware of less fortunate people
nationalism/patriotism the quality of being patriotic; devotion to and vigorous support for one’s countryPg6 – “Final parade was so very British”

Header above many pages “Our platinum queen” – use of our shows a support for the queen and shows patriotism
PG24 – ‘Dad-rock cosplay… but its a triumph 26’ *image of Liam Gallagher* – embracign british culture
Information fused with entertainmentmixing news and entertainment in order to distract peoplePG36-37 – ‘MASTERQUIZ’…’TRAIN TRACKS’…’KILLER SUDOKU’

Regulation products

Statement of intent:

I plan on creating two print products campaigning against the regulation of women in the culture industries – one being a billboard poster promoting a documentary which discusses these issues, and the other being a advertising campaign flyer which links to the documentary.

Language: Both the flyer and the billboard display a pink tinted newspaper collage displaying articles regarding the issues women have faced as a result of the media throughout history, connoting to the idea of continuous struggle. Iconic signs of celebrities – Angelina Jolie, Michelle Obama, x, Margaret Atwood, Emma Watson, Meghan Markle, Hunter Shaefer, and Janet Mock – display the cast of production who have all campaigned against women’s rights with regards to the media. the indexical sign ‘shine through the noise’ is the title of the documentary and provides anchorage as it signifies the message of the production – empowering women to ‘shine’ and break through the ‘noise’ created by both the regulation and the lack of regulation within the media industry. The symbolic white glow around the dominant signifiers connotes to peace and creating peace within their female roles and also portrays their highlights how they are ‘shining through the noise’ by being apart of the production.

Representation: The aim of the documentary is to highlight all the issues women’s face with regards to media, in terms of institutional regulation and therefore represents women as powerful and more than just their bodies. One of the key ideas touched upon is the regulation placed one women and their bodies in certain instances of public media – most commonly social media where women aren’t allowed to perform casual nudity on their own terms to please themselves – but the lack of regulation in other instances – such as film and TV where women are overly sexualised on other peoples terms, such as writers and producers, often for the pleasure of male viewers – creating a sense of unjust and lack of control within their lives. This touches upon Laura Mulvey’s notion on the male gaze where a woman’s “appearance [is] coded for [a] strong visual and erotic impact” (“Visual and Other Pleasures”, 1989). Both the flyer and the billboard fight against this social norm by representing the cast as more than just their bodies by portraying mainly just their faces (apart from Michelle Obama) and wearing unprovocative clothing. The white silhouette surrounding the women represents them as strong and powerful as they are ‘shining through the noise’.

Institution: The campaign is co-produced by the independent company Equal Media, whose primary focus is to support inferior social groups, and Columbia Pictures who also distributes the film and Netflix exhibits it. David Hesmondhalgh argues that the creative industry is a ‘risky business’ and therefore the companies have taken certain measures to minimise these risks: The use of vertical integration gives the production companies more control on how the campaign is distributed as well as also decreasing costs, Independent labelling engages more alternative audiences, audiences who are reluctant to consume mainstream media, and the use of star-formatting, Michelle Obama, Emma Watson etc…, creates a ready-made audience ensuring a higher viewership.

Audience: The campaign is aimed mainly at teenage to young adult audiences who support the campaigning against women’s rights as they are the primary social group seen to be willing to make a change within society today, especially regarding the rights and representation of inferior social groups, such as women. The use of well-known celebrities and their influence attracts the audience and touches upon Paul Lazarfeld’s Two Step Flow of Communication model whereby messages are filtered through influential opinion leaders who interpret a message and first and then relay them back to the mass audiences and therefore making them believe in a certain idea. However, the idea behind this campaign is more active than the audience just agreeing with what the celebrities tell them – it also fulfils the audiences particular pleasures of understanding themselves, to gaining more self-confidence and expanding knowledge of the world supporting McQuail and Blumlers Uses and Gratification theory

BILLBOARD
CAMPAIGN FLYER

regulation

focusspecifics
why regulate?– to maintain the truth
– protect others from explicit content
– privacy
– to prevent reputational damage/ libel/ slander
– in terms of ownership to avoid monopolies etc
-to prevent criminal activity
– to maintain good working practice eg equal pay, job security
ALSO
– morals/ethics, subjective ‘good’ behaviour
– to prevent political bias
– to prevent extreme controversy
EG protect others from explicit content/to maintain the truth – banning of ‘Life of Brian’ in numerous countries
EG privacy – Rooney vs Vardy
EG reputational damage – Johnny Depp vs Amber Heard
EG to avoid monopolies – Elon Musk buying twitter
EG to maintain good working practice – Activision Blizzard’s $18m settlement over sexual harassment suit
what is regulated?– newspapers
– films
– books
– TV
– radio
who regulates?– the government
– individuals
– internal company/structural regulators (code of ethics)
– self-regulation
– key individuals eg celebrities and influencers
SPECIALIST BODIES:
– BBFC (cinema)
– OfCom(broadcasting)
– IPSO (newspapers)
– PEGI (video games)
– PRS + MCPS (music)
how are things regulated?

libertarianism – promoting ideas of freedom

authoritarianism – promoting the idea of strict centralised control

Epicurus – Hedonism

  • Greek philosopher who was a hedonist
  • hedonism is the philosophy of living you life to experience pleasure and avoid pain
  • he believed that small pleasures are more likely to bring us tranquillity than extreme pleasures as they are more difficult to obtain and are therefore more likely to result in pain
  • likely hood of experiencing more pain goes up as you become more exacting in what gives you pleasure
  • opened a school where they studied happiness
  • he concluded happiness comes from: non-sexual friendships, working either alone in small groups, and finding calm in own mind rather than tangible goods

The Frankfurt School

  • aimed to develop a psychological understanding of the problems thrown up by modern capitalism, especially the culture and mindset it creates
  • he blames this on the culture industry films, tv radio etc designed to keep us distracted and unable to understand ourselves and therefore without the will to alter political reality
  • drew attention to three significant ways capitalism corrupts and exploits people:
  • leisure time becomes toxic: culture industry influences people to spend their free time to relax and take off one’s mind, instead the time should be used to develop a better understanding of oneself – culture industry, films, tv radio etc, designed to keep us distracted and unable to understand ourselves and therefore without the will to alter political reality
  • capitalism doesn’t sell us things we actually need: the huge range of products available makes us believe everything we could possibly want is available, however the problem is many people cant afford such things – capitalism shields our real wants, luxury material goods etc, so we forget what we actually need, relationships, a home, food etc, and settle for manufactured desires without interest in true welfare EG adverts portray instances that we truly want in order to sell us something we don’t truly need

Essentially, Pleasure and culture gets commodified by superior bodies in order to provide, a false, happiness for the inferior bodies so that they can be happy

they argue that those in control of popular culture use it to control society and distract them from questioning the reality of the world around them

Permissive society 1960s

after WWII, there was more affluence and optimism amongst society and by the 1960s, young people had began to push for more social freedoms

  • The ‘Lady Chatterley’ Trial
  • the contraceptive pill available at NHS
  • The abortion act
  • The sexual offences act
  • The divorce reform act

Mary Whitehouse

  • conservative activist during 1960s who campaigned against social liberalism and the mainstream British media
  • she accused them of promoting a more permissive, promiscuous society
  • her motivation came from her traditional Christian values, which she believed social liberalism undermined
  • founded the National Viewers and Listeners association
  • Whitehouse’s campaigns continue to divide opinion. Her critics have accused her of being a highly censorious, bigoted figure, and her traditional moral convictions brought her into direct conflict with advocates of the sexual revolutionfeminismchildren’s rights and LGBT rights.
  • Others see her more positively and believe she was attempting to halt a decline in what they perceived as Britain’s moral standards
personalised chart
My political compass
Economic Left/Right: -4.63
Social Libertarian/Authoritarian: -1.54

Television

Types of Broadcasting

Public Service Broadcasting

A state-related institution which broadcasts TV, radio etc… to provide information, advice, or entertainment to the public without trying to make a profit. Often has no adverts and uses tax from TV licenses to fund their organisation.  It ensures diversity in the media and plurality in news, and creates programming which reflects and examines wider society.

EG – BBC

Private/Capitalist Broadcasting

A privately owned corporation which broadcasts TV, radio etc… and is not so heavily observed by the state. They do not rely on the state to fund their organisation and instead relies on adverts.

EG – ITV

Transnational Corporations

an enterprise that is involved with the international production of goods or services, foreign investments, or income and asset management in more than one country. It sets up factories in developing countries as land and labour are cheaper there.

This form of globalisation conceals the circumstance that, at the end of the 20th century, a new form of imperialism emerged – this companies make use of and exploit the lower raw material and labour costs in under developed countries, allowing them to maximise their profits

CSP 8: No Offence & and The Killing

No Offence (Series 1, episode 1) and The Killing (Series 1, episode 1)

No Offence

A group of police officers try their best to keep the streets of Manchester free of crime. When all else fails, they decide to use unconventional methods to teach the perpetrators a lesson.

Language-the codes and conventions of the police
procedural crime drama are intertwined with aspects of social realism
-analysis of the process through which media language develops as genre y to understand and reflect on the dynamic nature of genre
-analysis should include: mise-en-scene, semiotics
Narrative-Which narrative techniques are used to engage the audience
-How the use of the narrative conventions of the crime drama – use of enigmas,
restricted narration etc. – positions the audience
-The ways in which the narrative structure offers a range of gratification to the
audience
-Narratology including Todorov
Genre-Conventions of the TV drama series and the way in which this form is used to appeal to
audiences.
-Definition of the series as a hybrid genre, belonging to the drama, social realism and crime
genres
-Genre theory including Neale
Representations-Negative and positive use – or subversion – of stereotypes, particularly around the
representation of women and the police.
– unusual in popular television series due to the dominance of female
characters.
-Representation of place – Manchester – by implication the nation?
-Representation of issues – series 1 deals with the disappearance and murder of children with
Down’s Syndrome and raises questions about attitudes to and treatment of people with
disabilities.
-Analysis of how the representations convey values, attitudes and beliefs about the world
-Theories of representation including Hall
Industries– AbbottVision production, an independent company founded by the writer Paul
Abbott who also wrote Shameless.
-a critical and commercial success in the UK, it was also a ratings success in
France where it was shown on the national broadcast channel, France2.
-Channel 4 uses series such as No Offence to add value to the channel through the availability
of the ‘box set’ on All4.
-channel 4 – 90% income is from advertising – £934m in revenue – however gets reinvested into company
AudienceThe production, distribution and circulation of No Offence shows how audiences can be
reached, both on a national and global scale, through different media technologies and
platforms, moving from the national to transnational through broadcast and digital technologies.
No Offence was broadcast on Channel 4, can still be accessed on All4, it was also broadcast in
France.
The way in which different audience interpretations reflect social, cultural and historical
circumstances is evident in the analysis of No Offence which is explicitly linked to contemporary
issues.
Audience positioning through the construction of characters who are morally ambiguous.
The advertising campaigns (trailers, websites at home and abroad) for the series demonstrate
how media producers target, attract and potentially construct audiences.
Cultivation theory including Gerbner
Reception theory including Hall
Social, Political, economic, cultural contexts-police force is used as a microcosm of society through which to
examine changing gender roles
-focus of the case which features children and adults with
Down’s syndrome examines the position of people with disabilities in the wider society
-Political
contexts are evident in the nature of the approach to police work which refers to a history of
corruption and the role of police power in society
-The economic context can be explored through
patterns of ownership and production and how the product is marketed nationally and globally

The Killing

Inspector Sarah Lund thought she was going to work one last day in Copenhagen before moving to a remote Swedish town with her boyfriend and young son. She was wrong. When a teenage girl’s body is found in a car with links to a mayoral candidate’s office, Lund begins what becomes a 20-day investigation into the murder.

Language-use of a noir visual style, conventions of the police procedural and multiple narrative strands
– Mise en scene
-Semiotics
Narrative-use of the narrative conventions of the crime drama – use of enigmas, binary
oppositions, restricted and omniscient narration etc. – effects the position of the audience
-analysing the appeals of the structure as
reassuring and predictable – even when dealing with difficult subject matter
-multiple plot lines related to the central crime
-Narratology including Todorov
Genre-Conventions of the TV series (The Killing had three series which had links but were also
stand-alone series) and the way in which this form is used to appeal to audiences; how it is
distinct from, but related to series and serials
-belonging to the drama and crime genres
-Analysing the current popularity of the crime genre
-Genre theory including Neale
Representation-f gender: The woman as police detective, representation of marriage, gender
stereotypes etc
-Feminist debates – Violence and the representation of gender. This could include the
controversy around using violent crime against women as popular entertainment
-national identity – Denmark including issues of multiculturalism.
-Theories of representation including Hall
-Feminist theories including bell hooks and Van Zoonen
Industries-catalyst for the wider distribution of foreign language crime programming on
UK television, its unexpected success influencing BBC4’s scheduling but also that of other UK
channels
-Danish national public service broadcaster DR, providing
the opportunity to study PSB in a different national context.
-The regulatory framework of contemporary media, with the focus on PSB
-e specialised nature of media production, distribution
and circulation within a transnational and global context
-The Killing personifies a successful transnational, contemporary media product with long
duration (it was broadcast in the UK nearly five years after its success in Denmark)
-remade by Turkish and US TV (AMC)
-Cultural industries including Hesmondhalgh
Audience-The production, distribution and circulation of the Killing shows how audiences can be
reached, both on a national and global scale, through different media technologies and
platforms
-different audience interpretations reflect social, cultural and historical
circumstances is evident in the analysis of the series which are explicitly linked to contemporary
issues – often related to gender and feminist issues
-New types of characters to construct alignment for the audience/audience positioning
-The advertising campaigns for the series demonstrate
how media producers target, attract and potentially construct audiences.
-Audience behaviour in response to the series – the interest in Scandinavian culture and
lifestyle
-Cultivation theory including Gerbner
-Reception theory including Hall
Social, political, cultural and economic contexts-e first time
saw TV series not in the English language become part of mainstream UK broadcasting
-dominated by the crime genre was part of a wider cultural phenomenon which
saw the crime genre become the key form for exploring social contexts – particularly changing
gender roles
-key factor in the surge in interest in Scandinavian culture in
the UK
-uses the crime genre to explore contemporary political contexts of multiculturalism and debate the effects of immigration
-The economic context can be explored through
patterns of ownership and production and how the product is marketed nationally and globally.

CSP 7: Letter to the Free, Common

Lonnie Rashid Lynn, Jr. (Common)

  • born March 13, 1972, Chicago, Illinois, US
  • American hip-hop artist, actor, and activist who became a mainstream success in the early 21st century, known for intelligent and positive lyrics that were performed in a spoken-word style.
  • He was the first rapper to win a Grammy Award, an Academy Award and an Emmy Award
  • Net Worth: $45 Million
  •  launched ‘Think Common Entertainment, a record label in 2011

13th (2016)

  • American documentary film by Ava DuVernay
  • explores the “intersection of race, justice, and mass incarcentration in the United States;”

Key Concepts:

‘Slavery’s still alive, check Amendment 13
Not whips and chains, all subliminal
Instead of ‘nigga’ they use the word ‘criminal’

Highlights the fact that racial injustice is still very prominent within society, even though it isn’t entirely obvious – it has been masked by

‘For America to rise it’s a matter of Black Lives’

Post Colonialism Under the Shadow of Slavery

 The historical period or state of affairs representing the aftermath of Western colonialism and  the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. 

Edward Said – Orentalism

  • the stereotyping of the East – exaggerates religious and cultural differences causing their humanity to be overlooked and the culture misunderstood
  • justifies the assertion of Western power over the East
  • when the West views the East in this way – it creates policies which marginalises them
  • In this view, the outlying regions of the world have no life, history or culture to speak of, no independence or integrity worth representing without the West.‘ – Said, 1993

Jacques Lacan – ‘The Other’

  •  the recognition of the ‘Other’ – the mirror stage of child development, whereby, as we cannot actually see ourselves as whole, we use a reflection to understand who we are / who we are not
  • To link this to postcolonialism would be to suggest that the West uses the East / the Orient / the ‘Other’, to identify and construct itself. How it sees itself as the ‘West’ as opposed to . . . in other words, it acts as The Other, a mirror by which a reflection of the self can be measured out and examined

Language of Moving Image

Moving Image Conventions

NARRATIVE STRUCTURE – structural framework that underlies the order and manner in which a narrative is presented to a reader, listener, or viewer

  • Character
  • Theme
  • Motivation
  • Empathy
  • Ideology

THE CAMERA – to direct and prioritise elements in a shot and therefore prioritise certain information

Angle

  • High angle
  • Low angle
  • bulls-eye
  • birds eye
  • canted angle

Shot Size

  • Establishing Shot
  • Long Shot
  • Medium Shot
  • Close-up
  • Big Close-Up
  • Extreme Close Up

Movement

  • Tracking
  • Panning
  • Craning
  • Tilting
  • Hand held
  • Steadicam
  • inset shot

Focus and Depth of Field

  • pull focus
  • rack focus
  • follow focus on people, objects, spaces, shapes or colours, which may represent an idea, theme, belief

THE EDIT – process of manipulating separate images into a continuous piece of moving image which develops characters, themes, spaces and ideas through a series of events, interactions and occurrences.

When to cut:

  • On action
  • On a matching shape, colour, theme
  • On a look, glance, eyeline
  • On a sound bridge
  • On a change of shot size
  • On a change of camera angle, position, focus

Shot sequencing:

  • Linear/sequential
  • montage
  • parallel
  • shot – reverse – shot
  • flashback/forward

Shot progression:

  • establishing shot / ES, moving to
  • wide shot / WS,
  • to medium shot / MS,
  • to close up / CU,
  • to big close up / BCU;
  • and then back out again

Movie Sequence Analysis

Paul Gilroy – Post cOLONIAL THEORY

Brought race into the societal divide and changes in the 1980s through his book ‘There Ain’t No Black in the Union Jack’ ; he highlighted how black youth cultures represented cultural solutions to collectively experienced problems of racism and poverty

Racial Otherness

  • His book highlights the anxieties of regarding immigrant behaviour in the post war period.
  • He suggests the that the public’s association of the immigrants which the living conditions produced a series of racial representations.
  • `Media Stories began associating the black community with assaults, muggings, and violence during the 1980s and 70s
  • Such representations stigmatised the immigrant black community – constructing them as a racial ‘other’ in the predominantly white world of 1950s Britain

Legacy of the British Empire and Identity

We live inmorbid culture of a once-imperial nation that has not been able to accept its inevitable loss of prestige’ – After Empire, 2004 – Gilroy

  • Gilroy argues that the British are undergoing a national identity crisis as a result of the fall of the British Empire
  • The immigrant population has become a symbol that constantly reminds the UK of its loss of global power – they are a visual representation of what Britain once was and once had