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In a film there are Tangible and Conceptual items that make it up

Tangible
Actors
Equipment
Set
Props
Costumes
Crew
Scenes
Dialogue

Conceptual

Plot
Soundtrack
Synopsis
Structural Devices
Pro/Antagonist
Emotional Attachment
Character Development
Empathy
Linearity
Sequential
Flashback(s)

A Synopsis is a short sentence about the film’s plot

Gustav Freytag

Peripeteia – A change in fortune
Anagnorisis – A moment of dramatic revelation
Catharsis – Realising yours’ and societies’ virtues

TODOROV

Tztevan Todorov states that most media has a beginning, middle and end. He calls these the “equilibrium”, “disruption” and “new equilibrium”. This is similar to Freytag’s pyramid, which also has the beginning, middle and end structure but instead calls them “Exposition”, “Climax” and “Denouement”.

Anachronic Devices – Flash forwards/flashbacks
These subvert traditional linear storytelling techniques and can provide moments of disequilibrium before equilibrium or can be used to disrupt the predictable nature of the three act structure.

Multiperspective narratives
Can be used to repurpose equilibriums as disequilibriums when the story shifts from one character to another.

Vladimir Propp
Propp suggests that there are 8 “stock characters” in a piece of media
1.Hero – The character completing the “Quest” of the story
2.Helper – Usually accompanies the hero on their quest
3.Princess – Usually represents the reward of the quest
4.Villain – Fights or pursues the hero & must be defeated to progress the story
5.Donor – Provides the hero with an agent to defeat the villain
6.Dispatcher – Sends the hero on their quest
7.Princess’s Father – Often sets the hero difficult tasks to prevent the hero marrying the princess (Other adaptations may be to prevent the hero from seeing their wife, family etc.)
8.False Hero – Performs a largely villainous role, usurps the hero’s position in the story

He suggests that these characters operate in “Spheres of action” to help move the story along

Claude Levi-Strauss
Strauss suggests that binary opposites in media can create conflict and drama, binary opposites are 2 opposing things on different sides of a scale e.g. men vs women or young vs old. This creates an ideology within a piece of media, audiences are encouraged to make a judgment about characters, groups, places etc.

“explore human experience using polarised themes: birth has to compete against death, success against failure”

“Character oppositions: audiences expect villains to battle heroes.”
“Narrative oppositions: media stories… are organised to construct moments of opposition”
“Stylistic oppositions: media producers also encode products using juxtaposed stylistic presentations”
“Genre-driven binary oppositions: some binary oppositions… entrenched within genres that they become a convention or expectation of that genre”

Seymour Chatman
Chatman suggests that stories are broken down into satellites and kernels, Kernels being key moments in the plot and Satellites being embellishments, developments and aesthetics. Kernels are important to the story, and cannot be removed easily without preventing the story from moving forward.

Roland Barthes
Proairetic Code: Action, movement, causation
Hermeneutic Code: Reflection, dialogue, character or thematic development
Enigma Code: The way in which intrigue and ideas are raised – which encourage an audience to want more information.

Blinded By The Light

  • Directed by Gurinder Chadha (Known for “Bend it like Beckham” 2002)
  • The film released in Jan 2019
  • Bruce Springsteen’s music was licensed for use within the film
  • The film had a low-mid budget of 15M$
  • New Line Cinema, Levantine Films, Ingenious Media and Bend It Films funded the film
  • Film follows the experiences of Sarfraz Manzoor’s upbringing in 1980’s Luton and how Bruce Springsteen’s Lyrics impacted him
  • New Line Cinema is associated with more “indie” and “niche” film releases and is a subsidiary of Warner Bros.
  • Production in US and UK – Globalisation.
  • They used social media i.e. Twitter and YouTube to help advertise the film (Distribution)
  • The film is available to watch in several countries (Globalisation)

David Hesmondhalgh

David Hesmondalgh wrote a book called “The culture industries”

His work is about tracing the relationship between media work, workers, and the industry.

“VH:[00:17:10] I think a lot sadly does come down to luck and who you know. 

MM: [00:34:02] So how do you see that? Looking back do you think that was, do you think basically you were lucky? The right person, in the right place, at the right time?

JL: [00:34:12] Yeah.  

Many younger people believe that the creative industry is a lot different to how it really is

LH [00:20:14] the minute that I went in I realized not everybody who works in creativity is a fun person. There are a lot more boring than you’d expect them to be. They’re not as fun.

They are drawn to the ideas of fame and wealth and that it will be easy and fun, putting them in a vulnerable position when they realise that this is not the case and the industry requires you to get very lucky.

  1. Cultural industries  – an industrialized culture, essentially produced for the sake of making profits
  2. Production – The making of a piece of media
  3. Distribution – How media products are delivered to audiences
  4. Exhibition / Consumption – How a media product is viewed
  5. Media concentration – The ownership of mass media by few individuals
  6. Conglomerates – A company that owns numerous other companies involved in media
  7. Globalisation (in terms of media ownership)
  8. Cultural imperialism – A theory that states western nations dominate media around the world
  9. Vertical Integration – When a media company owns different businesses in the same chain of production and distribution e.g. 20th century fox owns studios; cinemas; TV channels
  10. Horizontal Integration – A media company’s ownership of several businesses of the same value e.g. a magazine; radio station and TV channel
  11. Mergers – When a media company acquires another company
  12. Monopolies – A large company owning many shares of a media source
  13. Gatekeepers – People who filter information for dissemination
  14. Regulation – The process of disallowing certain things in the media through guidelines
  15. Deregulation – Removing or loosening government restrictions on the ownership of media outlets
  16. Free market – A market where the prices of services are self-regulated
  17. Commodification  – The process whereby things are transformed into objects for sale in a capitalist economic system
  18. Convergence  – blending together multiple forms of media
  19. Diversity  – Differing ideas and forms of media 
  20. Innovation  – The development of new media platforms, or new business models, or new ways of producing media etc.

David Hesmondhalgh states that the media industry is a “risky business” – However, there are many ways that companies minimise this risk.

For Example, many companies use vertical integration – where they acquire subsidiaries based in Production, Distribution AND Consumption. This allows them to control everything that happens with their product from how it is made, to how it is advertised and where it can be consumed.

Furthermore, many companies build up monopolies – which while illegal, have many workarounds that the companies use. For example, a company may only allow their films to be viewed in certain cinemas i.e. cineworld – except for one cinema in Thailand that allows for the company to deny the monopoly.

Essay

  1. Introduce the overall aim and argument that you are going to make

Gender is fluid and changeable throughout life to ones preferences.

  1. Establish your first main critical approach (I would suggest Gender as Performance by Butler, but you could start with feminist critical thinking, or . . . )

Many believe that gender is permanent from birth and unchangeable throughout life. However, Butler believes gender is a “performance” and we have fluidity of our gender identity – that “nobody is a gender from the start”. Put simply, she suggests that gender is fluid, changeable and plural – we have multiple identities we perform to different people in different settings.

  1. Develop this approach by using key words, phrases and quotation (Mulvey, Kilbourne, Moi, Wander, Wollstonescraft, Woolf, de Beauvoir, Woolf)

“it turned out to be more about gender categories. For instance, what it means to be a woman does not remain the same from decade to decade. The category of woman can and does change, and we need it to be that way.” Gender does not remain the same throughout history so why does it have to stay the same throughout your life?

“When we are ‘girled’, we are entered into a realm of girldom that has been built up over a long time – a series of conventions, sometimes conflicting, that establish girlness within society.” Historically gender was binary, either you were male or female and there was nothing you could do to change it. This caused a buildup of characteristics that you had to abide by to stay in your gender.”We don’t just choose it. And it is not just imposed on us. ” You didn’t have a choice, you were born as a man or a woman and had to stick to it whether you wanted to or not. What Butler suggests is that not only can this change, it needs to change.

  1. Apply your theoretical ideas to either or both of the set CSP’s

Score creates a clear narrative of all of the women almost idolising (for lack of a better word) the man showing their performances of their gender identities through this

  1. Show some historical knowledge about societal changes – particularly to the historical context of post-war society ie 1950’s-1970’s see this link)

The Score hair cream advert is an historical artefact from 1967, as such it can be examined productively by considering its historical, social and cultural contexts, particularly as it relates to gender roles, sexuality and the historical context of advertising techniques. 1967 can be seen as a period of slow transformation in western cultures with legislation about and changing attitudes to the role of women – and men – in society, something that the advert can be seen to negotiate.

Similarly, feminist critical thought became much more prominent and pronounced during the counter cultural movements of the late 1960’s and early 1970’s, which heralded, among other changes a greater acceptance of birth control and divorceabortion and homosexuality.

“However, the Score advert was produced in the year of decriminalisation of homosexuality

  1. Establish a secondary theme or idea that you wish to raise (eg 2nd wave feminism)

Queer Theory, the idea of gender being binary is too simple, not everyone is just a man or a woman. There is a spectrum, and everyone fits in in different places. This affects gender performances as not one person “performs” to be just a man or a woman, whether you know it or not you may consistently express feminine ideals as a man or the other way around – even if its just a small thing. ” For example, look at categories such as lipstick lesbianbutch and femmegirly girl and so on, which illustrate the multiple, plural nature of identity, representation and performance”. Whilst we may fit into categories based on our performances, we no longer fit into the historical binary opposites of man or woman. Transgender people are a great example of this, they may have been once a man and now they’re a woman – a clear example that you no longer have to stick with your biological gender whether you want to identify as something else or change your body to fit your identity. Another great example is non-binary people, they fit into neither gender, showing you don’t even have to be a man or a woman – historically they may have been the only choices but that’s no longer the case. You don’t have to fit into those binary categories anymore.

  1. Develop this approach by using key words, phrases and quotation

Judith Butler, among others expressed doubt over the reductionistessentialist, approach towards the binary oppositions presented in terms of: male/femalefeminine/masculineman/woman. Arguing that this is too simple.

  1. Apply your theoretical ideas to either or both of the set CSP’s

Maybelline, MannyMUA and the butler who – whilst they are biologically male – express typically feminine ideals with wearing makeup. Creating a change in gender roles as it shows that makeup is no longer just for women, anyone can wear it. This creates a blur between man and woman, they are no longer binary opposites. Furthermore, the way that Manny acts and speaks is typically feminine compared to

  1. Move forward to the present day to show some historical knowledge about societal changes – (ie non-binary world, intersectionality, use of new media etc)

‘In an attempt to understand what it means to be oppressed as ‘a woman’, some feminist scholars sought to isolate gender oppression from other forms of oppression’.

” It is from this that the development and articulation of intersectionality began to take shape.”

“you cannot ‘understand Black women’s experiences of discrimination by thinking separately about sex discrimination and race discrimination’ 

the idea that an approach such as feminism, is NOT UNIVERSAL, SINGULAR or HOMOGENEOUS 

Establish a contradictory argument that shows your ability to think and engage

  1. Develop this approach by using key words, phrases and quotation (3rd wave feminism ButlerLevyDollimorehooksVan Zoonen, Raunch Culture, Queer Theory, Intersectionality etc)
  2. Apply your theoretical ideas to either or both of the set CSP’s
  3. Summarise your main arguments
  4. Ensure you have a summative, final sentence / short paragraph

In this essay I will discuss the idea of gender fluidity and the ability to change your gender
identity throughout your life to your preferences.

Many people believe that gender is permanent and unchangeable from birth, you’re born as either
a man or a woman and that’s who you are forever. However, some people – like Judith Butler –
believe gender is a “perfomance” and that we have control over our gender identity, that “nobody
is a gender from the start”. Put simply, she suggests that gender is fluid and plural – instead
of the binary, two gendered world that we have lived in historically. She believes that we have
multiple identites that we perform to different people in different settings. Butler has said
that “what it means to be a woman does not remain the same from decade to decade”, what she
means by this is that gender does not remain the same throughout history – what it meant to be a
woman in the 1800’s is not the same as it means to be a woman now. Gender changes throughout history,
so why can’t it change throughout your life?

“When we are ‘girled’, we are entered into a realm of girldom that has been built up over
a long time – a series of conventions, sometimes conflicting, that establish girlness within
society.” The history of our binary world has caused a buidlup of characteristics that as a man
or a woman you had to abide by to stay in your gender, “We don’t just choose it. And it is not
just imposed on us.” You didn’t have a choice, you were born a man or a woman and you had to
stick to it whether you wanted to or not. What Butler suggests is that not only can this change,
it is changing.

Score shows the historical binary world that we lived in even in the 60’s, whilst the ad was
created in 1967 – during the rise of second wave feminism, and a greater acceptance of birth control;
divorce; abortion and the decriminalistation of homosexuality – there is a clear narrative in the ad
of heterosexuality, as if the ad is fighting against this social change. In the ad, there are five
women looking up towards a man – suggesting that men are higher up than women socially. Furthermore,
the women are holding the man up on a platform similar to how royalty would be held up – clearly
suggesting that man is royalty and women are peasants compared. Finally, in the ad the man is fully
clothed whereas the women are wearing little – creating a sexual dynamic in the ad which belittles
the women and further shows the mans power in the ad.

Maybelline is the polar opposite of Score. In the Maybelline ad, both the men and the woman are equal – they share
“center-stage” throughout the ad. In addition, towards the end of the ad when they change the scene – both the main
man and woman change into fancy and luxurious gold clothing, further showing their equality in that they both share
the change into the luxurious clothes instead of just the man. Unlike Score aswell, both of the models are fully
dressed, instead of sexualizing the woman and belittling her throughout the ad.

Queer Theory caused many to “express doubt over the reductionist, essentialist, approach towards the binary
oppositions presented in terms of: male/female; feminine/masculine, man/woman.” Not everybody is just a man or a
woman – there is a spectrum of gender ideals and everyone fits in to it in different places. This affects the idea
of gender performances as not one person “performs” to be just a man or a woman, whether intentionally or not
people express ideals of the other gender – even if it is just a small thing like how they sit or how they talk.
The consistent repitition of these stylized acts blur the line between what it is to be a man or a woman and caused
the idea of plurality through gender, thinking of gender as just male and female was too simple. “look at categories
such as lipstick lesbian, butch and femme, girly girl and so on, which illustrate the multiple, plural nature of
identity, representation and performance”. Whilst there may be categories that people can fit into based on their
identity, not everyone fits into the historical binary opposites of man or woman. The changes in our society,
including acceptance of different sexualities and preferences forced us to change our views on gender – transgender
people are a good example of this, they were born as a certain gender and their preference was to change. This is a
clear example that people don’t have to stick to their biological gender anymore as they did in the past if their
preferences don’t fit. Another great example of this is non-binary people, they fit into neither man or woman because
their ideals are different – historically the binary opposites of man or woman were the only choices, but this is no
longer the case. People don’t have to fit into these binary categories anymore.

In the Maybelline ad, both of the male models express typically feminine ideals in the sense that they both have an
interest in the makeup. This creates a change in gender roles as it shows that makeup is no longer just for women but
for anyone and everyone.

Feminist Critical Thinking

Feminist – Political Standpoint

Female – Gender (Matter of biology)

Feminine – A set of traits in society

“Sexism” was coined in the 1960’s along with “Racism” in the American civil rights movement. It refers to the ways in which men and women are brought up to view each other antagonistically.

Virginia Woolf was part of the first wave of feminism, and she stated that women should have the same opportunities that men have. She used the metaphor of Shakespeare being a woman as an example to show what we have missed out on culturally by not giving women the same chances that we have given men throughout the years.

The second wave of feminism started around the late 60’s early 70’s, and was based around women working for the right to vote

THIRD WAVE FEMINISM

Third wave feminism was coined in the late 90’s by Naomi Wolf, challenging and re-contextualizing some of the definitions of femininity during the second wave of feminism. The third wave of feminism sees women’s lives as intersectional. The third wave of feminism follows these characteristics:

  • an emphasis on the differences among women due to race, ethnicity, class, nationality, religion
  • individual and do-it-yourself (DIY) tactics
  • fluid and multiple subject positions and identities
  • cyberactivism
  • the reappropriation of derogatory terms such as ‘slut’ and ‘bitch’ for liberatory purposes
  • sex positivity

According to Ariel Levy, in her book Female Chauvinist Pigs raunch culture is on the one hand, the idea of liberation involves new freedoms for sexual exhibition, experimentation and presentation,and on the other, it may well be playing out the same old patterns of exploitation, objectification and misogyny?

‘a product of the unresolved feminist sex wars – the conflict between the women’s movement and the sexual revolution‘ . – Ariel Levy 2006

Raunch culture is the sexualised performance of women in the media that can play into male stereotypes of women as highly sexually available, where its performers believe they are powerful owners of their own sexuality’ – Hendry & Stephenson 2018

Intersectionality

The articulation of intersectionality began to take shape in 2013, “In an attempt to understand what it means to be oppressed as ‘a woman’, some feminist scholars sought to isolate gender oppression from other forms of oppression”. Although early ideas of intersectionality can be traced back to the 80’s through work by Kimberle Crenshaw or propositions asserted around Queer Theory.

Home WOrking – judith butler & CSP’s

JUDITH BUTLER

Judith Butler discusses many ideas involved with gender representation such as gender fluidity and changeability. She states that gender is a “Social Construct” and that our gender identities aren’t established at birth, childhood or adolescence, but are formed through our consistent performances of gendered behaviour. She has stated that historically, gender has been viewed in a binary fashion – divided into categories based on stereotypes/characteristics that can’t be changed.

  • “What it means to be a woman does not remain the same from decade to decade”
  • The historical meaning of gender can change as its norms are re-enacted, refused or recreated”

MAYBELLINE

The Maybelline AD appeals to many people due to having a diverse cast of different genders, races and sexualities – this “cast” appeals to more than just straight white women and instead appeals to everybody, whether male or female, black or white, gay or straight. This shows a change in how we view gender and sexuality as just a few decades ago, this AD would never have been aired just because it included a black woman and a gay man. At the time, most if not all models where described as “Tall, white and skinny”, but now models can be anyone.

SCORE

The score AD appeals to straight white men, immediately it is obvious from seeing the male model being held up by women -hinting that he is royalty – that the AD is appealing to patriarchal views of society – where men dominated over women. Furthermore, all of the women in the AD are seen to be staring at and reaching towards the man as if he was a luxury. In addition, whereas the man is fully clothed; the women are wearing little, helping to sexualize them.

Exam Prep


Fluidity of Identity The ability to change how something is seen or something having no set identity


Constructed Identity
How something is “meant” to be seen

Negotiated Identity An understanding of somethings identity through a collective


Collective Identity Belonging to a group

“There is a sense that this brand is about celebrating what is already there and encouraging customers to be themselves.” – Fluidity of identity

“I don’t think that putting someone’s face on something sells a bad product,” – Paul Lazarfeld 2 step flow model

 “products that excite the senses and blur the boundaries” – Fluidity of identity

Stylized repetition of acts and repeated performance – shows gender normative stereotypes and countertypes. These reinforce gender consistently through non verbal communication. For example in my product, the tall posture and crossed arms comply with masculine norms.

Leveson Inquiry

The “Leveson Inquiry” was a public inquiry into the ethics of the British press following the “News International phone hacking scandal” – Where employees of the “News of the World” newspaper were accused of phone hacking, police bribery and exercising improper influence in pursuit of stories. In July 2011, investigations showed that phones belonging to Celebrities, relatives of deceased British soldiers, a murdered schoolgirl “Milly Dowler”. This evidence caused recommendations to completely replace the existing Press Complaints Commission with a new, independent body. The final 2000 page report was published on the 29th of November 2012, recommending a new body with a range of sanctions available to it – including fines and directions of the prominence of apologies and corrections.