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third wave feminism

third wave feminism is different to feminism of the 60s (similar but different) third wave feminism tries to embrace plural identity’s 9multiple identitys0 this is called intersectionality

‘rebellion of younger women against what was perceived as the prescriptive, pushy and ‘sex negative’ approach of older feminists.’ (344)Barker and Jane (2016 p. 344)

  1. an emphasis on the differences among women due to race, ethnicity, class, nationality, religion
  2. individual and do-it-yourself (DIY) tactics
  3. fluid and multiple subject positions and identities
  4. cyberactivism
  5. the reappropriation of derogatory terms such as ‘slut’ and ‘bitch’ for liberatory purposes
  6. sex positivity

forth wave feminism

Raunch culture is the sexualised performance of women in the media that can play into male stereotypes of women as highly sexually available, where its performers believe they are powerful owners of their own sexuality’Hendry & Stephenson (2018:50)

 4th wave feminism also looked to explore these contradictory arguments and further sought to recognise and use the emancipatory tools of new social platforms to connect, share and develop new perspectives, experiences and responses to oppression, ‘tools that are allowing women to build a strong, popular, reactive movement online‘ (Cochrane, 2013).

DAVID GAUNTLET

Fluid of identity

Fluid of identity is having the choice to change the way you come across however you like. If you don’t want to look a certain way fluid of identity creates the meaning of being able to change that and change how you perceive yourself as a person. Not only that Fluid of identity also means having the fluidity to change the way you act to something favoured or to something which can be categorised as normal. Fluid of Identity is the freedom to change who you are as a person from how you look to how you act if you prefer to-do that.

Constructed identity– This is when a person builds up their identity and it slightly changes, depending on their peers/audiences. Men and women are becoming more equal and there is also no longer a specific gender to belong too, people classify themselves as ‘they’ or ‘them’ and that is the identity our generation has allowed people to do (more or less) . Magazines, Movies or the opinion leaders who dominate our society (influencers, celebs) all help us to “construct” this identity for ourselves suggesting ways of living in todays society.

Negotiated identity– A negotiated identity is a balance between our own desires and meeting the expectations of others. it is us showing how we balance or different identities around others.

Harry styles

the global beauty industry was valued at $511bn, with celebrity brands taking an increasingly significant share of the market.

he is adamant that his venture is more than a celebrity endorsement. “I don’t think that putting someone’s face on something sells a bad product,” Styles says in the interview.

  1. Pleasing includes, nail polishes, illuminating primer serum and a dual purpose eye, lip oil.
  2. Harry is trying to aim his brand towards men to make “makeup is for women” a myth, to encourage men to also wear makeup and no feel ashamed.
  3. Aim – “bring joyful experiences and products that excite the senses and blur the boundaries”. Styles announced that he hoped to “dispel the myth of a binary existence”.
  4. Disingenuous
  5. Could be just doing it for the money?
  6. Popularity?

Judith Butler describes gender as “an identity instituted through a stylized repetition of acts”. In other words, it is something learnt through repeated performance.

How useful is this idea in understanding gender is represented in both the Score and Maybelline advertising campaigns?

It is saying that there really is no gender and that its all actions that where constantly repeated and created a normal for that gender to do in the old days these repetitive acts made it normal for the woman to not work and just clean and cook and for the male to make the money and work

statement of intent nea

semiotics

sign code convention dominant signifier anchorage

cs pierce icon index syntage

roland signification denotation connotation myth

male gaze voyeurism patriarchy positive and negative stereotypes

counter types misrepresentation

David gauntlets ideas

Upload a statement of intent to your blog. It is worth 10 marks. It needs to be 500 words. So perhaps write about: what your intentions are (100 words), focusing in particular on: Media Language (codes, conventions, signs, elements of real print product). Put another way: how did if follow your style model? (100 words). Representation / content (use key language) (100 words). Audience, ie what kind of audience would consume it? (Again, 100 words). Institution: What kind of company would make your product? 100 words. This will be assessed with the products and will allow you to explain the ways in which you will apply knowledge and understanding of media language and media representation to your products, how your products will target the intended audience, reflect the industry context they are created for This is a compulsory element of the non-exam assessment and you must complete the Statement of Intent using a maximum of 500 words.

For this NEA I will advertising MarkHill strengthening shampoo i am aiming it towards females and males of most ages i am going to try and create an idealistic image of a woman after using this product to create need for the viewer to be like the model i will be trying to make a reactionary shampoo advert inspired by 80s adverts like the finesse advert copying its element’s of one key model in the middle a copy at the bottom which it uses to catch the viewers eye with a lady for you to then find out the product with it uses the sexualisation of women to bring in customers like many adverts from back then and this is what i intend to do as well the target audience for this are young and middle aged women looking for “luscious thickness” and some men who may be attracted to the advertisement because of the main picture being a lady

Levenson 10 years on

Since 2007, the Levinson Emerging Scholars Awards have supported undergraduate researchers whose passion for science never rests. Mentored by and working alongside some of the University of Washington’s most accomplished researchers and teachers, these students participate in the invigorating work of advancing knowledge to solve some of society’s most intractable problems.

In its first 10 years, 81 awards
totalling $431,155 have supported undergraduates’ advanced research projects, including funding to present their work at a professional conference. So far, 95% of Levinson Scholar graduates have stayed in a STEM field.

The URP assists UW undergraduates in:

  1. Planning for an undergraduate research experience
  2. Identifying faculty mentors and projects
  3. Defining research goals
  4. Presenting and publishing research findings
  5. Seeking funding for research

The URP helps UW faculty by:

  1. Inviting them to post their undergraduate research opportunities on this website
  2. Encouraging them to visit our Mentoring Resources page for information on incorporating undergraduates in their research and scholarship and to keep undergraduates aware of local and national funding sources
  3. Offering assistance in preparing grant proposals for funding department-based undergraduate research opportunities
  4. Providing support for the inclusion of research projects in undergraduate courses through the emerging Research Learning initiative

The URP also maintains a list of undergraduate research opportunities during the summer and beyond
UW, in addition to a list of local and national conferences. If you would like to list an opportunity beyond UW on our website, please email us at urp@uw.edu.

Through events such as the Annual UW Undergraduate Research Symposium, opportunities including the
Summer Institute in the Arts & Humanities, and courses such as Research Exposed!, and related workshops and resources, the URP promotes and facilitates ways for undergraduates to participate in research with faculty.

The URP works to ensure that all UW students have access to undergraduate research opportunities by:

  1. Creating initiatives that expand research opportunities;
  2. Providing a public forum for students to present their work; and,
  3. Assisting faculty to integrate undergraduates into the knowledge-making process.

To specifically address the interests and needs of individual students and faculty, URP staff
are available for consultation during quarterly drop-in hours or by appointment.

Our vision

The Undergraduate Research Program (URP) works toward ensuring that all UW undergraduates who wish to enrich their education with research obtain such experience.

We are committed to the integration of URP activities and services into the educational experience of undergraduates in a “cradle-to-grave” system of support for undergraduates.

This system would include:

  1. Planning with students to include research in their academic program
  2. Working with faculty to develop and publicize new research opportunities
  3. Assisting students in accessing research opportunities
  4. Fostering student understanding of the development of research questions and approaches
  5. Providing instruction on research methodologies, etiquette, and ethics
  6. Creating opportunities for students to make their work public
  7. Creating opportunities for students to envision themselves as contributing participants in a community of scholars

Essay

In this essay I am going to compare the two CSP front covers of Metroid and Tomb Raider using semiotic analysis. I am arguing that both games present their main character to be objectified due to them being female, however both games explore this in many different ways. Tomb Raider displays their female main character to be oversexualised with poses and body parts. Metroid displayed their character as a masculine strong character which implies that females are less superior than males.

The front cover of tomb raider presents a dominant signifier of a female character it is clear that Lara is a woman from the cover you frist see Lara’s gun which may seem radical and different from what people are used to however it is quickly seen that this cover is the same as many others For example the position that Lara is in manages to show off both her breasts and her behind in addition to this her clothes don’t help either Lara is shown to be wearing a tight shirt and tight shorts Both of these examples set an unrealistic example for women, that they should sexualize themselves to be seen as sexual objects This matches with the male gaze and Laura Mulvey’s views “woman displayed as a sexual-object is the erotic spectacle” Overall, whilst Lara’s guns show that she can be tough and fend for herself which is contrasting typical views of women in video games where they are normally “the damsel in distress” the front cover of the game also feeds into the stereotype of sexualizing women in games. The quote “For every forward step however, there is often a reminder of how far is left to travel” from the article “diversity matters” perfectly describes how this front cover portrays Lara Croft. 

 Furthermore I believe that the representation of women and the ‘Male Gaze’ are shown in an overall more positive way in the Metroid cover image than the Lara Croft Tomb Raider cover image This is because there is some evidence of an effort to cover up the once again over-exaggerated body of the character The armour she wears also creates a reactionary response within the audience as they are led to believe that Metroid is a male character from what is displayed in the iconic sign Neither of these CSPs support the ‘damsel in distress’ theory that I mentioned previously This theory is described as how the female character in numerous storylines is more often than not the one who needs rescuing or saving from a typical antagonist by the male hero These images and game contents are trying to point people in the direction of knowing that women are very able to defend themselves against themselves and others This may not always be the case however Once again the excessive sexualisation and violent nature of these video games may not have a positive impact on the audience outside the target

In conclusion I believe that neither CSPs present women in a good way This is because of how their bodies are used as pleasure for the targeted audience more so with the Lara Croft example The Metroid cover does make some effort to cover up Samus’ body with the classic Metroid armour as well as to cover up some of the contents of the game itself Both games covers prove Laura Mulvey’s theory of the Male Gaze true The use of these images can also bee seen as disempowerment This can easily be improved by games cover designers creating countertypes of the covers This would flip the negative effect they give on its head making it positive People in the further audience may then be more inclined to buy the products increasing sales and revenue Some other developers might take the same idea on board and follow along

the currently ‘over-the-top’ sexual exaggeration and representation of women overall may be improved over time

maybelline notes

Manny, a beauty vlogger and social media influencer with almost 3 million followers, stands by his mission to provide makeup advice and inspiration to men and women. In a statement, he said he was “thrilled to be able to work with a global brand like Maybelline”

He has also spoken about dealing with homophobia. “I’ve gone through all of it, I’ve literally heard every single name in the book be told to me,” he recalled. “So, don’t be discouraged by anyone, as long as you’re confident in yourself and just keep doing what you’re doing.”

Studies show that if a celebrity appears in the advertisement it makes consumers perceive the product as more authentic and trustworthy. And if the advertisement is done psychologically correct, it tricks people in believing that by purchasing the product they are purchasing a part of celebrity.

score notes

the gun is being used as a signifier of the male autonomy

the anchorage is the phase “get what you always wanted”

this advert creates desire by giving the consumer the illusion that using this men’s product will get you girls

this advert is in a way racist because of the African theme but not African people or people of any colour it is a white dominated advert

The Score hair cream advert is an historical artefact from 1967, as such it can be examined productively by considering its historical, social and cultural contexts, particularly as it relates to gender roles, sexuality and the historical context of advertising techniques. 1967 can be seen as a period of slow transformation in western cultures with legislation about and changing attitudes to the role of women – and men – in society, something that the advert can be seen to negotiate.

Similarly, feminist critical thought became much more prominent and pronounced during the counter cultural movements of the late 1960’s and early 1970’s, which heralded, among other changes a greater acceptance of birth control and divorceabortion and homosexuality.

RESEARCH PRODUCT 1
(mac)
RESEARCH PRODUCT 2
(lynx)
RESEARCH PRODUCT 3
(henry hoover)
UNDERSTANDING SELFlipstick to change your lipsdeodorant to smell better cleans your house and has a face
ENJOYMENT
ESCAPISM
KNOWLEDGE ABOUT THE WORLD
SELF CONFIDENCE, SELF ESTEEM
STRENGTHEN CONNECTIONS WITH FAMILY AND/OR FRIENDS
ANY OTHER CATEGORY OR THEME

Hypodermic Needle Theory

The most famous incident often cited as an example for the hypodermic needle model was the 1938 broadcast of The War of the Worlds and the subsequent reaction of widespread panic among its American mass audience.

hypodermic needle theory (my product)

WHO – _______

SAYS WHAT – strong and rough

CHANNEL – a magazine advert

TO WHOM – adults 16- 50

WITH WHAT EFFECT – to increase sales

product – deodorant

ideal endorser – Bear Grylls