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genre

genre rests around a relationship between similarities and differences

What is Genre:

– A style or category of art, music, or literature.

It helps identify how media texts are classified, organised and understood, essentially around SIMILARITIES and DIFFERENCE. Media texts hold similar patterns, codes and conventions that are both PREDICTABLE and EXPECTED, but are also INNOVATIVE (different) and UNEXPECTED.

Genre is a way of thinking about media production (INSTITUTIONS) and media reception (AUDIENCES)

. . . saddled with conventions and stereotypes, formulas and
clichés and all of these limitations were codified in specific genres. This was the very foundation of the studio system and audiences love genre pictures 
. . .Scorcese, A personal Journey through American Cinema (1995)

Genre is important for institutions and audiences as they become recognisable by their own styles.

Scorcese, A personal Journey through American Cinema (1995)

. . . saddled with conventions and stereotypes, formulas and
clichés and all of these limitations were codified in specific genres. This was the very foundation of the studio system and audiences love genre pictures 
. . .Scorcese, A personal Journey through American Cinema (1995)

Levi Strauss

Levi Strauss, a French anthropologist in the 1900s, proposed a theory of ‘binary opposites’ which entails that the majority of narratives in media forms such as books and film contain opposing main characters. These binary opposites help to thicken the plot and further the narrative; and introduce contrast.

What is Levi-Strauss structuralism theory?

Structuralism is an approach used to analyze culture. Developed by Claude Levi-Strauss, it asserts that human culture, being the set of learned behaviors and ideas that characterize a society, is just an expression of the underlying structures of the human mind.

What is structuralism vs functionalism?Structuralism suggests that the goal of psychology is to study the structure of the mind and consciousness, while functionalism puts forth that understanding the purpose of the mind and consciousness is the aim of psychology. Functionalism was developed as a response to structuralism.

Ghost Town

Formed in 1977 and arguably the most influential band of the UK’s 2 Tone Ska scene, “Ghost Town”, a skewed ska oddity, was written by Jerry Dammers, The Specials’ keyboardist and released in June 1981. It was their last song before splitting up and reforming as The Special AKA and stayed at the top of the UK charts for three weeks.

Strange music video

Its audio-visual manifestation was also strange. The music video was directed by Barney Bubbles and filmed in the East End of London, Blackwell Tunnel and a before-hours City of London. Opening with upshots of brutalist grey tower blocks to the sound of those Hammond organ chords and flute, it seems as though there is no one in town but The Specials, who are all crowded into a 1962 Vauxhall Cresta, careering through the empty streets and lip syncing.

Not a dance track

So what did those fight-ready Skinheads do in those small town discos when “Ghost Town” came on? Not moonstomping, not smooching. This was not a dance track. It wasn’t the “romantic” one the DJ played at the end of the night.

Paul gilroy notes

Postcolonial Theory :

– Racial Otherness : Gilroy studied the importance of black representation. The ‘ There ain’t no black in the Union Jack relates back to the race relations from the Second World war. Thus where the poster-war wave of immigration from the West Indies produced a series of worries and anxieties regarding immigrant behaviour. The black community are constructed as a racial ‘other’ in the predominantly white world of 1950s Britain. There were worries that immigrant communities would swamp / take over white Britain. These fears were further noted in the news in late 1970s and 1980s and routed the black community with assaults, muggings and other violent crimes.

‘It is not then a matter of how many blacks there are, but of the type of danger they represent to the nation’ – Gilroy 2008

– Post-colonial Melancholia :

-The story of UK race relations post W.W. 2 : In 1950’s, the black community such as Indians and the Caribbean came to England as ‘we’ were in desperate need of filled job spaces.

– Legacy of the Empire : Gilroy suggests that we live in ‘morbid culture of a once-imperial nation that has not been able to accept its inevitable loss of prestige’. England couldn’t accept the fact that it was loosing its empire power.

Ghost Town – BBC

Quote – “It was clear that something was very, very, wrong,” the song’s writer, Jerry Dammers, has said.

Quote – “I saw it develop from a boom town, my family doing very well, through to the collapse of the industry and the bottom falling out of family life. Your economy is destroyed and, to me, that’s what Ghost Town is about.”

Quote – “No job to be found in this country,” one voice cries out. “The people getting angry,” booms another, ominously.

 Specials grew up in the 1960s listening to a mixture of British and American pop and Jamaican ska. 1981, industrial decline had left the city suffering badly. Unemployment was among the highest in the UK. The Specials, too, encapsulated Britain’s burgeoning multiculturalism. It expressed the mood of the early days of Thatcher’s Britain for many. 

vladmir propp

stories use STOCK CHARACTERS to structure stories

Suggest that all stories draw on familiar characters performing similar functions to provide familiar narrative structures.

the way in which CHARACTERS FUNCTION TO PROVIDE NARRATIVE STRUCTURE:

  1. Hero
  2. Helper
  3. Princess
  4. Villain
  5. Victim
  6. Dispatcher
  7. Father
  8. False Hero

What is Vladimir Propp’s theory?

Vladimir Propp was a folklorist researcher interested in the relationship between characters and narrative . Propp argued that stories are character driven and that plots develop from the decisions and actions of characters and how they function in a story.

he said they are not all used though most are organised around the interplay of the hero villain and princess archetypes

moving image nea

Peripeteia– a sudden reversal of fortune or change in circumstances, especially in reference to fictional narrative.

Anagnoresis– the point in a play, novel, etc., in which a principal character recognizes or discovers another character’s true identity or the true nature of their own circumstances.

Catharsis– the process of releasing, and thereby providing relief from, strong or repressed emotions.

practical and theory sides of moving film production

practical/toolstheory/concept
camerasperformance
actorsgeneral
setsevents
catererstheme
microphonesantagonist/protagonist
director sequential
screen play teamperipeteia
propsanagnoresis
writerscathasis
lightslinear
special effectstime based

some key parts of moving film-

  1. plot vs character
  2. arrangement of incidences (how do you arrange events in a story?)
  3. Aiming towards a goal
  4. complication and unravelling (peripeteia)
  5. Recognition (anagnoresis)
  6. Pathos (agony of recognition)
  7. Catharsis (knowledge through purge)

Freytags pyramid –

Chillers and Thrillers: Putting Freytag's Pyramid To Use In Charting Your  Own (And Others') Stories

What is Freytag’s Pyramid? – Devised by 19th century German playwright Gustav Freytag, Freytag’s Pyramid is a paradigm of dramatic structure outlining the seven key steps in successful storytelling: exposition, inciting incident, rising action, climax, falling action, resolution, and denouement.

  • Cultural Industries– refers to various businesses that produce, distribute, market or sell products that belong categorically in creative arts. Including clothing, decorative material for homes, books, movies, television programs, or music.
  • Production– the action of making or manufacturing from components or raw materials, or the process of being so manufactured.
  • Distribution- Distribution means to spread the product throughout the marketplace such that a large number of people can buy it. The methods by which media products are delivered to audiences, including the marketing campaign.
  • Exhibition/Consumption- the sum of information and entertainment media taken in by an individual or group. 
  • Media Concentration- in which decreasing numbers of individuals and organizations own media outlets, effectively concentrating the ownership of multiple organizations into the control of very few entities. 
  • Conglomerates- a company that owns numerous companies involved in mass media enterprises.
  • Globalisation- The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally.
  • Cultural Imperialism- Cultural Imperialism Theory states that Western nations dominate the media around the world which in return has a powerful effect on Third World Cultures by imposing n them Western views and therefore destroying their native cultures
  • Vertical Integration- refers to the merger of companies that are in the same business but in different stages of production or distribution. 
  • Horizontal Integration-  is the merger of two or more companies that occupy similar levels in the production supply chain.
  • Mergers- an acquisition in which one or more of the undertakings involved carries on a media business.
  • Monopolies- concentrated control of major mass communications within a society.
  • Gate Keepers- is a process by which information is filtered to the public by the media.
  • Regulation-a rule or directive made and maintained by an authority.
  • Deregulation-the removal of regulations or restrictions, especially in a particular industry.
  • Free Market- an economic system in which prices are determined by unrestricted competition between privately owned businesses.
  • Commodification- the act or fact of turning something into an item that can be bought and sold.
  • Convergence- a phenomenon involving the interconnection of information and communications technologies, computer networks, and media content.
  • Diversity- it means understanding that each individual is unique, and recognizing our individual differences
  • Innovation- the process of not just an “invention” of a new value for journalism, but also the process of implementing this new value in a market or a social setting to make it sustainable.

bombshell

Having had enough of her boss’s sexual harassments, Gretchen Carlson files a lawsuit against Fox News founder Roger Ailes. Her bravery triggers a domino effect, culminating into a liberation movement.

LINKING WITH PREVIOUS THEORIES:

You can understand misogyny (the poor representation of women in the media) in the same way you can understand racism, homophobia, ultra-nationalism and other forms of casual stereotyping, bias and prejudice, that is, through TEXTUAL ANALYSIS and the notion of REPRESENTATION.

As such, this film provides a narrative of INSTITUTIONAL SEXISM, in the same way that we could look at other stories that are concerned with other institutional prejudices – racism, homophobia, Islamaphobia etc. In other words, this film presents a version of the story of INSTITUTIONAL SEXISM and MISOGYNY. It suggests a link between the presentation / representation of the female form and the ideas of a ruling patriarchy (Fox News, specifically Roger Ailes) and perhaps explains why we are presented with the stories we are presented with and how those stories are presented to us.

Institutional Analysis:

A key area of media studies is to look at the role of companies, organisations, businesses, institutions. This takes the form of critical analysis. In other words, it is not looking at from a Business studies perspective – organisation, profit, structure – but rather from a sociological perspective – issues of ownership, power, control, behaviour management. I have made a post on my own blog which you can find here, but central to this kind of approach is Althusser’s notion of ISA’s (Ideological State Apparatus), which is often traced in media production by the way in which media texts INTERPELLATE (hail, call, construct, build, maintain) an ideological identity.

Arguments presented against sexism and misogyny (ie the hegemonic struggle re: Gramsci) are raised through Feminist Critical Thinking and we have looked at early feminist movements as well as 2nd, 3rd and 4th wave feminist critics. We have even looked at theories of gender representation that look beyond binary gender values (male/female), which can termed as intersectionality, which first emerged as Queer Theory.

There’s a degree of irony in the fact that Bombshell, the movie about the fall of Fox News boss and serial sexual harasser Roger Ailes, was awarded an Oscar for make-up and hairstyling. One of the themes that runs through the movie is the objectification of Fox’s female employees, so giving the movie an award for the way its female stars look on screen feels a little jarring.

It’s certainly a superb cast and a stellar set of performances, starring three of Hollywood’s most bankable female stars, Nicole Kidman, Charlize Theron and Margot Robbie. Kidman and Theron respectively play two of Fox News’s most recognisable former news anchors: Gretchen Carlson, the former Miss America and Stanford graduate; and Megyn Kelly, a former attorney whose nightly programme, The Kelly Filevied with that of Bill O’Reilly for popularity during its run from 2013 to 2017. The film centres on Carlson’s 2016 sexual harassment lawsuit against Ailes, then chairman and CEO of Fox News.

“He had either an old-school understanding of the sanctity of marriage or he had a fear of the woman having a protector,” said Randolph. “My source did not know, but said that [the harassment] was sort of a thing that you would get when you were going through a divorce or you would get when you were first there and you were known to be single. A boyfriend wouldn’t prevent him from [approaching]…. But one of my sources, who’s quite a powerful source, said that was something that was discussed internally. That once you were married, you were beyond predation on a certain level.”

ESSAY

Judith Butler describes gender as “an identity instituted through a stylized repetition of acts”. In other words, it is something learnt through repeated performance.

How useful is this idea in understanding gender is represented in both the Score and Maybelline advertising campaigns?

To start this essay I want to quote Judith Butler who wrote: “Gender does not exist inside the body” – this implies that the biology of someone’s gender does not determine the way they see themselves and the way they want others to. Indeed, Judith Butler describes gender as “an identity instituted through a stylized repetition of acts”. In other words, it is something learnt through repeated performance. It is saying that there really is no gender and that its all actions that where constantly repeated and created a normal for that gender to do in the old days these repetitive acts made it normal for the woman to not work and just clean and cook and for the male to make the money and work

In the past men were regarded greater at creating literally pieces and writings then woman were. Virginia Woolf stating that simply if women were not stereotyped and given equal opportunities to men originally, then more literacy pieces would have been made. These opportunities being not regarded as worse or beneath men and given the correct education and same rights as men.

In contrast, more recently, “Me Too” was initially used in this context on social media in 2006, on Myspace, by sexual assault survivor and activist Tarana Burke.[4] Harvard University published a case study on Burke, called “Leading with Empathy: Tarana Burke and the Making of the Me Too Movement”.[5]

Similar to other social justice and empowerment movements based upon breaking silence, the purpose of “Me Too”, as initially voiced by Burke as well as those who later adopted the tactic, is to empower sexually assaulted individuals through empathy and solidarity through strength in numbers, especially young and vulnerable women, by visibly demonstrating how many have survived sexual assault and harassment, especially in the workplace

If we consider David Gauntlett and the theory of Fluid of identity is having the choice to change the way you come across however you like. If you don’t want to look a certain way fluid of identity creates the meaning of being able to change that and change how you perceive yourself as a person. Not only that Fluid of identity also means having the fluidity to change the way you act to something favoured or to something which can be categorised as normal. Fluid of Identity is the freedom to change who you are as a person from how you look to how you act if you prefer to-do that.

We can see in Maybelline’s large scale adverts since 1999, they’ve used curvy, oversexualised and glamourous woman to advertise their products. Resulting from this, Maybelline goes against Judith Butlers work and conjoins the stereotypes of genders to their products to increase sales and interest, they have done this by making it seem like woman are the only people to use makeup, however this isn’t true men have been starting to use makeup and expressing themselves through it, for example bands like Fall out boy, and celebrities like Johnny Depp have used and continue to use eyeliner when turning up to social events and shows. However as Judith Butler comments “gender is not a identity instituted through a stylized repetition of acts” and Maybelline is ignoring the idea of men using their products and wasn’t advertising them towards other genders until 2017 after they realised other genders had started to wear and buy makeup more regularly and it becoming more normal. Most importantly after they hired Manny Gutierrez to advertise their products for all genders it displayed that Maybelline was able to change their adverts and give the idea to their customers that they can display who they are and who they want to be through Maybelline’s products.

In addition, we see the idea represented in the score printed advert “Score liquid hair groom” made in 1967, displays a recently shaven man who is being praised by five different women, who have been sexualised to be a submissive of the dominant signifier. The advert is manipulated to be desired as men wouldn’t be able to resist the sexualised appearance of the females in this advert, giving a sense of what the males can potentially ‘get’, these persuasive techniques of temptation of women gives men the curiosity of buying the product. The audiences opinion of this advert has changed due to the change in society and the way society views ideas. In 1967, when this advert was made, it was deemed normal for women to show skin and be the less dominant gender, and black men and women to not be in advertisement, however over the last few years, the change in society, diversity and the popular ideas have changed the way products are advertised. This is due to the recognition and understanding of sexism, racism and homophobia. The representational idea of different social groups in this photograph, is the idea that men are the dominant gender and women follow masculinity. As well, the idea of this product advertisement is to encourage men to purchase the product for the opportunity to have a swarm of women admiring them. Moreover, this male liquid hair groom links in to the idea of Judith’s Butlers quote “an identity instituted through a stylized repetition of acts” because the product is advertised and displayed for men’s use, typically expressing that women do not use shaving cream. However, women also use men’s products and proves that it is not solely a males action.

Overall, Maybelline and Score are both linked to Judith Butlers description of gender as “an identity instituted through a stylized repetition of acts”, by the way these companies advertise their products, targeting at specific audiences such as men or women.

first wave of feminism

In the past men were regarded greater at creating literally pieces and writings then woman were. Virginia Woolf stating that simply if women were not stereotyped and given equal opportunities to men originally, then more literacy pieces would have been made. These opportunities being not regarded as worse or beneath men and given the correct education and same rights as men.

“Me Too” was initially used in this context on social media in 2006, on Myspace, by sexual assault survivor and activist Tarana Burke.[4] Harvard University published a case study on Burke, called “Leading with Empathy: Tarana Burke and the Making of the Me Too Movement”.[5]

Similar to other social justice and empowerment movements based upon breaking silence, the purpose of “Me Too”, as initially voiced by Burke as well as those who later adopted the tactic, is to empower sexually assaulted individuals through empathy and solidarity through strength in numbers, especially young and vulnerable women, by visibly demonstrating how many have survived sexual assault and harassment, especially in the workplace