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SEYMOUR CHATMAN: SATELLITES & KERNELS

  1. Kernels: key moments in the plot / narrative structure
  2. Satellites: embellishments, developments, aesthetics

This theory allows students to break down a narrative into 2 distinct elements. Those elements which are absolutely essential to the story / plot / narrative development, which are known as KERNELS and those moments that could be removed and the overall logic would not be disturbed, known as SATELLITES.

Roland Barthes: Proairetic and Hermenuetic Codes

  1. Proairetic code: action, movement, causation
  2. Hermenuetic code: reflection, dialogue, character or thematic development
  3. Enigma code: the way in which intrigue and ideas are raised – which encourage an audience to want more information.

key words

Reinforced – to strengthen by additional material or support

Amplify – enlarge upon or add detail to (a story or statement)

Repertoire of elements –  is essentially features of a film that are repeated within a genre

Corpus – a collection of written texts, especially the entire works of a particular author or a body of writing on a particular subject

Verisimilitude – the appearance of being true or real

Realism – the quality or fact of representing a person or thing in a way that is accurate and true to life

Sub-genres – a genre that is part of a larger genre

Hybrid genres –  is a genre that blends themes and elements from two or more different genres

Familiar – well known from long or close association

Paul Gilroy

Paul Gilroy explores the construction of racial ‘otherness’ as an underlying presence within print media reportage during the 1970s and 1980s, arguing that criminalised representations of black males regularly stigmatised the black community.

Gilroys theory:

Paul Gilroy believed “unstable” and politicised identities are “always unfinished, always being remade” and ethnicity is an “infinite process of identity construction”. In other words, ethnicity and national identity are not actually fixed or permanent.

Gilroys main points:

  • WW2 immigrants were seen as an alien ‘other’ to an imagined white Britishness.
  • Black immigrants were perceived to be ‘swamping’ white communities.
  • Black communities were demonised through the representations that associated them with individual acts of criminality – knife crime and muggings were particular media concerns. These representations construct a ‘common sense’ notion of the criminal black male.
  • Later representations constructed the black community in general, and black youths in particular, to be naturally lawless and incompatible with British white values.
  • Later representations suggested that black otherness had a corrosive effect on white youth culture too.

Info from TheConversation.com:

  • ‘Ghost Town’: a haunting 1981 protest song that still makes sense today
  • It was their last song before splitting up and reforming as The Special AKA and stayed at the top of the UK charts for three weeks.
  • The music video was directed by Barney Bubbles and filmed in the East End of London, Blackwell Tunnel and a before-hours City of London.

ghostown

Forms of political protests:
– Attempts to change laws or legislation
– Organised political movements
– Public protests
– Petitions
– Marches

Antonio Gramsci: Italian philosopher writing in the 1930s

The strange afterlife of Antonio Gramsci's “Prison Notebooks” | The  Economist

Gramsci is best known for his theory of cultural hegemony, which describes how the state and ruling capitalist class – the bourgeoisie – use cultural institutions to maintain power in capitalist societies.


Key Terms:
● Hegemonic: dominant, ruling-class, power-holders
● Hegemonic culture: the dominant culture
● Cultural hegemony: power, rule, or domination maintained by ideological and cultural means.
● Ideology: worldview – beliefs, assumptions and values
● Cultural hegemony functions by framing the ideologies of the dominant social group as the only legitimate
ideology.
● The ideologies of the dominant group are expressed and maintained through its economic, political, moral,
and social institutions (like the education system and the media).
● These institutions socialise people into accepting the norms, values and beliefs of the dominant social
group.
● As a result, oppressed groups believe that the social and economic conditions of society are natural and
inevitable, rather than created by the dominant group.

Margaret Thatcher:
● Prime Minister 1979-1990
● Militant campaigner for middle-class interests
● In an 1978 interview: ‘British national identity
could be swamped by people with different
culture’
● Hardline attitude towards immigrantion
● Conservative Manifesto: ‘firm immigration control
for the future is essential if we are to achieve
good community relations’
● British Nationality Act of 1981: introduced a
series of increasingly tough immigration
procedures and excluded Asian people from
entering Britain.

MOVING IMAGE NEA

Things you need to create a film:

  • Camera
  • Microphone
  • Actors
  • Directors
  • Film set
  • Crew
  • Story
  • SFX
  • Money
  • Producer
  • Camera men
  • Script
  • Props

Notes:

  • Generally films are a straight line because they are chronological
  • Most moving image products are linear
  • Most films are sequential
  • Flashbacks/flashforwards can occur during films
  • Peripeteia – change in fortune
  • Anagnorisis – a dramatic revelation
  • Catharsis – idea that we ae freed by consuming something

Todorov:

  • Tzvetan Todorov was a Bulgarian-French historian, philosopher, structuralist literary critic, sociologist and essayist. He was the author of many books and essays, which have had a significant influence in anthropology, sociology, semiotics, literary theory, intellectual history and culture theory.
  • Todorov’s theory: there are 5 stages that a character will go through; those are Equilibrium, Disruption, Recognition Repair the Damage and Equilibrium Again
  • Todorov studied classic fairy tales and stories. He discovered that narratives moved forward in a chronological order with one action following after another. In other words, they have a clear beginning, middle and end.
  • Born: March 1, 1939
  • Died: February 7, 2017
  • Equilibrium: the story constructs a stable world at the outset of the narrative. Key characters are presented as part of that stability
  • Disruption: Oppositional forces – the actions of a villain, perhaps, or some kind of calamity – destabilise the story’s equilibrium. Lead protagonists attempt to repair the disruption caused.
  • Frame stories: stories told inside of stories, testing Todorov’s ideal narrative structure through the presentation of nested moments of equilibrium and disequilibrium.

Vladimir Propp:

  • Vladimir Propp was a Soviet folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irreducible structural units.
  • Vladimir Propp suggests that stories use stock characters to structure stories.
  • Propp argued that stories are character driven and that plots develop from the decisions and actions of characters and how they function in a story.
  • These are Propp’s 8 character types:
    • Hero
    • Villian
    • Victim
    • Helper
    • Princess
    • Dispatcher
    • Father
    • False hero

blinded by the light

Notes:

  • It was inspired by the life of journalist Sarfraz Manzoor and his love of the works of Bruce Springsteen. Manzoor co-wrote the script with Chadha and Paul Mayeda Berges.
  • The budget for Blinded by the Light was 15 million USD.
  • Bruce Springsteen-Themed ‘Blinded by the Light’ Film Gets Distribution Deal. Blinded by the Light, a film about a Muslim in 1987 Britain whose life changes after hearing the music of Bruce Springsteen, has secured a $15 million global deal with New Line and Warner Bros.

Bruce Springteen:

  • Bruce Frederick Joseph Springsteen (born September 23, 1949) is an American singer, songwriter, and musician.
  • He has released twenty studio albums.
  • He is one of the originators of the heartland rock style of music.
  •  He has been nicknamed “the Boss”.
  • Springsteen was nicknamed “the Boss”, as he took on the task of collecting his band’s nightly pay and distributing it amongst his bandmates.

KEY WORDS

Cultural industries– the different types of popular media, produces, distributes products in the creative arts generally in favour of popularity.

Production – the making of a form of media.

Distribution – The methods by which media products are delivered to audiences, including the marketing campaign.

Exhibition / Consumption – The showing off of a product to an audience and the general use of a product.

Media concentration – The decreasing amount of different people who own media outlets, concentrating the amount that fewer people own.

Conglomerates- a company that owns numerous companies involved in mass media enterprises.

Globalisation- The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally.

Cultural imperialism– Western nations dominate the media around the world which has a powerful impact

Vertical Integration– When a company does all 3 production, distribution and consumption

Horizontal Integration– When a company only produces.

Mergers– Combining two or more things into one.

Monopolies- concentrated control of major mass communications within a society.

Gate Keepers- is a process by which information is filtered to the public by the media.

Regulation-a rule or directive made and maintained by an authority.

Deregulation-the removal of regulations or restrictions, especially in a particular industry.

Free Market – an economic system in which prices are determined by unrestricted competition between privately owned businesses.

Convergence-a phenomenon involving the interconnection of information and communications technologies, computer networks, and media content.

Commodification Process by which things, services, ideas, and people relations are transformed into objects for sale. 

Diversity-it means understanding that each individual is unique, and recognizing our individual differences. 

Innovation – the process of not just an “invention” of a new value for journalism, but also the process of implementing this new value in a market or a social setting to make it sustainable.