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GHOST TOWN BINARY OPPOSITIONS – LEVI-STRAUSS

Binary oppositions means comparing and judging things off of two opposite words, for example; Good vs Evil, Young vs Old. It displays and shows the students opposite themes.

Within Blinded by the Light, its a binary opposite if English vs Pakistani, or his ideal job vs his dads ideal job.

Within Bombshell, the binary opposite would be men vs women.

CONCEPTSTRONGLY AGREEAGREENEUTRALAGREESTRONGLY AGREEOPPOSITE CONCEPT
GOODXBAD
WEAKXPOWERFUL
CALMXCHAOTIC
STRANGEXNORMAL
REBELIOUSXABIDING
FEMALEXMALE
STRAIGHTXGAY
WHITEXBLACK
REACTIONARYXRADICAL
POORXRICH
SOUTHXNORTH
ROCKXREGGAE

PAUl Gilroy + GHOST TOWN QUOTES AND NOTES

Racial Otherness: Gilroy explored the idea of racial otherness being underlying in print media during the 1970s and 1980s, he mainly focused on how the idea of black males regularly was set to be a criminal one. Gilroy’s main focus and research was in his study of black representation in the UK. The study was called “There Ain’t No Black In The Union Jack” where he focused on how newspapers were lurid and racist towards black people.

Post-colonial Melancholia: Racial representations were “fixed in a matrix between the imagery of squalor and that of sordid sexuality” Gilroy argued that this was gated the black community out by saying they are a “other” race in the majority white Britain.

The story of UK race relations post W.W. 2: After Gilroy’s study of how black people and immigrants where being pushed aside by people instead of being included and recognised. After that, 2 decades later, Britain was flooded with “fear” that immigrants and other races were going to “swamp” Britain.

BBC information on Ghost Town “Released on 20 June 1981 against a backdrop of rising unemployment, its blend of melancholy, unease and menace took on an entirely new meaning when Britain’s streets erupted into rioting almost three weeks later – the day before Ghost Town reached number one in the charts.” sums up the idea behind Ghost Town.

I saw it develop from a boom town, my family doing very well, through to the collapse of the industry and the bottom falling out of family life. Your economy is destroyed and, to me, that’s what Ghost Town is about.

 “It was clear that something was very, very, wrong,” the song’s writer, Jerry Dammers

“No job to be found in this country,” one voice cries out. “The people getting angry,” booms another, ominously.

MOVING IMAGE NEA

  1. Linear – progressing from one stage to another, one after the other, sequentially
  2. Chronological – Events following the true order in which they happened
  3. Sequential – One after the other
  4. Circular structure – The story ends where the film begins.
  5. Time based –
  6. Narrative arc – the story a film follows along with a dramatic arc within it somewhere to keep viewers attention.
  7. Freytag’s Pyramid
  8. exposition – a comprehensive description of an event, story or idea.
  9. inciting incident – the event that sends the main character/characters on the mission/adventure.
  10. rising action – the bulk of the plot that ends at the end of the story/film.
  11. climax – everything that the plot leads up to.
  12. falling action – what happens after the climax and the plot/action calms down.
  13. resolution – a firm decision to do or not to do something.
  14. denouement – context and resolution to a major theme, relationship or event in a story.
  15. Beginning / middle / end – Different stages of a story.
  16. Equilibrium – One of the stages in the story where it is explained about the condition that happens with a character.
  17. Disruption –
  18. New equilibrium – The beginning of the film where the characters life is normal.
  19. Peripeteia – A shift of good to bad in a characters life.
  20. Anagnorisis –  A moment of recognition or revelation in a story.
  21. Catharsis – Releasing strong emotions which leads to a realisation.
  22. The 3 Unities: Action, Time, Place
  23. flashback / flash forward
  24. Foreshadowing – hinting towards a future event within the film
  25. Ellipsis – a jump/missing out certain events in films.
  26. Pathos – Getting the audience emotional due to something happening within the film or show, main emotions being pity and sadness.
  27. Empathy –  The ability to sense other people’s emotions and to imagine what someone else might be thinking or feeling.
  28. diegetic / non-diegetic – Things that emanates from the story world of the film, non-diegetic being things occur outside of the story line.
  29. slow motion – Slowing down the video playing so that the watcher can take in certain info or focus on certain aspects of the film.

Synopsis and statement of intent:

A British agent who thinks his father was lost at war investigates his fathers files and he never finds ever solid evidence, at long last he finds the last mission his father went on, “investigating and going undercover within a Nazi agency”, his son decides to go to the Nazi agency and try figure more about his father before his death. However when he’s in the agency people catch on that he seems to have incorrect German and is sneaking away without reason. But at very last, he finds out that his father…

Within my film I’m going to have a hero (being the main character who is looking for his father), a villain (being a Nazi operator catching onto the hero’s lies) and a victim, being a love interest of the main character being hurt by the villain. With the major plot discovery being a heartbreak for the hero I want the audience to feel attached and emotional for the main character, otherwise known as pathos. I intend the film to be for ages 15 and upwards due to the emotional and violent film, it would be a major film developed on a large budget by Warner Brothers and the poster would be a half and half, blue light vs red light (good vs evil) back to back displaying multiple characters along with a large title of the film, this way the viewers are intrigued to find out who the characters in the poster are. I will be taking photographs of myself with an army based uniform on, a pretend gun and standing tall to show the main character to be bold and brave, whereas the villain will be arms crossed and an angry friend.

My film is similar to the James Bond 007 films, marvels captain America and red notice. However the film takes place within WW2 which is like Captain America but it focuses on a real life undercover not a fictional sub-division working on technology that uses a all powerful stone. Its like 007 but the star isn’t a standalone character going after a baddy because its his job and picks up woman along the way, its a young soldier looking for his family by fighting the war.

Todorov:

  • Equilibrium – meaning normality and peace. (The beginning)
  • Disruption – The climax of the story causing normality to fade and a problem arising, within this section of the film the problem is solved by the main characters. (The middle)
  • New equilibrium – after the Disruption has been dealt with, everything is back normality and peace. (The End)
  • Todorov believes stories are always linear, following his idea of equilibrium, disruption and new equilibrium.
  • It is normal for media companies to have multiple equilibriums and disruptions.
  • Media companies tend to understand that viewers might have a low attention rate/boredom threshold so they propel immediate disruption to hook the viewers attention.
  • Devices like anachronic devices are like flash backs or peaks into the future so the viewer has context.
  • In TV shows and shows in general, the idea of Todorovs acts are either played out across one episode, a couple episodes or the whole season.

Vladamir Propp

  • Vladimir Propp believed in the idea that there is 8 different types of character, these 8 characters are,
  1. Hero
  2. Helper
  3. Princess
  4. Villain
  5. Victim
  6. Dispatcher
  7. Father
  8. False Hero
  • Most of the time these characters co-inside, with the Villain doing something to the victim and the hero having to fix it or make it correct.
  • However the characters don’t have to stick to their role and a role can be multiple characters, this is called a sphere of action. The different spheres of action can be divided into 6 sections, these sections being,
  1. PREPARATION
  2. COMPLICATION
  3. TRANSFERENCE
  4. STRUGGLE
  5. RETURN
  6. RECOGNITION

BLINDED BY THE LIGHT NOTES

  • Bruce Springsteen music is used and licenced within the film.
  • The film wasn’t a high budget film with only around $15 million to spend on the entire production.
  • Companies that funded the film were New Line Cinema, Levantine Films, Ingenious Media and Bend It Films.
  • The film used the normal ideas of posters, adverts and bill boards to advertise the film.
  • The film wasn’t released on the typical DVD format after being released to cinemas, it was released to a streaming service after making $17.2 million in the box office.
  • Perfect example of what a low-budget American film can look like.

INSTITUTIONS – KEY DEFINITIONS

  1. Monopolies – The exclusive possession / control of the supply of or trade in a commodity / service.
  2. Gatekeepers – A system that decides what info is released to the public.
  3. Regulation – Rules enforced by the jurisdiction of law in which a range of specific bindings / tools are applied to media systems.
  4. Deregulation – Taking away power in the government of a company to create more competition and fight for promotions.
  5. Free market – An unregulated system of economic exchange in which taxes, quality controls, quotas, tariffs and other forms of centralised economic interventions by the government do not exist or are minimal.
  6. Commodification – A process of using other peoples services, ideas and relationships to create objects for sale.
  7. Convergence – The merging of previously distinct media to create an entire new form of communication expression.
  8. Diversity – A variety or assort of media.
  9. Innovation – The changing in several aspects of the media landscape. The invention of new vales in the marketing sector.
  10. Cultural industries – A economic sector that is primarily engaged in producing, reproducing, storing and distributing cultural goods and services.
  11. Production – Making a product that is viewable through sound and video.
  12. Distribution – A product is released and delivered to the receiving audience.
  13. Exhibition / Consumption – A product being released and purchased by consumers in the public.
  14. Media concentration – A couple of people or company that control the flow and release of media.
  15. Conglomerates – A father company that owns multiple smaller companies which control media flow.
  16. Globalisation – Sending media throughout a worldwide system using different forms of distribution to different types of cultures.
  17. Cultural imperialism – Western nations dominate the media around the world.
  18. Vertical Integration – A media company that owns multiple businesses in the same type of production and distribution.
  19. Horizontal Integration – A media company that owns multiple businesses of the same monetary value.
  20. Mergers – Two or more companies merge together to make one big company that produce and distribute a certain type of media.

DAVID HESMONDHALGH

  • Went to the university of Leeds.
  • Wrote books like The Cultural Industries, Media and Society and Culture, Economy and Politics: The Case of New Labour. Which all focus on the idea of the working world and what people expect in certain businesses and popular culture. For example expecting really happy, jumpy and creative people in a media job, whereas that isn’t the truth.
  • Hesmondhalgh argues popularity results in a large amount of product production and selling to make a large monetary game.
  • This is implied in the quote “the distinctive organisational form of the cultural industries has considerable implications for the conditions under which symbolic creativity is carried out’
  • Furthermore, Hesmondhalgh displays in this quote “there must be serious concerns about the extent to which this business-driven, economic agenda is compatible with the quality of working life and of human well-being in the creative industries.” that it must be difficult to have both a working life and a good life and them being compatible with each other where you are enjoying work and therefore creating a more enjoyable and happier person when out of work.

BOMBSHELL

Bombshell is about woman who work at fox news who are sexually harassed by their boss Roger Ailes.

Sexual harassment is a type of harassment involving the use of explicit or implicit sexual overtones, including the unwelcome and inappropriate promise of rewards in exchange for sexual favours.

After being exposed by a multitude of woman and the the Paul Weiss firm, Ailes is fired by Foxs co-creator Rupert Murdoch. In the end a lawsuit is made and Ailes is fines £20million. As well as this fox news paid 50million to the sexually harassed woman, sadly however Ailes and O’Reilly get $65 million in severance.

CSP 3 AND 4: ESSAY

Judith Butler describes gender as “an identity instituted through a stylized repetition of acts”. In other words, it is something learnt through repeated performance.

How useful is this idea in understanding gender is represented in both the Score and Maybelline advertising campaigns?

Judith Butler displays the idea that “an identity instituted through a stylized repetition of acts”. This idea has been represented and utilised within adverts and media ever since media was created and products were being advertised. For example the idea that football is for men and netball is for woman, however Judith argues that “Stereotypes and opinions do not decide who you are.” but also publicises her idea because she believes that “Even though its all a lie, the stereotypes have a big effect on people.” which displays the idea that the repeated acts and stereotypes do have an affect on almost everyone and not many people actually accept who they are and change themselves, however when those people do they are looked down upon and seen as different. We can see this within the “First and Second wave of feminism”, after woman spoke out for the first time in 1792 with a book called “A vindication of woman’s rights” by Mary Wollstonecraft, they still didn’t get the vote until The British Suffragettes started to make statements and bringing attention to their points and ideas. In 1913 a woman under the name Emily Wilding Davison took it upon herself to break into the track of a horse race and being trampled/hit by King George V’s horse “Anmer” to make a point and publicise the suffragettes movement. As well as this the suffragettes supporter, “Miss Nell” chained herself to the railing of Buckingham palace to make a point about woman requiring a vote.

We can see this idea being represented through the “Score liquid hair groom” advert made in 1967 where we can see 5 woman carrying a man who has recently shaven using the product advertised, making him seem like a king. The company is advertising the product within the ideal male world and within the male gaze by including the five woman worshipping the man. The male gaze is the idea of woman being oversexualised within media and advertisements for male attention. However it can be noted that shaving cream is not only for men, this is because woman also shave, and they also use shaving cream. This is an example of Judith Butlers idea of repeated acts making us our gender, we can see that the idea of men using shaving cream is a stereotypical, repeated action by men, therefore this company advertises it for men and it is seen as an action performed solely by men. As we can see with products like “Veet Shaving cream for woman” are being made and shaving cream is not only for men and shaving cream is a unisex product.

In addition to this we can see the strap line “get what you’ve always wanted” paired with the advert, this line gives the idea that men’s ideal situation is one with many woman, using a typical stereotype of men always wanting the sexual attention and company of woman, and utilising a stereotype of woman being submissive to men who are attractive and doing anything they say. The idea of the woman in the advert being submissive goes with the idea of the “damsel in distress” by Anita Sarkeesian on her YouTube channel “Feminist frequency” where woman are seen to be useless and require saving by a man, in this case the man is saving the women from non-shaven men who aren’t using the product, I know this because the woman in the back right of the advert is reaching out to the man, giving the idea that she is desperately reaching for him to bring her in and save her. Accordingly this supports the work and research of Laura Mulvey who researched the idea of male drive within films and adverts. The score adverts fits within Laura Mulvey’s research as it utilises the idea of a man with multiple woman being “what you’ve always wanted” and having the attention of attractive woman being the main incentive to buy the product. The woman here are being used as a selling point, implying that when you use the product you will be worshipped by woman and many will all of a sudden become interested in you, this further proves the advert is targeted towards men and it can be described by one of Mulvey’s quotes, ‘Woman as image, man as bearer of the look’ .

Furthermore we can see in Maybelline’s large scale adverts since 1999, they’ve used curvy, oversexualised and glamourous woman to advertise their products. Resulting from this, Maybelline goes against Judith Butlers work and conjoins the stereotypes of genders to their products to increase sales and interest, they have done this by making it seem like woman are the only people to use makeup, however this isn’t true men have been starting to use makeup and expressing themselves through it, for example bands like Fall out boy, and celebrities like Johnny Depp have used and continue to use eyeliner when turning up to social events and shows. However as Judith Butler comments “gender is not a identity instituted through a stylized repetition of acts” and Maybelline is ignoring the idea of men using their products and wasn’t advertising them towards other genders until 2017 after they realised other genders had started to wear and buy makeup more regularly and it becoming more normal. Most importantly after they hired Manny Gutierrez to advertise their products for all genders it displayed that Maybelline was able to change their adverts and give the idea to their customers that they can display who they are and who they want to be through Maybelline’s products.

Lastly, as Maybelline has expanded their adverts and company, they made a product called “Big shot like a boss” in May 2017. Within this product they released adverts where the newly recruited Manny Gutierrez put on the make up and got “bossed up” which supports the idea of gender fluid representation by showing that males can use makeup and it be supported by the company and it is part of their advertising. This is because later within the part 2 of the “Big shot like a boss” adverts it shows a woman getting “bossed up”, this shows Maybelline’s support of Judith Butlers idea of genders being fluid and only being up to the biological way you were born, instead of the way you act and what you do.

In conclusion I believe both Maybelline and Score have gone against Judith Butlers idea of the fluidity of identity, however Maybelline has caught up and changed their style and changed their adverts to fit more with the current state of society and people choices on gender.