REPRESENTATION THEORIES

‘The Male Gaze’ is a feminist ideology that encapsulates the theory that female characters in visual arts and literature are often over-sexualised and presented solely as sexual objects for heterosexual male gratification from a masculine viewpoint (or gaze).

Laura Mulvey, a British feminist film critic, created the term ‘The Male Gaze’ is her 1973 essay ‘Visual Pleasure and Narrative Cinema’. Mulvey studied at St Hilda’s College, Oxford and is now a professor at the University of London, specialising in Film and Media Studies. She uses the phycological idea of ‘Scopophilia’, meaning to have ‘aesthetic pleasure drawn from looking at an object or person’, as a basis for many of her theories.

John Berger was an English art critic who won the Booker Prize in 1972 for his novel ‘G.’. He is most well known for his essay ‘Ways of Seeing’. This essay explores The Male Gaze in different ways and puts emphasis on the different ways in which male and female characters are depicted in the media.

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