BANDURA

Social Learning Theory

Modelling Effects

In the 1960’s, Bandura conducted a behaviour experiment to explore how when children witness a certain behaviour, they will replicate this.

In today’s society, this seems pretty obvious. So we can look at this idea in terms of how actions represented through the Media can have effect on their audiences.

Bandura called the behaviour we replicate from cinema or television; Symbolic Modelling. (PASSIVE AUDIENCES)


“Human behaviour is to a large extent, socially transmitted, either deliberately or inadvertently”

— Bandura (1973)

Video Violence

  • The media relies on violence to quickly engage audience attention
Attention factorsThe video game player can control avatars to carry out violent acts. This causes a direct correlation between a certain action having violent effects. This translates into the real world and individual behaviour.
Players are rewarded for violent actionsVideo game designers create a positive response to violent actions. For example, for so many kills in a game, the player would receive a certain score. This generates a negative action, positive response loop which feeds violent behaviour in the real world.
Violence is portrayed without moral justification or explanationViolent acts featured in video games are often unprovoked or lack justification (they are casual/normalized). Perhaps this could desensitise players to violence or the effects of violent acts in their lives.
Video games are immersive Video games are often played alone, without the input of others.
Video games are addictivePlaying video games for increased duration means that players are exposed to negative behaviours more often, this becomes addictive.
Realistic violenceGraphic designers have ways of making video games look even more realistic (or hyper-real). This means that the violent acts are similar to real life, meaning it is increasingly difficult to find the division between simulation and true being.

NEW MEDIA (EXAM PREP)

New Media Questions

  • Key ideas: Producers, changing social/cultural contexts, audiences

Teen Vogue

  • Owner = Conde Nast (‘a global media company that produces some of the world’s leading print, digital, video and social brands’) They “celebrate the extraordinary. Creativity and imagination are the lifeblood of all that we do. We are a media company for the future, with a remarkable past.”
  • First print edition = Spring 2002
  • Last print edition = 2017 when they ceased print publishing in favour for online articles through their website
  • They have shifted from stereotypical/ conventional content for young women to more societal/ideologically driven content which comments on issues regarding humanity and representation (see first and last print article and their move to online publishing)

The Voice

  • Owner = GV Media Group LTD
  • First print edition = 1982 launched at Notting Hill Carnival of that year
  • Audience statistics:
  • “The media bias” of the previous year’s civil unrest in Brixton was noticed by Val McCalla. So, at the 1982 Notting Hill Carnival, he launched The Voice because he “saw the need for a newspaper that would address the issues that mattered to British-born African-Caribbean people who were trying to stake their claim to the only country they had ever known.”
  • Linking to Paul Gilroy: It seems evident that ‘The Voice’ are ever trying to dispel negative stereotypes and views of diversity across the UK by giving a voice to Black people who share their experiences/stories/words for change. He too noticed the racial binaries that were present in the media saying that “Black communities are constructed as an ‘other’ to white culture and are associated with criminal activity and lawlessness”
  • Key ideas: Products, shaped by economic/political context