Revision

CSPS

The Close Study Products (CSPs) will address the requirement that students engage with products
which:
• possess cultural, social and historical significance
• reflect and illuminate the theoretical framework underlying the study of media together with
the theoretical perspectives associated with them
• illustrate a full range of media products in terms of perceived quality, form and structure
• provide rich and challenging opportunities for interpretation and in-depth critical analysis,
enabling students to develop a detailed understanding of how the media communicate
meanings and how audiences respond
• cover different historical periods and different global settings
• be intended for different audiences
• demonstrate emerging, future developments of the media
• cover examples of media students would not normally engage with
• at least one media product produced before 1970
• at least one media product produced for a non-English speaking audience
• at least one media product produced outside the commercial mainstream
• at least one media product targeting, or produced by, a minority group.

Revision Guide

A-Level Syllabus

4 Media Concepts

Media Language, Media Audiences, Media Industries, Media Representation.

Media Language

https://www.aqa.org.uk/resources/media-studies/as-and-a-level/media-studies/a-level/subject-specific-vocabulary

Semiotics:
• Sign – something which can stand for something else – in other words, a sign is anything that can convey meaning
• Signifier – the thing, item, or code that we ‘read’ – so, a drawing, a word, a photo.
• Signified –  the concept behind the object that is being represented.
• Dominant signifier – main thing we see
• Icon – A sign that resembles what it represents.
• Index – A sign that works by a relationship to the object or concept it refers to for example an image of a ball can be indexical of sport.
• Code –
• Symbol –
• Anchorage –
• Ideology –
• Paradigm –
• Syntagm. –

Barthes’ ideas and theories on semiotics:
• Signification
• Denotation
• Connotation
• Myth.

Narratology:
• Narrative Codes
• Narration
• Diegesis
• Quest narrative
• ‘Character types’
• Causality
• Plot
• Masterplot.

Todorov’s ideas and theories on narratology:
• Narrative structure
• Equilibrium
• Disruption
• New equilibrium.

Genre theory as summarised by Neale
• Conventions and rules
• Sub-genre
• Hybridity
• Genres of order and integration
• ‘Genre as cultural category’.

Lévi-Strauss’ ideas and theories on structuralism:
• Binary oppositions
• Mytheme
• Cultural codes
• Ideological reading
• Deconstruction.

Postmodernism:
• Pastiche
• Bricolage
• Intertextuality
• Implosion.

Baudrillard’s ideas and theories on postmodernism:
• Simulacra
• Simulation
• Hyperreality.

notes

3.4.1.1 Semiotics
Semiotics:

• Sign
• Signifier
• Signified
• Dominant signifier
• Icon
• Index
AQA A-level Media Studies 7572. A-level exams June 2019 onwards. Version 1.2 24 January 2019
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• Code
• Symbol
• Anchorage
• Ideology
• Paradigm
• Syntagm.
Barthes’ ideas and theories on semiotics:
• Signification
• Denotation
• Connotation
• Myth.
3.4.1.2 Narratology
Narratology:
• Narrative Codes
• Narration
• Diegesis
• Quest narrative
• ‘Character types’
• Causality
• Plot
• Masterplot.
Todorov’s ideas and theories on narratology:
• Narrative structure
• Equilibrium
• Disruption
• New equilibrium.
3.4.1.3 Genre theory as summarised by Neale
• Conventions and rules
• Sub-genre
• Hybridity
• Genres of order and integration
• ‘Genre as cultural category’.
3.4.1.4 Structuralism
Lévi-Strauss’ ideas and theories on structuralism:
• Binary oppositions
• Mytheme
• Cultural codes
• Ideological reading
• Deconstruction.
12 Visit aqa.org.uk/7572 for the most up-to-date specifcation, resources, support and administration
3.4.1.5 Postmodernism
Postmodernism:
• Pastiche
• Bricolage
• Intertextuality
• Implosion.
Baudrillard’s ideas and theories on postmodernism:
• Simulacra
• Simulation
• Hyperreality.