CSP NEWSBEAT

Industry:
Newsbeat is the BBC’s radio news programme broadcast on Radio 1.
Original Release – 10 September 1973 – present
Radio broadcasting is regulated by Ofcom (office of communications)

Audience:
Its remit to provide news tailored for a specifically younger audience of teenagers and early twentysomethings.

Presenters and reporters on Newsbeat have been told to steer clear of polysyllabic words and address listeners as if they were talking to a friend, the programme’s editor has revealed. – This shows that they know people are starting to not listen to radio as they feel the listeners don’t want to engage. Using smaller words requires less attention.

CSP 13: NewsBeat

Industries

Newsbeat is a BBC News product with bulletins which are broadcast on BBC Radio 1, BBC Radio 1 Xtra and BBC Asian Network. Newsbeat- radio service from the BBC

The main focus is news towards teenagers and “twentysomethings”.

Funded by the tax from the government, hypothecated tax, money from a specific tax goes towards the BBC for education.

Launched on the 10th September 1973

What could be asked?

How do media companies use industrial strategies to target specific audiences?

Newsbeat has Twitter, YouTube and other social media accounts and features on the BBC’s website, reaching over 9 million people a week. This would not be possible without the addition of social media platforms, which demonstrates the strategies used by the BBC in order to mitigate risk – Hesmondhalgh.

Reporters on NewsBeat have been told to address listeners as if they were “talking to a friend” as described by the editor, Danielle Dwyer. This adds a friendly feel to the programme which helps to appeal to the younger audience which it is made for. They have also been told to steer clear of long, complicated words which allows for listeners to not have to pay as much attention when listening and also easy for younger people to digest and decode – Hall’s reception theory.

What could I argue?

I want to argue that the BBC uses many different industrial strategies in order to reduce the risks of the media industries and increase the appeal of their products.

CSP NEWSBEAT

Newsbeat became apparent on 10th September 1973 and now was a target audience of 16-24 year olds.

Until the start of the 21st century, the Newsbeat brand was only used for the 15-minute lunchtime and teatime bulletins as all other news bulletins, which were always broadcast at half-past the hour, were branded as Radio 1 News. Also, for the first four years of the 1990s, Newsbeat was only broadcast at lunchtime as the evening bulletin was a 30-minute programme called News 90/91/92/93.

Having listened to a small part of a newsbeat radio station, the story was on James Cordon stealing Ricky Gervais’ jokes. This kind of information can be found on any type of social media which is a reason as to why not many young people are listening to radio; Newsbeat.

Presenters and reporters on Newsbeat have been told to steer clear of polysyllabic words and address listeners as if they were talking to a friend, the programme’s editor has revealed. – This shows that they know people are starting to not listen to radio as they feel the listeners don’t want to engage. Using smaller words requires less attention.

Media Industries

• Newsbeat as a BBC News product with bulletins are broadcast on BBC Radio 1, BBC Radio 1 Xtra and BBC Asian Network
• The funding of BBC Radio through the license fee, concept of hypothecated tax
• Issues around the role of a public service broadcaster within a competitive, contemporary media landscape
• The distinctive nature of the programme connected to its public service remit
• Arguments on the need for addressing a youth audience already catered for commercially
• The influence of new technology on media industries – Newsbeat as multi–platform media product. eg
o Website
o Twitter
o Instagram
• The regulation of the BBC via Ofcom and the governance of the BBC

Media Audiences

• The techniques the broadcast uses to target a youth audience and create audience appeal, eg
o Presentation style
o News values
o Content selection
• The opportunities for audience interaction, participation and self-representation
• The way external factors – such as demographics and psychographics – are likely to also affect audience response and produce differing interpretations
• Cultivation theory including Gerbner
• Reception theory including Hall

Questions that may come up about Audience and Industries

  1. How has Newsbeat caught up with new technologies?
  2. How does Newsbeat attract its audience?
  3. Does Newsbeat reflect who their target audience is?

Things I know

  1. Newsbeat has a target audience of age 16-24 but 84% of the viewers are aged between 12-14.
  2. BBC is funded by the public paying their TV license.
  3. The BBC has a Royal Charter that they check every 5-10 years. The current charter will be reviewed in 2027.
  4. Newsbeat is a 15-minute program run on BBC Radio 1, Radio 1 Xtra and Asian Network at 12:45 and 17:45 during the week.
  5. Newsbeat launched on 10th September 1973.
  6. Newsbeat provides written articles, podcasts and videos as well as live radio.
  7. Newsbeat have changed their language to engage younger viewers.

What I want to argue

I want to argue that the BBC are putting in all their effort to keep providing news to the younger audience but still sticking to the main principles of the BBC but it is inevitable that

Newsbeat

  • Broadcast “programme” on BBC Radio 1, BBC Radio 1Xtra and BBC Asian Network.
  • Launched on September 10th 1973 in response to the launch of a network of commercial radio stations across the UK.
  • Target audience is young people aged between 15 and 30.
  • The fifteen-minute programme is broadcast at 12:45 and 17:45 during the week. Short bulletins are also heard throughout the day on three stations on the half-hour with extra bulletins broadcast at peak times.
Daily showings of Newsbeat

Example Essay Questions:

  1. To what extent can regulators shape the output of media texts? Refer to the Close Study Product Newsbeat to support your answer.
  2. How convincing are the arguments for and against the regulation of radio broadcasts? In your answer, you should refer to your Close Study Product.
  3. Explain why producers of radio programmes are using new digital technologies to distribute their texts.
  4. “Media audiences always respond to media products in the way that producers intended.” Referring to the Close Study Product Newsbeat, to what extent do you agree with this statement?
  5. It has been argued social and cultural contexts influence how audiences respond to radio broadcasts. How far do you agree with this statement?
  6. Explain the influence of economic factors on the production and content of radio broadcasts.
  7. To what extent does Newsbeat meet the requirements of its public service broadcasting remit?
  8. Explain how Newsbeat targets a youth audience through the use of new technologies.
  9. How do Radio products challenge the social and cultural contexts they are created in? Refer to close study product Newsbeat in your answer.

NEWSBEAT CSP

Newsbeat is an example of a transitional media product which reflects changes in the contemporary media landscape. Newsbeat is both a traditional radio programme with regular, scheduled broadcast times, but it is also available online after broadcast. The broadcast itself and the use of digital platforms provides opportunities for audience interaction. Newsbeat also exemplifies the challenges facing the BBC as a public service broadcaster that needs to appeal to a youth audience within a competitive media
landscape.

Newsbeat has a duration of 15 mins, this emphasises the target demographic as young people may have a shorter attention span.

Takes an informal approach to a stereotypically formal programme.

Uses social media in order to connect with their audience.

Industries:

• Newsbeat as a BBC News product with bulletins are broadcasted on BBC Radio 1, BBC Radio 1 Xtra and BBC Asian
Network
• The funding of BBC Radio through the license fee, concept of hypothecated tax
• Issues around the role of a public service broadcaster within a competitive, contemporary media landscape
• The distinctive nature of the programme connected to its public service remit
• Arguments on the need for addressing a youth audience already catered for commercially
• The influence of new technology on media industries – Newsbeat as multi–platform media product. e.g. Website,
Twitter or Instagram
• The regulation of the BBC via Ofcom and the governance of the BBC

Audience:

  • The techniques the broadcast uses to target a youth audience and create audience appeal. e.g. Presentation style, News values, Content selection.
  • 84% are 12 – 15 ages
  • The opportunities for audience interaction, participation and self-representation
  • The way external factors – such as demographics and psychographics – are likely to also affect audience response and
  • produce differing interpretations
  • Cultivation theory including Gerbner
  • Reception theory including Hall

Social and Cultural contexts:

• Newsbeat is part of BBC News. The BBC has a unique place in society as the ‘national’ broadcaster with an expectation of
impartial reporting of the news. There is an expectation that the BBC will be a reliable source of accurate reporting in the
context of rising concerns about fake-news.
• The BBC is at the heart of political arguments regarding its social role, the content of its programming and the fact that it
offers competition for commercial media industries.
• Traditional news providers (Radio, TV and Newspapers) are in competition with a host of digital websites and social media
platforms who have become the primary providers of news for many, especially young people.

Possible questions Newsbeat:

How does Newsbeat challenge the social and cultural contexts in which it’s made

How is the BBC regulated

How does Newsbeat appeal to a younger audience

AUDIENCE:

2-step flow model Lazarfeld

Uses and Gratifications Haas, Katz and Gurevitch 1973 personal social needs.

INSTITUTION

David Hesmondalgh

John Reith established the tradition of independent public service broadcasting in UK

84% of viewers are 12-15

the Ethos of the BBC is to inform, entertain and educate.

Theodor Adorno explained that Leisure time should be used productively instead of recreational entertainment. This exhibits the idea of Populism and paternalism.

Habermas, transformation of the public sphere.

Jean Seaton- theory of public service broadcasting

Peacock report- Richard Collins 2009

The Royal charter and mid term reviews, regulation.

In the essay I will argue that the rule of Mrs Thatcher sparked the deterioration of the relationship between the state, public service broadcasters and the public. This transformed the public sphere.

newsbeat

Broadcasting since 1973 on BBC Radio 1

  • uses energetic, engaging presenters to present complex real world news to younger audience
  • Main 15 minute newsbeat program is played over digital audio broadcast (DAB) frequencies at 12:45 and 17:45 during most weekdays
  • you can hear the show on Newsbeat online “You just need to sign in with your BBC account. This enables the corporation to offer you personalised suggestions based on your BBC Sounds history. Importantly, they also share your personal data with TV Licensing to make sure you are paying your hypothecated tax.”
  • target audience 15-29 year olds
  • Radio broadcasting is regulated by Ofcom (office of communications)
  • increased competition with other outlets due to rise in social media popularity
  • attempted to combat this competition by posting their content on other platforms as well as taking a multi-platform approach ensures the product remains relevant to its audience.
  • Newsbeat delivers its reports and stories with a very distinct style. The producers hope to appeal to their listeners by framing the content through an informal tone, quick overviews, upbeat links, and audience participation.
  • NEWSBEAT PREFFERRED READING – “The Newsbeat producers hope their short-form news stories will engage their audience and keep them up to date about the latest events around the world”
  • There are many factors which might influence our position to the programme, such as age, values and ideology, geography and even our mood

newsbeat

  • Newsbeat- radio service from the BBC
  • The main focus is news towards teenagers and “twentysomethings”.
  • Funded by the tax from the government, hypothecated tax, money from a specific tax goes towards the BBC for education.
  • Launched on the 10th September 1973
  • The name was taken from another radio program, “Radio Coraline”, this is because one of Radio Coralines workers “Roger Gale” worked on Newsbeat with the BBC
  • Broadcasted on Radio 1, 1Xtra and Asian Network.
  • 15-19, 84% listeners 12-15

Audience

1.Targets youth- talks about important and difficult matters that might make them feel understood (mental health which will draw in the young audience.)

2.An example of a transitional media product which reflects changes in the contemporary media landscape.

 3. Good values- talk about negative issues going on making it important

4. ‘Newsbeat promises its younger listeners all the news they need to know from the UK and around the world

5. To bring in the younger audience, Newsbeat changed the language and style they present in, bringing in teens by using street slang and making stories on popular, younger generation topics, like Tik Tok, Celebrities and Young topics.

6. Linking to Stuart Hall’s ideas on ‘preferred reading’: Dominant, Oppositional and Negotiated readings

7. Producers appeal to listeners- framing the content through an informal tone, quick overviews, upbeat links, and audience participation.

8. ‘it’s a myth that young people are not interested in news; the challenge is how to reach them’

9. Radio broadcasting is regulated by Ofcom

10. Newsbeat can be seen as part of the BBC’s remit to address diverse audiences – by age, location, ethnicity etc

11. Stuart Halls theory of encoding and decoding

Possible Questions

  1. To what extent do historical contexts influence how audiences respond to media industries. You should refer to the close study Newsbeat to support your answer.
  2. Did Newsbeat only develop because of the changes in new technologies?
  3. To what extent is the BBC regulated.
  4. How does Newsbeat support the ethos of the BBC? (entertain, inform, educate)
  5. How does Newsbeat appeal to a young / younger audience?
  6. ‘The relationship between producers and audiences has changed over time.’ How far do you agree with this statement? You should refer to the Close Study Newsbeat

10 facts

  1. John Reith was the BBC’s first general manager when it was set up as the British Broadcasting Company in 1922 and he was its first Director-General when it became a public corporation in 1927.
  2. Newsbeat was launched on the 10th September 1973
  3.  BBBC is the largest broadcaster in the world by number of employees, with over 22,000 staff in total-approximately 19,000 are in public-sector broadcasting.
  4. 15-19, 84% listeners 12-15
  5. The ethos of the BBC was to ‘inform, educate and entertain’
  6. Newsbeat is notable for the distinctive musical imaging it has used for most of its history. At first, this was a just jingle at the beginning of the bulletin, but in the late 1990s this expanded to music throughout.
  7. The BBC was officially created on 18 October 1922.
  8. Louisa Compton, editor of BBC, says ‘it’s a myth that young people are not interested in news; the challenge is how to reach them.’
  9. This started in 1923, costing 10 shillings, then split 50/50 between the BBC and the Government.
  10. Radio coverage was patchy in the UK, securing 94% reach across the UK.
  11. ‘Resources have been switched from the Newsbeat radio programme to online and social media, with less polished, “super-produced” content and more immersive videos to reflect what its audience watches on YouTube’ – The Guardian article- Radio 1’s newsbeat rips up the rulebook to lure young listeners

What I Understand

  1. Newsbeat is widely available online on places such as the BBC website or on radio 1 at times of 12.45 and 5.45 and after broadcast for streaming, meaning it is accessible to youth as they can access it at any time

CSP 13&14: Newsbeat & War of the Worlds

Newsbeat

AUDIENCEtarget audience of BBC – 30 years old
target audience of newsbeat- 16-25 year olds
appeal to audience by – bringing in younger hosts, less formal, use of social media
focuses on current issues, to fulfil their purpose, but makes it more creative and exciting to appeal to audiences EG focus on political matters – ‘Rishi Sunak Speaks’ (25th Oct 2022) – but also pop culture events -‘Adidas drops Kanye’ (25th Oct 2022).
84% – 12-14 age
broadcasts last on average 15 minutes – more digestible for young audience
have a website, Instagram and twitter to broaden their audience

HALL
producers encoded meaning and values into their texts which was then decoded by the audience, but our reactions are shaped by our individual frameworks of knowledge
many factors which may influence one’s interpretation of the programme: age, ideology, upbringing, gender etc
preferred: producers hope to keep younger generation up to date about latest events
negotiated: some listeners will be interested in the more digestible stories but will turn to other sources for stories
oppositional: reject the encoded message and construct their own meanings, maybe the focus is irrelevant to their own situation
changes in in the contemporary media landscape

MCQUAIL AND BLUMLER
recognises the decision-making process of theory audience, highlighting how they seek specific uses and gratifications when consuming media
active consumption
young audiences will seek to inform themselves: on politics ‘Rishi Sunak Speaks’ (25th Oct 2022), events occuring around the world ‘Seoul’s Party Crush’ (31st Oct 2022)
young audiences will also seek entertainment: incorporation of popular culture ‘Adidas drops Kanye’ (25th Oct 2022)
this highlights how their audience actively seeks uses from media
INDUSTRYradio station on the BBC/ part of the BBC news
BBC is a PBS – funding through TV licenses (hypothecated tax)
according to OfCom –  PSBs are tasked with “delivering impartial and trusted news, UK-originated programmes and distinctive content”
There is an expectation that the BBC will be a reliable source of accurate reporting in the context of rising concerns about fake-news – they aim to inform, entertain, and educate
1.54B uk plays of radio, music, podcasts on BBC across 2021/22
newsbeat was launched in 1973

newsbeat is an example of a transnational media product
traditional broadcast times as well as being available to listen after broadcasting
regulated by OfCom

DISTRIBUTION:
Newsbeat programmes are transmitted live over digital audio broadcast (DAB) frequencies at 12:45 and 17:45 during most weekdays – can tune into entertainment gossip and sport headlines after the show by tuning into Radio 1, 1Xtra and the Asian Network

SEATON
investigates PBS
claims they “bringing public awareness the whole range of activity and expression developed in society” (Pilkington Report 1962)
BBC does this through broadcasting a range of topics which aim to educate and inform the masses

HABERMAS
new forms of media transformed the public sphere which enabled ordinary citizens to be more actively engaged in society and in critical political discussions
the BBC is government owned, paid for by TV licenses, accessible to the entire country, available to the poor, uneducated, lower class – “opening up new worlds to people” Cecil Lewis

War of the Worlds

AUDIENCEfamous for convincing some of its listeners that a Martian invasion was actually taking place due to the “breaking news” style of storytelling employed in the first half of the show
created mass hysteria within U.S. – The New York Times reported “a wave of mass hysteria seized thousands of radio listeners”
 provides a terrific introduction to the debate surrounding the media’s ability to influence the audience and shape our behaviour and beliefs
“dressing up in a sheet, jumping out of a bush and saying, ‘Boo!'” – Welles states at the end of the broadcast
 warned against using the original names of places – eg Princeton Observatory rather than Princeton University Observatory – This blurring of boundaries between fact and fiction could be one of the reasons why members of audience believed
produced on a background of war hysteria – tensions were rising within, fear of a foreign power and their weapons of mass destruction
audiences nowadays would not have reacted in such a way due to having a higher exposure to fake news

LAZARFELD


GERBNER
examines the lasting effects of media – Looking primarily at the relationship between violence on television and violence in society
long-term exposure to media causes individuals to adapt mainstream ideologies and to believe what they see is a reality
wotw audience were convinced that an alien invasion was occurring due to the media having a heavy focus on the intense atmosphere in Europe which had been threatening war for quite some time – people were anticipating an invasion and therefore believed one was actually occurring

HALL
suggests producers encode specific messages within media for consumers to decode – reaction depends on personal knowledge and understanding of self
preferred: gain entertainment from the broadcast and would understand its trivial but amusing nature
negotiated: understand that the broadcast is not a real depiction of what is occurring but may not feel appreciate its amusing aspects
oppositional: feel terrified by what is being broadcasted and believe that what is its depicting is a reality

COHEN
suggests moral panic occurs when a “condition, episode, person or group of persons emerges to become defined as a threat to societal values and interests.”
MToA presented a broadcast which threatened societal interests – sent listeners into moral panic
INDUSTRYfirst broadcast on 30th Oct 1938 over the CBS Radio Network – a trusted network
Orson Welles adaptation of H.G. Wells’ War of the Worlds on  Mercury Theatre on the Air radio broadcaster
produced during the golden age of radio – radio was the only form of domestic media
radio was a direct competition to newspapers – but example of institutions always searching for ways to attract audiences
the argument can go both ways: either people did believe Martians had invaded NJ, or newspapers exaggerated the damage the broadcast caused so to defend their market share
newspapers were drawing attention to the dangers this new media posed to the harmony of American society and calling for greater regulation of the industry
provides an interesting study of the
power and influence of radio as a form during its early days of broadcasting
radio was s regulated by the Federal Communications Commission and
it investigated the broadcast to see if it had broken any laws. In the 1930s there were concerns
over the power of radio to cause distress
ce hooper rating survey – 98% of listeners of the CBS were not tuned into mercury theatre on air, and the 2% did not believe it was news – indicating it was the news papers who exaggerated

https://www.npr.org/sections/thetwo-way/2013/10/30/241797346/75-years-ago-war-of-the-worlds-started-a-panic-or-did-it

HESMONDHALGH

NewsBeat csp 1

Exclusive music news, big interviews, entertainment, social media trends and video from the news people at BBC Radio 1 and 1Xtra.

12:45 everyday

Newsbeat is the BBC‘s radio news programme broadcast on Radio 11Xtra and Asian NetworkNewsbeat is produced by BBC News but differs from the BBC’s other news programmes in its remit to provide news tailored for a specifically younger audience of teenagers and early twentysomethings

BBC Radio 1’s remit as a public service broadcaster meant it had to broadcast news. Newsbeat was launched on 10 September 1973 in response to the launch of a network of commercial radio stations across the UK which supplied a news service very different from the style of traditional BBC News

Newsbeat is an example of a transitional media product which reflects changes in the contemporary media landscape. Newsbeat is both a traditional radio programme with regular, scheduled broadcast times, but it is also available online after broadcast.
The broadcast itself and the use of digital platforms provides opportunities for audience interaction. Newsbeat also exemplifies the challenges facing the BBC as a public service broadcaster that needs to appeal to a youth audience within a competitive media landscape.

The BBC = Largest PSB cooperation in the UK

Their ethos is to provide “impartial, high-quality and distinctive output and services which inform, educate and entertain”

Cecil Lewis- ”opening up the world to people”.

  • It has been broadcasting since 1973
  • Newsbeat promises its younger listeners all the news they need to know from the UK and around the world
  • The main fifteen-minute Newsbeat programmes are transmitted live over digital audio broadcast (DAB) frequencies at 12:45 and 17:45 during most weekdays. The broadcasts can also be listen to, on demand, through the BBC Sounds app or BBC website. This encourages a younger audience who would most likely view content online, on a mobile device.

potential questions:

how does the newsbeat inform educate and educate

10 facts:

  • • Newsbeat as a BBC News product with bulletins are broadcast on BBC Radio 1, BBC Radio 1 Xtra and BBC Asian Network
  • • The funding of BBC Radio through the license fee, concept of hypothecated tax
  • • Issues around the role of a public service broadcaster within a competitive, contemporary media landscape
  • • The distinctive nature of the programme connected to its public service remit
  • • Arguments on the need for addressing a youth audience already catered for commercially
  • • The influence of new technology on media industries – Newsbeat as multi–platform media product. eg
  • o Website
  • o Twitter
  • o Instagram
  • • The regulation of the BBC via Ofcom and the governance of the
  • BBC

• The techniques the broadcast uses to target a youth audience and create audience appeal, eg
o Presentation style
o News values
o Content selection
• The opportunities for audience interaction, participation and self-representation
• The way external factors – such as demographics and psychographics – are likely to also affect audience response and produce differing interpretations
• Cultivation theory including Gerbner
• Reception theory including Hall

argue that due to new technologys bbc introduce new concepts to newsbeat as people dont listen to radio as much

bbc notes

Media Industries

  • Newsbeat is owned by the BBC
  • Some details on mental health about 3 teenagers who died by suicide giving a important message to the youth bringing up very important issues
    • talks about the NHS in a negative way which shows their opposition to government
    • The regulation shows that they aren’t controlled by the government as they talk bad about the NHS negatively
    • They talk about se4rious issues so external factors can seriously affect how people interpret the things that they talk about

Media Audiences

  • Targets youth as it talks about important matters that might make them feel understood and heard as it talks about mental health which will draw in the young audience.
  • They sound like they have good values as they talk about negative issues going on in importance making it important rather than some other ones who may just ignore it they bring importance to it
  • talks about peoples problems rather than being bias they taking the publics problems and bringing light to them
  • Stuart Halls theory of encoding and decoding
  • 845 of audiences are age 12-15

regulation