CSP 13&14: Newsbeat & War of the Worlds

COMPARISON

NEWSBEATWOTW
OWNERSHIPBBC is a PSB – fulfils interests of the people, could imply left-wing ideology
CBS, private company
concentrated ownership – owns many other smaller companies, only one of two radio broadcasters at the time
REGULATIONOfCom –  PSBs are tasked with “delivering impartial and trusted news’, populist approach
BBC charter – sets out the BBC’s Object, Mission and Public Purposes, mission for BBC is ‘ inform, educate and entertain’ (lord reith)
Federal Communications commission – private company
does not necessarily have the interests of the people ie aims to primarily entertain, paternalist approach to broadcast
NEW TECHNOLOGYNew technologies mean BBC faced with more competition:
free streaming services
other streaming services – Netflix, Disney plus
none require TV license
radio was the new technology
WOTW created during the golden age of radio – only form of domestic media
radio was a direct competition to newspapers – but example of institutions always searching for ways to attract audiences
lack of exposure to this medium could provide reason as to why people misinterpreted the broadcast, plus lack of exposure to fake news
TARGET AUDIENCEtarget audience of BBC – 30 years old
target audience of newsbeat- 16-25 year olds
appeal to audience by – bringing in younger hosts, less formal, use of social media platforms (twitter, Instagram
 mainstream entertainment seeking audiences
INDUSTRY THEORY – HABERMAS
transformation of the public sphere  created a new public engaged in critical political discussions – the BBC is publicly owned, paid for by TV licenses, accessible to the entire country, available to the poor, uneducated, lower class – “opening up new worlds to people” Cecil Lewis

WOTW transformed the public sphere – created discussion on the power of radio to cause distress
newspapers were drawing attention to the dangers this new media posed to the harmony of American society and calling for greater regulation of the industry
INDUSTRY THEORY – SEATONSeaton highlights that many broadcasters sell products to audiences rather than programmes
Newsbeat contradicts this notion
no adverts
produce informed, trusted knowledge
ironically, lack of adverts in broadcast commercialised the broadcast further – made it seem real, therefore more entertaining for audiences
lack of truth in the broadcast
AUDIENCE THEORY
MCQUAIL, BLUMLER (ACTIVE) VS GERBNER (PASSIVE
MCQUAIL AND BLUMLER
young audiences will seek to inform themselves: on politics ‘Rishi Sunak Speaks’ (25th Oct 2022), events occurring around the world ‘Seoul’s Party Crush’ (31st Oct 2022)
young audiences will also seek entertainment: incorporation of popular culture ‘Adidas drops Kanye’ (25th Oct 2022)
this highlights how their audience actively seeks uses from medi
GERBNER
wotw audience were convinced that an alien invasion was occurring due to the media having a heavy focus on the intense atmosphere in Europe which had been threatening war for quite some time – people were anticipating an invasion and therefore believed one was actually occurring
could link to LASSWELL – hypodermic needle theory, involves receiver just accepting an idea being presented to them rather than engaging with it
audiences supposedly took the broadcast literally
AUDIENCE THEORY – HALLpreferred: producers hope to keep younger generation up to date about latest events
negotiated: some listeners will be interested in the more digestible stories but will turn to other sources for stories
oppositional: reject the encoded message and construct their own meanings, maybe the focus is irrelevant to their own situation
changes in in the contemporary media landscape
preferred: gain entertainment from the broadcast and would understand its trivial but amusing nature
negotiated: understand that the broadcast is not a real depiction of what is occurring but may not feel appreciate its amusing aspects
oppositional: feel terrified by what is being broadcasted and believe that what is its depicting is a reality

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