csp – magazines mens health

semiotics, signifier, codes and conventions

dominant ideology of body image

vin diesel as the dominant signifier

genre – Steve Neale – genres all contain instances of repetition

Barthes – all narratives share structural ideas and features

print language

representation

countertype – old people being weak – 69 year old man running a marathon

radical or reactionary, positive and negative stereotypes – of men having to be string and fit and be a certain weight

The school of life how to be a man presents the cool man and the warm man, this links to Gauntletts notion that identity is fluid and negotiated. although this is not a theory we can see examples of the cool man and the warm man in men’s health. For example on page

  1. Positive and negative stereotypes
  2. Counter-types
  3. Misrepresentation
  4. Selective representation
  5. Dominant ideology
  6. Constructed reality
  7. Hegemony
  8. Audience positioning
  9. Fluidity of identity
  10. Constructed identity
  11. Negotiated identity
  12. Collective identity
Hearst believes responsible environmental stewardship is not just an integral part of doing business; it is the core of who we are as a company.
Hearst Tower
Hearst Tower was the first occupied “green” commercial building in New York City to receive a LEED Gold Rating from the U.S. Green Building Council. In 2012, it earned a Platinum LEED Rating for Existing Buildings — the first building to receive both Gold and Platinum certifications. In 2018, Hearst Tower achieved a second LEED Platinum Rating, becoming the first publicly acknowledged, three-time LEED-certified building in the country. 
One component of Hearst Tower’s environmentally friendly design is Icefall, a three-story waterfall that commands Hearst’s atrium and lobby, circulating recycled rainwater collected from the roof. The collection of rainwater saves 1.7 million gallons of water annually that would otherwise be runoff waste. In addition, Icefall cools and humidifies the lobby and atrium space, saving additional power. 

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At Hearst, we believe in conducting good business, looking after our people and taking care of the communities we serve. From reporting on the frontlines to bringing viewers critical information to keeping pharmacists informed and joining together to volunteer at local organizations in our communities, social good is one of our core values.

Hearst Television is a national multimedia company with operations serving nearly three dozen U.S. cities, reaching one out of every five U.S. households. It delivers local and national news, weather, information, sports and entertainment programming via every available content-delivery platform.

CEO of Hearst communications Steven R. Swartz

they want greater control over the physical and mental health in their life. Men’s health is talking to active men pursuing that lifestyle not all men

revison

mens health 5 step

1. who (sender) – Hearst communications Richord Dorman

2. says what (message) – give men control over physical mental and emotional lives

3. channel (medium) – print magazine, website, socials

4. to whom (receiver) –

Mens health

Mens Health magazine average age of consumers have been displayed on a demographic graph that shows the ages of the readers from April 2019 to March 2020:

  • The most common age is adults aged 15+
  • 365 woman
  • 519 adults aged 15-34
  • 554 adults aged 35+
  • 391 readers with households with children

On the ABC website they have created a circulation analysis stating how readers have consumed their Men’s Health magazines dating from January to December 2021:

  • 21,871 paid single copies
  • 66,428 paid subscriptions
  • 338 paid multiple copies
  • 0 membership copies
  • 1,174 free copies

Also, the data shows that nearly 75% of the sold products have been print copies compared to 25% being digital copies

Men’s Health magazine had a joint ownership in from 2012 – 2017 with Hearst and Rodale owning it. Also, from 2000 – 2011 Men’s Health was owned by Natmag Rodale

Hearst (owners of Men’s Health) own a gender opposite magazine named Woman’s Health which has a very similar style as Men’s Health but uses stereotypical colours like pink to attract and gain woman consumers. The Woman’s Health magazine also includes a dominant signifier of an attractive model which creates the same idea of ‘if you read this magazine you will look like this’.

Hearst

  • Men’s Health is owned by Hearst who own many other companies such as: NetDoctor, Lenny Letter, Delish (25% owned)
  • Hearst is a media company founded on March 4 1887
  • Hearst own many different consumer magazines other than men’s health. Most other magazines they own are based on woman’s interests with magazines such as, Woman’s Health, Good Housekeeping, Best

Front page:

  • Dominant signifier – Vin Diesel – known in fast and furious (movie with target audience for men)
  • The page is reactionary, as it can be argued to support the typical view of strong, independent men
  • The font is in bold which can come across as stronger and more masculine
  • The common use of the colour blue links to masculinity (stereotypical colour for men)
  • The posture and stance of Vin Diesel is very masculine by displaying his muscular features
  • Vocabulary used is related to fitness and states the product is for ‘men’
  • Gives the idea to men that by reading this magazine makes you look like Vin Diesel

revision

command words

describe – remembering specific elements

compare – talking about the similarities and differences between two things

evaluate – to judge and share own opinions/ real evidence

analyse – in depth look at an idea with accurate explanation

knowledge – vague outline of an idea or concept / can touch on it

understanding – to explain clearly and deeply about an idea or concept / can evaluate it

what do you know aboutwhat meaning or understanding do you have of their ideas? how can you apply those ideas to your CSP’s?
Noam Chomskythe 5 filters of media:
– ownership
-advertising
-official source
-flack
-marginalizing dissent
ownership-
advertising- Maybelline and score. and how they are structured to sell the project.
official source- making sure what you are reading or referencing is true (newspapers) the I and they daily mail.
James Curranpatterns of ownership
media distribution
social and political change
he talks about ownership and how different companies will have different
Habermaslinked to Curran
public sphere
talks about how media is passively consumed
semiotics
The study of signs and symbols
Roland Barthes
CS Pierce
Ferdinand De Saussure
 
Textual analysis is needed
radical– something you wouldn’t expect / out of the ordinary
reactionary-what you would expect/ follows stereotypes
Sign– something which can stand for something else
Code– technical, written and symbolic tools which used to construct or suggest meaning in media forms.
Convention– accepted ways of using media codes
Dominant Signifier– the main representative.
Anchorage-words with an image to provide context
 
Roland Barthes
Talks about how culture and communication maintain  things such as myths and ideology
 
CS Pierce
How signs and symbols can have different meanings
Icon-physically resembles thing or idea
Index-A sign that has a link to its object
Symbol-Symbol, a sign that has an arbitrary or random link to its object
 
Ferdinand De Saussure
talks about
David Gauntletrepresentation
fluidity of identity
4 types of identity
collective identity- that is what is expected as a man
constructive identity – changing their identity when they are influenced by the magazine
negotiated identity- when reading or influenced
fluid identity-
Lasswellhypodermic needle model who developed the theoretical tool of ‘content analysis’ and in 1927 wrote Propaganda Technique in the World War which highlighted the brew of ‘subtle poison, which industrious men injected into the veins of a staggering people until the smashing powers . . . knocked them into submission’
To illustrate his hypothesis, in 1948 he developed a linear model of communication one that breaks down the line of communication from point A to point B, in which the SENDER is transferring a MESSAGE, through a MEDIUM (eg Print, radio, TV, etc) that has a direct effect on the RECEIVER. 
This approach was later adapted by Shannon and Weaver in 1949, as the Transmission model of Communication, NOISE, ERROR, ENCODING and FEEDBACK.
Lazarfeldtwo-step flow theory
Personal Influence (1955). The book explains that people’s reactions to media messages are mediated by interpersonal communication with members of their social environment.
suggests that opinion leaders pay close attention to the mass media and pass on their interpretation of media messages to others

The Two Step Flow Theory maintains that audiences are active participants in the communication process
Uses and Gratifications The Uses and Gratifications Theory is a Mass Communication theory that focuses on the needs, motives and gratifications of media users. The theory states that media consumers are passive consumers of mass communications; rather, they play an active role in media consumptionSome people might watch news for information, some for entertainment, and some for self-reassurance
media companies profit off what the audience enjoys, capitalism doesn’t care about race or gender only in making money and to do that they tailor their products to appeal to their audience, so they keep consuming it.
Stuart Hall media consumers were alert and critical readers, listeners and viewers
encoding and decoding
hegemony- the set of ideas that dominate within society these ideas are usually formed by those groups who have power.

CSP – Magazines | Men’s Health

[Page 1]

Semiotics
Dominant Signifier – (iconic) Vin Diesel

Print Language

Narrative

Genre

The genre may be considered as a practical device for helping any mass medium to produce consistently and efficiently and to relate its production to the expectations of its customers.” – Dennis McQuail

genre is lifestyle magazine (aimed at men’s lifestyle) – all paradigm of signs which connote to the idea of manliness/masculinity – fulfilling genre expectations according to Neale ( genre is structured around a repertoire of elements,  which attracts audience based on their predictable expectations)

Representation – (reactionary) muscular, heterosexual male with a dominant stance

[Page 17]
[Page 101]

The School of Life video: How to be a Man, presents the ‘cool man’ and the ‘warm man’. This links to Gauntlett’s notion that identity is fluid and negotiated. Although this is not a theory, we can see examples of the ‘cool man’ and the ‘warm man’ in Men’s Health.

For instance, on page

Lasswell’s Model of Communications

WHO?
Hearst Communications (Steven R. Swartz – C.E.O.)
Men’s Health (Richard Dorment – Chief Editor)
SAYS WHAT?
IN WHICH CHANNEL?
print (lifestyle magazine)
digital (websites, social media)
TO WHOM?
“active, successful, professional men who want greater control over their physical, mental and emotional lives”
WITH WHAT EFFECT?

Lazarsfeld’s Two-Step Flow Theory

Vin Diesel is an ‘opinion leader’ who people will actively choose to follow and listen to. By being situated on the front cover of Men’s Health, he influences his ‘opinion followers’ to read the magazine.

[Page 21]

Uses and Gratifications

PERSONAL NEEDS
Understanding Self
Enjoyment
Escapism

SOCIAL NEEDS
Knowledge About The World
Self Confidence, Stability, Self Esteem
Strengthen Connections With Family
Strengthen Connections With Friends

Stuart Hall’s Theory of Representation

revision table

(in workbook) *insert photo*

Stuart Hall- Hall’s work covers issues of hegemony and cultural studies taking a post-Gramscian stance. He regards language-use as operating within a framework of power, institutions and politics/economics. This view presents people as producers and consumers of culture at the same time. (Hegemony, in Gramscian theory, refers to the socio-cultural production of “consent” and “coercion”.)

For Hall, culture was not something to simply appreciate or study, but a “critical site of social action and intervention, where power relations are both established and potentially unsettled”.

hegemony- leadership and dominance

In Gramsci’s view, a class cannot dominate in modern conditions by merely advancing its own narrow economic interests

active audience

3 different ways of reading

He created the reception theory which was ‘what we see is simply a ‘re-presentation’ of what producers want us to see.’

George Gerbner

Gerbner’s Cultivation Theory: A key theoretical debate is the extent to which the media influence our ideas and opinions. In the first instance, RECEPTION THEORY (developed by George Gerbner based around research on TV viewing) suggests that exposure to reinforced messages will influence our ideas, attitudes and beliefs.

The George Gerbner Model of Communication is an extension of Lasswel’s communication model. Gerbner’s model consists of a verbal aspect, where someone observes an event and gives feedback about the situation, and a schematic model where someone perceives an event and sends messages to the sender.

You know, who tells the stories of a culture really governs human behaviour. It used to be the parent, the school, the church, the community. Now it’s a handful of global conglomerates that have nothing to tell, but a great deal to sell.”- Gerbner

Passive audience

Mainstream: Mainstreaming is the view that people’s life experiences may moderate the cultivation effect

mean world syndrome: the belief that the world is more violent and brutal than it really is. the effect that depictions of violence can have on the perceptions of those who view them

David Gauntlet

 Gauntlett believes that while everyone is an individual, people tend to exist within larger groups who are similar to them. He thinks the media do not create identities, but just reflect them instead. “Identity is complicated; everyone’s got one.”

Pick and Mix theory: it allows audiences to pick which aspects of a text they want to construct their identity, whole leaving other bits well alone

Fluidity of identity, constructed identity, negotiated identity, collective identity.

He assumed there was a generational divide in attitudes towards gender roles, but older people were less likely to be exposed to the new liberal representations of masculinity and femininity. He also wondered if this younger demographic would “grow up to be the narrow-minded traditionalists of the future”.

mens health

  1. Dominant signifier (Vin Diesel), we know this because he is the main focus within the front cover, being the biggest and most outward object on the page.
  2. The title “Men’s Health” – indexical to men’s health and the gender performance of the male gender.
  3. The page is reactionary, as it can be argued to support the typical view of strong, independent men.
  4. The syntagm of men’s gender performance and what men should be like. Suggests that men should be fit and strong with muscular developments. “Lose 8kg fast”, “127 ways to build a stronger core” “103 shortcuts to t-shirt arms”
  5. The way he’s standing (stance) is a way as such to ‘flex’ / show off his biceps and triceps.
  6. The font is in bold which can come across as stronger and more masculine.
  7. Suggests to the target audience that if they read the magazine they can look like Vin Diesel
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  1. Dominant signifier of Vin Diesel, however is significantly smaller than the front cover
  2. Semantic pattern of physical power and strength
  3. Repertoire of elements (men)
  4. Shows a reactionary representation of exercise and fitness through links to articles. Shown through signifiers such as pictures of trainers and weights. This could be suggested to be creating an unrealistic view that to be considered a ‘real’ man you must be physically at top performance.
  5. Radical representation through the use of men of different ages and races
  6. Constructed identity (David Gauntlett)
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Mens health magazine had an average monthly reach of around 1.8 mil individuals in the united kingdom from April 2019- March 2020. Reach was lower with households with children and women. Paid subscriptions were a lot higher then paid single copies with a difference of 44,557.

CSP 11&12: Men’s Health & Oh Comely!

Men’s Health – Jan/Feb 2017

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LANGUAGESEMIOTICS
Dominant signifier: Vin Diesel – ready made audience, attracts fans
reactionary/stereotypical representation of a man: dominant stance, muscles on show,
symbolic sign, blue and black font: colour associated with male gender, connotes to manliness, signifies topic of magazine genre
anchorage indexical signs, headlines about losing weight, going to the gym, dieting etc…: highlights conventional elements of what it is to be ‘manly’, also provides anchorage as to what is in the magazine, attracting implied audience
genre is lifestyle magazine (aimed at men’s lifestyle) – all paradigm of signs which connote to the idea of manliness/masculinity – fulfilling genre expectations according to Neale ( genre is structured around a repertoire of elements,  which attracts audience based on their predictable expectations)
indexical signs ‘burn’, ‘blast’, ‘demolish’, ‘slay’, ‘wage war’: semantic field of aggression/violence
symbolic sign, big bold font: signifies aggression and masculinity

NEALE
He argues genre is is a mechanism which attracts audience based on their predictable expectations
He suggests that each genre is structured around a repertoire of elements, which fulfil an audiences expectation of a film and creating enjoyment
MH is a lifestyle magazine directed at men
conventional elements of the genre include: working out tips (28-29), healthy recipes(32-33), tips on grooming (44), etc…
these elements attract the target audience – a male audience interested in improving their lifestyle
REPRESENTATIONThe School of Life present a video called ‘How to be a Man’ – this presents the ‘cool’ man, and the ‘warm’ man. whilst this is not an academic theory, it is still possible to apply these representations in Men’s health:
‘Meet the men traversing war-torn Israel by bike on an epic three day endurance’ – portrays cool man

GAUNTLETT
suggests that identity is not fixed – instead is fluid, constructed, negotiated and/or collective
MH different versions of masculinity are presented:
– front cover shows stereotypical alpha male
– page 6-7 shows stereotypical classy businessman
– page 130-131 shows active/athletic/adventurous man
– page 101 shows the unconventional older runner
by using multiple representations MH can appeal to multiple audiences at once

BUTLER
claims that gender is stylised by a series of repetitional acts
there are stereotypical acts which make you female – wearing makeup – and stereotypical acts which make you male – playing football – and by repeating these acts on a regular basis you can construct your gender identity
MH clearly presents a stereotypical masculine identity through the ideas it represents
– front cover depicts stereotypical muscley alpha male who
– pg 6 depicts stereotypical hardworking/punctual businessman
– pg 128 depicts stereotypical adventurous/risk-taker male
this allows the magazine to feel relatable for other stereotypical male readers

GILROY
claims that colonialism is still present in media today through lack of representation of ethnic minorities
whilst MH doesn’t directly marginalise these minorities, their lack of representation of them highlights a post-colonialist ideology as it implies that the ethnic majority are more worthy and significant
there are some representations of the black community etc – eg page 25
however most representations are focused primarily on the white community – eg page 2, 6, 18,
therefore creates a misrepresentation which does not embrace other ethnicities
AUDIENCELASSWELL
hypodermic needle theory/linear model of communication
passive consumption
receiver simply accepting a message being given to them, rather than engage with it
SENDER: Hearst communications/Mens Health
MESSAGE: providing men with the tools to improve and control over their physical, mental, and emotional lives
MEDIUM: print/online lifestyle magazine
RECIEVER: men wanting to improve their lives, women buying for husbands/boyfriends etc…
EFFECT: to buy the magazine and make money for Hearst

LAZERFELD
two step flow of communication
active consumption
media messages are  filtered through influential opinion leaders who interpret a message first and then relay it back to the mass audiences
Vin Diesel acts as the opinion leader, promoting the magazine and the ideas being portrayed – getting healthy, getting fit, improving life – to make people want to buy the magazine and make Hearst money. people are more likely to buy the magazine if someone they look up to promotes it

MCQUAIL AND BLUMLER
uses and gratifications
active selection
 recognises the decision making process the audience take, highlighting how they seeking specific uses and gratifications when consuming media
audience may want to EDUCATE themselves on how to get fitter/healthier/better their lives
audience may want to IDENTIFY with ideas presented top them or seek a new IDENTITY – a healthier identity
audience may want to be ENTERTAINED by the magazine through interviews etc
INDUSTRYstarted in 1986 by Mark Bricklin
largest men’s magazine brand – 35 editions in 59 countries, best selling men’s magazine on US newsstands
quarterly magazine
1988 began selling subscriptions
consumer magazine – general men’s lifestyle

won both  Editor’s Choice and Reader’s Choice for the 2016 Hot List

average circulation per issue: 89,811, 74% from paid subscriptions (dec 2021)
Men’s Health magazine had an average monthly reach of around 1.8 million individuals in the United Kingdom from April 2019 to March 2020
between Nov 2021 and Feb 2022: 9M print audience, 16.5M social media followers
average reader is male with a media age of 44.7 and an income of over $92,000

result of rise in digital media:  circulation high of 228,000 in 2008, dropped to 160,000 in 2016
adapted through introducing online version and social media – 4.5m twitter followers (oct 2022)

Women’s Health was founded in 2005 as a branch of Men’s Health
currently has a higher circulation than Men’s Health – 96,350, (dec 2021)

in 2018 – owned by global publishing conglomerate HEARST UK – bases in NYC, ownes newspapers, magazines, TV channels, Tv stations, owns 50% of the A&E Networks cable network group and 20% of the sports cable network group ESPN, both in partnership with The Walt Disney Company
Hearst UK brands reach 30% of UK men and 25% of UK women
They sell over 4m magazines a month and have 17m UK digital unique users
2016, revenue $10.8B
publishes over 20 magazine titles: Cosmo, Elle
Hearst describe the brand as a “lifestyle manual for modern men”

HESMONDHALGH
claims the ‘cultural industries are a risky business’ – audiences tastes are continuously adapting making predicting their needs very difficult
to avoid this risk he claims major cultural organisations create products for different industries in order to maximise chances of commercial success – evident with regards to Hearst as they own multiple companies in multiple sectors – of one fails, they will still have other assets
star formatting is another way of reducing risk as it attracts a ready made audience – evident through the use of Vin Diesel on the front cover and a 6 page article about him – fans of diesel will be urged to buy the magazine

CURRAN & SEATON
highlights how the media landscape has fallen under the control of a small amount of global media conglomerates and how this type of ownership creates a lack of diversity for audience consumption
MH health is owned by global media conglomerate Hearst who owns 20+ magazine titles
arguable to maximise profits
however creates lack of diversity for audience as all names are owned by the same company, representing the same ideas
CONTEXTimpact of digital media on magazine industry:
Print sales fell by 42% from 23.8m to 13.9m between 2010 and 2017. 
Back in 2000, sales were over 30m – signalling a 55% decline in just 17 years.
Advertising in consumer magazines has fallen from £512m in 2010 to £250m in 2017. 
Google and Facebook now dominate online advertising (they account for 65% of the UK digital ad market).
As a result of these changes, many magazines have closed.

In a digital world, print magazines have little appeal.
To what extent do you agree with this statement?
You should refer to the magazine Men’s Health

  • ownership of MH – hearst, owns 20+ mag labels
  • average reader of MH – male, 45, $92,000+
  • circulation and drop in circulation since digital world – dropped by 68,000 in 2016
  • drop in circulation in mag industry as a whole – sales fell by 42% between 2010 and 2017
  • how they combat the drop in demand for print – interactive website and social media, appeals to contemporary audiences
  • hesmondhalgh – Hearst as they own multiple companies in multiple sectors – of one fails, they will still have other assets, 20+ magazines and owns 50% of A&E Networks
  • —————————————————————————————————–
  • Neale – genre is used to attract and maintain audience – lifestyle mag working out tips (28-29), healthy recipes(32-33), tips on grooming (44) – fulfilling audiences expectations
  • links to Blumler’s uses and gratifications – people read the magazine to seek education and identity
  • —————————————————————————————————–
  • Gilroy postcolonialism – post colonial ideology is still present in modern representations – whilst does not marginalise ethnic minorities there is certainly a lack of them – creates mis represntation
  • links to halls reception theory -audience will decode messages people of ehtnic majority will have a dominant response where as those in the ehtnic minorty will have an oppositional response possible effecting readership and sales

Oh Comely – Issue 35

LANGAUGEfront cover:
indexical signs:
‘Comely’ – attractive but not in a de-humanising way
‘power…poise…hard-won…strong’ – unconventional way to represent women
dominant signifier:
close up – unconventional way to represent women, less of a focus on her body, humanising rather then dehumanising
androgynous/natural looking – rather than heavy makeup and glamourous clothing
gazing directly at the reader – sense of power

PG 52, 53
‘fierce campaign’…’an unstoppable force’…’a Sister of which we can be collectively proud’

NEALE
He argues genre is is a mechanism which attracts audience based on their predictable expectations
He suggests that each genre is structured around a repertoire of elements, which fulfil an audience’s expectation of a film and creating enjoyment
Oh! is a female lifestyle magazine aimed at women, however, is more unconventional; instead of portraying glamour, diet tips, fashion, makeup it focuses on the underrepresented aspects of female identity such as feminism, gender, body positivity, ethnic minorities
REPRESENTATIONHOOKS
intersectionality – draws attention to lack of female representation in media and more specifically representation of black women, this could create misrepresentations of the black community or other ethnic minorities, as if they are not worthy of note
Oh! does represent the black community on pg56 – Deanna Rodger a Jamaican-Scottish Brit is
indexical signs ‘fearless’ and ‘mentor’
portrayed as powerful – radical representation of women

ZOONEN
feminist theory – suggests the over sexualised presentation of female’s bodies in media is a core element of western patriarchal culture, this creates a misrepresentation of how women portray themselves as she argues it is the media where people get most ideas about gender
Oh! contradicts this theory as the front cover portrays a woman who is presented as more androgenous, wearing subtle, natural makeup, who lacks any element of sexualisation
she is also gazing directly as the camera, rather than the camera ‘gazing’ at her
she is portrayed as powerful and more than just her body – unconventional way to represent women

GAUNTLETT
identity – suggests identity is not fixed and instead is constructed, fluid, negotiated, collective, people make individual decisions about who they are, media heavily affects this
Oh! presents many different identities for people to construct, negotiate, collect, adapt: the female Somali activist, the Jamaican-Scottish poet, the plus size body positivity blogger, former refugee, the women in the tech industry,
AUDIENCEeditorial staff listen to suggestions posted online
“We have made a lot more of an effort with diversity in the magazine because we have quite a lot of readers in the aftermath of BLM demonstrations raising that with us,” says Sykes. “It’s so important to listen to the recommendations of your readers.”
 targeted affluent young women who wanted a “stylishly presented” alternative to the cheap aesthetic of mainstream magazines
average reader, age 27, female (98%),

HALL
reception theory – media producers encode specific messages in product in hopes of audience decoding the message
have the intention of the audience absorbing/accepting a specific idea
Oh! represents many different people of many different backgrounds and ethnicities
Preferred reading – females, the ethnic minorities who are not typically represented in media

MCQUAIL AND BLUMLER
uses and gratifications – recognises the decision making process of theory audience, highlighting how they seeking specific uses and gratifications when consuming media
audience may seek to EDUCATE themselves on the type of issues portrayed EG – body positivity (55), refugee crisis (56), female right exploitation (53) and how all of these issues are being battled
audience may seek to gain or explore personal identity EG – becoming more body confident (55), gender (101-105)
INDUSTRYwomen’s lifestyle magazine –  a “mindful magazine with a fresh perspective”
published by Iceberg press, independent publishing company – ‘Iceberg exists to do things differently’
make two magazines – The Simple Things and Oh Comely – and also sell many other magazines via Pics & Link (online news stand)
clever use of its digital resources – eclectic blog on The Simple Things website, newsletter, social media
Pics & Ink grew during lockdown by 500 per cent, with 150 magazines, covering everything from coffee to cycling, now on board
during lockdown there was a demand for niche magazines
 £5 in a few newsagents, independent retailers, cafes and museums
also a subscription service available – £14 for six months (3 issues)
the magazine was impacted by the pandemic and the final issue was published in September 2021

HESMONDHALGH
claims the ‘cultural industries are a risky business’ – audiences tastes are continuously adapting making predicting their needs very difficult
to avoid this risk he claims major cultural organisations create products for different industries in order to maximise chances of commercial success – evident with regards to Hearst as they own multiple companies in multiple sectors – if one fails, they will still have other assets
evident in Oh! as being owned by an independent company who does not own a large portion of media products meant that the magazine went out of business in 2019

CURRAN & SEATON
concerns how the media landscape has fallen under the control of a handful of global media conglomerates – creates a lack of diversity
contrastingly, Oh! is owned by an independent company which only creates one other magazine
meaning the magazine has the space to be as diverse as possible, as in its ideologies/representations etc wont blend in with other magazines
SOCIAL AND CULTURAL CONTEXTS a development in lifestyle and environmental movements of the early twenty first century which rebrand consumerism as an ethical movement. Its representation of femininity reflects an aspect of the feminist movement which celebrates authenticity and empowerment

Media products often challenge the social and cultural contexts in which they are created.
To what extent does an analysis of Oh Comely support this view?

  • Oh! challenges the social and cultural contexts which it is created in – it is unconventional in its productions process, genre, and representations
  • —————————————————————————————————–
  • Unconventional magazine in its production – independent company Iceberg Press, contrasting C&S’s belief that the media landscape has fallen under the control of a handful of global media conglomerates, creating a lack of diversity – IP only produce two magazines giving them the aptitude be as diverse and unique as possible
  • —————————————————————————————————–
  • unconventional of its genre – NEALE – female lifestyle magazine ‘mindful magazine with a fresh perspective, instead of presenting ideas about fashion, diets, unattainable beauty etc it focuses on feminism (53), politics (56), gender(101-105), body positivity (55)
  • links to MCQ&B – audience may seek to EDUCATE themselves on the type of issues portrayed or audience may seek to gain or explore personal identity
  • —————————————————————————————————–
  • unconventional in the way it represents female beauty – VAN ZOONEN – front cover portrays the dominant signifier – a woman -who is presented as more androgynous, wearing subtle, natural makeup, who lacks any element of sexualisation she is also gazing directly as the camera, rather than the camera ‘gazing’ at her, she is portrayed as powerful and more than just her body – challenges mainstream beauty ideals
  • unconventional in the way it represents ethnic minorities – HOOKS – Samali feminist activist (53), described as ‘fierce’ and an ‘unstoppable’ force’, represents a female member of the black community challenges social and cultural expectations of women as emotional and passive, instead she is portrayed as powerful
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  • links to to Hall – by creating representations of women that are closer to reality audiences can understand themselves more – eg pg101-5 – dominant reading – transgender people may feel empowered by this representation, negotiated reading – people comfortable in their biological gender cannot relate to their experience but can appreciate it

CSP- Mens health magazine

  • Constructed reality (of what men should look like)
  • Centred around the man
  • Dominant colour blue as blue is often linked to boys “boy colour” – reactionary, stereotype
  • Surrounded by bold, idealistic quotes
  • very subtle features/elements such as barcode, price, date
  • The anchor is large and dominant with a small design feature of vin diesels head being brought on top
  • using the actor vin diesel represents gender stereotype of men

FOFO Task

  • Owned by Hearst, american business information conglomerate, owns multiple magazines.
  • Hearsst owns half of a&e cable network

  • William R. Hearst III now chairs Hearst Corp., which owns more than 360 businesses.
  • ownership of weekly newspapers including the Houston Chronicle, San Francisco Chronicle, San Antonio Express-News and Albany Times Union; more than 200 magazines
  • Men’s Health magazine had an average monthly reach of around 1.8 million individuals in the United Kingdom from April 2019 to March 2020
  • At one point between 1920 to 1930 Hearst was the biggest media conglomerate in the world
  • The magazine was acquired by the Bauer Media Australia, which purchased Pacific Magazines in May 2020. In July 2020, publication of the magazine ceased.
  • Hearst also owns siter magazine Women’s Health

Mens Health – CSP

Front Cover

Reactionary Colour blue, stereotypical masculine colour

Dominant Signifier- Vin Diesel, known for his work in fast and furious, the movies main target demographic is men.

Fitness tips around Vin Diesel allude to the idea that if you follow the tips you can look like Vin Diesel

Hashtag possibly widens demographic to younger audience

Having Vin Diesel in the magazine can help make a constructed identity as he can be seen as an opinion leader so readers may value the advice/articles in this magazine more than they would if he wasn’t there.

Content

Article

Older man running marathon widens the demographic to an older audience