institution, audience, language and representation notes

Hesmondhalgh what is the differnece between culture industries and other industries`?

Cultural industries- For example, tarmacking a road is something that is essential. it is a necessity in life, however other industries such as media, is more for entertainment purposes.

Other industries is limited to what it can do where as in cultural industries are more able to adapt or be adapted, you can do many things with it to entertain or satisfy your intended audience.

media industries are a risky business according to Hesmondhalghs theory. You don’t know how people are going to react. however, in other industries such as Greggs if you sell a particular amount of goods one day you can likely predict what you can sell the next day based off the previous data.

Both industries rely on money to survive

industries

transnational media- Media that is accessible to multiple nations, not just limited to one.e.g. Netflix

commercial media- privately owned, audiences don’t pay. (adverts) e.g. itv

structure- patterns of ownership

No Offence

  • Production: (Abbott Production/Abbott Vision. Same company that made Shameless. Is a horizontal integration
  • Distribution (Vertical merger/integration- saves money)
  • Consumption (Channel 4, vertical integration)

regulation of ownership(no monopolies)

Types of ownership [State/public ownership-BBC, commercial/private ownership-ITV, community-Hautlieu Radio]​

Channel 4- mixed model/owned by government with adverts​

Hesmondhalgh

‘Media is a risky business’

Public Service Broadcasting

what is it?

Public broadcasting involves radio, television and other electronic media outlets whose primary mission is public service. In many countries of the world, funding comes from governments, especially via annual fees charged on receivers.

BBC:

it is critical of the government

An ‘arms length’ away from government

Horizontal Integration = When a conglomerate acquires media companies of the same media type.

Vertical Integration = Ownerships that allow a media company to produce and distribute products.

the key theorists:

  • Curran and Seaton- ‘Ownership of media industries’
  • Hesmondhalgh- ‘Media is a risky business’
  • Livingstone and Lunt- ‘Regulation’

media ownership

Characteristics of the public sphere

Curran and Seaton:

  • ‘The media is controlled by a small number of companies that make products to create profit’
  • ‘The business function of the media industry takes precedence over its creative/public service capacities’
  • ‘PSB provides impartial news, serves minority audiences and champions national unity by offering inclusive rather than exclusive content.’

livingstone and lunt

( media work in school)

Audiences

Key theorist: Stuart Hall

stuart hall:

  • ‘Encoding/Decoding’
  • Professional media encodes messages using visual and aural cues
  • Media encoding is affected by institutional context, media production processes and genre-driven routines.
  • Media products are encoded using established production processes.

Passive Consumption:

Lasswell created a model explaining the ‘linear model of communication.’ This explains how people are ‘spoon fed’ information.

Active Consumption:

Larzarfeld created a simpler liner model (Two step flow model) explaining that messages from the media aren’t directly given to the audience, but is filtered by ‘opinion leaders/influencers,’ who influence audiences/masses to like something based on what they say.

Audience Research/ Psychographic profiles:

Quantitative- Social Grades

Qualitative- type of people they are (explorer/mainstreamer/aspirer) 

Examples:

  • No offence represents British national culture to a British audience, but this identity is also used as a selling point internationally through the appeal of difference
  • No offence was broadcast on France2, the public service broadcaster, to very high viewing figures.

key Terms:

  1. Cultural industries  
  2. Production
  3. Distribution
  4. Exhibition / Consumption
  5. Media concentration
  6. Conglomerates
  7. Globalisation (in terms of media ownership)
  8. Cultural imperialism
  9. Vertical Integration
  10. Horizontal Integration
  11. Mergers
  12. Monopolies
  13. Gatekeepers
  14. Regulation
  15. Deregulation
  16. Free market
  17. Commodification  
  18. Convergence  
  19. Diversity   
  20. Innovation

representation

David Gauntlet

David Gauntlett – identity theory. What is the theory? “Identity is complicated; everyone’s got one.” Gauntlett believes that while everyone is an individual, people tend to exist within larger groups who are similar to them. He thinks the media do not create identities, but just reflect them instead.

judith butler:

JUDITH BUTLER questions the belief that certain gendered behaviors are natural, illustrating the ways that one’s learned performance of gendered behavior (what we commonly associate with femininity and masculinity) is an act of sorts, a performance, one that is imposed upon us by normative heterosexuality.

language

language of moving image:

  1. narrative structure
  2. Propp- stock characters
  3. Steve Neale- genre
  4. Levi Strauss- binary opposition

statment of intent

i am going to create a film sequence in the form of a trailer about someone who is running from something that they cant see and is going to follow them as they try escape the thing that they cannot see. i am going to be doing a series of films of the person in different shots as they are running or escaping this thing.

media regulation

The Aim of this post is to provide an introduction to the topic of REGULATION 🤗

STARTER

Republicans predict Elon Musk will unleash ‘free speech’ on Twitter while Democrats panic over misinformation

https://www.businessinsider.com/elon-musk-twitter-purchase-political-reaction-2022-4

ACTIVITY 1

Get students to express their own ideas in relation to Musk’s take-over bid for Twitter. Ask students to simply state their own case for regulation, censorship and control – or lack of it. Get students to sit in a horseshoe that indicates: FOR v AGAINST CENSORHSIP, REGULATION AND CONTROL. This will indicate either a LIBERTARIAN or AUTHORITARIAN PERSPECTIVE. This is a key conceptual approach that can be revisited by completing the Political Bias activity on the next page.

Hopefully the discussion will focus on the need to speak-up. Make a clear link between the benefits and drawbacks of saying what you think. Underline the role of the (mass) media in SELECTING, GATE-KEEPING & AMPLIFYING particular conversations and ideas.

blinded by the light

Original Blinded By The Light (2019) movie poster in c8 condition for $30.00
  • From writer/director/producer Gurinder Chadha
  • medium to low budget production ($15m).
  • co-funded by New Line Cinema (an American production studio owned by Warner Brothers Pictures Group) and independent production companies including Levantine films, bend it films and ingenious media.
  • bend it networks: “The company has a track record of appealing to diverse global audiences around the world with award-winning films that are moving, inspiring and commercial. With over 20 years of filmmaking experience, Bend It Networks has the ability to develop original ideas to create bespoke Films, TV Series and Stage Plays, as well as working with top-level writers in the U.K. and U.S.
  • blinded by the light is a low budget film possibly having a large effect on production, distribution and circulation
  • Bruce Springsteen’s music’s serves the roll of marketing and financing for the film.
  • the film can be bought/rented online on Apple TV, google play, prime video, vudu, movies anywhere, Microsoft, fandango now, YouTube
  • Identification of how Blinded by the Light is characteristic of a low-mid budget release, considering production, distribution and circulation
  • The role of the use of Bruce Springsteen’s music in getting the film financed and in the marketing of the film
  • • The use of film festivals in finding distribution deals for films
  • • Use of traditional marketing and distribution techniques; trailers, posters, film festivals etc.
  • • Marketing techniques such as use of genre, nostalgia, identity, social consciousness
  • • Distribution techniques – reliance on new technology; VOD, streaming
  • • Regulation of the industry through BBFC (British Board of Film Classification).
  • • Regulation including Livingstone and Lunt
  • film festival stuff – “it has acquired Blinded By the Light after its big Sundance Film Festival bow”

David Hesmondhalgh

  • Went to the university of Leeds.
  • Wrote books like The Cultural IndustriesMedia and Society and Culture, Economy and Politics: The Case of New Labour. Which all focus on the idea of the working world and what people expect in certain businesses and popular culture. For example expecting really happy, jumpy and creative people in a media job, whereas that isn’t the truth.
  • Hesmondhalgh argues popularity results in a large amount of product production and selling to make a large monetary game.
  • This is implied in the quote “the distinctive organisational form of the cultural industries has considerable implications for the conditions under which symbolic creativity is carried out’
  • Furthermore, Hesmondhalgh displays in this quote “there must be serious concerns about the extent to which this business-driven, economic agenda is compatible with the quality of working life and of human well-being in the creative industries.” that it must be difficult to have both a working life and a good life and them being compatible with each other where you are enjoying work and therefore creating a more enjoyable and happier person when out of work.
  •  “cultural industries are risky” 
  •  “All business is risky, but the cultural industries constitute a particularly risky business” 
  • Funding
  • Blinded By The Light cost around $15m to make. Key points:
  • Bend It Films developed the film with support from Levantine Films and Ingenious Media.
  • Levantine Films is an independent production company that had a major success with Hidden Figures in 2016 which grossed $230m at the worldwide box office.
  • The Ingenious Group is an investment company that invests money in projects that have the potential to deliver future profits.

Production
Key points for making Blinded By The Light:

  • Adapted from a book called Greetings From Bury Park by Sarfraz Manzoor (a play on ‘Greetings From Asbury Park’ – a Bruce Springsteen album). The memoir outlined his experiences growing up in Luton in the 1980s and discovering the music of Springsteen.
  • Co-written and directed by Gurinder Chadha who had a smash hit in 2002 with her film Bend It Like Beckham (Bend It Like Beckham made over $100m at the worldwide box office).

DistributionBlinded By The Light was picked up by New Line Cinema at the 2019 Sundance Film Festival after a bidding war with various other major film distributors. The film had been well received by audiences at the film festival. 

  • The all-night auction following the world premiere at the Sundance Film Festival in January 2019 guaranteed the film a major global cinema release which many films never achieve.
  • Previously offered for sale at the 2018 Cannes Film Festival but did not attract a buyer at that point although UK distribution was secured by eOne Entertainment, a Canadian media company.
  • New Line Cinema are an American production studio owned by Warner Brothers Pictures Group.
  • The film was released in cinemas worldwide in August 2019. The DVD release followed in December 2019 distributed by Paramount Home Entertainment – a Viacom company.
  • Deal with Amazon Prime secured in early 2020 for streaming in the UK.

Reception and box office

  • Positive word-of-mouth marketing but poor box office figures – just $18.1m box office against a $15m budget which means the film almost certainly lost money when factoring in the global marketing campaign.
  • Rival studios argued that Warner Bros. should have begun with a limited release to build audience interest, and that the film’s August date was too close to that of Yesterday, a film with some surface similarities. [Source: Deadline Hollywood].

Promotion and marketing

Blinded By The Light was backed by a major international marketing campaign: 

  • Traditional marketing: trailer, film poster with review quotes etc.
  • Premieres – London, Luton and Asbury Park, New Jersey (attended by Bruce Springsteen).
  • Heavy social media presence – Facebook, Twitter, Instagram, YouTube.
  • Interviews with writer, director and stars across TV, radio, newspapers and magazines (see below).

key words

  • Cultural industries  – An economic field concerned with producing, reproducing, storing and distributing cultural goods/services. 
  • Production- The act of producing an output, goods or service which has value and contributes to the utility of people.
  • Distribution-  The methods by which media products are delivered to audiences, including the marketing campaign
  • Exhibition / Consumption-The sum of information and entertainment media taken in by an individual or group. It includes activities such as interacting with new media, reading books and magazines, watching television and film, and listening to radio.
  • Media concentration-
  • Conglomerates-a thing consisting of a number of different and distinct parts or items that are grouped together.
  • Globalization (in terms of media ownership)-The production, distribution, and consumption of media products on a global scale facilitating the exchange and diffusion of ideas cross-culturally.
  • Cultural imperialism-the imposition by one usually politically or economically dominant community of various aspects of its own culture onto another non-dominant community.
  • Vertical Integration- Vertical integration refers to the process of acquiring business operations within the same production vertical. A company that opts for vertical integration takes complete control over one or more stages in the production or distribution of a product. (distribution company buying a production company)
  • Horizontal Integration- Horizontal integration is a business strategy in which one company acquires or merges with another that operates at the same level in an industry. Horizontal integrations help companies grow in size and revenue, expand into new markets, diversify product offerings, and reduce competition. (Production company buying another production company)
  • Mergers-The voluntary fusion of two companies on broadly equal terms into one new legal entity
  • Monopolies- The exclusive possession or control of the supply of or trade in a commodity or service.
  • Gatekeepers- Gatekeeping is the process through which information is filtered for dissemination, whether for publication, broadcasting, the internet, or some other mode of communication
  • Regulation- The process by which a range of specific, often legally binding, tools are applied to media systems and institutions to achieve established policy goals such as pluralism, diversity, competition, and freedom.
  • Deregulation- The removal of regulations or restrictions, especially in a particular industry.
  • Free market- A system in which the prices for goods and services are self-regulated by buyers and sellers negotiating in an open market.
  • Commodification – The transformation of things such as into objects of trade or commodities. (charging people for things)
  • Convergence  – Transforms established industries, services, and work practices and enables entirely new forms of content to emerge.
  • Diversity – The condition of having many different elements.
  • Innovation –  The practical implementation of ideas that result in the introduction of new goods or services or improvement in offering goods or services.

moving image nea

  1. Linear- where events are largely portrayed in a chronological order
  2. Chronological- the order in which the events occurred, from first to last
  3. Sequential- a series of scenes that form a distinct narrative unit
  4. Circular structure- the story ends where it began
  5. Time based-  is to watch it unfold over time according to the temporal logic of the medium as it is played back.
  6. Narrative arc – the story a film follows along with a dramatic arc within it somewhere to keep viewers attention.
  7. Freytag’s Pyramid – the idea that the start of a film is the exposition, middle is climax and ending is the denouement.
  8. exposition – a comprehensive description of an event, story or idea.
  9. inciting incident – the event that sends the main character/characters on the mission/adventure.
  10. rising action – the bulk of the plot that ends at the end of the story/film.
  11. climax – everything that the plot leads up to.
  12. falling action – what happens after the climax and the plot/action calms down.
  13. resolution – a firm decision to do or not to do something.
  14. denouement – the final part of a play, film, or narrative in which the strands of the plot are drawn together and matters are explained or resolved.
  15. Beginning / middle / end – there are always these parts to a movie
  16. Equilibrium – a state in which opposing forces or influences are balanced.
  17. Disruption – when something gets in the way of something else
  18. New equilibrium –
  19. The 3 Unities: Action, Time, Place
  20. flashback / flash forward – used to show the past/future
  21. Foreshadowing – a warning or indication of a future event
  22. Ellipsis – the omission from speech or writing of a word or words that are superfluous or able to be understood from contextual clues.
  23. Pathos – a quality that evokes pity or sadness.
  24. Empathy – the ability to understand and share the feelings of another.
  25. diegetic / non-diegetic – of sound in a film, television programme, etc. occurring within the context of the story and able/ not able to be heard by the characters.
  26. slow motion – when things are filmed slower then the actual action in real life.
  27. peripeteia – change in fortune
  28. anagnorisis – a dramatic revelation
  29. catharsis – idea that we are freed by consuming something

Physical

What is needed to make a film?

  • Actors
  • Camera
  • Microphone
  • Costumes
  • Director
  • Sound/Music
  • Money
  • Editing Software
  • Editor
  • Props
  • Screenwriter
  • Camera Man
  • Script/Story
  • Lighting

Conceptual

Narrative Structures

  • Straight line- Chronological (In order of time)
  • Linear
  • Sequential
  • Flashbacks/flashforwards
  • Ellipsis- Skip parts of time
  • Parallel

synopsis

my film is about a teenager who’s been set up for murder and the lengths him and his friends have to go to to release him of his charges. the story starts off when a group of friends get jumped by a rival gang, right infront of cctv, without anyone being badly hurt they leave the scene, 2 days later they are watching the news at the teenagers house and see that the teenager is wanted for the murder of a man in their rival gang. The teenager pleads guilty in court due to him being at the scene very close to the time of death, whilst his friends In the end, they manage to release him from prison and the death penalty, and put the true murderer where he belongs. The movie will take place in a rough town in England, where the group face many challenges, fights and deaths in order to save their friend.my movie will be called _______.

Todorov

  • 3 part structure
  • equilibrium, disruption, new equilibrium
  • idea that the start is normal life, then there is a big disruption/disaster that occurs and then there is the end which is problem solving.
  • the stage of equilibrium
  • the conflict that disrupts this initial equilibrium
  • the way / ways in which the disruption looks to find new equilibrium
  • the denouement /or resolution that brings about a new equilibrium
  • condensed equilibrium – when contemporary audiences have much a much lower level of boredom, expecting products to deliver actions and disruptions quicker. producers proper narratives towards moments of immediate disruption to hook the engagement of the audience.
  • multi perspective narratives – stories told from different perspectives
  • frame stories – stories told inside of stories
  • metanarratives – prove audience with moments that draw attention to the idea that they are watching a story (fourth wall)

Vladimir Propp

has the idea that all characters are the same.

  1. Hero
  2. Helper
  3. Princess
  4. Villain
  5. Victim
  6. Dispatcher
  7. Father
  8. False Hero

Often there is a villain who has done something to a victim. This means that we need a hero, who (often) accompanied by a helper is sent out (by a dispatcher) to fight the villain. The dispatcher or similar donor (such as a father figure) prepares the hero in his ‘quest‘ and gives the hero some magical object. The hero generally meets the princess as part of his quest / journey which usually provides a happy ending. During the narrative we (and the princess) may be presented

they do not necessarily have all characters listed, but all of the characters in the film will be listed.