Key words/definitions

  • Cultural industries  – An economic field concerned with producing, reproducing, storing and distributing cultural goods/services.
  • Production- The act of producing an output, goods or service which has value and contributes to the utility of people.
  • Distribution-  The methods by which media products are delivered to audiences, including the marketing campaign
  • Exhibition / Consumption-The sum of information and entertainment media taken in by an individual or group. It includes activities such as interacting with new media, reading books and magazines, watching television and film, and listening to radio.
  • Media concentration-
  • Conglomerates-a thing consisting of a number of different and distinct parts or items that are grouped together.
  • Globalization (in terms of media ownership)-The production, distribution, and consumption of media products on a global scale facilitating the exchange and diffusion of ideas cross-culturally.
  • Cultural imperialism-the imposition by one usually politically or economically dominant community of various aspects of its own culture onto another non-dominant community.
  • Vertical Integration- Vertical integration refers to the process of acquiring business operations within the same production vertical. A company that opts for vertical integration takes complete control over one or more stages in the production or distribution of a product. (distribution company buying a production company)
  • Horizontal Integration- Horizontal integration is a business strategy in which one company acquires or merges with another that operates at the same level in an industry. Horizontal integrations help companies grow in size and revenue, expand into new markets, diversify product offerings, and reduce competition. (Production company buying another production company)
  • Mergers-The voluntary fusion of two companies on broadly equal terms into one new legal entity
  • Monopolies- The exclusive possession or control of the supply of or trade in a commodity or service.
  • Gatekeepers- Gatekeeping is the process through which information is filtered for dissemination, whether for publication, broadcasting, the internet, or some other mode of communication
  • Regulation- The process by which a range of specific, often legally binding, tools are applied to media systems and institutions to achieve established policy goals such as pluralism, diversity, competition, and freedom.
  • Deregulation- The removal of regulations or restrictions, especially in a particular industry.
  • Free market- A system in which the prices for goods and services are self-regulated by buyers and sellers negotiating in an open market.
  • Commodification – The transformation of things such as into objects of trade or commodities. (charging people for things)
  • Convergence  – Transforms established industries, services, and work practices and enables entirely new forms of content to emerge.
  • Diversity – The condition of having many different elements.
  • Innovation –  The practical implementation of ideas that result in the introduction of new goods or services or improvement in offering goods or services.

A=1 B=2 C=5

BLINDED BY THE LIGHT NOTES

  • Bruce Springsteen music is used and licenced within the film.
  • The film wasn’t a high budget film with only around $15 million to spend on the entire production.
  • Companies that funded the film were New Line Cinema, Levantine Films, Ingenious Media and Bend It Films.
  • The film used the normal ideas of posters, adverts and bill boards to advertise the film.
  • The film wasn’t released on the typical DVD format after being released to cinemas, it was released to a streaming service after making $17.2 million in the box office.
  • Perfect example of what a low-budget American film can look like.

INSTITUTIONS – KEY DEFINITIONS

  1. Monopolies – The exclusive possession / control of the supply of or trade in a commodity / service.
  2. Gatekeepers – A system that decides what info is released to the public.
  3. Regulation – Rules enforced by the jurisdiction of law in which a range of specific bindings / tools are applied to media systems.
  4. Deregulation – Taking away power in the government of a company to create more competition and fight for promotions.
  5. Free market – An unregulated system of economic exchange in which taxes, quality controls, quotas, tariffs and other forms of centralised economic interventions by the government do not exist or are minimal.
  6. Commodification – A process of using other peoples services, ideas and relationships to create objects for sale.
  7. Convergence – The merging of previously distinct media to create an entire new form of communication expression.
  8. Diversity – A variety or assort of media.
  9. Innovation – The changing in several aspects of the media landscape. The invention of new vales in the marketing sector.
  10. Cultural industries – A economic sector that is primarily engaged in producing, reproducing, storing and distributing cultural goods and services.
  11. Production – Making a product that is viewable through sound and video.
  12. Distribution – A product is released and delivered to the receiving audience.
  13. Exhibition / Consumption – A product being released and purchased by consumers in the public.
  14. Media concentration – A couple of people or company that control the flow and release of media.
  15. Conglomerates – A father company that owns multiple smaller companies which control media flow.
  16. Globalisation – Sending media throughout a worldwide system using different forms of distribution to different types of cultures.
  17. Cultural imperialism – Western nations dominate the media around the world.
  18. Vertical Integration – A media company that owns multiple businesses in the same type of production and distribution.
  19. Horizontal Integration – A media company that owns multiple businesses of the same monetary value.
  20. Mergers – Two or more companies merge together to make one big company that produce and distribute a certain type of media.

DAVID HESMONDHALGH

  • Went to the university of Leeds.
  • Wrote books like The Cultural Industries, Media and Society and Culture, Economy and Politics: The Case of New Labour. Which all focus on the idea of the working world and what people expect in certain businesses and popular culture. For example expecting really happy, jumpy and creative people in a media job, whereas that isn’t the truth.
  • Hesmondhalgh argues popularity results in a large amount of product production and selling to make a large monetary game.
  • This is implied in the quote “the distinctive organisational form of the cultural industries has considerable implications for the conditions under which symbolic creativity is carried out’
  • Furthermore, Hesmondhalgh displays in this quote “there must be serious concerns about the extent to which this business-driven, economic agenda is compatible with the quality of working life and of human well-being in the creative industries.” that it must be difficult to have both a working life and a good life and them being compatible with each other where you are enjoying work and therefore creating a more enjoyable and happier person when out of work.

Blinded by the light notes

Summary

 website (Bend it Networks)
• website (Warners)
• posters
• trailer
• social media presence (TwitterInstagramfacebook etc).

His experiences as a British Muslim boy growing up in 1980s Luton and the impact Bruce Springsteen’s lyrics had upon him.

It is a low-mid budget release ($15m) co-funded by ‘New Line Cinema’, a company owned by the ‘Warner Brothers Picture Group’.

WarnerMedia – is a Global Conglomerate of Warner Bros, Home Box Office, Turner Entertainment Networks, CNN Worldwide, etc

It was directed by Gurinder Chada, a British director known for Bend it Like Beckham

“At a time of such political and social instability in the world, this film provides us with a vital reminder of our shared humanity and the transformative power of music on both a personal and global scale.”- Gurinder

“I was so affected by Springsteen’s songs shows just how powerfully music can transcend race, religion, nationality and class.”- Sarfraz Manzoor

Media industries- how does this film work

  • Its distributor New Line Cinema is associated with ‘indie’ films although it is a subsidiary of Warner Brothers Pictures, part of the global conglomerate, WarnerMedia.
  • co-funded by New Line Cinema and independent production companies including Levantine Films, Bend it Films and Ingenious Media.
  • ‘Bend It Films’ is a UK based, indie production company owned by major US conglomerate ‘Warner Brothers’. Linking to the fact that major companies need new ideas and concepts, provided by the independent companies they own whilst independent companies need major companies to fuel distribution and exhibition because these major companies have the right to use streaming platforms to display their productions.
  • The role of the use of Bruce Springsteen’s music in getting the film financed and in the marketing of the film
  • • The use of film festivals in finding distribution deals for films
  • • Use of traditional marketing and distribution techniques; trailers, posters, film festivals etc.
  • They have 1472 Instagram followers and 37 posts
  • • Marketing techniques such as use of genre, nostalgia, identity, social consciousness
  • • Distribution techniques – reliance on new technology; VOD, streaming
  • • Regulation of the industry through BBFC (British Board of Film Classification).
  • • Regulation including Livingstone and Lunt

Importance of film festivals

Five-minute standing ovation at the film’s world premiere at the festival. Carolyn Blackwood, President & Chief Content Officer, New Line Cinema, “‘Blinded by the Light’ is one of those incredibly special films, filled with humanity, heart and pure joy, that is simply impossible to resist.

Gets the film known with popular people who will help advertise it and reach their audience as well as a new audience.

The Importance of recognisable Generic Conventions (and the use of familiar music)

Ideas about the importance of genre: His life is saved when he’s turned on to the music of Bruce Springsteen during the late ‘80s National Front/dole queue era. It serves as a poignant parallel to the xenophobia of today.

The use of recognisable music in the marketing of the film: Music can make the other side of the ocean feel like it’s only a hop, skip, and a jump away. It’s the reason Bruce Springsteen can speak directly to a British-Pakistani teenager, who is just trying to survive the cruelties of Thatcher’s Britain.

Chadha tries to reinforce the meaning of Springsteen’s lyrics by having key phrases fly across the screen, but it’s a totally unnecessary – and, frankly, quite an awkward stylistic choice. 

The sense of joy is infectious.

Influences when making the film (social, cultural and economic impacts)

As a low-mid budget film, it can be considered in its economic context having a mix of independent and major production and distribution contexts targeting a different audience to ‘indie’ and high budget films.

http://mediamacguffin12.blogspot.com/2021/01/film-industry-blinded-by-light-case.html

blinded by the light

blinded by the the light is a film which was low budgeted (15mil). It has grossed $17mil, the songs were sung by American pop star Bruce Springsteen who was very well known.

The role of the use of Bruce Springsteen’s music in getting the film financed and in the marketing of the film, there was use of traditional marketing and distribution techniques; trailers, posters, film festivals etc.

Film: Blinded By The Light (12A) - Keighley Creative

CSP – BLINDED BY THE LIGHT

Blinded by the Light (2019)

  • ‘Blinded by the Light’, directed by Gurinder Chadha (known for 2002 film ‘Bend it like Beckham’ which made over $100M), was released in January 2019.
  • In an interview with Stefan Pape of the ‘HeyUGuys’ YouTube channel in August 2019, Chadha said that she created a film with a similar theme to ‘Bend it like Beckham’ because it is “what she knows” and that she was “worried about the repetition” which is why she left a 17 year gap between the two.
  • This links to David Hesmondhalgh’s idea that the “cultural industries are risky” and indie companies and even majors often rely on repetition of what they know, and are good at producing, to keep a dedicated audience and fan base, meaning money and reduction of risk.

David Hesmondhalgh says; “All business is risky, but the cultural industries constitute a particularly risky business” 

The media and creative industry is based off of audience preference, taste, and how audiences will react to productions. For example, if a production gets a unexpected, negative reaction, money is lost without being made back and jobs are lost, making it a risky venture. Artists and producers take a risk when creating a product as they don’t have any idea how it will be received by the consumers.

  • It is based on the ‘true story’ of a Pakistani boy growing up in the UK in the 1980s. The film is written by and largely influenced by Sarfraz Manzoor’s, 2007, personal memoir, ‘Greetings from Bury Park’ (a play on the ‘Greetings from Ashbury Park’ album by Bruce Springsteen (1973).
  • It was a ‘medium-low’ budget production ($15m), the British coming of age, comedy was co-funded by ‘New Line Cinema’ (founded in 1967), a company of the label ‘Warner Brothers Picture Group’, sub division of the ‘Warner Brothers’ media concentration. Regulation of the industry through the BBFC (British Board of Film Classification).
  • ‘Bend It Films’ is a UK based, indie production company owned by major US conglomerate ‘Warner Brothers’. Bend It Films developed the film with support from Levantine Films and Ingenious Media. Linking to the fact that major companies need new ideas and concepts, provided by the independent companies they own whilst independent companies need major companies to fuel distribution and exhibition because these major companies have the right to use streaming platforms to display their productions.

Bruce Springsteen’s Music

  • The production uses Bruce Springsteen’s music from his fame during the 1970-80’s. The use of his music is a clever way of not only globalizing exhibition to project to Springsteen fans worldwide and also playing to a older demographic through a sense of nostalgia and way of looking back to the past.
  • “One would assume it would mostly appeal to British Asians who lived through the 1980s, Bruce Springsteen fans, and in particular, Asian Bruce Springsteen fans who lived through the 1980s.” – Guardian online Article : ‘My film is bridging cultural divides. This gives me hope in such polarised times’ by Sarfraz Manzoor, Thursday 29 Aug 2019.
  • Independent online Article : ‘Blinded by the Light, review: Gurinder Chadha’s ode to Springsteen is utterly joyous’, Wednesday 14th August 2019
  •  “Blinded by the Light offers not only a reminder of Springsteen’s lyrical genius, but of how he’s always served as a beacon for the disenfranchised, wherever they may be”
  • Nostalgia for Springsteen fans
  • The director was granted the rights to use Springsteens music at a discounted rate from his management at Universal Music Publishing Group (UMPG) and Sony Music. In an interview with Variety (Jan 2019), Chadha reflects on her thoughts before making the film “I know how to make this film, but we have to get Bruce on our side.” Evidently the film needed the funding and support from Springsteen himself to be produced and completed. – Being as Bend it Films is an independent company, it needs support, unlike other companies who can self fund projects.

Distribution and Marketing

  • Released in cinemas in August 2019
  • Made $18.1 million in box office
  • Picked up by New Line Cinema at the January 2019 Sundance Film Festival in Utah, USA
  • This premiere guaranteed a global cinema release.
  • Premieres took place in London, Luton and Ashbury park (attended by Springsteen)
  • With ‘Bend it Films’ being owned by parent company ‘Warner Bros’, the film lends itself to being promoted through the plethora of streaming services that Warner Bros can access for their productions. For example, the film can be bought or rented on amazon prime video, google play and Apple TV as well as being streamed on Netflix.
  • Use of social media such as Twitter, Instagram and Facebook as a way of distribution and advertisement. The ‘Metaverse’ conglomerate uses horizontal integration, meaning that it holds many huge companies under its overarching ownership . The verified Instagram account ‘@blindedbythelightmovie’ has over 6,000 followers however it only follows 5 people, including the director, writer and a few leading characters. Perhaps the use of these accounts is to send a direct message of promotion rather than a way of connecting with their consumers, it’s sole purpose is to inform and distribute.

blinded by the light

Film: Blinded By The Light (12A) - Keighley Creative

*Low budget film that cost $15 million to make

*The songs are by Bruce Springsteen a well known American artist

*A small British film production that works with warner bros in America, a big film company

*The film is advertised on Instagram, Twitter and Facebook and they put clips of the film to get people to watch it but most of the time it shows spoilers

*Its based on a true story about a Pakistani boy trying to fit in in the UK

*There’s an article on the guardian by Sarfraz Manzoor posted Thursday 29th august 2019 and mentions that people from all over the world from Jerusalem, Omaha and Australia thanking them for the representation in the film and how they connected with the main character

*The film is regulated by BBFC

*The use of Bruce Springsteen’s music helps him earn more money because of the film using his songs