csp 3 – Score

Textual Analysis:

  • Strapline is “Get what you’ve always wanted”. This immediately attracts the customers attention
  • Big slogan above a long (repetitive) paragraph.
  • 1 main male.
  • 5 main female models, are shown in awe of the man, supposedly because of the product.
  • The setting that the models are in is supposed to be Africa, this is evident due to the leaves behind, and safari-style clothes.

Representation

The strapline ‘Get what you’ve always wanted’ appeals to the aspirer, who wants to achieve greater things. The advert also implies that wearing its product will help you gain the sexual attention of young women, which appeals specifically to heterosexual men. Also, by choosing to use a group of white people in Africa, the product appeals to 1960s imperialists who are still clinging to the ideals of the recently collapsed British Empire.

There is no doubt that the audience response to this product will have changed quite a bit over time. Firstly, the lack of diversity in the advert is now laughable (especially when you consider that the advert is supposed to be set in an African safari). Also, the sexual politics of the advert now seem rather questionable. The man in the advert looks around 40-50 years old, and yet he is being carried around by women who look as if they’ve just turned 20 years old. The addition of a gun as a phallic symbol also hasn’t aged well, as it implies that ‘to be a real man’ men have to be powerful and violent.

Also, by implying that the group had sex, the advert is trying to appeal to the ideals of ‘the second wave of feminism’ which created a larger acceptance of birth control, divorce, abortion and homosexuality.

Clearly, the advert is trying to use sex to sell their product. This is an extremely common strategy even today, but the products explicit way of using it hasn’t exactly aged well compared to today’s modern standards.

Score

Mise-en-scene analysis-  It considers its historical, social and cultural contexts, as it relates to gender roles, sexuality and the historical context of advertising techniques. There are women and one man to suggest that you will get all the females if you buy the product. They also use a lot of words that are repeatedly repeating itself.

Semiotics – I believe they use a mixture of indexical symbols as it relates to a jungle as they are dressed in safari clothing and there is a platform where the material is a leopard which could suggest they are in a forest as they also have the bushes or trees behind them as there background.

Representational analysis – In 1967 the picture could identify that this period of slow transformation in western cultures with legislation about and changing attitudes to the role of women – and men – in society, something that the advert can be seen to negotiate. The Score advert was produced in the year of decriminalisation of homosexuality and as such, the representation of heterosexuality could be read as signalling more anxiety than might first appear. The reference to colonialist values can also be linked to social and cultural contexts of the ending of Empire.

Narrative – The three women at the back suggest that the man are getting their attention from them and the 2 women at the front suggest that they could be showing off on their looks and how lucky the man is which could also explain that the advert is sexualising them. The woman starring into the camera illustrates how she could be saying to the men buy this product and you will get all this.

Audience- It creates the desire for this product as it challenges the product ideas as it is trying to influence men that if they were to buy the product they will get all they want. The brand message for this product is the great grooming action of a hair cream from liquid. This doesn’t imply anything to us, so therefore this doesn’t tell anything about the product. The audience responses to the narrative because it influences and manipulates the men into something different.

SCORE AD

The AD was made in 1967 and constructs a clear narrative. From what you can see in the AD, there are 5 women – all of them either holding up a man or grabbing at him. The woman in the front left is staring towards the camera, suggesting that she is inviting those who see the AD to join them if they buy the product. The AD also suggests that the man was a nobody before he bought the product, and only has those women reaching at him because of the hair cream. This AD was created during a change in society, the second wave of feminism started and there were changes with a greater acceptance of divorce, abortion and homosexuality.

This AD may have been wanting to show that even though there was change at the time, straight white men were still at the top and the change was not going to grow big enough to change that, with the straight white man being held up on a platform as royalty would be. Furthermore, the women in the AD are wearing little clothing, whilst the man is fully dressed – clearly sexualizing the women.

score

Similarly, feminist critical thought became much more prominent and pronounced during the counter cultural movements of the late 1960’s and early 1970’s, which heralded, among other changes a greater acceptance of birth control and divorce, abortion and homosexuality.

There was also the abolition of hanging and theatre censorship, and the Obscene Publications Act (1959) which led to the Chatterly trial. Nevertheless, as Johnathon Dollimore wrote: ‘all this should not be seen as a straightforward displacement of dominant conservative attitudes‘ (1983:59).

However, the Score advert was produced in the year of decriminalisation of homosexuality and as such, the representation of heterosexuality could be read as signalling more anxiety than might first appear. The reference to colonialist values can also be linked to social and cultural contexts of the ending of Empire.

The advertising techniques of fifty years could be compared to those of today. For example, references could be made with the Lynx Effect advert and the Specsavers adverts (both from 2010) which received criticism from the ASA, and again reference to body image and changes in what society deems acceptable and unacceptable representations. So have ideas and acceptance around representation of gender really changed since the 1960’s?

  • made in 1697
  • sexist – sexualises women by representing them in revealing, tight clothing.
  • racist – all white characters in an African jungle setting however no black characters

SCORE (CSP 3)

  1. Mise-en-scene analysis – Through the denotation you can see 1 male and 5 females, 3 of the females whom are looking at the male, one of the other ones is looking off in the distance with a smug smile on her face and the other is directly looking into the camera. It seems like they are in a jungle due to the types of plants and clothes they are wearing (safari clothes) Below all of this is the product advertisement explaining what its about and a picture of it.
  2. Semiotics – The dominant signifier would be the male as he is being upheld by all the woman. There is an strapline with the picture at the top of the advertisement which reads out “Get what you’ve always wanted” and there is also a copy which is the white box at the bottom of the advertisement. The advertisement is seen as reactionary. They could be creating a myth where to make men think that’s what will happen to them if they were to use that product.
  3. Representational Analysis – All of the woman are upholding the man as if he is the most important, they are also grabbing onto him and reaching out to him which suggests that they want him. The girl looking into the camera could give the ideal heterosexual man voyeurism.

copy

– 1967 advertisement

Arguable due to the sexist approach of the male be admired by females around him. ‘Get what you always wanted’ simplifies the idea that all males wish to be paraded through the jungle by females dressed in minimal clothing, when in fact a bottle of hair gel cannot achieve that. When mentioning the minimal clothing, the idea of a sexualised view of women selling when it comes to advertisement is only emphasised. Laura Mulvey’s theory of the ‘male gaze’ links to this due to a group of four females lifting him above them. Infatuated by his appearance and masculinity of carrying weaponry, of which was potentially used to shoot his prey.

The male directed product includes the mentioning of it smelling of ‘the male scent’, not justifying what that exactly is. No mention of a unisex approach to the product is included, suggesting the time and lack of knowledge, when it comes to targeting a large audience.

Score product

The advert was made in 1967 and can be examined by the historical and social values at that time.

Also the “Second wave of feminism” was going on during the time this advert was created. This movement created a larger acceptance of birth control, divorce, abortion and homosexuality.

However the score advert was created during the down fall of the empire so the representation of women may be used to help to link to the former values of masculinity and the man is in control. In the representation of women shows that the man is still very much in charge as they are holding him up and carrying him where he wants.

It represents women in a sexual manner, creating more people to buy because its linked to sex.

SCORE product

The advert was made in the 1960’s and as such it can be examined by considering the historical and social values at the time.

Also the “Second wave of feminism” was also going on during the time that this advert was created. This movement created a larger acceptance of birth control, divorce, abortion and homosexuality.

However the score advert was created during the fall of the empire so the representation of women may be used to help to cling onto the former values of masculinity and that the man is in control. This is present in the representation of women which shows that the man is still very much in charge as they are holding him up and carrying him where he pleases.

Techniques Of Persuasion

  1. How does this advert create desire for the product
  2. Think about brand values, brand message, brand personality and brand positioning should inform the analysis
  3. Think about how and why audience responses to the narrative of this advert may have changed over time
  4. Essentially, students should be able to demonstrate knowledge and understanding of the persuasive techniques used in the advert

Score

Mise-en-scene analysis: In this picture, the makers have used the strapline ‘Get what you’ve always wanted’ as it’s short and memorable. The makers of the advert have also used this to position their audience to think that they’ve always wanted the hair product but it’s also a metaphor for the audience always wanting women and getting them. The male is showing dominance as he is representing ‘The King of The Jungle’ and he is being carried by all the women who represents it’s prey.

Semiotics: what signs are being used and how are they being used?

Representational Analysis: How are groups individuals and ideas represented remember that these are socially and historically relative, BUT they do incorporate viewpoints and ideologies which need to interrogated. So think about the decisions and choices that have been made about how to represent social groups

Similarly, feminist critical thought became much more prominent and pronounced during the counter cultural movements of the late 1960’s and early 1970’s, which heralded, among other changes a greater acceptance of birth control and divorceabortion and homosexuality.

There was also the abolition of hanging and theatre censorship, and the Obscene Publications Act (1959) which led to the Chatterly trial. Nevertheless, as Johnathon Dollimore wrote: ‘all this should not be seen as a straightforward displacement of dominant conservative attitudes‘ (1983:59).

However, the Score advert was produced in the year of decriminilasiation of homosexuality and as such, the representation of heterosexuality could be read as signaling more anxiety than might first appear.

The advert was made in 1967, it can be examined productively by considering its historical, social and cultural contexts. Score heavily relates to gender roles, sexuality and the historical context of advertising techniques. 1967 can be seen as a period of slow transformation in western cultures with legislation about and changing attitudes to the role of women – and men – in society, something that the advert can be seen to negotiate.

The advert makes men think that if they use score, women will instantly be attracted to them and they will become the superior, alpha male.

Women didn’t have the rights that they do now when this advert was made and they were often objectified be men and were and are often stereotyped.

Score CSP 3

  • First shown in 1967
  • The women are shown not wearing much clothing
  • The advert is of very poor quality, even for something that is over 50 years old.
  • The text is very repetitive and the iconic signs (images) portray the product as looking like bleach or something similar, not something you would want to put in your hair.
  • The clothing the people are wearing suggests they are on a safari in Africa or something similar.
  • The background plants look plastic and you can even see the carpeted floor.