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Aesthetics

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Aesthetics are the overall appearance, style and perception of a film. For example, the makeup or costumes worn, set design and props.

Aesthetics term 1: realism

Verisimilitude- The appearance of being true, believable or real

In This is England (Meadows 2007) the set design and use of location shooting creates an accurate and detailed image of 1983 England.

Social Realism- the aim to draw attention and recreate, social/political issues and critique those to blame. For example, showing poor conditions in the working class and critiquing capitalist views.

Of mice and men (Sinise 1992) include many political elements and give viewers an insight of America during the great depression following the Wall street crash in addition to the prominent social issues such as racism and sexism.

Magic Realism- Presenting a realistic detailed view incorporating magic or fantasy elements, often blurring the line between speculation and reality.

The Harry Potter franchise perfectly encapsulates the essence of magic in the real world while questioning if its fantasy fiction and reality.

Hyperreality- The lines between fantasy and reality are blurred and fantasy is well blended to the reality so there is no obvious distinction between them.

In Barbie (Gerwig 2023) fiction is morphed into reality as Barbie leaves her fantasy land and brings it to the real world.

Aesthetics term 2: Visual style

Iconography- The use of reoccurring visual symbols/images that convey specific themes or ideas, add to the plot and add emotion.

Intertextual referencing- Occurs when a movie overlaps with another art piece, such as a book, another film or a piece of music.

Visual/sound motifs- A reoccurring sound or visual symbol in a film that highlights the films plot or message its trying to portray. These visual symbols could be reoccurring objects, colours or shapes.

Colour grading- When raw film is edited and manipulated to create consistent colour tones throughout, like a filter to create a distinct colour pallet.

In Fantastic Mr Fox there is a prominent use of browns and oranges to create a clear, specific colour pallet to reflect the film

Auteur trademarks- When the film is clearly directed by a specific person based on a distinctive sign telling their work apart from other peoples.

Wes Anderson is an auteur as his style is unique and his work can be told apart from other films. He uses a specific narrative and visual style to make his work distinguishable.

Aesthetics term 3: Tone

Pathos- Appealing to audiences emotion

Bathos- Refers to the rhetorical anti-climax, transition from one topic to a vastly different one.

Suspense- Creation of a feeling of anticipation from the audience, this can be heightened by a stressful violent or emotive scene. Gives an effect similar to a cliff-hanger.

Comedy- Humorous, designed to make audiences smile and laugh.

Dramatic irony- When the audience know information the characters don’t, creating humour or suspense.

Distancing effect- Achieved when the audience cannot have the illusion of being an unseen spectator.

Representation, Uncategorised

Aesthetics

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aesthetics definition – The overall style of a film and the visual appearance. This can include the costumes and the set design throughout the movie

Aesthetics term 1-realism

definitions

Realism – a way to represent real life issues / characters through film

verisimilitude – The appearance of being true or real; believability

Example– Selma is an example of verisimilitude since its based on real events that happens (the fight to pass the voting act right)

social realism – Effects on the environment and the factors of the development of characters throughout

Example – This is England is an example of social realism since in the movie represents real life England and its issues, including the racist development of Shaun.

magic realism – a literary or artistic genre in which realistic narrative and naturalistic technique are combined with surreal elements of dream or fantasy

example – Encanto (2021) is a magic realist film since the movie has surreal elementals like magical powers the a realistic feal from the community and village

hyperreality definition – over dramatic version of reality or reality that is emphasized / too real to be real

Example – The Barbie (2023) movie is over emphasized and a dramatic look of reality

aesthetic term 2 – Visual style

Visual style – the look and the feel of a film / language

iconography – the visual images and symbols used in a work of art or the study or interpretation of these

example – The boy in the stripped pajamas (2008). The reoccurring pajamas symbolize the holocaust and the people who suffered throughout

intertextual referencing – when films and other arts/literatures collide in a movie

Example – In Monsters inc other Disney movies are referenced like in the scene where they are trading plushies of nemo

visual / sound motifs –  a recurring sound element that is associated with a particular character, theme, or idea within a film or audio-visual work

Example – The movie jaws has the memorable sound track whenever the shark is nearby

colour grading – digital tools used to make videos or films look better or change the colour tone and mood

Example – In the movie corpse bride, the colour grading waw a cool toned blue throughout adding the the eerie feeling

auteur trademark – something used by directors to make sure no one else steals their work

Example – Stanly Kubrick has a signature style of symmetry throughout all of his movies e.g. the shining

Aesthetics terms 3 – Tone

Tone – The overall mood/ atmosphere

Pathos – capture audience through emotion

Example – In the movie Frozen when Anna freezes , the emotion displayed on Elsa can be captured to the audience

bathos – an anti-climax, when the audience is expecting bigger and better and the outcome is not what expected

Example – Spiderman across the spider verse. This movie ends on a part 2 right before the action part is about to begin

suspense – holding something back form the audience and increasingly adding to the tension building

Example – Zodiac is a great example of suspense especially since we never find out who is the zodiac killer in the end

comedy – a humor themed movie with jokes and the aim is to make the audience laugh, sometimes comedy is mixed with other dark genres to create a more textured movie theme

Example – A great comedy movie was sherk 2 since the main characters were alraedy established making more room for jokes

dramatic irony – when the audience understands more of the situation than the characters

Example – In Romeo and Juliet the audience is aware that Juliet is only pretending to be dead when Romeo finds her

distancing effect – a sense of distance between the characters and the audience

Representation, Trainspotting

Representation

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All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including the ideological nature of those representations.

Performance – age, ethnicity, costume, facial expressions, body language + gestures, etc.

Stereotype – A widely held but fixed and oversimplified image or idea of a particular type of person or thing.

Countertype – challenging stereotypes of certain beliefs. Example: having a black president of America.

Sarah Connor:

Sarah Connor looks like an average stereotypical American diner waitress in Terminator 1. She seems to be fed up with her job, as she shows up late and has to deal with demanding and annoying customers – whether that be a boy putting ice cream in her pocket or people forgetting which orders are theirs. She looks like she is in her early-mid 20s, and has stereotypically feminine traits.

Sarah Connor in Terminator 2 is far more built and muscular, which makes her a countertype of the stereotypical nurturing and caring female character. She looks like she is the heroine in an action film, as she seems comfortable with guns and ready to fight.

Representation in Trainspotting:

1.) Who is doing the representation?
Danny Boyle, the director of Trainspotting.

2.) Who is being represented?
Drug (specifically heroin) addicts, young, white Scottish men, parents.

3.) What social groups are omitted from the representations?
People of colour, wealthy people

4.) What messages about about particular social groups are being conveyed?
They seem to be trying to convey that drugs are not only bad for a person’s health, but also their general lifestyle by showing the very un-glamorous life they live.

5.) Which characters or social groups have power within the representations?
People such as the people who interviewed Spud made it clear that they have the power in that situation, which I think shows how more middle-upper classes look down on the lower classes and people who are struggling with addiction.

6.) Do the characters adhere to or challenge stereotypes?
I think that the main characters stray away from the previously glamorised lifestyle that is mostly associated with rich rockstars and musicians. However, it does adhere to the stereotype of what heroin-addicted people are like.

7.) Are the characters typical of films in that genre?
The characters reflect some traits of characters in a drama, but this type of explicit representation of heroin addicts was very atypical.

8.) What do representations tell audiences about society at the time the film was made and/or set?
Representations are good to show underrepresented or common types of attitudes/people of the time period.

9.) How are elements of film form (mise en scene/performance/sound/editing/cinematography) being used to construct the representations?
Different elements of film form help to contribute to the verisimilitude of the film, which constructs representations. For example, the performance of Ewan McGregor is very effective in presenting what an addict would act like in real life. As well as the performance, costuming in Trainspotting reflects clothing of the time.

Trainspotting Representations:

Older people:

Elderly people in homes are represented in this film briefly as the main group of characters steal their television and drugs. They are shown as a bit of a stereotype as they sit around, sleep and don’t do anything as their TV is stolen. As well as this, there are other older people such as the people that interview Spud, who seem very above him and seem to think that they are superior.

Addicts:

Addicts are represented a lot throughout Trainspotting whether it be when they are taking drugs with the Mother Superior, taking speed before going to an interview, or even just when they are smoking consistently throughout the film.

Scottish people:

Scottish people are shown a lot in pubs in general, for example the beginning of the film when Begbie is being introduced they are in a very busy pub, with people drinking and chatting all around, which is a staple of Sottish and British culture in general. There are other parts of Trainspotting that represent the general Scottish population such as the nightclub scene and in the second pub scene towards the end of the film.

Women:

Women are represented scarcely in Trainspotting; the only woman that is part of the ‘main group’ being an addict as well. Other than that, Tommy and Spud’s girlfriends are presented to be fed up with their boyfriends, especially Tommy’s, who breaks up with him after he becomes addicted to heroin, suggesting that a lot of the women in their lives won’t put up with their addictions. Finally, the only other woman that is in the film is rather coercive and doesn’t tell Renton that she is underage before he sleeps with her, which is a very negative depiction of her.

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I think aesthetics refers to how a world or character is presented to the viewer and the story it tells through that. It refers to the overall style of the film and the feel of it and the themes it may present.

Realism

Verisimilitude in film is “similarity to the truth”- the appearance of something being true or real- and in film is how much the viewer can believe that something truly takes place in the film.

I put the Dead Poets Society (1989) because it is a good representation of being a student in a private school in the 60’s and just the timeframe of that period.

Social-Realism

This sub-genre of realism seeks to capture society in a specific and accurate way and aims to to draw attention to socio-political conditions of the working class to critique the power structures behind it.

I chose Billy Elliot (2000) as my example for social realism in a film because it includes a realist depiction of British people and society and it explores certain socio-political conditions such as the 1984’s miners strike, gender stereotypes and the problem of police violence.

Magic Realism

Magic-Realism is a genre that portrays fantastical events in a realistic tone. It works with tales such as fables, myths, and folk stories. However despite the fantasy elements, magic-realism maintains a realistic view of the world so well that in some cases it blurs the line of speculation and reality.

The Princess Bride (1987) is my example for magic realism because it has a wide variety of fantastical elements such as fairy tales, knights and magic, but it also maintains a heavily realistic tone throughout the whole movie and is not fully fantasy.

Hyper Realism

This is a genre in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between one ends and where another begins.

Visual Style

Iconography = This is the visual images and symbols used in a work of art or the study or interpretation of things. For example the lamb which represents Christ and the dove which represents the Holy Spirit.

Intertextual Referencing = This is the point where two works of art overlap- such as reusing its ideas and meanings and making it something of their own. Since art is so subjective it is very common for this to happen.

Visual/Sound Motifs = This is a recurring visual or sound that occurs in a film. This can help add story to the film or let the viewer be aware of a characters feelings.

Colour Grading = This involves adjusting and enhancing the colours and tones of a film to create a specific mood or atmosphere.

Auteur Trademarks = This is when a film-maker has a very distinctive and personal style that is reflected within their creative choices. This is also due to them having full authority over their films. There are many examples of this, such as Sofia Coppola’s focus on women with a pastel, elegant palette, Quentin Tarantino’s non-linear storytelling and sharp dialogue, and most distinctively Wes Anderson’s vibrant and quirky style:

Tone

Pathos = This is an appeal to an audience’s emotion- it purposely evoking strong emotions within them like anger or sadness. This can be in forms of inspirational music in the background or just dialogue.

Bathos = Bathos is a sudden, often humorous drop in tone during an anti-climax. It usually appears in satirical genres or used for intentional comedic effect.

Suspense = This is a common technique used in many films to evoke an audience’s excited anticipation about plot or conflict or to heighten an eerie, scary scene. It elevates tension and is a very good use of tone.

Comedy = Comedy in film is not only a genre but it is also used in other non-comedic films to elicit laughter from an audience and to lighten the mood in stressful moments. There can usually be a comedic-relief character that fills in this role. There are plenty examples of comedic films such as Step Brothers, 21 Jump Street, Zoolander and Airplane!

Dramatic Irony = Simply put, this is when the audience knows something that the characters in the film do not. An example would be a character in a horror going into a room where we know the killer awaits.

Distancing Effect (Verfremdung) = This is also known as “alienating an audience” and can also be shortened to the “v effect”. Invented by playwright Bertolt Brecht, he wanted to ‘distance’ the audience away from the action so that they could not feel emotionally invested in the characters but rather reach an intellectual understanding with them.

Postmodern Humour = Typically this refers to to humour that features jokes about serious topics like murder or war to make light of the topic. It is a fiction that deals with depressing complexities of modern life in a humorous tone. A film most known for this is Blade Runner (1982) by Ridley Scott.

Representation, Trainspotting

Representation in ‘Trainspotting’

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Young People

Throughout the film, the young people, known as Generation X, are portrayed as nihilistic and unknowing of what they want to do with their lives, shown by the fact that the vast majority of the main cast are heroin addicts and that the characters of Sick Boy and Allison unsuccessfully being able to care for a new life and maybe even this could be seen as them being unable to care for the next generation. A contrasting representation is portrayed to the audience by the character of the school girl, Dianne. She, unlike most of the characters in the film, knows what she wants to do with her life and sexual, whilst also being knowledgeable about the way in which the new generation is heading.

Older People

The main depiction of older people in the film ‘Trainspotting’ is that of Renton’s parents, who are depicted sympathetically as a caring loving couple, deeply concerned for their son. However, I also think there is a bit of hypocriticalness in their behaviour, as through Renton’s dialogue and the visual depiction of the mother and father, the audience knows that they too are drug addicts constantly drinking and smoking. The difference they are socially acceptable drug addicts and this depiction may be the director socially commentating that these people too should be shunned for their unhealthy habits.

Working class people

Working class people are depicted as something for the main protagonists/drug addicts to take advantage of, for the their own beneficial gain, evidenced in the airsoft gun scene, where Renton and Sick Boy shoot a pit-bull and get it to maul it’s master and the scenes of Bigbe’s irrational outbursts, such as the multiple bar fights throughout the film, cause we know thanks to Renton that Bigbe finds pleasure in other people’s pain. A major sequence which echoes this message of working class people being taken advantage of is when Bigbe and Sick Boy move into Renton’s new flat without asking and turn it into a dump.

Scottish People

The key representation of Scottish people that comes to mind for me and most likely many viewers is when the character of Tommy tries to make the group go on a hike through the Scottish hillsides, which they then reject, resulting in Renton’s infamous ‘it’s shite being Scottish’ monologue/speech towards the rest of the group. Though it is fuelled by his realisation that his lover is a school girl, it stills represents the key representation of Scottish people in this film that being they don’t have a very view of themselves and, even though they hate England, they realise its probably a better place to live. This thought is thrown to the curb when Renton moves to England and he realises its just a big of a dump as Scotland is.

Addicts

In ‘Trainspotting’, the obvious portrayal of addicts is that of the main cast of protagonists, who are addicted to heroin. Their addiction is shown to be something that hurts all those around them, key examples being Renton’s parents constantly being disappointed in him throughout the film and the death of Sick Boy and Allison’s baby. Other addicts in the film are Renton’s parents, who are seen throughout the film constantly smoking and drinking. As Renton says, they are ‘socially acceptable addicts’ and perhaps Boyle’s inclusion of these characters carrying out these actions may be him critiquing society and saying that all drug addicts, socially acceptable or not, should seek help.

Men and Women

The entirety of the film is told from the white male perspective of Renton, meaning the views expressed throughout the film are that of a white male. Men in the film of ‘Trainspotting’ are pictured as being careless, not thinking about if their actions are hurting anyone, as shown through the heroin addiction of the main protagonists and the robbing montage, where the main protagonists rob all types of different people, including old people. The women in the film are pretty much in there for love interests for the main protagonists. However, the character of Dianne does give some insight to how the next generation will get on with life. Renton saying ‘one thousand years from now there will be no guys and no girls’, does show that he thinks there will be gender equality down the years, whilst also suggesting his views on sexual fluidity.

Y12 Starter tasks

Aesthetics

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Aesthetics – An overall style. A film will create a certain aesthetic from the mise en scene and cinematography.

Aesthetic Terms 1 – realism

Verisimilitude – the appearance of being true or real.

  • In This Is England, the housing and location can be verisimilitude for the audience as it might be similar to the audiences life.

Social realism – films aims to show the effects of environment factors on the development of character.

  • In This Is England, the social realism conforms to the British contemporary social realism genre, with representation of real life, with its difficulties.

magic realism – portrays fantastical events in otherwise realistic tone

  • In Harry Potter the writers sets the characters in a fantastical world of mystery

Hyperreality – an inability of consciousness to distinguish reality from a simulation of reality

  • The Matrix, uses hyperrealism for example the film sucks us into the matrix or the virtual world

Aesthetics Terms 2 – Visual style

Iconography – the patterns of signs we associate with a particular genre.

  • In the Bond movies, the car chase scene is normally associated with the genre of the movie.

Intertextual Referencing – two works of art overlaps. The movie overlaps with another work of art.

  • In Shrek 1, Shrek is a Ogre who is assumed to be the bad guy and prince charming usually assumed to be the hero and the good guy.

Visual/sound motifs – sound motif is a recurring element that is associated with a particular character, theme, or idea.

  • In Jaws, when the shark is near a theme of 2 notes of music to symbolise the shark being close.

Colour Grading – the process of manipulating and enhancing colour to achieve a desire look and mood.

  • In Harry Potter and the order of Phoenix, the colour grading ends in a dark blue and murkier colour to reflect the ominous and bleak prospect of Voldemort’s reign.

Auteur Trademarks – a reference ( e.g. to an object, a character, or a happening) that is recurrent in the authors work.

  • For example Steven Spielberg’s trademark would be his use of lighting, camera angles and movement.

Aesthetics Terms 3 – Tone

Pathos – referred to as an emotional appeal

  • In UP, Carl griefs over his wife to increase the emotional response.

Bathos – the effect of turning a serious moment in a movie, into something completely trivial and unimportant.

  • In War of The World, A Batho happens when the machine gives an ending far different to audience expectations.

Suspense – the audience’s excited anticipation about the plot or conflict.

  • In Jaws suspense is used when the shark is near creating excited anticipation.

Comedy – light-hearted dramas, crafted to amuse and to entertain the audience.

  • In Pitch Perfect, the genre is a comedy movie aimed to make the audience laugh, for example one of the character being called “fat Amy” as she doesn’t want to be called fat behind her back.

Dramatic Irony – The significance of a characters words or action is clear to other audience but unknown to the character.

  • In Romeo and Juliet. Romeo enter the tomb thinking Juliet is dead and drinks the poison to be with Juliet in death, however wakes just after he dies.

Distancing Effect – artists never act as if there were a fourth wall besides the three surrounding them

  • For example, In Ferris Bueller’s day, Ferris gives direct mode of address to the camera breaking the fourth wall.

Postmodern Humour – subvert highly regarded expectation

  • In Scream, post modern is used when they ignore the formats it continually references by always being a step ahead or a step behind
Y12 Starter tasks

Aesthetics

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aesthetic is the overall view and representation a person or place gives off due to its or their features such as clothes hair makeup etc.

realism

realism in film is the representation of realistic and authentic use of movement speech and setting, something the view can see and resonate with it being relatable.

verisimilitude: in film means the appearance being true or real.

eg- the realistic life’s of teenagers and their troubles highs and lows etc.

social realism: to give the audience a true sense of what the lives of these characters are like, and the social issues that are happening at the time.

eg- the events surrounding society ant its beliefs when this film was set.

magic realism: portrays fantastical events in an otherwise realistic tone

eg- the fantastical events within this film are shown to be realistic.

hyperreality: a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins.

eg- the idea that within Truman’s life none is entirely sure what real and what’s fake.

visual style: the visual style of a film is how its visuals evokes a emotional response to convey its mood or theme.

iconography: the use of recurring visual images and symbols in movies that convey specific themes, evoke emotions, and build a film’s narrative identity. 

eg- the reoccurring bunny rabbit though the film while the plot thickens

intertextual referencing: when a piece of art is mentioned, examples being a book, a poem, another film etc..

eg- the mentions of all the literature within this film

visual/ sound motifs: sound or visual elements in film that reoccur to help tell the characters story.

eg-“number one rule about fight club” repetition

colour grading: putting a filter or a certain filter over a film to suit the mood or set a tone.

eg- summery and vibrant to match the contents of the film.

auteur trademarks- a directors following theme of vibe throughout there films

eg- Jordan Peele, reoccurring theme of black representation in horror films, realistic representation of fear.

Aesthetic tone

pathos: an appeal to the audiences emotions. sad moments

Ethos- is a persuasive technique that appeals to an audience by highlighting credibility

bathos- anti-climax, unintentional lapse in mood.

suspense- a film that puts you on edge and unknowing of what’s to come.

dramatic irony- when the audience knows something that the character does not.

distancing effect- something to remind the viewers that it is just a story and to not get too emotionally invested in it.

post-modern humour: when a film has embraced multiple genres and embracing absurdity and breaking conventions.

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definition: a set of principles that are associated with an artistic taste. (i.e. colour grading, costuming, set locations and sound)

realism–

Verisimilitude: Something that is sticking to reality, being true to life or realistic. Example: Yes God, Yes.

Social Realism: Something that aims to draw attention to a real societal or political issue. often sets out to critique these issues. Example: The Millionaire Tour

Magic Realism: A realistic narrative is combined with surreal aspects of fantasy. Example: The Shape of Water

Hyperreality: the inability to distinguish simulations of reality from reality. Example: The Matrix

Visual style–

Iconography: the use of a recurring visual images/symbols in a movie that convey themes, help the narrative or evoke an emotional reaction in the audience. Example: in ‘On a Clear Day’, the sea/pools/bodies of water are shown repeatedly throughout the film to represent the guilt Frank feels for his son’s death, and how he’s dealing with his midlife crisis.

Intertextual reference: When a movie will reference another text (movie, play, tv show, book). Example: Sawyer in lost using many references as nicknames, i.e. calling Charlie ‘Oliver Twist’. He is also often seen reading books which he will then reference.

Visual/Sound motif: A recurring story element that helps to forward the films thematic meaning. (it can be represented visually by shapes, colours, objects and settings. or audibly as distinct sounds, music or noises). Example: In Lord of the Rings, whenever the hobbits get reflective on The Shire, its theme will play in the background, the instruments in it often changing to reflect the way it is being reflected on by the characters.

Colour Grading: tools that are used to make films look better or artificially change the colour to suggest tone or mood. Example: In Pet (2016), whenever Seth is in the basement with Holly, the lighting is made cooler and darker to reflect both Seth’s and Holly’s mindset while down there.

Auteur Trademarks: A filmmakers distinct artistic approach to their film making. Example: Wes Anderson’s movies are always very bright and eccentric. for example, his movie Isle of Dogs, specifically when they’re on land with the humans rather than with the dogs.

Tone–

Pathos: objects that are incorporated into a film to create an emotional appeal in the audience, often one of pity. this can be used to connect with the audience. Example: the Episode ‘Fire + Water’ from Lost, where the audience is shown the character Charlie from a different light as he is trying to save Claire’s baby from things he is hallucinating, which appear to the audience as surreal flashbacks.

Bathos: An anti-Climactic moment. (where a serious moment is being built up to a nothing climax, it can sometimes be done by accident or done for comedic effect). Example: When Mike in Five Nights at Freddy’s is around the office, the audience is made to think that one of the Animatronics will be waiting for him but it is actually a small toy that scares him.

Suspense: When a movie creates a sense of anxiety, anticipation and unease in the audience. it is most often used in thrillers. Example, when Holly is being stalked by Seth as he finds her at her work in Pet(2016).

Comedy: when something is done to make the audience laugh. Example: the Honda odyssey scene from Deadpool and Wolverine.

Dramatic Irony: when the audience has knowledge of something that the characters in the movie/tv show do not. Example: the Pet (2016) scene where Holly talks to Seth, coaching him on how to get rid of Nate, who has no idea that Seth is behind him.

Distancing Effect (verfremdung): breaking the fourth wall. reminding the audience they’re watching a movie. Example: Ferris Bueller’s day off

Postmodern Humour: humour that goes against common ideas in relation to society, genre and humanity Example: Seed of Chucky, specifically the character Glen/Glenda.

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Aesthetics is the style and tone of a film.

Realism

Realism is an attempt to make the audience believe in the world the film creates

Verisimilitude – When a film conveys a sense of truthfulness and realism, sometimes requiring suspension of disbelief

Intruder (1989, Scott Spiegel)

The Hitcher (1986, Robert Harmon)

Social Realism – The movie displays a social environment and its impacts on the characters in it.

Perfect Blue (1997, Satoshi Kon) – Kon uses the film to critique the Japanese idol system and how celebrities are treated.

Magic Realism – Surreal and fantastical elements have been incorporated into an otherwise realistic setting

Carrie (1976, Brian De Palma)

Hyperreality – A film in which the reality portrayed is exaggerated, or is “too real to be real”

The Matrix Reloaded (2003,The Wachowzkis)

Visual Style

Iconography – Use of reoccurring visual symbols that convey emotion and provide symbolism

Lady Vengeance (2005, Park Chan-Wook) – the colour white is used in the movie to show purity, revenge and devotion.

Intertextual Referencing – When a film incorporates aspects of another work (another film, book, series, poetry etc)

The Crow (1994, Alex Proyas) – The graphic novel the film was based on was heavily inspired by the band Joy Division and quoted song titles in the artwork frequently, and the film itself quotes classic literature like ‘Paradise Lost’ and Edgar Allen Poe’s ‘The Raven‘

Visual/Sound motifs – Recurring element in a film to help the story like announcing a character, punctuating a plot point or highlighting a theme

Suspiria (1977, Dario Argento) – Suspiria uses a lot of unnatural red and blue lighting, creating a dreamlike feel and being used to announce the appearance of supernatural forces or death

Colour Grading – changing the colour of footage in post production to create a constant colour scheme or to represent a theme

Manhunter (1986, Michael Mann)

Auteur trademark – a visual technique used prominently by a particular director that an audience can use to recognise as their work

Phantom Of The Paradise (1974, Brian De Palma) – De Palma uses split screen often in his works

Tone

A films tone is how it portrays its subject matter and how the audience should feel while watching the film

Pathos – Something in a film that invokes pity and compassion in the spectator

Stand By Me (1986, Rob Reiner) – Gordie dreams that his father tells him he should have died instead of his brother

Bathos – an effect of anticlimax

Se7en (1995, David Fincher) – The main antagonist of the film turns himself in

Suspense – When the director creates anticipation and anxiousness in the audience during tense scenes

Black Christmas (1974, Bob Clark)

Comedy – aspects in a film intended to make a spectator laugh and entertain them

Scary Movie (2000, Keenen Ivory Weyans)

Dramatic Irony – When the audience knows something a character doesn’t

Woman Of The Hour (2023, Anna Kendrick) – The audience knows Rodney is a killer. Cheryl doesn’t.

Distancing Effect (V-Effekt) – When the audience is reminded that they are watching a film and are “alienated” from the world of the film

The Muppet Movie (1979, James Frawley) – Dr. Teeth reads the films script

Postmodern Humour – when a film subverts mainstream audience expectations

Return Of The Living Dead (1985, Dan O’Bannon) – The film subverts the standard horror movie format at the time by making the main cast a group of punks and low wage workers and giving them personalities and depth

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Realism

Versimilitude: the believability or semblance of truth in a work, even if that work doesn’t reflect real-life accurately. Example: ‘The Wolfpack’ (2014). Uses the real-life people who experienced the events shown in the film, adding to the versimilitude in the film.

Social Realism: when a film tries to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. Example: ‘The Loneliness of the Long Distance Runner’ (1962). The main protagonist uses running as a way to mentally reflect upon his political thoughts and realises the class divisions within in England.

Magic Realism: when a film portrays fantastical events in an otherwise realistic tone. Example: ‘Pan’s Labyrinth’ (2016). Tells a realistic story simultaneously with a fairytale.

Hyper-reality: a film in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins. Example: ‘The Matrix’ (1999). The virtual reality medium is used to illustrate the concept of hyper-reality, which is what the majority of the film is based upon.

Visual Style

Iconography: the use of recurring visual images and symbols in movies that convey specific themes, evoke emotions, and build a film’s narrative identity. Example: ‘Schindler’s List’ (1993). The recurring symbol of the girl in the red coat, which represents the persecution of innocence and the needlessness of war.

Intertextual Referencing: when films over lap with another piece of literature or an idea. Example: ‘Shrek’ (2001). Throughout the ‘Shrek’ franchise many fairy tales and other pieces of literature are referenced, such as the characters of Pinocchio or The Three Little Pigs.

Visual/Sound Motifs: A recurring visual or aural element that is link to a thematic meaning. Example: ‘Psycho’ (1960). Throughout the film, the character of Norman Bates is frequently seen with images of birds or actual taxidermized birds. This foreshadows to the viewer the twist ending that his mother is dead and that Norman has been preserving her since her death.

Colour Grading: Manipulating contrast, colour, saturation and other aspects to match scenes that are shot under different conditions or that have similar thematic content. Example: ‘Mad Max: Fury Road’ (2015). The film of ‘Mad Max: Fury Road’ has an amazing orange hue throughout and was done by director George Miller’s wife Margaret Sixel. It was a risk as she had never edited a film before but Miller wanted a woman’s take on editing. She ended up winning an academy award for Best Film Editing in 2015.

Auteur Trademarks: a reference (a character, an angle, a theme) that is recurrent in the author’s work. Example: ‘The Shining’. Stanley Kubrick’s auteur style is marked by grandeur and meticulous craftsmanship. His style consists of striking symmetry, innovative lighting techniques and detailed set designs whose visual depth mirrors the thematic depth of most of his films.

Tone

Pathos: To appeal to the audience’s emotion. Example: ‘The Lion King’ (1994). The scene in which Mufasa dies by the hands of his own brother, Scar, is sure to evoke some emotion from the audience as someone in the audience has surely lost a parental figure.

Bathos: When a film’s tone starts out serious and then turns trivial. Example: ‘War of the Worlds’ (1953). The ending of the film ‘War of the Worlds’ is definitely anticlimactic and bathetic, as the Martians die to microbes in the atmosphere that their immune systems were unprepared for. This delivers an unexpecting ending for the audience.

Suspense: The audience’s excited anticipation about the the plot or the conflict, which may be heightened by a violent moment or a stressful scene. Example: The Conjuring (2013). The scenes in which the family first arrive at the house are rather suspenseful, due to the set design of the film, which utilises narrow staircases, low ceilings and an unsettling atomsphere.

Comedy: ‘Make ’em laugh’ films designed to elicit laughter and excrete humour from the audience. Example: ‘The Three Amigos’ (1986). A personal favourite comedy film of mine, featuring Steve Martin, Chevy Chase and Martin Short, in which Three actors travel to a Mexican village to perform as their movie characters, the Three Amigos. However, the community thinks they are actual gunfighters and asks them to stop a group of bandits.

Dramatic Irony: A plot device to highlight the difference between a character’s understanding of a given situation and that of an audience. Example: ‘Jaws’ (1975). Throughout the film, there are moments where the audience knows the shark is there, when the characters do not.

Distancing Effect (Verfremdung): When a character reminds the audience that they are watching a play, rather than making it more realistic. Example: ‘Palindromes’ (2004) in Palindromes, Solondz uses the alienation effect to create a space for discussion over what abuse can look like from a child’s perspective

Postmodern Humour: When a comedy presents a thoroughly undeceived view of human life. Example: ‘Wayne’s World’ (1992). Uses post modernist humour to discuss the fragility of the media.