SOUND-In the opening scene of Trainspotting director Danny Boyle decided to use the song “Lust For Life” by Iggy pop. This is a fast paced song that matches well with the characters running from the police in Edinburgh’s streets. The title “Lust For Life” coincides with Renton’s monologue about choosing a normal life over heroin.
Cinematography- In every scene we see Swanny, also known as Mother Superior there is a halo of red light around him (2:30) This red light is only present in the drug den. This red glow is representative of the life style that the men live while they are under the influence of their addiction. Red is a universal colour in trainspotting that represents sex, drugs, death and all other things that won’t help Renton “Choose life.
MISE-EN-SCENE- (34:27) The set design of the drug den also holds important representation. The drug den has overwhelming shades of brown and dark, dirty colours with used needles and burnt spoons, But. Scattered around the den are muted vibrant colours, on the walls and carpet. These subtle vibrant colours represent the euphoria that the characters go through when they inject heroin, but the darker browns and greys represent the decay and disease that their addiction creates.
EDITING- (1:20) In this scene we see a freeze frame of each important character. The effect of this editing style tells the audience that each person we see is important to the plot and will be reoccurring.
They feel alienated from traditional paths like stable jobs, marriage, or consumerism, instead embracing a chaotic and self-destructive lifestyle as a form of resistance. Their drug use and disregard for authority reflect a broader rebellion against societal expectations and norms. Many of the young characters prioritise pleasure and instant gratification, which is often pursued through heroin, alcohol, and casual sex. he male characters frequently conform to toxic ideas of masculinity, such as suppressing emotions and engaging in risky behaviors.
Working Class-
The working class in Trainspotting is depicted as trapped in a cycle of poverty, addiction, and disillusionment, with little hope for change. While the film critiques their self-destructive behaviors, it also portrays them with empathy, highlighting the systemic failures and societal neglect that contribute to their struggles. This nuanced representation offers a commentary on the economic and social realities of the time, making the film both a character-driven story and a broader critique of class inequality.
Addicts-
Addicts in Trainspotting are depicted as deeply flawed yet human individuals, caught in a web of personal choices and systemic failings. The film presents addiction as a devastating and multifaceted issue, blending moments of dark humor, tragedy, and raw honesty to challenge stereotypes and provoke empathy.
Scottish People-
Scottish people in Trainspotting are depicted with honesty and complexity, balancing critiques of societal issues with an acknowledgment of cultural resilience and humor. The film offers a raw, unvarnished portrayal of life in Scotland, highlighting both the struggles and the spirit of its people.
Older people-
Older people in Trainspotting are depicted as symbols of traditional values, societal stagnation, and generational disconnect. While some are shown as caring and concerned, they are often powerless to address the systemic issues faced by the younger generation. Their portrayal underscores the broader societal critique at the heart of the film, examining how intergenerational dynamics contribute to the struggles of addiction, poverty, and hopelessness.
Men-
Men in Trainspotting are depicted as deeply flawed yet human, caught in a cycle of rebellion, addiction, and disillusionment. The film critiques toxic masculinity and societal expectations while exploring themes of vulnerability, friendship, and the struggle for identity. This nuanced portrayal highlights the complexities of masculinity and its role in shaping the characters’ lives.
Women-
Women in Trainspotting are largely represented as secondary characters who serve to reflect and influence the male protagonists. While some, like Diane, show agency and assertiveness, the film primarily explores the struggles and experiences of its male characters. The female characters often embody themes of vulnerability, objectification, and exploitation, with their roles largely shaped by the male narrative. This portrayal is a reflection of the film’s critique of societal norms, including gender dynamics, but it also highlights the limited space for women within the world of Trainspotting.
All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including ideology nature of those representations.
An ideology is a set of beliefs.
Performance:
Age
Ethnicity
Costume
Facial Expression
Body Language
A stereotype is a fixed general image or set of characteristics that a lot of people believe represent a particular type of person or thing.
Countertype: The opposite to a stereotype. The ideas of breaking away from a stereotype. Like when we think of an American president we think of a white man. You could think of a black man instead. Think of a different angle.
A stereotype within Terminator 1 is how Sarah Connor is seen to be a waitress with no passion within her life. She is stereotyped as a weak character within the first movie.
In Terminator 2 Sarah Connor is a countertype to herself within Terminator 1 as she is depicted to be fully in control of herself and went from a waitress to be comfortable around guns. She is countertypeed to her original self.
Representation in Trainspotting
1.WHO IS DOING THE REPRESENTATION? The main Characters – Renton, Spud, Sick Boy, Tommy and Robert.
1.WHO IS BEING REPRESENTED ? The Scottish poor and minority who live within the worst parts of Scotland. Also people who are addicted to drugs and their life depends on the next hit.
2.WHAT SOCIAL GROUPS ARE OMITTED FROM THE REPRESENTATIONS? Low class people addicted to drugs and have no aspiration in life.
3.WHAT MESSAGES ABOUT PARTICULAR SOCIAL GROUPS ARE BEING CONVEYED? The message of the movie is almost an advert on why you should not do drugs and the consequences of these drugs.
4.WHICH CHARACTERS OR SOCIAL GROUPS HAVE POWER WITHIN THE REPRESENTATIONS? The “Mother Superio” who supplies the drugs has power because everyone on heroin comes to him.
Young People
In Trainspotting young people are presented as being trapped in a dull and hopeless society. Not once do you see a cheery young person. They are always depicted as trying to escape the area. Danny Boyle makes young people to be low as they are drinking, taking drugs and running from the law in this movie.
Older People
Older people are seen in the movie as either loving couples with out of control children or drug addicts who are seen to only be looking for trouble.
Addicts
The whole film is almost an advert on not to do drugs. It shows the most horrible scenes which are based on real events. The drugs dens are scummy and disgusting and the addicts are presented as not caring, only caring on the next hit of the drug.
In Trainspotting, young people are presented in a disadvantaged position. All young people we see in the film are or will be going through something. Renton suffers addiction, Begbie is a violent mess who has to crash in Renton’s London apartment, Tommy goes through a rough breakup that results in his death, etc. Young People in Trainspotting are represented as having little future and little ambition, or so they believe themselves. This changes by the end when Renton runs away with the money and he realises he can make something of his life, which is a positive note to end a movie that often shows only the negatives of youth.
Older People
Older people are not very present in Trainspotting. There are a few scenes involving the character’s parents,. namely Renton’s, Gail’s and Diane’s . From what we are shown, the older people in Trainspotting are represented usually as quite kindly and at least attempt to be friendly. There is the dinner scene with Renton’s parents where his dad snaps at him for his drug abuse, but aside from that, they attempt to help him kick the habit by forcing him to go cold turkey. Gail’s parents are kind to Spud and are understanding of the fact that he made a mess while drunk, and Diane’s parents are very nice and welcoming to Renton. They are represented as a group of people who grew up with more opportunities than the current youth of Trainspotting.
Working Class People
Trainspotting is not a glamourous film, and it’s portrayal of the working class is a good example of this. A lot of the ensemble cast are of the lower classes, explaining their need to go to drugs to feel something in a world where they haven’t been given anything to experience. The only people at the start of the film who don’t do drugs are Tommy and Begbie, who both seem well off. Tommy however loses his comfortable social state when Renton inadvertently causes his girlfriend to kick him out of her house, bringing him down considerably. He’s forced into a grimy looking, very cheap apartment, absolutely nothing inside, not even a proper bed. This display of the poor working class, in dirty housing with little possession, also allows the audience to sympathise more with the character’s reasoning of turning to drugs. The working class are presented as struggling and in need of help, which leads them to drugs as an attempt to get something out of a life they have nothing in.
Scottish People
Due to the story taking place in Scotland, the main characters are obviously Scottish. The movie doesn’t really bring a lot of attention to this, though. The Scottish people are presented as the status quo of the story, and so we are led through normal Scottish lives. There is a scene where they go see some Scottish mountains, which in any other movie would be a big moment of beauty and awe in the characters, but in Trainspotting they really don’t care about it, and don’t see the point in going all the way there to look at them. It would just be normal to them. Scottish people are not represented in a romanticised light, nor in a negative one: what the characters see as normal is presented to the audience as normal.
Addicts
The addicts in Trainspotting, despite making up the main cast, are not presented positively in the film. All scenes of drug taking is not glamorous at all, quite the opposite. They are most often seen cooking up and shooting heroin in a dingy backroom, which looks disgusting and not somewhere people should be. The scenes in which Renton takes drugs are always presented as a low point: he betrays his family and friends by going to get a hit from Mother Superior immediately after being let off a prison sentence under the promise of going to rehab, he OD’s and is treated without any care by Mother Superior who just lugs him around and by the taxi driver who takes him to the hospital, who dumps him on the ground, and when he shoots up in a bus toilet, which is a low point due to him being totally clean up to that point. While not presented positively, the addicts are given a lot of sympathy, like Tommy resorting to heroin to feel better after his life is ruined. Addicts aren’t even really presented in a villainous way either: the worst character in the whole movie, Begbie, is totally clean throughout the entire film. Addicts are presented as human beings deserving of sympathy and care.
Men
Men make up the main cast of characters in Trainspotting, giving us a lot of different representations of men. Trainspotting gives us aggressive men like Begbie or sensitive men like Tommy, etc. There is a lot men have in common in Trainspotting, though. All of them want relationships, which is shown in the scene where the above screenshot is from, where Spud and Sick Boy talk about their gripes with their respective partners, and in the same sequence at the bar Renton gives narration on how he wants company and gets with Diane. Other aspects of male representation is the constant banter between the characters and the stereotypical male pastime of football, but opposed to what these stereotypical representations would suggest, the male characters are allowed to be emotional, like the scene where the aby dies and all the characters are very upset about it.
Women
Women don’t have as much representation as men by a lot. Often the women are restricted to roles of girlfriend, wife or mother. They are given little screentime compared to the male characters as well, but they aren’t totally sidelined. While they usually are in the role of girlfriend to the main characters, they are given moments that characterise them and give them strength, like Spud’s girlfriend Gail saying that she’s been refusing to have sex with him just because she finds it funny that it annoys him. But compared to male characters, there isn’t much representation of women in the film.
