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Trainspotting Representation

Young People-

They feel alienated from traditional paths like stable jobs, marriage, or consumerism, instead embracing a chaotic and self-destructive lifestyle as a form of resistance. Their drug use and disregard for authority reflect a broader rebellion against societal expectations and norms. Many of the young characters prioritise pleasure and instant gratification, which is often pursued through heroin, alcohol, and casual sex. he male characters frequently conform to toxic ideas of masculinity, such as suppressing emotions and engaging in risky behaviors.

Working Class-

The working class in Trainspotting is depicted as trapped in a cycle of poverty, addiction, and disillusionment, with little hope for change. While the film critiques their self-destructive behaviors, it also portrays them with empathy, highlighting the systemic failures and societal neglect that contribute to their struggles. This nuanced representation offers a commentary on the economic and social realities of the time, making the film both a character-driven story and a broader critique of class inequality.

Addicts-

Addicts in Trainspotting are depicted as deeply flawed yet human individuals, caught in a web of personal choices and systemic failings. The film presents addiction as a devastating and multifaceted issue, blending moments of dark humor, tragedy, and raw honesty to challenge stereotypes and provoke empathy.

Scottish People-

Scottish people in Trainspotting are depicted with honesty and complexity, balancing critiques of societal issues with an acknowledgment of cultural resilience and humor. The film offers a raw, unvarnished portrayal of life in Scotland, highlighting both the struggles and the spirit of its people.

Older people-

Older people in Trainspotting are depicted as symbols of traditional values, societal stagnation, and generational disconnect. While some are shown as caring and concerned, they are often powerless to address the systemic issues faced by the younger generation. Their portrayal underscores the broader societal critique at the heart of the film, examining how intergenerational dynamics contribute to the struggles of addiction, poverty, and hopelessness.

Men-

Men in Trainspotting are depicted as deeply flawed yet human, caught in a cycle of rebellion, addiction, and disillusionment. The film critiques toxic masculinity and societal expectations while exploring themes of vulnerability, friendship, and the struggle for identity. This nuanced portrayal highlights the complexities of masculinity and its role in shaping the characters’ lives.

Women-

Women in Trainspotting are largely represented as secondary characters who serve to reflect and influence the male protagonists. While some, like Diane, show agency and assertiveness, the film primarily explores the struggles and experiences of its male characters. The female characters often embody themes of vulnerability, objectification, and exploitation, with their roles largely shaped by the male narrative. This portrayal is a reflection of the film’s critique of societal norms, including gender dynamics, but it also highlights the limited space for women within the world of Trainspotting.

Representation

All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including ideology nature of those representations.

An ideology is a set of beliefs.

Performance:

Age

Ethnicity

Costume

Facial Expression

Body Language

A stereotype is a fixed general image or set of characteristics that a lot of people believe represent a particular type of person or thing.

Countertype: The opposite to a stereotype. The ideas of breaking away from a stereotype. Like when we think of an American president we think of a white man. You could think of a black man instead. Think of a different angle.

A stereotype within Terminator 1 is how Sarah Connor is seen to be a waitress with no passion within her life. She is stereotyped as a weak character within the first movie.

In Terminator 2 Sarah Connor is a countertype to herself within Terminator 1 as she is depicted to be fully in control of herself and went from a waitress to be comfortable around guns. She is countertypeed to her original self.

Representation in Trainspotting

1.WHO IS DOING THE REPRESENTATION? The main Characters – Renton, Spud, Sick Boy, Tommy and Robert.

1.WHO IS BEING REPRESENTED ? The Scottish poor and minority who live within the worst parts of Scotland. Also people who are addicted to drugs and their life depends on the next hit.

2.WHAT SOCIAL GROUPS ARE OMITTED FROM THE REPRESENTATIONS? Low class people addicted to drugs and have no aspiration in life.

3.WHAT MESSAGES ABOUT PARTICULAR SOCIAL GROUPS ARE BEING CONVEYED? The message of the movie is almost an advert on why you should not do drugs and the consequences of these drugs.

4.WHICH CHARACTERS OR SOCIAL GROUPS HAVE POWER WITHIN THE REPRESENTATIONS? The “Mother Superio” who supplies the drugs has power because everyone on heroin comes to him.

Young People

In Trainspotting young people are presented as being trapped in a dull and hopeless society. Not once do you see a cheery young person. They are always depicted as trying to escape the area. Danny Boyle makes young people to be low as they are drinking, taking drugs and running from the law in this movie.

Older People

Older people are seen in the movie as either loving couples with out of control children or drug addicts who are seen to only be looking for trouble.

Addicts

The whole film is almost an advert on not to do drugs. It shows the most horrible scenes which are based on real events. The drugs dens are scummy and disgusting and the addicts are presented as not caring, only caring on the next hit of the drug.

Trainspotting Micro Elements Task

Mise-En-Scene

A memorable scene for me, in terms of mise-en-scene, is when Renton enters the ‘Worst toilet in Scotland’, as it is called in film. The disgustingness of the set design in this scene is most likely over-exaggerated by Todd Phillips, to not only make the audience feel disgusted by what they’re viewing, but to also portray to the viewers how damaging drug addiction is, as this character of Mark Renton is willing to use this extremely disgusting toilet, and later on in the sequence dives into the toilet to retrieve some drugs he’d dropped in toilet. The grimy toilet also adds to the verisimilitude of the film as, even though the filth is somewhat over exaggerated, the toilet does appear to be somewhat realistic. The sound within this scene also adds to the horrid scene we are seeing unfold before us, as there is no music, only the sounds of Renton’s relief as he finally goes to the toilet. This obviously adds to the disgusting tone of the scene as the audience has nothing else to listen too, so they are forced to hear this disgusting, yet simplistic, soundscape. The spacing at the beginning of the sequence is really effective. Boyle places Renton in the background, so that the audience can take in all the elements of the disgusting toilet, such as the broken urinals and the just the overall state of the toilet. The low key lighting within the scene only adds to the dinginess and horridness of the toilet scene and the setting of it. Ewan Mcgregor, the actor who plays Renton, ‘s make up in this scene and really the whole film, makes him appear more pale and worn out, due to his heroin addiction. This adds to the versimilitude of the film, as it makes it Mcgregor look like a drug addict.

Sound

The soundscape throughout the film is intentionally grotesque, to not only match the disgusting and borderline disturbing imagery shown in the film, but to also follow up on the film’s key message of showing the damage that drugs can have on people within society. The two key examples of sound that I find the most iconic and memorable is the scene in which Renton overdoses and the scene in which Renton goes to the worst toilet in Scotland. The first example is iconic due to the non-diagetic sound within the scene, that being the song ‘Perfect Day’ by Lou Reed. This choice of song is amazing for a few reasons, the first being that taking heroin is Renton’s perfect day at this point in his life, as that is all he cares about. Another reason why it’s so amazing is that its ironic because Renton isn’t having a perfect day, as he could die from an overdose from heroin. This is an example of the film’s dark humour, another being Bigbe’s maniacal bar fight, where he lobs a pint glass over his head.

Cinematography

The cinematographer in Trainspotting is Brian Tufano and he uses wide angles and colour manipulation to convey to the audience the trippy psychedelic experience that the characters are under going due to heroin. He also uses wide and low angles, as well as worm’s eye low level movement and framing, to show the audience the lack of ambition and limited perspective that these characters have in their lives. Throughout the film, the way that Renton is framed portrays him as being alone and isolated. A good example of this the bar scene, in which Renton goes to the bar with his family and his mum wins the bingo. The sequence that ensues pictures Renton alone and unmoving, whereas his family, in fast motion, spend the night partying and spending their winnings. This shot/sequence, with Renton centered in the frame, solitary, really portrays how Renton currently feels without heroin in his life. He doesn’t currently care about anything, as he is without the one thing that made him have a ‘Perfect Day’. Heroin.

Editing

Throughout the film, the use of editing creates a particularly stylistic humour, which mainly involves irony and social realism. It also uses montage, such as the montage of London, to show a stylistically excessive representation of London. This may be used to portray to the viewer the feelings that the Scottish characters have towards London and England as a whole, which is that they view London as this place that’s culturally exciting, compared to the lacklustre environment of Scotland and how their culture is described as being old and behind by Diana. It also interestingly uses freeze-frames in the opening to introduce each of the characters in the film.

Trainspotting Micro Elements

Cinematography

The use of an eye level shot causes the scene to become more immersive as the audience feels like they’re sat across the table from Spud and Renton. The angle also allowed a clear view of Spud and Renton as well as the characters in the background which could be used as foreshadowing to the chaos that will soon occur there. This tells the audience that they shouldn’t be focused on only Spud and Renton.

Mise en Scene

The darker lighting and shadows in this scene highlights Tommy’s ongoing downfall as his addiction increases. The use of a small spotlight above Tommy could also reflect how he used to be a sign of hope in the friend group, as he was the only one who wasn’t addicted to drugs and how he used to be in the spotlight due to his spotting achievements but due to his addiction he has fallen out of it. The use of the shadows and lighting makes viewers feel melancholy and pitiful towards Tommy.

Sound

In this scene when Renton goes down the toilet there is music playing which acts as an oxymoron for the scene as the music is very tranquil whereas in reality Renton is feeling stressed as he has lost his drugs down the toilet. The effect of this send the audience to a false sense of security as due to the sound they feel more relaxed but the storyline is no less calm.

Editing

Throughout the film, scenes are split by small montages of the city (either Edinburgh or London). These act like a break from the fast paced film which could also symbolise the come down after a hit and then afterwards taking another one.

Trainspotting (1996, Boyle, UK)

Sound- The sound in this scene makes Renton’s leaving more powerful. The sound fades it the actions of him leaving. For example, when first taking the bag, you can faintly hear the music. However, in the moment where he is left, it is loud, and the lyrics are heard. This builds suspense in the scene, for me as a viewer the music added to the scene creating a powerful moment. 

Editing– The montage shows Mutiple aspects of London, showing famous monuments and iconic buildings. For me as a viewer this shows what Renton expects from London but it also works as an establishing shot showing the viewer the area, he will be working in.  

cinematography- this scene shows the perceptive of Renton, and the facial features of over people. For me this conveyed the judgment of the state that mark was in well. But it also showed the viewer that he was still conscious 

 Mise en scene- The overall mise en scene for this scene really stands out to me. The camera remains at a low level for the toilet scene meaning that we can see the actions unfold. The whole set design of the bathroom and water represents how disgusting it was, creating an effect on the viewer. The actors’ outfit appears to be normal and so does his expression, which makes the scene more whimsical.