Shane Meadows uses classic British songs like ‘Come On Eileen’ and ‘Tainted Love’ to make the movie more in sync with English culture.
Mise En Scene
Setting
The film is set in a working-class estates with run down houses, overgrown shrub and graffiti everywhere. This gives off the impression of poverty and unemployment.
Costumes
Shane Meadows uses clothing to represent identity and skin head culture. The skinhead clothing is Doc Martens, rolled-up jeans, braces and Fred Perry shirts. is historically accurate and signifies the group’s working-class roots.
Although as Sean becomes more of a skin head to feel included his clothing is the same the skinhead group. This shows he is searching belonging within the group.
Cinematography
In the film Shane Meadows makes the camera look like it is being held by a camera mans so that the point of view we are seeing makes us feel as if we are in the room with the characters. It gives off a shaky affect like the camera is an extra person in the story.
The use of a high angle here on Shaun shows his sense of almost superiority in this scene; he is learning how to use racist slurs and he seems almost proud of it. It really shows the effect that combo has had on him, as he is shown as proud and confident using racist language.
Sound:
Sound in This Is England is interesting, because they use a lot of real music that would apply to the time it is set in; 1983. However, one noticeable thing is that at the beginning of the film during the montage, they show impactful things that were happening at the time, such as Margaret Thatcher, the Miners’ strike and Princess Diana and Prince Charles’ wedding. There isn’t much gore and violence to do with the Falkland’s War shown in this first montage, which connects well with the more upbeat reggae playing in the background. On the other hand, the montage that plays after Combo nearly killed Milky, the music playing is far more melancholy and orchestral, which, paired with the real footage from the Falkland’s War makes it feel far sadder.
Editing:
I think that the best use of editing in This Is England is when they have the St. George’s Cross edited over Combo and his group. It is especially poignant because it this flag is associated with England, and it’s almost saying that their racism and nationalism is what the flag represents, therefore, what England represents.
Mise en Scene:
I like the use of mise en scene in Shaun’s house because it makes it feel of the time period; 1983. It feels cluttered and lived in, which is always necessary when creating a living room scene, but also having the half-smoked cigarette emphasises the feeling that it is set in 1983, because it was common and a normalised thing to smoke indoors then. I also like how it is quite symmetrical as it gives a sense of order and balance while Shaun’s mother is trying to talk to him about something very sensitive.
I think sound throughout the film was used really well. For me the music used help to enhance scene and create more of a meaning for example – 25 minute in, there is happy upbeat music while everyone is playing football implying the happy and fun atmosphere of the game and friendship for Shaun and Woody, this help the audience reflect similar type of emotion like Shaun.
Editing
In This Is England, I really liked the editing such as the montages throughout the film especially the first opening scene of the film, where there is a montage of the prime minister, King Charles and Princess Diana and a war. This helps the audience know when the film was set in and to know some knowledge about the film before it has properly begun.
Mise en Scene
I really like the mise en scene for this film such as the location which created a verisimilitude feeling for the audience, I really liked the costumes as well for example in order to fit in with the skinhead you needed a shirt, doc martins, brace and your head to be shaved.
Cinematography
For me the cinematography was used really well, for example at shake camera work. This creates a sense that you are in the scene with the other characters, as the audience it creates an instability of nervousness. The shaky handheld camera throughout contributes to the authentic tone of this social realistic film.
The scene at the end when Combo snaps and beats Milky into unconsciousness uses a piano score as the backdrop. Another filmmaker may have decided to include high tempo, energetic, dramatic music behind such a brutal scene, but Meadows instead uses a slow, sombre piano score. This could be to show that this is the biggest emotional low point of the film, and the biggest turning point of all the main characters present: It breaks Combo, it leaves the kind and well meaning Milky a battered unconscious body, and most importantly it disillusions Shaun to Combo’s nationalist rhetoric. The sound also uses pretty heavy sounds for Combo’s punches, making it clear to the viewer that he is really trying to do serious damage to this person who never did anything to him.
Editing
The film starts with this montage of archival footage of 80’s British culture set to ’54 To 46 That’s My Number’ by Toots and the Maytals. It sets the tone of the film well, editing various clips from children’s shows and news footage together to give the audience a feeling of the space the film is set in, showing clips of people at school, music performances, dance exercise videos, Princess Diana etc. What really stood out to me was the short beats at some points in the song being overset by footage of disasters, usually explosion. These parts stood out to me because I liked how the footage synced up to the audio and because I found it funny.
Mise En Scene
This screenshot is taken from the final sequence of the film, where the members of Combo’s gang meet at his apartment for a sort of party, to which Milky also comes. This uses Mise En Scene to show the state at which Combo lives in: a totally empty floor, a sofa and bed pressed against the wall, some pictures stuck to the wall, and a large St. George’s cross flag that Shaun stole across the wall. This tells the audience that Combo is really in a bad economic state and is fairly alone in life.
Cinematography
This shot uses a long shot to show off all the characters and the urban setting. Woody is on one side of the tunnel, the rest of his gang on the other, and Shaun is in the middle, illuminated by the sun before entering the tunnel. The shot has some really nice symmetry that makes it pleasing to look at, and also some potential symbolism, like Shaun being illuminated by sunlight while the skinheads are in shade under the tunnel, showing Shaun’s innocence compared to the harder, rougher lives of the skinheads.
This Is England (2006, Dir. Shane Meadows) First Response
Rating: 8/10
This Is England tells a story about a lonely young boy who starts out just wanting friends and to belong and ends up at the centre of a nationalist gang. The film does a really good job at showing a bleak story, and makes great use of its British setting, making me connect to the film as the scenery creates a sense of familiarity in me, especially scenes in the fields or the streets. The story is told well and the characters are interesting, though I found the scenes with Smell and Shaun quite uncomfortable. I would probably watch this again.
Memorable Scene:Combo Splits The Gang
This is the scene where the actual plot of This Is England begins. Combo, one of Woody’s friends, has just been let out of prison, and in the prior scene he made a racist joke in front of Milky, the only black member of the gang. In this scene, he begins by apologising to Milky, and then begins berating Woody for not doing anything. He then begins a monologue after asking Milky if he considered himself English or Jamaican (to which he responded English) in which he claims the idea of an English identity is fading and that British people are being forced out of living comfortably in their country while immigrants get housing and such. Its a rant that clearly shows the type of character Combo is, and immediately the audience should be clued in that he is becoming the film’s antagonist. The scene uses long shots (such as the one above) showing Combo’s back as he gives his speech to the room of skinheads, and close ups of the characters faces in response to his ranting. In the speech he brings up the Falkland Islands war going on (the film is set in the 80’s), which prompts the main character Shaun to tell him that his father died in that war. What follows is what cements Combo as the villain: he uses the death of Shaun’s father to manipulate Shaun into joining his nationalist group. He weaponizes ideas of patriotism and death in war meaning something in order to convince a young boy to join a nationalist regime. In the end, Woody leaves with Lol, Milky and some others, while Gadget, the groups punching bag, Kes, the short tempered one, and Shaun stay behind. Combo has officially separated Shaun from the kinder people in the skinhead gang, and Shaun is now vulnerable to Combo’s preaching.
In my opinion, the film wasn’t that great and the only reason I’m giving it a 4.5 and not a 4 is because the dialogue alone was hilarious – intentional or not. I enjoyed the news clips and montages which indicated the time period, such as clips of Princess Diana’s wedding. I didn’t enjoy the score because it didn’t blend well with the scenes, making it hard to take anything seriously.
My favourite sequence in the film is when Shaun first goes into the corner shop, Sandhu’s News, and is reading through a comic book which he hasn’t purchased yet, obviously the shopkeeper doesn’t like this so he asks Shaun repeatedly to leave, which leads up to the funniest piece of dialogue in this film. “Cola Cubes.” And again. “Cola Cubes.” The delivery from Thomas Turgoose adds to the comedic feel of this sequence.
Critical Score8.5/10 I gave the film this score because not only was I thoroughly invested in all the characters throughout the entire film- especially Sean and his development- I also loved how accurately the film seemed to depict British culture with the dialogue, setting and mise en scene. I also liked how the film included the aspect of British politics around the time frame it was set, and how they used montages at the beginning and the end to explain the politics and helped establish verisimilitude.
Memorable Scene My favourite scene is the very last one at the end of the film where Sean takes the same walk that he took at the beginning of the film, except this time he has changed as a person and gone through a lot. The audience can tell that he is reflecting over all that had happened to him, and it’s a deep moment when he throws the flag of England that Combo gave him into the ocean; this reflects his feelings about the country he lives in and the anger he may feel. And this all happens with a cover song from the British band The Smiths “Please please please let me get what I want.” playing in the back which adds more emotional depth to the moment.
I think this is the best film we have watched so far, as it does doesn’t do much wrong. In my personal opinion, the shots of the group walking towards the camera, though essential to show how Shaun’s friends are changing, are somewhat corny and for me don’t fit into the overall tone of the film. However, pretty much everything else is executed to a very high standard. There isn’t a bad performance by the cast, and the performance of Stephen Graham as the psychopathic Combo is certainly a memorable one for myself and most likely the audience as well. The use of montage to set the time period is extremely captivating and well executed, and the Tarantino style ‘Jukebox’ soundtrack is not only very well chosen, but pushes forward the emotional impact of certain scenes very well, such as the scene in which Combo nearly kills Milky. An overall extremely enjoyable experience and a very well made film.
Memorable Scene
The most memorable scene for me has got to be when Combo kills Milky, as for me it finally confirmed his psychotic and unstable nature and disgusting attitudes towards other fellow human beings. The intimate close up on Combo’s shows how he goes from cheerful and talking to Milky about his family and how he could come round for dinner, to berating Milky with racial insults and then beating him to the brink of death. The moment that really sticks out for me is when he gets Shaun to help him haul Milky’s beaten body out of the room and he’s telling to not cry and be ‘a real man’, which just confirms to me his lack of empathy and most likely his lack of education.
I really enjoyed this movie as you had to really listen to what was being said and what was happening. I enjoyed seeing all the camera work and dialogue even though there wasn’t much cinematography, it was a great movie. This is England is an extremely grotty and wretched movie. this is a lot of violence and blood and as I’ve said before I don’t condone any of those as it is disgusting but other than that I was entertained by this movie.
My most memorable moment was when Shaun threw the England flag into the sea. I believe that this was a detrimental scene that finished off the movie. After all that happened, all of the events that lead up to Milky’s almost death after he was beaten up by Combo. You could see that anger on Shaun’s face as he walked down. It was a moment of realisation.
7.5/10 – I really enjoyed this film and how it portrayed the time it was set in, especially when hearing about it a lot from my dad. While the themes were heavy and quite nasty at times, it implemented some comedy in nice ways, especially when Shaun was hanging around Woody and his friends. The music was also a highlight for me, because soul, reggae and blues are some of my favourite genres.
The most memorable scene in This Is England for me was when Combo was trying to convince Woody and his friends to ‘join him’ after spewing all of his white supremacist and nationalist ideas to them. This really marks a turning point in the film; Shaun goes from trying to fit in with Woody, to following Combo instead. I think that this scene also shows how children can be really impressionable, because Combo speaks about Shaun’s dad in a really compassionate way.