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Trainspotting representation

Addicts:

In Trainspotting, addicts are portrayed desperate for drugs and they are all very strong addictions, they are very clear and a prominent addition to their characters, seen in the graphic scenes of heroin use and overdose. In this scene Renton has lost his drugs down the toilet and so he has dived in afterwards. This highlights Renton’s dependence on drugs and his willingness to do anything to have them. The tranquil music in this scene adds to the representation of addicts and how the drugs bring a relaxation to them to create a clearer, more hyper realistic view to the audience of addiction.

Scottish people:

In the film, many of the Scottish people are presented to often dislike being Scottish, they are rarely proud of their culture. In this scene Tommy drags the rest of the friend group on a walk in the Scottish highlands, a common stereotype of the county and known for its beautiful scenery. However, Renton and the friends are unimpressed and say it’s “shite being Scottish” before leaving to return to the city and go back on heroin. In addition, this scene also highlights the characters priority of drugs and how they come above everything else, even their culture and country.

Women:

There is little female representation in transporting, they are only on screen when it is related to their partner, or having a one night stand. Women are presented to be empowered and sexually active such as when Renton and Dianne meet at a club and their one night stand becomes a casual, on/off relationship. Dianne’s representation can be quite shocking for the audience as she is portrayed to be almost promiscuous despite being a schoolgirl.

Young people:

Age is prominently represented as many of the characters are young adults, but the most clear representation of age is Allison’s and Sick boy’s baby that passes away due to the neglect caused by drugs leading to Sick boy’s addiction swiftly increasing. Age and authority do not co ordinate in the film often as the younger characters are mostly free-willed apart from when Renton is locked in his room by his parents after his overdose.

Representation

All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including the ideological nature of those representations.

Ideology: set of ideas, beliefs of someone holds (group of individuals having them same ideas).

PERFORMANCE:

age ethnicity, costume, facial expression, body language.

Stereotype: A fixed general image or set of characteristics that a lot of people believe represent a particular type of person or thing.

Countertype: A representation that actively seeks to subvert and challenge negative stereotypes usually of a person, group or place. e.g black president in America rather then white.

 

Terminator 1: Sarah Connor is seen a stereotyped American waitress. she’s in pink which is viewed as a very ‘feminine colour’. she is around 20, in a scene she is seen being late for work this can provide us with information letting us know she is a hopeless 20 year old who’s always in a rush.

Terminator 2: Sarah Connor is seen as a countertype now. She is seen to have a muscular build which is the opposite to the first film where you seen her in a feminine pink dress. she is also seen wearing black which is seen as a ‘masculine colour’. in this photo she is seen holding a gun and she seems very comfortable around it, indicating to viewers she’s been training and is preparing for war/battle.

Why do you think the director change her character in the second film?

It wasn’t the director who chose her character to be more of a countertype it was Sarah herself. She said she wants the charter to be crazy. She still fights how she did in the first film.

TRAINSPOTTING REPRESENTATION

1.WHO IS DOING THE REPRESENTATION? (DIRECTOR’S VIEWPOINT)

The director is doing the representation. They are creating what will be viewed by audience/viewer.

2.WHO IS BEING REPRESENTED ? (Identify specific social groups)

The working class, all character are to be seen in the lower or working class status.

3.WHAT SOCIAL GROUPS ARE OMITTED FROM THE REPRESENTATIONS?

Social groups that are getting omitted is children. Apart from the baby that is the only child you see. People aged 20-25 are the Minority age.

4.WHAT MESSAGES ABOUT PARTICULAR SOCIAL GROUPS ARE BEING CONVEYED?

The messages that are being conveyed is that this particular group of people are bad. It indicates to us that they are taking drugs everyday, have a lose of humanity.

5.WHICH CHARACTERS OR SOCIAL GROUPS HAVE POWER WITHIN THE REPRESENTATIONS?

The social group with the most power is the 20-25 year olds as that is how old majority of the characters are. One child is seen and you rarely see anyone older then around 50-60.

6.DO THE CHARACTERS ADHERE TO OR CHALLENGE STEREOTYPES?

These group of people adhere to the stereotypes of working/lower class people. It shows that these people throw their life’s and away and over take the use of drugs.

7.ARE THE CHARACTERS TYPICAL OF FILMS IN THAT GENRE?

As the genre is black comedy I would say it relates to it. The characters being open to drugs but also being comic really relates to the genre.

8.WHAT DO REPRESENTATIONS TELL AUDIENCES ABOUT SOCIETY AT THE TIME THE FILM WAS MADE AND/OR SET?

The representations tell the audience that this society at the time was over drug users. It shows us that in Edinburgh used to be a run down place which was a bit sketchy. It enables us to see that most people were in the working class.

representation

all aspects of film form including narrative contribution to the representations of cultures and societies’ (gender, ethnicity, and age ) including the ideological nature of those representations

ideology – a system of ideas and ideals, especially one which forms the basis of economic or political theory and policy.

performance

  • age
  • ethnicity
  • body language
  • costume
  • facial expressions

stereotype

a widely held but fixed and oversimplified image or idea of a particular type of person or thing e.g. all black people are criminals

countertype

an opposite of the stereotypes that are already in place. it opposes stereotypes e.g. a black president instead of a white president

Sarah Conner example

Sarah was a stereotypical American waitress in he first terminator movie. She is shown to be weak and incapable of doing her job since she spills the coffee on the man and when she arrives late she isn’t phased or bothered by it.

in the follow up movie, she breaks away from the female stereotypes and becomes a countertype. During this time and becomes a heroin, she is shown holding a gun and she looks to be skilled with it, she’s also has muscles and is no longer the weak woman she was in the first movie.

Trainspotting Representation

1 who is doing the representation?

Renton and his group

2 who is being represented?

Renton and his friends represent a clique friend group who have issues and do drugs. drug addicts are being represented and so are people with mental issues

3 what social groups are omitted from the representation

people who are of colour and diverse women

4 what message about particular social groups are being conveyed

The message was that drugs are a life changing choice and once you get caught up in social groups with people who drugs you are bound to fail e.g. tommy ends up dead due to his friends co orison into heroin

5 which characters or social groups have power within the representation

Mother superior had the most power since he provided them with drugs. The parents in the movie also had power since they were the adults and created rules.

6 do the characters adhere to or challenge stereotypes

I believe that they do challenge societies stereotypes of drug addicts since they are white men in a white base country. The character of Renton also came from a functioning family with two parents which goes against the ‘people who do drugs came from a broken home’.

7 are the characters typical of films in that genre

The genre of Trainspotting is a dark comedy and I believe that the characters do fit the the genre since they are young adult men.

8 what do representations tell audiences about society at the time the movie was made

It shows us how society viewed different groups of people e.g. woman weren’t seen often in the movie other than Diane who was only displayed as a woman used for Renton’s benefits. There was also little to no people of colour in the movie which showed how they weren’t expected to be in movies at the time and where an afterthought.

This Is England (2006) Representation

Young People

Young people in This Is England are presented in various ways. The main character Shaun is presented as a lonely child who is picked on by crueller children, who make up a lot of the films other representations of young people (like the fedora wearing one who makes fun of Shaun for his dead dad). The skinhead gang is also presenting young people, as Woody and others are only in their early-mid twenties, which implies Woody had a similar experience to Shaun as evidenced by his friendship with Combo. This representation of younger people are kinder than the school children we are shown first (aside from Pukey) and are also presented as being relatively content with their lives as they are right now.

Older People

In a lot of the movie, older people are presented quite negatively. There aren’t a lot of much older people in most of the movie until the introduction of Combo and Banjo, who are “first generation” skinheads, and the other older people in the movie are introduced because of them. The older people are the nationalists in the film, giving speeches about how Britain should be for the British, etc. and overall serve as an antagonistic force, targeting younger people like Shaun and Pukey to persuade them over to their prejudiced way of thinking.

But not all older people are presented this way. Shaun’s mother is presented as a kind and caring character in the movie, always trying her best to look after Shaun even if Shaun doesn’t appreciate her efforts. Even when Shaun gets his head shaved and gets new clothes, she isn’t incredibly angry. She does become quite upset but she meets with the skinheads and thanks them for making Shaun feel happy, showing she does have his best interests at heart.

Class

The majority of the films characters come from the lower class, suggesting reasoning as to why they decided to become skinheads. The skinheads hang around in run down buildings and find fun in wrecking them, and they don’t normally complain about their life situations. The only one who does is Combo, who blames immigrants for his poverty. The highest class member of the group we are shown is Smell, who’s family is shown to own a relatively nice house with nice furnishing and such. Higher classes are only really shown in the nationalist speaker Combo takes Shaun to go see, who rants on about topics similar to Combo, despite it being implied that the speaker is in a comfortable position in life. The lower classes are usually presented as people looking to make the best out of what they have, while the upper classes are shown complaining about things that don’t even affect them in the slightest.

English People

The English people make up a lot of the main cast of This Is England, but unlike Trainspotting their English identity forms the basis of the plot of this film. Characters like Woody and Lol aren’t really impacted by their English identity, and characters like those are normally presented as the most comfortable. However, the idea of an English identity is used by Combo (and the nationalist speaker) to convince people to join their gang. Combo twists the idea of patriotism to convince Shaun to join his gang, and very nearly persuades Milky to join by telling him his English identity is more important than his Jamaican identity.

Asian/Black people

There isn’t a lot of representation of Asian people, but it is very important regardless. The most apparent presentation is the shopkeeper, who is seen at the beginning and near the end of the film. He is presented as a man who is just trying to make a living, but is given trouble by Shaun in the beginning due to him being am annoying child, and later by Combo, Shaun and the rest of the gang, when his store is hit by them for a racially motivated reason and slurs are hurled at him during the robbery. This scene is quite hard to watch, as it shows this shopkeeper who didn’t do anything wrong being threatened by a machete while his store is robbed. The gang also steals a ball off of a group of Indian children, during which they also make racist remarks. These characters are shown as receiving a lot of trouble for doing basically nothing, and the audience should feel pity for them

Most of the black representation comes from Milky, the only black member of the skinhead gang. Milky is English with Jamaican heritage, and is treated the same as any other English character until Combo is introduced. Combo uses the fact that Milky is black to fuel a lot of his argument in the scene where he attempts to break up the gang, by using the fact that no one stood up for him when Combo made a very racist joke at the party to say that English people don’t stick up for each other anymore. This argument falls apart at the end when Combo is just very racist towards Milky and beats him, showing that he doesn’t care about any of that and really is racist. Milky is initially presented as a normal Englishman before Combo weaponizes his race to back his nationalist beliefs.

Men

The men in This Is England make up a lot of the cast. Their presentations vary, from Shaun’s wannabe masculinity where he idolises men he views as strong (Initially Woody then Combo, though this idealisation of older men in his life probably stems from how highly he views his father), to Woody wanting to enjoy life and protectiveness of his friends, and Combo’s ideas of masculinity tying in with his nationalist ideas. A lot of male characterisation features strength in some way, but they often display extreme emotions as well.

Women

Like Trainspotting, women are usually wives or girlfriends. The most prominent female character, Lol, is Woody’s girlfriend, but is given a lot of her own character and story. Smell as well is only in the story to act as Shaun’s girlfriend and serves no other purpose in the story, so why she is included I have no idea. Shaun’s mother is given strength in her widowed status, having to look after Shaun by herself, giving the audience respect for her. The women in This Is England, while still designated to set roles, are given their own aspects of strength and character.

Place

The films English setting is, in my opinion, the films biggest strength. The film presents a familiar, small town English setting, and shows the audience the mundane nature of the town streets, the brick buildings and flat grassy areas. The film shows how boring and stagnant life for a young person would be in this town, and so gives reasoning as to why Shaun joins the skinhead gang, and why the skinheads find fun in wrecking abandoned houses and have house parties: because the audience can tell from the town that it is set in that there is nothing better to do. The setting of This Is England is presented as common and familiar to an English audience, and as dull and boring to the characters, though through the films cinematography it can form some shots that are very nice to look at.

Representation

All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including the ideological nature of those representations.

Performance

  • age
  • ethnicity
  • costume
  • facial expression
  • body language and gestures

Task 2

Stereotype -a general belief about a certain category or person
countertype – goes against a stereotype of certain beliefs example a black president of America rather than a white president of America.

Sarah Connor

Sarah Connor looks stereotypically of an American waitress. In Terminator one and in this scene she is late to her job and she seems careless about it, she is being called from every direction e.g. people missing drinks, somebody putting ice-cream in her uniform dress pocket. However she shows many feminine traits she looks kind and maternal and caring.

In this scene and in the second movies, Sarah Connor is more of a countertype of a stereotypically self in the first movie. Sarah also show more masculine traits as she is holding a gun while is not conventional of a female. She looks like she is the hero and she is trying to protect something. She is wearing a tight shirt and we can see her muscles showing the audience that she is a countertype of a kind, maternal looking waitress self in the first movie.

Representation in Trainspotting

  1. Who is doing the representation ?
    Danny Boyle – the director
  2. who is being represented ?
    drug addicts, white ( sort of youngish) men who are Scottish
  3. what social groups are omitted from the representation ?
    people with money, coloured people, old people, women are underrepresented
  4. what message about particular social groups are being conveyed ?
    don’t try drugs as they are bad for mental health and physical health
  5. which characters or social groups have power within the representation ?
    the main character have a main power of how drugs can have a harmful impact and them representing what they can do to you
  6. do the characters adhere to or challenge stereotypes ?
    they adhere to the stereotype of young people in the backstreet of a city.
  7. are the characters typical of films in that genre ?
    As the genre is crime/ drama you do suspect that the characters convey characteristics to fit into the genre for example Spud going to jail – crime. However drugs is more countertype of a crime/ drama genre.
  8. what do representations tell audiences about society at the time the film was made and or set ?
    it shows the audience the time the film was made in and the society that was around and the ideology people have in that time and how films represent them.
  9. how are elements of film form being used to construct the representation ?
    for example the drug den in the opening scene where they are taking heroin for the first time, the mise en scene of the place creates an ideology and representation of the characters and how they have a living of off drugs, and a unclean and messy lifestyle.

Scottish, young white men being represented in the film as drug addicts who are quite scary, mean and unkind people.

Older people being represented in the film as being kind, fun caring people compared to the younger people in the film. For example Renton’s parents are a loving couple who are deeply concerned for their son and want to make him a better person.

Women are being represented as the girlfriends to the main characters in the film. They are more represented as an object through the men’s eyes

Representation

All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including the ideological nature of those representations.

Ideology: a system of ideas and ideals, especially one which forms the basis of economic or political theory and policy.

Films create meaning and creates response though mise en scene, cinematography, sound, editing and performance.

Performance

  • Age
  • Ethicity
  • Costume
  • Facial expressions
  • Body language/ gestures

Stereotype: A widely held, fixed and oversimplifies image of belief of a particular type of person or thing. For example, all black people are criminals.

Countertype: An attempt to create an opposite, or different idea or view compared to their stereotype that is already in place, for example a black or female president instead of a white man.

Sarah Connor Representation

Sarah Connor was a stereotypical American, girl next door waitress at the start of the film (terminator 1). She is presented as weak, frantic and slightly unbothered as she is bad at her waitress job, seen when she spills drinks and gets orders mixed up.

In the follow up movie (Terminator 2) Sarah becomes a countertype and her new character almost juxtaposes her previous role as she is now shown as a fearless heroine, she has gained a lot of strength and confidence and is no longer the innocent waitress viewers have previously seen.

Trainspotting Representation

WHO IS DOING THE REPRESENTATION?

Danny Boyle, the director

WHO IS BEING REPRESENTED ? (Identify specific social groups)

Drug addicts (specifically heroin addicts), Scottish white males, younger generation

WHAT SOCIAL GROUPS ARE OMITTED FROM THE REPRESENTATIONS?

Characters of colour, upper class, non-addicts, diverse women

WHAT MESSAGES ABOUT PARTICULAR SOCIAL GROUPS ARE BEING CONVEYED?

That drug addicts are negative and irresponsible (seen when the baby dies of neglect as everyone was too high). The little amount of women are presented as promiscuous.

WHICH CHARACTERS OR SOCIAL GROUPS HAVE POWER WITHIN THE REPRESENTATIONS?

In the film the male characters predominantly have more control over the female characters as they are only shown in relation to the men. Overall, there is little control between the different generations of the characters as they are rarely shown. However, when Renton overdoses his parents do take control and lock him in his room but this is one of the few signs of control.

DO THE CHARACTERS ADHERE TO OR CHALLENGE STEREOTYPES?

They adhere to stereotypes as the characters all present addiction accurately, as well as the women in the film conforming to the gender stereotypes of the time period.

ARE THE CHARACTERS TYPICAL OF FILMS IN THAT GENRE?

The genre of the film is dark comedy and because of the many young male characters I think they do fit the genre as their humour and stories are quite similar

WHAT DO REPRESENTATIONS TELL AUDIENCES ABOUT SOCIETY AT THE TIME THE FILM WAS MADE AND/OR SET?

That there was a lot of drug use between that stereotype of person when the film was set. For example, many drug addicts such as Renton, his friends and in Scotland.

HOW ARE ELEMENTS OF FILM FORM (MISE EN SCENE/PERFORMANCE/SOUND/EDITING/CINEMATOGRAPHY) BEING USED TO CONTRUCT THE REPRESENTATIONS?

Film form is cleverly used during Renton’s withdrawal from heroin after his overdose. He experiences vivid hallucinations which have been well edited and the matching sound used to put them into Renton’s head as they experience the sights and sounds he does. This creates sympathy for Renton as the use of film form creates a clear representation of heroin withdrawal.

Representation

All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity and age) including the ideological nature of those representation.

Ideology is set ideas

Performance

age

ethnicity

costume

facial expression

body language

Stereotype

Ideas that aren’t progressive and confining certain types of people into set categories based on gender, race, class etc.

Countertype

The idea of braking away from set ideas and breaking harmful stereotypes. Example: a black president of America.

Sarah Conner Representation

Sarah Conner in terminator one is represented as a young ditsy waitress, falling in the the stereotype that all women are girly and aren’t fit to do action and violence. however in the second film she transformed into nan action heroine to be a powerful woman with ability’s and skills to yield weapons and kill bad guys, this countertype wasn’t common for the release date of the film. you can see the difference between the two images and can see the large difference between the character in the two films, number one being her dressed in pink with soft feminine makeup, and number two her holding large weapon in a harsh black tank top showing her new muscular build, with her hair pulled into a messy ponytail with visors on showing her to be ready for action and combat.

Trainspotting representation

1.WHO IS DOING THE REPRESENTATION? (DIRECTOR’S VIEWPOINT)

The director, Danny Boyle is choosing who and what is being represented.

2.WHO IS BEING REPRESENTED ? (Identify specific social groups)

There is representation of poor working class, representation of Scotland in the 1980s, representation of drugs, representation of drug addicts, representation of friendship, representation of sobriety.

3.WHAT SOCIAL GROUPS ARE OMITTED FROM THE REPRESENTATIONS?

There is very little representation of women positively as they are shown in not very positive light, no representation of any different races or different ethnicity’s other than white people, there is no representation of any lgbtq characters.

4.WHAT MESSAGES ABOUT PARTICULAR SOCIAL GROUPS ARE BEING CONVEYED?

It is conveyed that people who live in poverty throw their life’s away for drugs sex and alcohol, it shows that the poor will continue to be poor as they don’t try to achieve goals.

5.WHICH CHARACTERS OR SOCIAL GROUPS HAVE POWER WITHIN THE REPRESENTATIONS?

the characters in authority in this movie are the police, the parents, and the drug house runner. this shows that the only time people are in power are people who have something the characters want *(drugs) or have a higher social ranking.

6.DO THE CHARACTERS ADHERE TO OR CHALLENGE STEREOTYPES?

the characters adhere to stereotypes such as. women are only there for a relationship or sex. that all drug addicts are dirty and grimy. that people with addictions are irresponsible and do nothing but do drugs.

7.ARE THE CHARACTERS TYPICAL OF FILMS IN THAT GENRE?

the characters id say for a “black comedy” all act reasonably to fit the genre, as they still keep the film heavy and emotional yet still having the right comedic timing.

8.WHAT DO REPRESENTATIONS TELL AUDIENCES ABOUT SOCIETY AT THE TIME THE FILM WAS MADE AND/OR SET?

It shows within society that drugs where too normalised and by realising the film they shown people what drugs does to peoples lives.

9.HOW ARE ELEMENTS OF FILM FORM (MISE EN SCENE/PERFORMANCE/SOUND/EDITING/CINEMATOGRAPHY) BEING USED TO CONTRUCT THE REPRESENTATIONS?

The use of mise en scene depicts the reality of low class Scotland in the 1980s by showing their homes and the crack den to be mostly unpleasant. the performance of the actors shows the look and tries to convey the feeling of drugs to the audience. the editing in times shows the hallucinations of the main character, Renton.

Representation in Trainspotting

All aspects of film form including narrative contribute to the representations of cultures and societies (gender, ethnicity, and age) including the ideological nature of those representations.

Performance

Can cover: age, ethnicity, facial expression of character and body language, costume.

Stereotypes = A stereotype is a fixed general image or set of characteristics that a lot of people believe represent a particular type of person or thing.

Countertype = An opposite type or a parallel or corresponding type.

An example of a countertype in film would be the character of Sarah Connor in the Terminator I and II. In the first film she is the typical stereotype of a clumsy American actress, however she has a drastic change in the second film where she becomes a typical action movie heroine sort of character.

Representation in Trainspotting

1. WHO IS DOING THE REPRESENTATION? (DIRECTOR’S VIEWPOINT)

Renton and his group of friends – By Danny Boyle.

2.WHO IS BEING REPRESENTED ? (Identify specific social groups)

They are being represented as a group of delinquent white Scottish men that are addicted to drugs- specifically heroin. Also: the lower class, parents, adults.

3.WHAT SOCIAL GROUPS ARE OMITTED FROM THE REPRESENTATIONS?

People of colour, the upper class and women.

4.WHAT MESSAGES ABOUT PARTICULAR SOCIAL GROUPS ARE BEING CONVEYED?

The message of how an addiction to drugs can ruin a persons life, and the power and influence of it. It’s a social commentary that shows the unglamorous part of drugs that is not often shown.

5.WHICH CHARACTERS OR SOCIAL GROUPS HAVE POWER WITHIN THE REPRESENTATIONS?

The characters that provide them with the drugs such as “Mother Superior” Swanney (Peter Mullan). Also the police force and Renton’s parents.

6.DO THE CHARACTERS ADHERE TO OR CHALLENGE STEREOTYPES?

I’d say that yes, Renton and his friends represent the typical stereotype of a drug addict very well and this is supported by the mise en scène, the setting, the costumes and the cinematography.

7.ARE THE CHARACTERS TYPICAL OF FILMS IN THAT GENRE?

The main genres of Trainspotting is crime/drama and to an extent the character subtype of a drug addict could be typical for it.

8.WHAT DO REPRESENTATIONS TELL AUDIENCES ABOUT SOCIETY AT THE TIME THE FILM WAS MADE AND/OR SET?

Representations such as gender, age and race can tell the audience a lot about the time was made/set because of the way they behave, the stereotypes they adhere to (like women being housewives in the 1900s) and the way others react to them. It helps make the film feel real when there is a specific date to its timeline. Certain representations, such as working class people vs higher class people can also tell a story about the society within a film and tell the audience how their world works.

^ In this image older people are being represented. More specifically, Renton’s parents. The audience watch as Renton is being almost infantilised as his parents tuck him into his own bed and take care of him. This presents them as responsible and neat, they are the target type of “adult” that Renton and his friends should aim to be instead of drug addicts. And for their outfits, they are dressed all smartly and clean amidst Renton’s dark and shabby room while he is dressed in clothes from the day before- this shows the stark difference between them and the lives they both live.

Trainspotting Representation

Young People-

They feel alienated from traditional paths like stable jobs, marriage, or consumerism, instead embracing a chaotic and self-destructive lifestyle as a form of resistance. Their drug use and disregard for authority reflect a broader rebellion against societal expectations and norms. Many of the young characters prioritise pleasure and instant gratification, which is often pursued through heroin, alcohol, and casual sex. he male characters frequently conform to toxic ideas of masculinity, such as suppressing emotions and engaging in risky behaviors.

Working Class-

The working class in Trainspotting is depicted as trapped in a cycle of poverty, addiction, and disillusionment, with little hope for change. While the film critiques their self-destructive behaviors, it also portrays them with empathy, highlighting the systemic failures and societal neglect that contribute to their struggles. This nuanced representation offers a commentary on the economic and social realities of the time, making the film both a character-driven story and a broader critique of class inequality.

Addicts-

Addicts in Trainspotting are depicted as deeply flawed yet human individuals, caught in a web of personal choices and systemic failings. The film presents addiction as a devastating and multifaceted issue, blending moments of dark humor, tragedy, and raw honesty to challenge stereotypes and provoke empathy.

Scottish People-

Scottish people in Trainspotting are depicted with honesty and complexity, balancing critiques of societal issues with an acknowledgment of cultural resilience and humor. The film offers a raw, unvarnished portrayal of life in Scotland, highlighting both the struggles and the spirit of its people.

Older people-

Older people in Trainspotting are depicted as symbols of traditional values, societal stagnation, and generational disconnect. While some are shown as caring and concerned, they are often powerless to address the systemic issues faced by the younger generation. Their portrayal underscores the broader societal critique at the heart of the film, examining how intergenerational dynamics contribute to the struggles of addiction, poverty, and hopelessness.

Men-

Men in Trainspotting are depicted as deeply flawed yet human, caught in a cycle of rebellion, addiction, and disillusionment. The film critiques toxic masculinity and societal expectations while exploring themes of vulnerability, friendship, and the struggle for identity. This nuanced portrayal highlights the complexities of masculinity and its role in shaping the characters’ lives.

Women-

Women in Trainspotting are largely represented as secondary characters who serve to reflect and influence the male protagonists. While some, like Diane, show agency and assertiveness, the film primarily explores the struggles and experiences of its male characters. The female characters often embody themes of vulnerability, objectification, and exploitation, with their roles largely shaped by the male narrative. This portrayal is a reflection of the film’s critique of societal norms, including gender dynamics, but it also highlights the limited space for women within the world of Trainspotting.

Representation – Trainspotting

Young People

In Trainspotting, young people are presented in a disadvantaged position. All young people we see in the film are or will be going through something. Renton suffers addiction, Begbie is a violent mess who has to crash in Renton’s London apartment, Tommy goes through a rough breakup that results in his death, etc. Young People in Trainspotting are represented as having little future and little ambition, or so they believe themselves. This changes by the end when Renton runs away with the money and he realises he can make something of his life, which is a positive note to end a movie that often shows only the negatives of youth.

Older People

Older people are not very present in Trainspotting. There are a few scenes involving the character’s parents,. namely Renton’s, Gail’s and Diane’s . From what we are shown, the older people in Trainspotting are represented usually as quite kindly and at least attempt to be friendly. There is the dinner scene with Renton’s parents where his dad snaps at him for his drug abuse, but aside from that, they attempt to help him kick the habit by forcing him to go cold turkey. Gail’s parents are kind to Spud and are understanding of the fact that he made a mess while drunk, and Diane’s parents are very nice and welcoming to Renton. They are represented as a group of people who grew up with more opportunities than the current youth of Trainspotting.

Working Class People

Trainspotting is not a glamourous film, and it’s portrayal of the working class is a good example of this. A lot of the ensemble cast are of the lower classes, explaining their need to go to drugs to feel something in a world where they haven’t been given anything to experience. The only people at the start of the film who don’t do drugs are Tommy and Begbie, who both seem well off. Tommy however loses his comfortable social state when Renton inadvertently causes his girlfriend to kick him out of her house, bringing him down considerably. He’s forced into a grimy looking, very cheap apartment, absolutely nothing inside, not even a proper bed. This display of the poor working class, in dirty housing with little possession, also allows the audience to sympathise more with the character’s reasoning of turning to drugs. The working class are presented as struggling and in need of help, which leads them to drugs as an attempt to get something out of a life they have nothing in.

Scottish People

Due to the story taking place in Scotland, the main characters are obviously Scottish. The movie doesn’t really bring a lot of attention to this, though. The Scottish people are presented as the status quo of the story, and so we are led through normal Scottish lives. There is a scene where they go see some Scottish mountains, which in any other movie would be a big moment of beauty and awe in the characters, but in Trainspotting they really don’t care about it, and don’t see the point in going all the way there to look at them. It would just be normal to them. Scottish people are not represented in a romanticised light, nor in a negative one: what the characters see as normal is presented to the audience as normal.

Addicts

The addicts in Trainspotting, despite making up the main cast, are not presented positively in the film. All scenes of drug taking is not glamorous at all, quite the opposite. They are most often seen cooking up and shooting heroin in a dingy backroom, which looks disgusting and not somewhere people should be. The scenes in which Renton takes drugs are always presented as a low point: he betrays his family and friends by going to get a hit from Mother Superior immediately after being let off a prison sentence under the promise of going to rehab, he OD’s and is treated without any care by Mother Superior who just lugs him around and by the taxi driver who takes him to the hospital, who dumps him on the ground, and when he shoots up in a bus toilet, which is a low point due to him being totally clean up to that point. While not presented positively, the addicts are given a lot of sympathy, like Tommy resorting to heroin to feel better after his life is ruined. Addicts aren’t even really presented in a villainous way either: the worst character in the whole movie, Begbie, is totally clean throughout the entire film. Addicts are presented as human beings deserving of sympathy and care.

Men

Men make up the main cast of characters in Trainspotting, giving us a lot of different representations of men. Trainspotting gives us aggressive men like Begbie or sensitive men like Tommy, etc. There is a lot men have in common in Trainspotting, though. All of them want relationships, which is shown in the scene where the above screenshot is from, where Spud and Sick Boy talk about their gripes with their respective partners, and in the same sequence at the bar Renton gives narration on how he wants company and gets with Diane. Other aspects of male representation is the constant banter between the characters and the stereotypical male pastime of football, but opposed to what these stereotypical representations would suggest, the male characters are allowed to be emotional, like the scene where the aby dies and all the characters are very upset about it.

Women

Women don’t have as much representation as men by a lot. Often the women are restricted to roles of girlfriend, wife or mother. They are given little screentime compared to the male characters as well, but they aren’t totally sidelined. While they usually are in the role of girlfriend to the main characters, they are given moments that characterise them and give them strength, like Spud’s girlfriend Gail saying that she’s been refusing to have sex with him just because she finds it funny that it annoys him. But compared to male characters, there isn’t much representation of women in the film.