Aesthetic – refers to the overall style and theme of the film including the texture, this refers to the beauty of the film and how aesthetically pleasing it is looks wise
Realism
Verisimilitude – the believability of the world of the film (diegesis), how real it looks compared to the normal world.
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Social Realism – films which reflect a range of environments and social issues
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Magic Realism – films with a realistic tone containing fantastical events bringing old stories, myths and tales to modern relevance
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Hyperreality – films where everything feels overly real, an exaggerated reality to the point where it becomes hard to believe it is real
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Visual Style
Iconography – the use of recurring images and symbols in films to convey specific themes or evoke specific emotions and build the film’s narrative
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Intertextual Referencing – when a film overlaps with another work of art (another film, work of literature or another art form)
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Visual/Sound Motifs – recurring visual or sound element used throughout the film to create meanings and representations
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Colour Grading – a way of manipulating and editing raw film to maintain colour tones through the film
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Auteur Trademarks – when a film “author” or director who is in full control of the making of the movie utilises the same way of filming including camera shots and angles, themes and lighting throughout most of their work
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Tone
Pathos – different objects, subjects or specific elements which convey an emotional appeal, making the audience convey a sense of pity or empathy
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Bathos – an anti-climax in a film, when the audience expects something to happen and something usually more underwhelming happen
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Suspense – usually in correlation with anxiousness and anticipation, the spectator not knowing when and how it is going to happen
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Comedy – a genre of film which mostly focus on humours moments therefore making the audience laugh
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Dramatic Irony – the significance of a character’s words or actions is clear to only the spectator but not the character itself
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Distancing Effect – usually used in live plays, when the character breaks the “forth wall”, it is used to distance the audience from emotional involvement
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Postmodern Humour – another style of comedy including other comedy features such as parodies, irony and including both high and low art styles
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