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JOKER MIS-EN-SCENE

Joker. Directed by Todd Phillips 2019.  

I have chosen this image because of the creative usage of colour grading. This scene is timestamped at one of the most important points of the film, this is after the joker kills 3 Wall Street traders and takes off to hide. In this scene there is a significance to the colours reflecting against the wall. The two main colours are yellow and blue. Most commonly the references that come with yellow are either “happiness and sunshine” or deceit and cowardice. We commonly see yellow in the film when Arthur is by himself or feels comfortable with himself. Whereas blue represents the society around him. In this scene we see Arthur transforming in and out of these two perspectives, shown through interpretive dance.  

I have decided to use this scene to represent the use of makeup in this scene. In This film we don’t see a spectacle of special effects. There are small moments in the film that use makeup and special effects to its advantage, doing this pulls the audience in with small but extremely violent and realistic makeup looks and effects.  

I have decided to use this scene to represent the usage of composition. In this scene there are two characters (Arthur Fleck and Hoyt Vaughn) the placement of both characters is very strategical as to keep the audience’s eye on all aspects of the scene. There is a triangle created with Arthur, Hoyt, and the small clown figurine at the bottom of the desk. Hoyt is placed at a lower angle compared to Arthur which gives the audience the impression that Arthur is a looming figure, a personification of the criminality in Gotham.  

I have chosen to use this clip to represent verisimilitude in this film. In this scene we see Arthur shoot Murray point-blank in the head. This is a favourable example of verisimilitude, as we see the bullet penetrate Murray’s head on screen. If this were an off-screen death the audience would have a harder time believing Arthur’s insanity. An on-screen death will always shock the audience.  

I have picked this scene to represent Lowkey Lighting. In this clip we can see Arthur in his “alter ego” The Joker. Arthur is just after killing a man in his apartment and has succumb to his illness. The use of Lowkey lighting in this scene foreshadows oncoming terror, (which does come in the next few minutes) The use of lowkey lighting gives the audience a sense of fear.  

This scene is used to represent location filming. This specific scene was filmed at the West 167th Street Step Stairs in the Bronx. Many viewers from New York City or anyone that has knowledge on NYC will recognise these stairs. Location filming is important as using notable locations such as NYC (which Gotham was based on) gives a more authentic feel to the film  

This scene is used to represent sound-stages. Todd Philips was creative in his use of sound in this film. For a sequence in which Arthur Fleck (Joaquin Phoenix) is beaten up by three Wall Street suits on a subway car, the sound gets more sinister as the scene progresses. It was building the scene, starting at a normal atmosphere and then amping it up as the torment increased on Arthur. In a way the usage of sound in this film is a separate character itself, almost representing the chaos that is in Arthurs’s head.  

JOKER FIRST RESPONSE

Joker first response  

SCORE OUT OF 10  MEMORABLE SCENE  FILM RESPONSE 
                    6/10 When the joker is in the public bathroom doing an unsettling dance. In this scene when the joker is dancing the camera follows his body movements very fluidly making you feel a part of the scene    For the most part I enjoyed this film. Visually it was entertaining, but it was a complete remake of the king of comedy (Scorsese, 1982) even down to Robert de Niro being in it. It follows the exact same story line. Also, very reminiscent of taxi driver (Scorsese, 1976) with the motifs of how loneliness and isolation will lead people to do crazy things like kill a talk show host or politician. The cinematography was beautiful, it captured the grittiness of 80s Newyork perfectly.  
   

how to read a film – monaco

Monaco represents his understanding of film in multiple ways. In his book he expresses that film holds a close relation to many other media aspects such as; novels, painting, photography, television and even music.  

Monaco starts off this chapter by explaining the historical significance of poetry, and astronomy and other human creativities have had on the culture.  

Monaco explains that if we were to arrange the arts on a spectrum based on their levels of abstraction then film would cover a broad range of other ideas because of its relation to other art forms mentioned above (photography, painting, music, etc). Film started off as a medium to record other arts but quickly turned into the anomaly that we know as “cinema” today.  

Cinema holds the ability to visually tell you a story and take you on a journey of emotions and experiences. The music used in films influences every watcher’s experience and is timed perfectly to match the story to create a narrative within itself.  

Cinema has the ability to commentate on society with the evolution of genres. Many people look towards film as a way of understanding the world around them. One notable example (personally) is taxi driver, in this film we see how loneliness and isolation can drive society to insane means of being noticed

CATEGORISING FILMS.

Year 12 film studies, Kendal. Film categories

Battleship Potemkin 

Director; Sergei Eisenstein  

Genre; historically significant  

Date; December 21, 1925 

A bug’s life 

Director; John Lasseter, Andrew Stanton.  

Genre; mainstream  

Date; 1998 

The shape of water 

Director; Guillermo del toro 

Genre; art film  

Date; December 1, 2017 

Seven samurai 

Director; Akira Kurosawa 

Genre; historically significant  

Date; April 26, 1954 

The breakfast club 

Director; john Hughes  

Genre; mainstream 

Date; February 15, 1985 

The wizard of oz  

Director; victor Fleming 

Genre; historically significant   

Date; august 25, 1939 

The magnificent 7  

Director; john Sturges  

Genre; historically significant  

Date; October 23, 1960 

Love, Simon  

Director; Greg Berlanti  

Genre; mainstream 

Date; March 16, 2018 

Fitzcarraldo 

Director; Werner Herzog 

Genre; art film  

Date; October 10, 1982 

Alphaville 

Director; jean-Luc Goddard 

Genre; historically significant  

Date; November 1, 1965