All posts by Kendal Murray

Filters

Author:
Category:

Trainspotting response

I really enjoyed this film. my score out of 10 would be 8.5/10. there are some very realistic scenes and representations of how British politics created a legacy of disaster for Scotland specifically. There’s no censoring in this film which allows the audience to be shown what the realities of living in Scotland during the heroin and AIDS epidemic was really like.

The exploration of gender is very interesting to, as topics like gender expression in a place like Scotland during the mid to late 90s would have been very stigmatised.

a scene which was memorable for me was when Renton went to Tommy’s apartment. Renton was now clean and trying to get himself together, while Tommy was deep in the pits of addiction and had contracted AIDS. there is a parallel between Tommy and Renton as before Tommy was using heroin he represented the middle class of Scotland which had not been affected by the terrors of drug abuse. Renton represents the disease of drug abuse and how it can ruin peoples lives, e.g. the events of Renton stealing Tommy’s sex tape lead him to using heroin and eventually dying.

CINEMATOGRAPHY

TIME CODE 5:31

In this scene as well as many others we can see the character Swanny, also known as Mother Superior. Every time we see this character he is in the drug den surrounded by a sinister red light. The red light in this film represents all of Renton’s vices; sex, drugs, death, and everything else that is stopping Renton from “choosing life” When the audience sees the red light they know that Renton or one of his friends will most likely be using heroin, this creates a sense of anxiety within the spectator.

SOUND

TIME CODE

Diegetic Sound in the Joker  

When Arthur is at the Murray show we can hear applause. Arthur and Murray, along with everyone else, can hear this applause as it is in response to something someone has said. This is diegetic as the characters as well as the home viewers can hear it  

NON-DIEGETIC SOUND IN FILM  

When Arthur was dancing on the stairs while wearing his joker makeup.  

WHAT IS A SOUND AFFECT?  

Sound effects are artificially created or enhanced sounds that are used in artistic works to emphasize or express an action, mood, or feeling.   

FOLEY ARTISTS 

Foley artists re-record sounds for film in soundproof rooms. Once they re-create the sounds, they then layer it over the scene.  

LEITMOTIF 

A leitmotif is a recurring musical phrase associated with a theme, subject, character, or setting.   

  1. AMERICAN BEAUTY  
  1.  APOCALYPSE NOW.  
  1. THE DARK NIGHT 
  1. LORD OF THE RINGS 

SOUNDBRIDGES 

L-Cuts and J-Cuts are both sound bridges, J-cuts carry music from a previous scene into a new one and L-cuts carry music in

VOICE OVER/ NARRATION  

Voice over and narration often give the audience extra contextual information about characters. Sometimes we have unreliable narrators who deceive the audience and change the audience perspectives of certain characters.

SCORE/UNDERSCORE

The score is music specifically written, and recorded for one film. The underscore is the music that plays under dialogue and carries the mood for certain scenes.

SYNCHRONOUS / AYNCHRONOUS SOUND

Synchronous sound is sound that is matched with the action and movements being viewed. 

Asynchronous sound is not matched with a visible source of the sound on screen. 

NEEDLE-DROP

Needle-drop is popular music used in film which either enhances the mood or creates an ironic atmosphere to add further to the film.

SOUND PERSPECTIVE

Sound perspective refers to the apparent distance of a sound source, evidenced by its volume, timbre, and pitch.

Steven Spielberg Munich

in Steven Spielberg’s Munich he uses ambient sound and plays with shot distance in context to sound.

FAVOURITE FILM SOUNDTRACK

My favourite film soundtrack is the use of the song “The End” in the film Apocalypse Now, I like how symbolic it was when used with the first scene when bombs are being dropped in the jungle. And the usage of it when Willard meets Kurtz is very interesting, because as the song reaches its climax we see Willard kill Kurtz and as this happens the scene cuts to the Cambodian tribe sacrificing the water buffalo. The killing of the buffalo represents the brutality of war and the usage of “The End” is smart because it was a popular song during the Vietnam war among soldiers. composer is Jim Morrison/the doors. Song is considered acid rock/hard rock.

SOUND TASK

Sound Editors systematically work through films checking the sound of each sequence – dialogue, music and sound effects – and ensuring it all comes together perfectly in sync.

Sound designers collect, edit, and create sound effects, ambient effects, and even music for video games, applications, or any other form of interactive media.

MOONLIGHT CINEMATOGRAPHY

  This shot from moonlight is a closeup. The effect this scene has on the audience is unique. From this point of view, we can truly experience Chiron’s life with an addict mother, no personal space, his feelings being disregarded, and his mother coming to him for money to purchase more drugs. This POV makes it look like Chiron’s mother is trying to sympathise with us, the audience.  

This low angle shot represents Kevin as an aggressor, making him look bigger and his presence more demanding. This technique is used to show that in this moment he has the power over Chiron and is using it against him.  

I have chosen this scene to represent camera movement. In this scene the camera is moving in a corkscrew like fashion around this character. This technique creates a sense of foreboding and tells us that something bad is going to happen. This is like a personified version of someone” spiralling”  

MOONLIGHT FIRST RESPONSE.

SCORE OUT OF 10 MEMORABLE SCENE FILM RESPONSE  
9/10  A memorable scene for me was a young Chiron looking out onto the ocean. This seems like a tranquil place for him. The motif of water is commonly used as a reference to “rebirth” or “baptism” and in every act of the film we can see Chiron at a body of water, cleansing him of one era of his life, leading him onto another.   I absolutely loved this film. It tackled the topics of sexuality and addiction so gracefully. Usually in films that explore these topics we see a lot of unnecessary violence that hold no significance to the plot, but moonlight strategically places heart wrenching scenes to reach out to the audience. The first 2 acts take place in Miami in the 80s, when the war on drugs and AIDS epidemic was taking place. I only have one critique for this film, and it is the Beach scene with Kevin in act 2, I would have preferred it if they had only shared a kiss instead of that and a sexual act.  

JOKER MIS-EN-SCENE

Joker. Directed by Todd Phillips 2019.  

I have chosen this image because of the creative usage of colour grading. This scene is timestamped at one of the most important points of the film, this is after the joker kills 3 Wall Street traders and takes off to hide. In this scene there is a significance to the colours reflecting against the wall. The two main colours are yellow and blue. Most commonly the references that come with yellow are either “happiness and sunshine” or deceit and cowardice. We commonly see yellow in the film when Arthur is by himself or feels comfortable with himself. Whereas blue represents the society around him. In this scene we see Arthur transforming in and out of these two perspectives, shown through interpretive dance.  

I have decided to use this scene to represent the use of makeup in this scene. In This film we don’t see a spectacle of special effects. There are small moments in the film that use makeup and special effects to its advantage, doing this pulls the audience in with small but extremely violent and realistic makeup looks and effects.  

I have decided to use this scene to represent the usage of composition. In this scene there are two characters (Arthur Fleck and Hoyt Vaughn) the placement of both characters is very strategical as to keep the audience’s eye on all aspects of the scene. There is a triangle created with Arthur, Hoyt, and the small clown figurine at the bottom of the desk. Hoyt is placed at a lower angle compared to Arthur which gives the audience the impression that Arthur is a looming figure, a personification of the criminality in Gotham.  

I have chosen to use this clip to represent verisimilitude in this film. In this scene we see Arthur shoot Murray point-blank in the head. This is a favourable example of verisimilitude, as we see the bullet penetrate Murray’s head on screen. If this were an off-screen death the audience would have a harder time believing Arthur’s insanity. An on-screen death will always shock the audience.  

I have picked this scene to represent Lowkey Lighting. In this clip we can see Arthur in his “alter ego” The Joker. Arthur is just after killing a man in his apartment and has succumb to his illness. The use of Lowkey lighting in this scene foreshadows oncoming terror, (which does come in the next few minutes) The use of lowkey lighting gives the audience a sense of fear.  

This scene is used to represent location filming. This specific scene was filmed at the West 167th Street Step Stairs in the Bronx. Many viewers from New York City or anyone that has knowledge on NYC will recognise these stairs. Location filming is important as using notable locations such as NYC (which Gotham was based on) gives a more authentic feel to the film  

This scene is used to represent sound-stages. Todd Philips was creative in his use of sound in this film. For a sequence in which Arthur Fleck (Joaquin Phoenix) is beaten up by three Wall Street suits on a subway car, the sound gets more sinister as the scene progresses. It was building the scene, starting at a normal atmosphere and then amping it up as the torment increased on Arthur. In a way the usage of sound in this film is a separate character itself, almost representing the chaos that is in Arthurs’s head.  

JOKER FIRST RESPONSE

Joker first response  

SCORE OUT OF 10  MEMORABLE SCENE  FILM RESPONSE 
                    6/10 When the joker is in the public bathroom doing an unsettling dance. In this scene when the joker is dancing the camera follows his body movements very fluidly making you feel a part of the scene    For the most part I enjoyed this film. Visually it was entertaining, but it was a complete remake of the king of comedy (Scorsese, 1982) even down to Robert de Niro being in it. It follows the exact same story line. Also, very reminiscent of taxi driver (Scorsese, 1976) with the motifs of how loneliness and isolation will lead people to do crazy things like kill a talk show host or politician. The cinematography was beautiful, it captured the grittiness of 80s Newyork perfectly.  
   

how to read a film – monaco

Monaco represents his understanding of film in multiple ways. In his book he expresses that film holds a close relation to many other media aspects such as; novels, painting, photography, television and even music.  

Monaco starts off this chapter by explaining the historical significance of poetry, and astronomy and other human creativities have had on the culture.  

Monaco explains that if we were to arrange the arts on a spectrum based on their levels of abstraction then film would cover a broad range of other ideas because of its relation to other art forms mentioned above (photography, painting, music, etc). Film started off as a medium to record other arts but quickly turned into the anomaly that we know as “cinema” today.  

Cinema holds the ability to visually tell you a story and take you on a journey of emotions and experiences. The music used in films influences every watcher’s experience and is timed perfectly to match the story to create a narrative within itself.  

Cinema has the ability to commentate on society with the evolution of genres. Many people look towards film as a way of understanding the world around them. One notable example (personally) is taxi driver, in this film we see how loneliness and isolation can drive society to insane means of being noticed

CATEGORISING FILMS.

Year 12 film studies, Kendal. Film categories

Battleship Potemkin 

Director; Sergei Eisenstein  

Genre; historically significant  

Date; December 21, 1925 

A bug’s life 

Director; John Lasseter, Andrew Stanton.  

Genre; mainstream  

Date; 1998 

The shape of water 

Director; Guillermo del toro 

Genre; art film  

Date; December 1, 2017 

Seven samurai 

Director; Akira Kurosawa 

Genre; historically significant  

Date; April 26, 1954 

The breakfast club 

Director; john Hughes  

Genre; mainstream 

Date; February 15, 1985 

The wizard of oz  

Director; victor Fleming 

Genre; historically significant   

Date; august 25, 1939 

The magnificent 7  

Director; john Sturges  

Genre; historically significant  

Date; October 23, 1960 

Love, Simon  

Director; Greg Berlanti  

Genre; mainstream 

Date; March 16, 2018 

Fitzcarraldo 

Director; Werner Herzog 

Genre; art film  

Date; October 10, 1982 

Alphaville 

Director; jean-Luc Goddard 

Genre; historically significant  

Date; November 1, 1965