definition: a set of principles that are associated with an artistic taste. (i.e. colour grading, costuming, set locations and sound)

realism–

Verisimilitude: Something that is sticking to reality, being true to life or realistic. Example: Yes God, Yes.

Social Realism: Something that aims to draw attention to a real societal or political issue. often sets out to critique these issues. Example: The Millionaire Tour

Magic Realism: A realistic narrative is combined with surreal aspects of fantasy. Example: The Shape of Water

Hyperreality: the inability to distinguish simulations of reality from reality. Example: The Matrix

Visual style–

Iconography: the use of a recurring visual images/symbols in a movie that convey themes, help the narrative or evoke an emotional reaction in the audience. Example: in ‘On a Clear Day’, the sea/pools/bodies of water are shown repeatedly throughout the film to represent the guilt Frank feels for his son’s death, and how he’s dealing with his midlife crisis.

Intertextual reference: When a movie will reference another text (movie, play, tv show, book). Example: Sawyer in lost using many references as nicknames, i.e. calling Charlie ‘Oliver Twist’. He is also often seen reading books which he will then reference.

Visual/Sound motif: A recurring story element that helps to forward the films thematic meaning. (it can be represented visually by shapes, colours, objects and settings. or audibly as distinct sounds, music or noises). Example: In Lord of the Rings, whenever the hobbits get reflective on The Shire, its theme will play in the background, the instruments in it often changing to reflect the way it is being reflected on by the characters.

Colour Grading: tools that are used to make films look better or artificially change the colour to suggest tone or mood. Example: In Pet (2016), whenever Seth is in the basement with Holly, the lighting is made cooler and darker to reflect both Seth’s and Holly’s mindset while down there.

Auteur Trademarks: A filmmakers distinct artistic approach to their film making. Example: Wes Anderson’s movies are always very bright and eccentric. for example, his movie Isle of Dogs, specifically when they’re on land with the humans rather than with the dogs.

Tone–

Pathos: objects that are incorporated into a film to create an emotional appeal in the audience, often one of pity. this can be used to connect with the audience. Example: the Episode ‘Fire + Water’ from Lost, where the audience is shown the character Charlie from a different light as he is trying to save Claire’s baby from things he is hallucinating, which appear to the audience as surreal flashbacks.

Bathos: An anti-Climactic moment. (where a serious moment is being built up to a nothing climax, it can sometimes be done by accident or done for comedic effect). Example: When Mike in Five Nights at Freddy’s is around the office, the audience is made to think that one of the Animatronics will be waiting for him but it is actually a small toy that scares him.

Suspense: When a movie creates a sense of anxiety, anticipation and unease in the audience. it is most often used in thrillers. Example, when Holly is being stalked by Seth as he finds her at her work in Pet(2016).

Comedy: when something is done to make the audience laugh. Example: the Honda odyssey scene from Deadpool and Wolverine.

Dramatic Irony: when the audience has knowledge of something that the characters in the movie/tv show do not. Example: the Pet (2016) scene where Holly talks to Seth, coaching him on how to get rid of Nate, who has no idea that Seth is behind him.

Distancing Effect (verfremdung): breaking the fourth wall. reminding the audience they’re watching a movie. Example: Ferris Bueller’s day off

Postmodern Humour: humour that goes against common ideas in relation to society, genre and humanity Example: Seed of Chucky, specifically the character Glen/Glenda.