Camera Movement – Moonlight

The long uncut tracking shot, in the open scene of Juan arriving to assumingly sell drugs in his neighbourhood, effectively uses panning to build the world in which these characters live in, as the use of panning shows the audience a lot more of the scene in which the characters than just a single shot would.

The director, mainly throughout the first act of the scene, zooms in on the character of Chiron, I think, to convey to the audience how small and insignificant he feels in the society he lives in. The director also does the same type of zooming in on the character of Juan, which could be the director trying to convey that Chiron feels like Juan was the first ever person in his life to care and understand him and how he feels.

Shot Angles – Moonlight

The shot shown below, which is a High Shot, shows Chiron and Kevin sitting on the beach, smoking weed together. The director has chosen this shot to show to the audience the closeness of the two character’s relationship, but perhaps also to foreshadow the following scene that will take, and that they will become sexual partners.

A lot of the shots in the film, such as the one shown below, which is taken from the scene in which Chiron and Kevin fight, are shot at Eye-level. In terms of the whole film, this is done to make the audience feel like they’re part of the events and witnessing them in real life, making more the film more immersive. In this scene, I think this shot has been used to portray to the viewer how betrayed Chiron feels, as he is now getting beat up by this person who he had a deep experience with.

Shot Distance – Moonlight

The shot shown here is from the first act of the film, and it is where Chiron is being taught how to swim by the father figure in his life, Juan. The director, Barry Jenkins, has used a MCU (Medium Close Up) to immerse the viewer in the scene, and make the audience feel like they’re really there, and to perhaps make the audience feel like they’re part of this close relationship, which would help them understand it better. If this was the director’s vision, I think this has been executed very well.

ost shots of Chiron, in the first act, such as one the shown below, which is a LS (Long Shot), picture Chiron being small and vulnerable, whether that be like the example below or just showing his face through a CS (Close Up), portraying to the viewer that he feels powerless in this society.

This shot shown below, which is once again a CS (Close Up), shows once again a sense of weakness and powerlessness within the society, but this time this feeling is coming from the mother, who is addicted to drugs, and begging her son for money, which I personally think is quite a weak thing for a person to do.

Moonlight – Shot distance.

In this close shot of Juan and Chiron, you are Made to feel like you are there using a low shot angle. By seeing them and seeing the water it captures the surrounding of what it will feel like to be in the water with them in that moment.

In this medium close shot, it gives the perspective from Chiron’s mother. The close shot helps emphasise what emotions Chiron is feeling in this moment. As there isn’t much background is showing the intense and fierce conversation/ confrontation from the mother’s part.

In this long shot of Chiron’s mother. The perspective is from Chiron, this long shot helps emphasises the distance and how isolated the relationship between Chiron and his mother, and how they are not close at all as they grow up.

Shot angles –

In this scene of Chiron and Kevin, the shot angle being used is of a low shot angle. This almost makes them seen as superior and in power. It also shows the growth and how growing up as made them more inferior from any others.

In this high shot angle of Chiron laying on the ground after pretending to fight with is friend Kevin. The high shot help show the defeat that was made and to help show the tiredness and worn-out state that Chiron is in making him seem smaller and less strong to his friend.

In this almost eye level/ low shot of Chiron swimming on his own it helps capture what it would be like to be in the water with him, the use of slapping in the water it creates a sense of panic and like you have no control of the water.

Camera and lens movement-

In this scene the camera zooms in and then zoom out. Chiron’s mother backs away as the camera zooms out to show how she doesn’t care about Chiron’s feelings and to show how selfish and show how she doesn’t not act very maternal for her son.

In this scene the camera tilts down then tilt up. It starts off with the camera tilting down to show the gun in Juan’s hand and it is also a slight enigma code as we are not sure just yet who the guy is. However, when the Camera moves up, we see that it is Juan, in this scene Chiron enters his house without warning this make Juan seem paternal as he is trying to look after him and his family.

In this scene the camera pans left to right to show the anger and pace of Chiron who is about to throw the chair over a boy. The camera pans left to right to show the speed of Chiron walking and the intense moment of this scene.

Shots

BCU

This BCU of Chiron puts us in the position of Kev as Chiron gets up from his beating. It shows us Chiron’s indomitable spirit and emotional strength, able to stand up to someone who was a friend after being beaten down. We are shown his stoic expression in extreme detail, which makes the audience respect him as a character.

LS

This long shot puts us in the shoes of Chiron hiding from the group of bullies. It shows us the futility of Chiron’s situation, showing us all of the open space on school grounds, blocked off from him by one small group of people.

CU

This close up of Chiron after the bullies attacked him after forcing Kev to punch him gives the audience a sense of Chiron’s pain. It shows us the blood over his face, the cold water that makes his skin glisten in the school bathroom light. It shows us Chiron’s frustration and anguish in detail, as well as representing his loneliness by giving a close up on his face against an empty white wall. This shot also precedes the scene where Chiron breaks a chair over Tyrell’s head, and this shot gives us Chiron’s emotional motivation for his action by showing his mental state

Camera Angles

Bird’s Eye

This bird’s eye shot of Kev and Chiron on the beach shows them close together on an uneven backdrop that is the sandy floor. This gives the viewer a strong sense of friendship between the two, and the plain sand backdrop against the two looking up at the camera, breaking the 4th wall in a sense, creates a strange atmosphere, almost like a dream.

Eye Level

This eye level shot of the “Little” segments Chiron and Kev portrays a sense of comradery between the two. We get the sense that they are equals and friends.

Low Angle

This low angle shot puts us in the perspective of Chiron’s mother talking to Juan, the man who was taking care of Chiron. This shows us the height difference between the two characters, creating a power dynamic between the person who was meant to look after Chiron versus the person who actually did take care of him.

Movements

Zoom In

This zoom in to the “Little” segments Kev and Chiron gives the audience the feeling that we are getting closer to the characters emotionally. This zoom in happens during a scene where Kev is telling Chiron that he can’t let people push him around and he needs to stand up for himself. The zoom in shows us that these characters are getting closer together, and gives the audience a sense that they are prying on a private conversation between to very close friends.

Pan

This scene where “Little” Chiron is running down towards the waves and then running away when the waves come up utilises a pan to follow Chiron as he runs. It puts us in the shoes of Juan, who is teaching Chiron to swim, and invokes a parental feeling of keeping eyes on the young child, looking after him, making sure he is safe and okay. It shows us Chiron’s relationship with Juan.

Ped

The cooking scene from the “Black” segment utilises peds to follow the movement of Kev’s hands while he is cooking, showing the effort and care that goes into the making of the meal for Chiron.