Cinematography: moonlight 

Extreme close up, this shot affects viewers as it makes the scene feel more intimate and as if we are there as the subject is shown so close. Additionally, the use of this close-up shot makes this scene more emotive as we feel the character is speaking to us as an audience directly which establishes emotional links between the audience and character leading them to feel more invested into the film. The close shot also draws the audiences’ attention. 

This long shot reflects how small Chiro is compared to Quan also showing how small he feels compared to others around him. The small size of Chiro shown in this shot also connotates innocence and is child-like causing the audience to feel sympathetic towards him. 

Close ups give comparison to long shots, as well as making the characters appear smaller reflecting how small Chiro and Kevin feel compared to everyone else in their society. This also causes the audience to be more observant as there is more to look at compared to a long shot.  

Camera angles 

This low angle makes young Chiro appear larger while opposed to reality where he is very small also making him look vulnerable.  

High angles are taken when the camera is looking down on the actors and setting while being above. They make the scene more dramatic as well as making the characters appear smaller and more venerable, which can show the audience how the characters feel in this scene. 

Birds eye shots are taken directly above the character, they affect the audience by giving them a clear view of Chiro as well as highlighting his changes from adolescence. 

Camera movements 

In this shot the camera pans down. The effect of this is that it highlights the extend of Chiros injury’s and his mother’s drug addiction causing the audience to feel sympathetic towards Chiro and additionally helps us to build an emotional connection to the film. 

The camera moves to the right in this shot and transfers from an image of the cleaner cleaning the floor and then Chiro sleeping rough in the station. This camera movement reflects the emptiness of the train station telling the audience how everyone has gone home after their work, but Chiro is unable too also highlighting his bad home life again making the audience feel sympathetic.  

Here the camera is freely tracking Quan and Chiro. The effect of this is it makes the scene more immersive and makes the audience feel like they are there, not just watching them on a screen. It also adds an element of peace and tranquillity.