Moonlight Shot Distances:

This scene has a wide aspect ratio to show the entire hallway, and the subject in the shot continues to retreat into the hallway. It begins as a close up before she backs away and the shot becomes a long shot as she walks into the next room. Additionally, this shot is first person from the perspective of Chiron, and makes the viewer feel as if they are in the room with Chiron’s mother.

This medium close up shot of the main character, Chiron as he looks towards the camera, as if he is breaking the 4^th wall. I think this gives an insight into how Chiron’s feelings in this scene – hurt as his mother is looking ill and sickly from her substance abuse.

 I like how this long shot of Chiron comes at the end of the film, with him looking out over the sea. I think that while an abrupt ending, it’s fitting for the end of a drama/slice of life style of film.

Moonlight Camera Angles:

I like this low shot of Chiron’s mother as she scolds him for not coming home that night. It makes the viewer feels as if they are in Chiron’s perspective and makes them feel more connected to the character as it is about his life.

This scene is also shot at a low angle, but it is from water height, so some of the waves come in the shot which I think makes this a really effective shot. Having the camera move with the waves gives the effect of the viewer being in the scene and swimming with Chiron.

This high angle over Chiron almost gives the viewer a sense of superiority over him, as he is low on the ground and almost cowering away from the teacher attempting to help him. However, I also think that this makes us feel sympathy for him.

Moonlight Camera Movement:

The camera pans from right to left in this scene to follow the movement of Chiron’s mother. This allows the viewer to see the entirety of her face as she scolds her son.

The camera zooms in on the children in this scene as they are dancing. The movement is slow to focus on them dancing, which I feel almost acts as a happy scene to interrupt the dark storyline, though it is still focused on Chiron and his friend Kevin.

The camera in this scene tracks Juan as he gets closer to Chiron’s mother in the car. This gives the effect that the viewer is in the scene with him, as it isn’t revealed where he is going until he confronts her in the car.