Joker-mise en scene

Movie: Joker  

Director: Todd Phillips 

I have chosen this scene from the joker because I think the mise en scene really stands out. The director has chosen to use composition, as you can see the Joker is a vivid image and is in the foreground of the shot. However, the two police officers are blurred but you and just about still see their figures at the top of the staircase. This draws attention to the audience as it expands their viewing of the scene as the focus is on the Joker until the unfocused figures of the police offices appear in the background. The relationship between the costume and the stairs makes the iconic outfit stand out. The dull background of the stairs makes the joker in the foreground pop. 

This scene shows the make-up aspect of mise en scene. As the joker is in the reflection of the mirror you can see him doing his make-up. In this scene he is getting ready to do his original clown job on the streets. Seeing him do his make-up in the opening scene will create an impact on the audience as it reflects on how he looks in his iconic costume.  

The lighting is this scene shows several different types of creativeness. The lighting has both high key and low-key features. The main lights are off, but the above lighting is shining brightly down on Authur. The stage lights shining down is causing a shadow effect onto the black wall. This shows us he is the main subject of the scene.  

This scene is in Murray’s studio. In this moment we are waiting for the Joker to out from the wings. The set design is very over the top and has high key lighting. You can tell the set is a tv because of the stage lights, the sofas and the vast number of cameras on set. The audience also helps to create the atmosphere of a tv show.  

This scene is near the end after he has shot Murray. This scene represents makeup for a mise en scene aspect. The face paint around his mouth is originally red however, this time he is using blood to draw the smile. This shows the Jokers evil behaviour.  

Todd Philips has a wide range of aspect ratio in this shot. This wide shot shows the amount of people who disliked Murray as they are all cheering for the Joker because he shot him. The wide shot encourages the audience to look around New York city and see how busy it is and how many people follow the Joker. 

The film stock has used a grain over the scene to give it an eerie feel to it. This scene is with his therapist, and they are talking about his problems. The grain shows that this isn’t a positive scene between Arthur and his therapist.  

One thought on “Joker-mise en scene”

  1. Not all of your shots and analysis are clear or valid I feel. Avoid sweeping statements like ‘set design…over the top’. What does that mean? It’s not analytical language. Your analysis of lighting is much clearer and precise.

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