Technical Elements

Cinematography – The decision to have a dolly-like movement (probably filmed from a moving car) to open the film allows the spectator to feel immersed into the environment of Cameroon, as if they themselves are driving, in a way that is more natural and real than a stationary shot.

Mise-en-scene – The Mise-en-scene in the scenes set in Vera’s office is key to the concepts touched in the documentary. The setting establishes the economic state of Cameroon, specifically in a high status job like prosecutor, the decoration is still minimal, the facilities limited and overall look is simple.

Sound – The use of L-cut in this scene is effective in really understanding the depths of how serious his crime is. We, the audience, are allowed to see his reaction, and notice how he has little to no remorse for his actions and instead asks to be excused. This implements how the men in Cameroon are yet to be taught the consequence of mistreating women and girls.

Editing – The frequent use establishing shots in ‘Sisters in Law’ again adds to be verisimilitude of the film. Ensuring the spectator gets a real understanding of the economic conditions and culture of Cameroon, and how this relates to the somewhat outdated traditions and views the men have about ‘owning’ their wives.

Additionally, the shots almost always depict children running and having fun, this is done to show the beauty that Cameroon has to offer, showing the spectator that although the documentary depicts horrific events, Cameroon is still a place for potential freedom and individuality.