LOCATIONS
Grosnez Castle
House
+ Unspecified Bus Stop
NEA Filming Locations
Monthly Archives: May 2024
Filters
NEA Shot List
| SHOT LIST | |||||||||||||
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME | |
| 1 | A | CU | Tracking | Camera | Bus stop | EXT | YES | Matt steps onto pavement | Matt | ||||
| 1 | B | LS | Stationary | Camera, Tripod | Bus stop | EXT | YES | Bus drives away, Matt stands at bus stop and reaches in his pocket | Matt | ||||
| 1 | C | Low MCU | Stationary | Camera | Bus stop | EXT | YES | Matt takes his phone out of his pocket | Matt | ||||
| CU | Stationary | Camera | Bus stop | EXT | YES | Matt phones his brother | Matt | ||||||
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| MS | Stationary | Camera | Bus Stop | EXT | YES | Jamie (voice): Hello? Matt: I’m here, but I can’t see you? Jamie (voice): Good… | Matt, Jamie (voice) | |||||
| 2 | MLS | Tracking | Camera | House | EXT | YES | Jamie is approaching a house in an entirely different location and stops outside of it Jamie: … I’ll be there soon. | Jamie | ||||
| BCU | Stationary | Camera | House | EXT | YES | Jamie sighs deeply | Jamie | |||||
| MS | Stationary | Camera | House | EXT | YES | Jamie walks up and knocks on the house door | Jamie |
| SHOT LIST | |||||||||||||
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME | |
| MLS | Stationary | Camera | House | INT | YES | Seb opens the door | Seb, Jamie | ||||||
| MLS | Stationary | Camera | House | EXT | YES | Seb: Matthew! Now this is a pleasant surprise. Come in, come in! | Seb, Jamie | ||||||
| MLS | Stationary | Camera | House | INT | YES | Jamie follows seb inside | Seb, Jamie | ||||||
| 3 | CU | Stationary | Camera | Bus Stop | EXT | YES | Matt checks the time on his phone. | Matt | |||||
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| High MCU | Stationary | Camera | Bus Stop | EXT | YES | Matt: It’s been 5 minutes; he only lives down the road! | Matt | |||||
| CU | Stationary | Camera | Bus Stop | EXT | YES | Matt texts Jamie – Everything ok? | Matt | |||||
| 4 | MCU | Stationary | Camera | House | INT | YES | Jamie receives the text and messages back – all good, won’t be long. | Jamie | ||||
| MS | Stationary | Camera | House | INT | YES | Jamie looks down until Seb offers him tea. Then he looks up and says he’s fine. | Jamie, Seb |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| Over the shoulder shot | Stationary | Camera | House | INT | YES | Seb sits down opposite Jamie | Jamie, Seb | |||||
| MS | Pan right | Camera | House | INT | YES | Seb: So, I’m assuming you’ve come to settle your debts? Jamie: I suppose so. | Jamie, Seb | |||||
| MCU | Stationary | Camera | House | INT | YES | Jamie begins typing a message to Matt. | Jamie, Seb | |||||
| 5 | MLS | Stationary | Camera | Bus Stop | EXT | YES | Matt walks back and forth, before hearing a notification and opening his phone | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| High CU | Stationary | Camera | Bus Stop | EXT | YES | I can’t see you tonight. I have to make things right before Seb tears this family apart. (Message on Phone) | Matt | |||||
| Canted MLS | Stationary | Camera | Bus Stop | EXT | YES | Matt reads the message, mortified. | Matt | |||||
| Over the shoulder shot | Stationary | Camera | Bus Stop | EXT | YES | Matt: What’s he thinking! He’s gonna get himself killed! | Matt | |||||
| LS | Zoom | Camera | Bus Stop | EXT | YES | Matt begins running from the bus stop as the camera zooms into his eyes. | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| 6 | MS | Stationary | Camera | House | INT | YES | Jamie sits anxiously | Jamie, Seb | ||||
| MCU | Stationary | Camera | House | INT | YES | Jamie’s foot continuously tapping on the ground | Jamie, Seb | |||||
| Over the shoulder shot | Stationary | Camera | House | INT | YES | Seb: Come on then? Jamie looks at him confused. | Jamie, Seb | |||||
| BCU | Stationary | Camera | House | INT | YES | Seb: The money. | Seb |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| Over the shoulder shot | Stationary | Camera | House | INT | YES | Seb (over Jamie’s shoulder): Don’t play stupid with me, you know what happened to the last fella | Jamie, Seb | |||||
| MCU | Stationary | Camera | House | INT | YES | Jamie, pulling out an envelope: Oh, right. | Jamie | |||||
| CU | Tracking | Camera | House | INT | YES | The envelope slides across the table. | Jamie, Seb | |||||
| MS | Stationary | Camera | House | INT | YES | Seb picks up the envelope and opens it | Seb |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| Worm’s eye view POV Shot | Tracking | Camera | House | INT | YES | Seb looks inside the envelope. Seb: Oooh. Sorry mate, you’ve only given me 12 grand. | Seb | |||||
| High CU | Stationary | Camera | House | INT | YES | Jamie: … yeah? That’s how much I borrowed from you. | Jamie | |||||
| XCU | Stationary | Camera | House | INT | YES | Seb: You’re forgetting about the interest. | Seb | |||||
| BCU TO MCU | Zoom out | Camera | House | INT | YES | Jamie pauses. Jamie: But that wasn’t th- | Jamie |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| MLS | PED UP | Camera | House | INT | YES | Seb, standing up and getting aggressive: Quite frankly, I don’t give a shit about what the deal is! Are you gonna pay me what I want or do we have to do this another way. | Jamie, Seb | |||||
| MCU | Stationary | Camera | House | INT | YES | Jamie anxiously faces the ground. “How much more do I need?” | Jamie | |||||
| CU | Stationary | Camera | House | INT | YES | Seb: I want double. | Seb | |||||
| 7 | Several | Stationary + tracking | Camera | Pavement, cycle track, grosnez. | EXT | YES | Montage of Matt running | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| XLS | Stationary | Camera | Grosnez | EXT | YES | Matt stops running. | Matt | |||||
| Low MS | Stationary | Camera | Grosnez | EXT | YES | Matt takes his phone out and calls Jamie. Matt: Come on, come on… answer the phone. | Matt | |||||
| 8 | CU | Stationary | Camera | House | INT | YES | Jamies phone begins ringing in his pocket. | Jamie | ||||
| MLS | Stationary | Camera | House | INT | YES | Jamie looks down to his pocket, then to Seb. | Jamie, Seb |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| BCU | Stationary | Camera | House | INT | YES | Seb stares directly at him, growing more agitated. | Seb | |||||
| Side facing MCU | Stationary | Camera | House | INT | YES | Seb: Put the phone on the table Matthew. | Seb | |||||
| MLS | Stationary | Camera | House | INT | YES | Jamie takes the phone out of his pocket and places it in front of him. | Jamie, Seb | |||||
| Over the shoulder shot | Stationary | Camera | House | INT | YES | Seb: Now. Am I going to get the rest of my money or do we have to put an end to this another way? | Jamie, Seb |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| Over the shoulder shot | Stationary | Camera | House | INT | YES | Jamie: Look Seb, I don’t have another 12 thousand to give you. | Jamie, Seb | |||||
| CU | Stationary | Camera | House | INT | YES | Seb: Very well then. | Seb | |||||
| Low MS | Stationary | Camera | House | INT | YES | Seb reaches inside his jacket and pulls out a gun. | Seb | |||||
| Over the shoulder shot | Zoom in | Camera | House | INT | YES | Seb: I tried to warn you Matthew. But I should’ve known you wouldn’t listen to me. (Zoom into Jamies face) | Jamie, Seb |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| MCU | Stationary | Camera | House | INT | YES | Seb lifts the gun, pointing it directly at the camera | Seb | |||||
| 9 | Track out LS | Tracking | Camera | Road | EXT | YES | Matt, running: Almost there. He freezes as he hears a gunshot from nearby. | Matt | ||||
| Canted MS | Stationary | Camera | Road | EXT | YES | Matt places his hands on his head – “No…” | Matt | |||||
| XLS | Stationary | Camera | Road | EXT | YES | Matt runs out of frame | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| 10 | Several | Stationary + Tracking | Camera | Road, House | EXT, INT | YES | CROSS CUTTING BETWEEN SEB WASHING HIS HANDS AND MATT RUNNING TOWARDS THE HOUSE | Seb, Matt | ||||
| LS | Whip Pan | Camera | House | INT | YES | Seb turns around to see Matt enter the house. | Seb, Matt | |||||
| Worms Eye MS | Stationary | Camera | House | INT | YES | Seb rubs his eyes and looks again. Seb: I must be seeing things! You’re… you’re… | Seb, Matt | |||||
| CU | Stationary | Camera | House | INT | YES | Matt: I’m what Seb? | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| XCU | Stationary | Camera | House | INT | YES | Seb: Dead. | Seb | |||||
| XCU | Stationary | Camera | House | INT | YES | Matt’s eyes widen | Matt | |||||
| MLS | Stationary | Camera | House | INT | YES | Matt: No! You’re a liar! He’s not… he can’t be! | Matt | |||||
| MCU | Stationary | Camera | House | INT | YES | Seb: He? Who’s ‘he’??? | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| High MS | Stationary | Camera | House | INT | YES | Matt: my brother. I should never have told him about you! If he didn’t know he’d still be here! | Matt | |||||
| BCU | Stationary | Camera | House | INT | YES | Seb’s eyes move away from Matt. | Seb | |||||
| CU | Stationary | Camera | House | INT | YES | The gun sits on the table | None | |||||
| MCU | Stationary | Camera | House | INT | YES | Matt realizes where he’s looking. Matt: Don’t even think about it. | Matt |
| SCENE # | SHOT | SHOT TYPE | MOVEMENT | GEAR | LOCATION | EXT / INT | SOUND | SHOT DESCRIPTION | CAST | SETUP TIME | SHOOT TIME | TOTAL TIME |
| MS | Stationary | Camera | House | INT | YES | Seb rushes for the gun | Seb | |||||
| MS | Stationary | Camera | House | INT | YES | Matt rushes for the gun | Matt | |||||
| CU | Stationary | Camera | House | INT | YES | Both hands touch the gun | Seb,Matt | |||||
| Low angle | Stationary | Camera | House | EXT | YES | Gunshot prompts title card | None |
NEA Pre-production: Storyboard/Shotlist – George Blake
Nea film plan
My film will follow a linear narrative with an adventure genre.
Inspiration has been taken from multiple short films such “‘Til Death Do Us Part” and “Pastanak” and so I will be trying to replicate certain individual camera shots used in those films. In addition, the cinematography used “Les Rats” can work in mine quite nicely.
Nea film location
I am planning to film my Nea short film at Trinity woods.
This is a public area therefore permission from the land owner is not needed.
I am planning to record at sunset to improve the mise en scene of my film and in doing so will avoid disturbing other people walking by.
NEA film location
I have decided to film at the waterfront and frigate area of st Helier, this gives me a wide variety of natural and street sets which is needed in a script, the area is a public place therefore I am able to film here legally. I will be filming this during night time to match the tone of my film and to limit the number of public members which may interrupt recording.
city of god iconic shot
This would be my iconic shot because it is the scene where lil ze get shot by the runts. This scene is so iconic as there is a sense of revenge from the runts after lil ze shot one of the runts in the hand.
city of god first response
I would give the film an 8/10. this is because I like how the narrative was fairly straight forward to to follow. i like how the subplots intertwined with the main narrative giving us more context to certain characters. i like the use of cinematography as it is fairly messy but this gives a rough atmosphere to the film which portrayed how life was like at that time
city of god iconic shot
For me, this was my chosen iconic shot because it shows the divide in the community and how smug Li’l Zé and his gang look (wanting to get photographed as they are proud of their win), which is ironic because this scene unfolds the final war that leads to Li’l Zé’s death.
City of God first response
- 10/10
- Most memorable scene:
The use of split screen in this scene made it the most memorable scene in City of God for me, as it brought together the calm and calculated nature of carrot alongside the violence and shock factor he brought to the screen.
3. Iconic shot
this shot sums up the film for me as it depicts how Rocket is caught in the middle of the war and violence, both physically and allegorically, Rocket is forced into the violence of the slums just by living there.