Birth of the Cinema task one

the name of the first film by the lumiere broths was filming workers leaving a factory, it was released in 1895

a phantom ride was an early genre of film, depicting vehicles simply moving forwards, they were often filmed via strapping a cameraman to the front of a vehicle.

the silent films “the sick kitten” and “the life of an American fireman” were ground-breaking as the sick kitten was a close up, which was a first for films, and the life of an American fireman was the first example of continuty editing

the name of the first hollywood “star” was Florence Lawrence

Story of Film 1895-1918

What was the name of the first film by the Lumiere Brothers and when was this? – La Sortie des ouvriers de l’usine Lumière (Workers leaving the Lumière Factory), 1895


What is the “Phantom Ride”? – Strapping a cameraman to a moving vehicle to create an effect similar to a POV shot.


What was ground breaking about the silent films “The Sick Kitten” and “Life of an American Fireman”? – The Sick Kitten (directed by George Albert Smith in 1903) was the first film to include a close-up shot. Life of an American Fireman (directed by Edwin S Porter in 1903) featured continuity editing from several different angles and locations, while maintaining a narrative throughout.

What was the name of the first “film star” in Hollywood? – Florence Lawrence

Odyssey- story of film.

The Lumiere’s held the world’s first public movie screening on December 28, 1895, at the Grand Café in Paris. Their directorial debut was La sortie des ouvriers de l’usine Lumière (Workers Leaving the Lumière Factory)

Cameramen would literally strap themselves and their cameras to the buffer of a speeding train. From this position, the film would appear to be moving thanks to an invisible force, hence the name ‘phantom ride’ by which they soon came to be known.

the film “the sick kitten” was so ground breaking because it had the first medium close up shot in it when they zoomed in on the kitten eating, The Sick Kitten is a 1903 British short silent comedy film, directed by George Albert Smith, featuring two young children tending to a sick kitten

Life of an American Fireman is a short, silent film Edwin S. Porter made for the Edison Manufacturing Company. It was shot late in 1902 and distributed early in 1903. One of the earliest American narrative films, it depicts the rescue of a woman and child from a burning building

Fans fled from all corners of the country to catch a glimpse of the ever-famous Florence Lawrence—this time with a name attached to her celebrated face. It was the beginning of stardom—not just for Flo, but for all other famous actors and actresses to follow. It was the birth of a “movie star” lifestyle.

The story of film (1895-1918) questions Part 1

  1. The first film created by the lumiere brothers was titled La Sortie des ouvriers de l’usine Lumière made in 1895
  2. Phantom rides were a type of early film depicting a vehicle moving towards a location
  3. The films the “The Sick Kitten” and “Life of an American Fireman” were special as they introduced new camera techniques. Being close up shots and reverse shots putting more highlight on filming the actors rather than the set.
  4. The first major film star was a woman named Florence Lawrence who gained fame after appearing in a movie when she was thought to be dead.

the story of film questions (part 1)

1 What was the name of the first film made by the Lumiere brothers and when was this?

Workers leaving the Lumiere factory in 1895

2 what is the phantom ride

an early genre of films showing vehicles moving forward. they were filmed by strapping a camera to the front of a vehicle

3 what was the sick kitten and life of an American fireman

the sick kitten made use of close ups and camera work. the American fireman used editing

4. who was the first Hollywood actor

Florence Lawrence

Bonnie and Clyde Aesthetics

realism:

The films is closely accurate towards the great depression era of the film. With a rural rundown setting and the struggles of the everyday people playing an important role within the narrative. However With the main characters verisimilitude is messed with a bit having them wear expensive fashionable clothing as well as plot points being exaggerated for entertainment example being the action scenes.

tone:

Bonne and Clyde is a mostly upbeat and suspenseful film with the fast paced action scenes. Has an adventurous and exciting feeling to it as they travel to unknown areas doing criminal activities not previously seen in movies at the time before French new wave.

Visual style:

This film was inspired by the French new wave movement taking many of its visual elements with editing in particular breaking the norm of old Hollywood with an example being the rapid shots used in many scenes like when they are shot dead in the ending.

aesthetics in bonnie and clyde

Realism

Realism in film relies on both narrative and visual realism, it produces a slice of ‘real’ life on screen by focusing on dull aspects of everyday life. In Bonnie and Clyde, realism is shown throughout, in scenes in particular is the nature-landscape kind of rural places in which they find to rest at. In particular later on in the film, C.W goes to a camp looking area to get water. It shows the realism of the time of the Great Depression and after effects of the economic crash.

Tone

The tone, which is the mood or atmosphere of a film scene, in Bonnie and Clyde is a calm and romantic yet at the same time extremely violent (the end scene) tone. The tone changing so much in Bonnie and Clyde could be foregrounding Bonnie and Clyde themselves and their bipolar personality’s.

Visual Style (French New Wave)

In Bonnie and Clyde the influence of the French New Wave is shown in many aspects. The style and editing used in this film show typical French New Wave techniques of characterisation of the protagonists, fast cuts, and spontaneous music to shift the tone abruptly.

Aesthetics in Bonnie and Clyde

Realism

An example of realism in Bonnie and Clyde would be the verisimilitude that comes with the violent scenes. Before the New Hollywood era, heavy uses of things like blood were uncommon in films, so Arthur Penn challenges this by presenting a realistic depiction of what would have happened to characters when shot at.

Tone

Suspense is built in the final scene of the film, with the fast paced editing between shots creating a sense of panic for the audience before the eventual firing of the guns.

Visual Style

A common camera shot during the French New Wave era was tracking shots. One scene in which these are used in Bonnie and Clyde is the scene where Clyde exits the car to run after Bonnie. The camera follows the vehicle as it moves, as opposed to remaining stationary and having the car go into the distance.

representations in bonnie and clyde

Women

In Bonnie and Clyde, Bonnie holds just as much power as Clyde as they work together and posses the same motives. Yet throughout, the representation of women is different to men as they turn against each other like the characters Blanche Barrow and Bonnie Parker (seen below). They seem to turn against each other perhaps because Bonnie wants to be the only female holding the power and also because Blanche is not a criminal like Bonnie.

Men

Throughout Bonnie and Clyde, there are obvious men who hold more power like Clyde and his brother Buck Barrow (image 2), compared to C.W (image 1), as they treat C.W as someone with less power. This is changed because C.W has to look after them, showing his ture friendship yet when he brings them to his dad to take care of them, his dad convinces him to help set Bonnie and Clyde up in order for them to be captured and killed. C.W turns into the powerful character. So in Bonnie and Clyde, men are represented as power holders and are used to show the difference of status (Clyde v.s C.W).

Authority Figures

While Bonnie and Clyde are on the run, they seem to keep dodging the authority, though this Sheriff captures them they decide to mess with him, showing the lack of power held by the Sheriff when it came to ‘powerful’ criminals like Bonnie and Clyde. Yet at the end, the authority make a comeback and manage to capture Bonnie and Clyde.

People Of Colour

The people of colour in Bonnie and Clyde is not hugely spoken on and the plot does not include much about the people of colour and their significance, despite their significance in the Great Depression in real life back in the 1930s. However a previous farm worker appears with another previous farm worker (image below) when Bonnie and Clyde and practising shooting. Bonnie and Clyde lend their gun to these farm workers to use, giving them much joy. Their is a moment of silence as appreciation in this scene, showing Bonnie and Clyde’s sympathetic personality’s when not in their criminal mindsets, just being normal people.

Working Class Americans

In the movie Bonnie and Clyde, working class Americans were represented in a way that showed that the people of time were suffering from economic collapse. This can be seen in scenes like when C.W drives to a rural area in which people are camped in to find some water for Bonnie and Clyde (image 1), and when Bonnie and Clyde are found practising shooting guns and the previous farm workers show up with their family in the car (image 2). Bonnie and Clyde symbolise the two naïve lovers who decide to carve out their own American Dream by rejecting the failing economic systems during the Great Depression. Though Bonnie and Clyde were actually liked by a lot of the public because so much of the working-class population of the United States were hit hard by the depression, many were more sympathetic to criminals who were targeting banks and other financial institutions, which were perceived to have been behind the economic collapse.