Women are represented in a way that counters stereotypes from the 1960s, when the film released. Bonnie is portrayed as confident and unafraid to stand up for herself against characters like Buck. Additionally, she doesn’t simply take orders from the men of the film, instead being presented more equally.
Men such as Clyde too challenge common ideologies from the time. Throughout the film, Bonnie attempts to have sex with Clyde several times, but he refuses with lines such as “I ain’t much of a loverboy”, suggesting impotence.
Authority Figures can be seen through the character of Frank Hamer. He is initially portrayed as weak and incapable of stopping the group, but once Blanche is blinded, Hamer comes across as more vengeful and eager to put an end to Bonnie and Clyde’s crimes.
People of Colour are notably absent throughout the majority of the film, besides the character of Davis, who works with Otis Harris. Davis has no lines in the film, and can be seen waiting to be instructed by Harris before shooting the gun at the window. This is a negative representation, as Davis’ character is not represented equally to his white co-worker. However, it may be historically accurate, as racial prejudice was still common in the 1930s.
Working Class Americans are represented as sympathetic, having lost what they had worked for during the Great Depression (which is when the film is set). The farmer who had been evicted from his home by the bank is supported by Bonnie and Clyde, who allow him to shoot the sign in front of the house.