How does Henri Cartier-Bresson view the act of photography?
- He see is as a physical pleasure like hunting – a camera being almost like a gun, being able to roam the streets, having to crouch down to get an angle like hiding in hunting.
- He also sees it as an extension of the eye – being able to capture it in more focus or zooming in and using different lenses to capture something the eye wouldn’t be able to.
- Someone says that he takes pictures as if God took them – he’s able to capture movements as if he’s everywhere



Describe Cartier-Bresson’s theory of The Decisive Moment
- when taking an image he want to perfect the position for it to come together
- Cartier-Bresson’s style of images are candid photos in which the subject doesn’t know they are being taken a photo of – these could range from people in motion or a surprise picture because if they are to know theyre getting a picture taken people tend to get embarrassed.
- He also thinks correction is impossible – if you take a bad picture or if the image doesn’t turn out its lost forever as you can’t recreate that moment
- He prefers shapes and geometry in images as he gets intellectual pleasure from it.
- He takes images by seeing, understanding and feeling – he captures the world
- He also says taking a photograph is intimate getting between their skin and shirt
‘Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera’ Cartier-Bresson