Fixing the shadows

A camera obscura consists of a dark box, tent or room with a small hole in one side or the top. with light from an external scene through the hole and strikes a surface inside, the scene is reproduced but inverted and reversed with colour and perspective preserved. Although camera obscura is old and we have developed more high-tech cameras the concept of camera obscura is still used by photographers world wide

These images are an example of how camera obscura works

Nicephore Niepce

Joseph Nicephore Niepce was a French inventor and one of the earliest pioneers of photography. Niepce used his heliography process which was an early photographic process producing a photoengraving image on a metal plate coated with an asphalt preparation to capture the first photograph, but his pioneering work was soon overshowed by the invention of daguerreotype.

Daguerreotype is a direct-positive process, creating a highly detailed image on a sheet of copper plated with a thin coat of silver without the use of a negative. the process required great care. The process required great care. The silver plated copper plate had first to be cleaned and polished until the surface looked like a mirror

Louis Daguerre

Louis was a painter and a stage director. He was a student of Degotis, who was a creator of stage setting at the Paris opera, where he started at the age of 16.

while Daguerre works exhibited in the art shows that he never really had huge success, from 1817-1822 his work was shown at the opera brought him unanimous praise from critics and from the public, he displayed original creativity with his light effects, creating moon rises or moving suns that remained in peoples memories.

Daguerre was developing hislighting talents, acquired during his years as a set designer at the Opera and the Ambigu, to change the mood of a same scene. This created such an illusion of reality that the Diorama became a huge success. Later on, the two partners adapted to these huge sets the principle of showing the optical views either with front or back lighting. In this case the scene watched with a dim lighting, whence a night effect that could be accentuated by painting to the back of the view a decor with the purpose of masking some parts of the image creating new shadows corresponding to night. Going from one to the other lighting, the same scene would progressively change from day to night.

Daguerreotype

The daguerreotype is a direct-positive process, creating a highly detailed image on a sheet of copper plated with a thin coat of silver without the use of a negative. The process required great care. The silver-plated copper plate had to be cleaned and polished until the surface looked like a mirror

Henry Fox Talbot

Whilst on honeymoon in Italy with his wife Constance, Talbot tried to draw a picture of Lake Como using a camera Lucida. A camera Lucida is a drawing aid which uses a prism to allow the artist to simultaneously see the landscape before him or her and the drawing paper. Talbot was frustrated with the outcome of his drawing, especially in comparison to Constance’s accomplished artwork, and wished that the image made by the camera Lucida could be fixed in a more mechanical and accurate way.

Richard Maddox

Richard Maddox was an English photographer and physician who invented lightweight gelatin negative plates for photography in 1871. Dry plate is a glass plate coated with a gelatin emulsion of silver bromide. It can be stored until exposure, and after exposure it can be brought back to a darkroom for development at leisure.

The advantages of the dry plate were obvious: photographers could use commercial dry plates off the shelf instead of having to prepare their own emulsions in a mobile darkroom. Negatives did not have to be developed immediately. Also, for the first time, cameras could be made small enough to be hand-held, or even concealed: further research created fast exposure times, which led to ‘snapshot’ photography (and the ‘Kodak’ camera with roll film), ultimately paving the way for cinematography.

George Eastman

When Eastman was 23, a colleague suggested that he take a camera on an upcoming vacation. Eastman bought a photographic outfit, and although he never made the journey, he became fully engrossed in photography. However, the weight, awkwardness, and cost of the equipment required to take and develop photographs soon led Eastman to seek improvements. He spent three years in his mother’s kitchen experimenting with gelatine emulsions, and by 1880, he had invented and patented a dry-plate coating machine.

In 1881, with the financial backing of Rochester businessman Henry Strong, Eastman formed the Eastman Dry Plate Company (reincorporated as the Eastman Dry Plate and Film Company in 1884 and as Eastman Kodak Company in 1892). With a series of innovations, the company created easy-to-use cameras that made photography widely accessible, established the practice of professional photofinishing, and developed a flexible film that was a critical contribution to the launch of the motion picture industry.

Kodak Brownie

The Kodak “Brownie” camera made its debut at the turn of the twentieth century and sold for one dollar. One hundred thousand of them were purchased during the first year alone. The Brownie helped to put photography into the hands of amateurs and allowed the middle class to take their own “snapshots” as well.

Eastman Kodak introduced the new Brownie dollar box camera in 1900; the release was supported by a major advertising campaign. The name “Brownie” was chosen primarily because of the popularity of a children’s book of cartoons of the same name, and partly because the camera was initially manufactured for Eastman by Frank Brownell of Rochester, New York.

Digital Photography

Digital photography is the process of capturing images electronically rather than by analog methods such as film or instant Polaroid’s. A digital image is captured to a solid state sensor containing an array of photodetectors or pixels. The digital images are then stored as a type of computer file* that can be processed, edited and corrected using software such as Adobe Photoshop.

Digital imaging, whether stills or video, encompasses capturing, storing, and manipulating images through electronic devices like cameras and smartphones. Unlike traditional film photography or video, digital for both mediums relies on sensors to convert light into digital data. 

summer task

Harry Callahan was a pioneering American photographer who worked in both color and black-and-white. Among his best-known works are the numerous portraits of his wife Eleanor, who served as a constant model throughout his career. His prolific practice included taking took dozens of photographs a day

He tried several technical experiments double and triple exposure, blurs large and small format film. Callahan was one of the few innovators of modern American photography noted as much for his work in color as for his work in black and white.

Harry Callahan was born in Detroit, studied engineering at Michigan State University, and worked for Chrysler before taking up photography as a hobby in 1938. Callahan cited a visit by Ansel Adams to his local camera club in 1941 as the time he began to view photography seriously. Self-taught as a photographer, he found work in the General Motors Photographic Laboratories. In 1946, shortly after meeting László Moholy-Nagy, he was asked to join the faculty of the New Bauhaus (later known as the Institute of Design) in Chicago, where he became chairman of the photography department in 1949. He left Chicago in 1961 to head the photography department at the Rhode Island School of Design, where he remained until 1973. He has won many awards for his photography, including a Guggenheim Fellowship in 1972 and the Photographer and Educator Award from the Society for Photographic Education in 1976, and he was designated Honored Photographer of the Rencontres Internationals de la Photography in Arles, France in 1977, and received ICP’s Master of Photography Infinity Award in 1991. Among the major exhibitions of his work

Harry Callahan has won many awards for his photography, including a Guggenheim Fellowship in 1972 and the Photographer and Educator Award from the Society for Photographic Education in 1976, and he was designated Honored Photographer of the Rencontres Internationals da la photography in Arles, France in 1977, and received ICP Master of Photography Infinity Award in 1991

photo taken by Harry Callahan in Chicago 1954

Photo taken by Harry Callahan in 1949 in chicago

SUMMER TASK

Aaron Siskind

Aaron Siskind was born in New York City in 1903 to a Russian-Jewish immigrant family. Initially drawn to poetry and music, Siskind’s artistic journey shifted when he received a camera as a wedding gift in 1930. This sparked his passion for photography, leading him to join the New York Photo League, where he became known for his social documentary work during the Great Depression, particularly his photographs of Harlem.

In the 1940s, Siskind’s style evolved as he became influenced by Abstract Expressionism. He began to focus on abstract forms in everyday objects, emphasizing texture, line, and composition. His photography blended “straight” documentary realism with abstraction, making him one of the pioneers in transforming photography into a medium for abstract art. His work often reflected his emotional experiences and a modernist concern with flatness, influenced by close friendships with artists such as Franz Kline and Willem de Kooning.

Siskind taught photography at the Institute of Design in Chicago and later at the Rhode Island School of Design, shaping the next generation of photographers. His contributions to photography are marked by his ability to merge the literal and abstract, influencing both his peers and future photographers. He passed away in 1991 at the age of 87.

Siskind was interested in surfaces and textures, both from the natural world but also the urban environment. He gets in close to his subjects and fills the frame with detail. There is always a strong sense of design and all over interest for the viewer.

Info rewritten from ” https://www.theartstory.org/artist/siskind-aaron

Some of Aaron Siskind’s work

https://news.wttw.com/2016/05/06/radical-beauty-photographer-aaron-siskind-art-institute

https://www.nytimes.com/2014/10/12/nyregion/aaron-siskind-as-city-documentarian.html


Line – Are there any elements in the photograph that function as lines? Consider whether they are straight, curved, thin, or thick. Do these lines direct the viewer’s eye in a particular direction? Do they outline forms or suggest movement and energy?

Shape – Can you identify any shapes within the image? Are they geometric with straight edges or organic with more fluid, curving forms?

Tone – Does the photograph display a variety of tones ranging from dark to light? Where is the darkest area located? Where is the lightest?

Repetition / Pattern – Are there objects, shapes, or lines that repeat, forming a pattern within the composition?

Texture – Imagine touching the surface of the photograph. How do you think it would feel? How do the objects within the image appear in terms of texture?

Space – Does the photograph convey a sense of depth, or does it seem more shallow? What elements contribute to this perception? Are there notable negative (empty) spaces in contrast to positive (solid) areas? Is there any illusion of depth created through techniques like perspective?


My Favourite Images

Fully unedited

Summer Task

For the images above, I displayed them in a triptych since they all have warm and vibrant colours which go well together as well as the fact they all focus on landscapes. The darker tones in the sky of the first image also juxtapose the lighter and more colourful tones of the sky in the second image, although if I were to do this again I would put the image of the flower in the middle for consistency.

I then displayed these images together since I like how they’re all of the same landscape, whilst the black and white version in the middle draws focus and creates contrasts in tones when compared to the other two images.

I wasn’t too pleased with the final outcome of this overall, as the editing has slightly overexposed some of the images as well as being over saturated or having too high vibrance. The layout also doesn’t group all the photos too well (a triptych or a 2×2 square would have been better to show them as being part of one set) and the brown background also doesn’t compliment any of the colours well.

This is the final outcome I am most satisfied with, since the triptych as well as all the photos being black in white clearly shows intention and that these are all part of one set. Furthermore, I like how the two photos on the edges focus on the sky and rocks in contrast to the centre image which focuses more on water ripples and rocks as this compliments the overall presentation really nicely.

Summer Task

Photo Inspiration

Harry Callahan, a prominent American photographer, excelled in street photography and landscapes as part of the modernist movement. His photography focused on capturing the beauty in everyday life, exploring light, shadow, and form while emphasizing the relationship between people and their environment, showcasing a profound connection to the world around him. Callahan’s innovative photography techniques included experimenting with multiple exposure, cropping, and close-ups to craft compelling compositions. He skilfully manipulated light and shadow to infuse depth and emotion into his images, enabling him to convey his distinct vision and perspective through his photographs.

 

Background

Harry Callahan attended Michigan State College (now Michigan State University) and studied engineering before discovering his passion for photography. He became famous in the mid-20th century for his unique approach to photography, capturing everyday life in a remarkable way. Callahan’s work gained recognition for its innovative techniques and profound artistic vision, establishing him as a significant figure in the world of photography.​

My Summer Photography

 

 

 

 

summer task

•Karl Blissfield born in 1869 and died in 1932. Photographed plants in closeup and trained as a sculptor but was only very interested in plants and a keen amateur botanist and used photography as a teaching tool to demonstrate the differences in botanical forms. 

•He developed cameras which allowed him to photograph both plants and the texture of their surfaces in unprecedented details.

•He first published black and white photography images In unformed der kunst (1929), which translates as artforms in nature, after an exhibition of his work at Berlins Gallery Nierendorf. 

•His images are unique in the portrayal of plants although a number of people have sought to emulate him. He focuses in particular on the form and structure of plants.